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As an Igbo person, I have anchored more of Yoruba events than Igbo events – MC Ice

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As an Igbo person, I have anchored more of Yoruba events than Igbo events – MC Ice

As an Igbo person, I have anchored more of Yoruba events than Igbo events – MC Ice

 

 

 

Popular broadcaster, Master of Ceremonies, comedian, and entertainer Micah Aruocha may not be known by his name but when MC Ice is mentioned, he comes to mind. The most astonishing aspect of his 22 years career is that he does more of emceeing Yoruba events than Igbo or general events, Infact, he leaves mouths agape whenever he introduces himself at the end of any event he anchors.

 

 

As an Igbo person, I have anchored more of Yoruba events than Igbo events – MC Ice

 

Aruocha who is a graduate of ND Mass Communication, Olabisi Onabanjo University, B.SC. Criminology, NOUN, and PGD Mass Communication (NOUN), and presently a Master’s student is also a Special Traffic Mayor with LASTMA and a  special celebrity ambassador with NDLEA.

He speaks about his career with SAM ANOKAM.

 

Tell us what informed your becoming an MC.

 

I used to be known as MC Icewater but now MC Ice for the past 13 years because I rebranded. Icewater is not as conventional as it sounds. It is actually an acronym for Intercontinental Entertainer with a Taste for Enjoyment and Razzmatazz.  I am an entertainer and I love to be regarded as an entertainer because I am a comedian’s entertainer. I do not just believe that I am an entertainer. I do not just go to events to crack people up, I would rather anchor an event because I am more funnier than just doing two to three minutes and I’m off. We all have our callings and that makes it strong and competitive for those who have a niche for what they do. I am not a comedian but I am an entertainer even though I am more funnier than some of my colleagues.

 

 

 

I think I have a flair for anchoring events and I have been doing this for 22 years. I started when I was 18. The first wedding I anchored is what I use as a benchmark to know how long I have been in the industry. The 22nd anniversary of that wedding would be in July. I still have the pictures of that event. I think I was born to do this. Nobody in my family does this. I remember traveling with my father to the east after the 1993 election issues and my aunt has this Uche Ogbuagu’s comedy cassette, ‘Bad Condition.’ And I could adlib word for word of Ogbuagus’s jokes before we returned to Lagos. After then, I started looking for other parts of his CD.  Unlike people would say that Ali Baba influenced them but typically for me, Uche Ogbuagu did even though I have not met him one on one. There was an event we could have anchored together two years ago but he couldn’t make it down.  I would say he influenced me but in my style of presentation, I have been able to carve a niche for myself but listening to Bad Condition volumes 1, 2, 3, and even the one with Sam Loco Efe, with a whole lot of celebrities. I will also give props to Akin Akindele. I remember spoiling my father’s Deeper Life tape of Pastor Kumuyi to dub, Akin Akindele’s Time Na Money show on Raypower before he moved to Star Fm.  I have been on his programme even as an intern. I respect Akin Akindele a lot.

 

 

Are you known more as an MC or broadcaster?

 

I started off as an MC. I love anchoring events. Radio is what we do daily. I have been on Radio now for 16 years. I started on Radio on April 28, the year then Governor Bola Tinubu handed over to Fashola.  I was into anchoring events before Radio came along. From Eko FM, back then, I have also been on Agatha Amata’s Rave TV, I have been on Rainbow FM for my gospel show. Lagos Traffic radio came up and started broadcasting 11 years ago. I started with them and to LTV where I was analyzing newspaper reviews in pidgin English and also took the evening news before I had to rest because of my schedules.

 

 

Five years ago, I had to quit my services with Eko FM  even though I am still in the complex and under the same government because of my timing. I was anchoring, Joli Joli Avenue which is still on but being run by my peeps and one of my protégées. As a broadcaster people listen to you more. There are people who listen to you who might never meet with you just like the case with Uche Ogbuagu.  As an MC you meet with dignitaries. As the bible says that the gift of a man makes way for him, he will stand before kings and not mere men. I have been able to meet with the president, former president, Lagos governor, different commissioners, heads of parastatals and all that. I think I am good at what I do.

