celebrity radar - gossips
Anxiety looms In Ondo Town over lull in investigations on succession Crisis, Regent’s abduction, molestation
Many law-abiding residence are miffed that no visible action has taken place weeks after a strongly worded petition on the recent crisis in Alade Idanre kingdom in Ondo state over the succession of Olusegun Akinbola was sent to the Ondo State Commissioner of police.
It could be recalled that just two days after the demise of the monarch Alade Idanre, Temilowa Akinbola, his first daughter, was crowned the regent.
But five days after her emergence, hoodlums invaded the palace and attacked her alongside her.
In a petition to the state commissioner of police requesting prompt investigations and action, Temilowa, through her lawyer, narrated how she was abducted from her father’s palace and assaulted allegedly on the orders of Frederick Aroloye, paramount ruler of Idanre.
“Our client reliably informed us that sometime on Friday 23rd October 2020, some thugs numbering about 20 forcibly entered the palace of Aladeokun of Alade and caused havoc therein. The thugs who came in motorcycles (popularly known as okada) were armed with guns, cutlasses, logs of wood and other dangerous weapons. We were reliably informed that the thugs shot sporadically into the air, singing war songs and demanding for the whereabouts of our client, the Regent of Alade,” she said in the petition her lawyer signed on her behalf.
“It is part of our brief that the hoodlums maliciously damaged all vehicles packed within the premises of the palace. Windshield and glass windows of vehicles belonging to Olori Abiola Akinbola and her visitor and chiefs were smashed by the thugs.”
The petition stated that after gaining entry into the living areas and bedrooms in the palace, the attackers looted and carted away telephone handsets, assorted wines, food items, clothing materials, jewellery, laptops, ATM cards and money.
The regent was forcefully taken to the palace of Aroloye where she was assaulted in his presence.
“We were further informed that our client was severely beaten, assaulted and her dignity was abused. The suspects dragged Her Majesty out of the toilet where she hid and forced her on a motorcycle. Also assaulted and abused were all persons, inhabitants, family members and visitors who were at the palace of Aladeokun on that day. The suspects roughly abducted our client and took her and Olori Abiola to Owa of Idanre’s palace. At the palace, it became apparent that the thugs were carrying out the instructions given to them by Owa of Idanre,” the petition read.
“Owa of Idanre sat on the throne and watched as the suspects again beat up the regent and the Olori. It was at the palace that the Owa ordered that the Regent vacate the throne so that one High Chief Lisa of Alade be installed. Owa of Idanre also ordered that Alade regional market be opened contrary to custom and tradition of closing same upon the demise of Aladeokun of Alade.”
Surprisingly a statement from the media office of the Owa of Idanre, claimed the monarch was not responsible for the attack.
The statement also added that the monarch only invited the regent to a meeting to discuss the controversy surrounding her father’s burial. It equally faulted Akinbola’s emergence as regent, saying it is against the tradition of Idanre people to have a female regent after the transition of a king.
“The gathering at Owa’s palace on 23rd October 2020 was meant to resolve the issue of the purported intention of some people to come and perform parts of the burial rites of the departed traditional ruler of Alade Idanre inside the Alade Regional Market which was founded by Owa on 1861 and such thing was seen as an aberration, hence the need for the parley. And the gathering ended peacefully after exhaustive deliberations from both sides,” the statement read.
“The people were also educated that only at the transition of an Owa could the Alade Regional Market be closed or temporarily relocated and no other traditional ruler in Idanreland was given such entitlement.
“So the Owa could not be a party to any scheme that will make things tough or hard for his immediate family or the people of Alade Idanre who he left behind.
Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.
“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.
The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.
As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.
“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.
**Another Feather for Nollywood Icon Fidelis Duker
*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.
The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.
“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.
Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”
As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.
With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.
As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.
celebrity radar - gossips
E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze
E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze
By George Omagbemi Sylvester | Published by SaharaWeeklyNG
“Public Generosity, Celebrity Loyalty and the Symbolism of Wealth in Nigeria’s Entertainment Elite.”
On Tuesday, February 17, 2026, Nigerian billionaire and entrepreneur Emeka Okonkwo, widely known as E‑Money, once again captured national attention with a lavish and highly publicised act of generosity, gifting a brand‑new 2024/2025 Ford SUV to veteran Nollywood actor Chinedu Ikedieze, affectionately called Aki, during his high‑profile birthday celebration.
The event, held in Lagos amidst a constellation of entertainers, business figures and socialites, was itself part of an annual tradition in which E‑Money marks his birthday (on February 18) with large‑scale giveaways and spectacular shows of material philanthropy. This year, he announced the gift of over 30 cars to friends, staff and family, a gesture that quickly went viral as videos and images circulated across social media platforms.
In the case of Ikedieze, E‑Money’s gift appeared to be deeply personal. During the festivities, E‑Money stood beside his elder brother, Grammy‑nominated musician KCee and recounted how Ikedieze stood by him at his 2007 wedding. The billionaire explained that the SUV was a “token of appreciation” for the enduring support the actor had shown over the years which is a narrative that blends friendship with public celebration.
Ikedieze, a Nollywood staple with a career spanning more than two decades and over 150 film credits, including the iconic Aki na Ukwa franchise, visibly reacted with humble surprise as he received the vehicle, bowing his head in respect and gratitude. The actor later shared the moment on his Instagram account with a caption celebrating the gift, further fuelling online engagement around the event.
Beyond the spectacle, this incident underscores evolving dynamics in Nigerian celebrity culture and the intersection of wealth, influence and reciprocity. Sociologist Dr. Chinedum Uche of the University of Lagos, speaking on the broader implications of such high‑profile gifts, notes: “Philanthropy that is highly publicised can reinforce social bonds, but it also reflects a culture where generosity is intertwined with reputation economy; where giving becomes as much a social signal as it is an act of kindness.” The quote highlights how public acts of wealth transfer among elites serve layered social functions that extend beyond pure altruism.
Critics of such displays argue that ostentatious giveaways, particularly in a country with stark economic disparities, risk amplifying social envy and exacerbating perceptions of inequality. Economist Dr. Ifunanya Nwosu from the Lagos Business School observes: “In societies marked by economic stratification, celebrity largesse may inspire admiration, but it can also inadvertently highlight structural inequities; prompting questions about systemic investment in public welfare versus individual generosity.”
Still, supporters maintain that E‑Money’s annual tradition (which has in past years included cash gifts to his brother KCee, comedians and even domestic staff) reflects genuine gratitude and a commitment to uplifting his immediate circle, albeit within the private sphere.
For Ikedieze, the SUV stands both as a heartfelt gesture from a longtime friend and a public affirmation of their enduring relationship. As the video of the moment continues to circulate, the broader narrative has ignited discussions about the role of private wealth in public life, celebrity culture and how acts of giving are interpreted in contemporary Nigerian society.
In a landscape where influence and generosity often play out in equal measure on public stages, E‑Money’s gift to Aki is more than a headline, it is a flashpoint in ongoing debates about wealth, friendship and visibility in Nigeria’s entertainment and entrepreneurial ecosystem.
-
celebrity radar - gossips6 months agoWhy Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
-
society6 months agoPower is a Loan, Not a Possession: The Sacred Duty of Planting People
-
society5 months agoReligion: Africa’s Oldest Weapon of Enslavement and the Forgotten Truth
-
news6 months agoTHE APPOINTMENT OF WASIU AYINDE BY THE FEDERAL GOVERNMENT AS AN AMBASSADOR SOUNDS EMBARRASSING