 

 

 

 

How competitive is your job as an Igbo person anchoring even more of Yoruba events?

As an MC speaking Yoruba fluently, with Yoruba MCs, I am an Igbo person from Abia, Umuahia South to be precise and at times people wonder, how I manage to maneuver within the system. Yoruba people are very accommodating and the problem for me is that I have anchored more of Yoruba events than Igbo events. I mean speaking the language itself. I have no issues. I have a lot of Yorubas as friends. I remember my friend MC Kirikiri when I just started, he would say Ice, make us go so, so and so place. I have a lot of them as friends and they don’t see me as a challenge.

 

 

Have you anchored a Muslim event, if yes tell us your experience as a Christian, and if no, is it one of the challenges you intend to conquer?

I attended a Muslim secondary school, Awal Islam Model College, Agege, the same school Buba Marwa finished from, Musilu Obanikoro, many of them. I finished from there in 1999.  By virtue of attending a Muslim school, I attended with the kids of the great Salati, a very versed cleric in Islamic knowledge. I do ablution once in a while, while in school. I have anchored more than 50 Nikkai’s. The first time I did it was a bit challenging. I was almost about to shout praise the Lord. As a Christian, I am very accommodating. If I am asked to anchor an event on Sango worshippers’ turf, I will go there and do my job. What I tell myself is that I am doing my job. I’m just like an actor who could act as a Muslim today, act as a Christian tomorrow or do anything that he is required to do. The irony of it all is that most times when I finish a Yoruba event and introduce myself, they would be like how? Some people tell me say you don lost for Yoruba land. It is good for me.

 

 

 

 

What makes you unique?

I think my versatility, my vast knowledge of current happenings, and a good command of the language. I remember having a fan in Ijebu Ode way back in Eko FM unlike now that I have upward and mobile people by virtue that I present on Traffic Radio except for one who doesn’t have a  car and would say he has not listened to me on the radio before or never heard the voice or the name. I do a whole lot of jingles, I have done a whole lot of translations for government, and private institutions when they need to get to grassroots from pidgin to English. Even of late, I did one on the need for subsidy removal just some weeks ago. I think all these stand me out and the ability to maneuver. I was talking about the Ijebu Ode fan before I digressed. Finally, a friend met with her and they started talking the friend asked if she had met me and the other one said she did she know that this MC ICE was formerly a teacher. I was taught the English language in Oru, Ijebu as an undergraduate student of Olabisi Onabanjo University where I studied Mass Communication. It was surprising to her that I could speak English and they had to call for the other person to believe. I used to think I had lost it at a point but not anymore, Infact, it gives me joy. It is like an actor who poisoned somebody in a movie and then you see that same person in the market forgetting that that person only interpreted a role and you try beating them up because you think what he has acted was bad thinking it was reality. I am versatile and can adapt to any function.

 

 

 

What kind of event would you wish to anchor that you haven’t done so far?

I don’t there is no kind of events I have not anchored except the Shango or Babalawo own but I have done something close to that with Ara. That event would be an inaugural ball because observing protocols is a tall order. If you are not careful, those who are working with the person in charge of the event or their principals will rubbish you because they know the rules. That event would be it for me like a president handing over to another president or governor handing over to another but I have anchored something related to that like the pre-inaugural or post-inaugural but not the main deal. That one has to deal with protocols nothing else.

 

What makes a good MC?

The ability to make light of events as it comes. Spontaneity. Versatility. Being vast and prompt! Then, the ability to recognize faces. One has to be ahead of events as a broadcaster. As a broadcaster, I read the news and I get to know a bit of this and that. It is just being vast and being available to deliver at every point in time no matter whose ox is gored

 

 

How easy is it for you in the business given so many talents on the internet?

Though we are many but the clients are not dumb. They know what they want. Do you want somebody that would crack you up and the event would be a flop or somebody that would get the job done? I give it to them especially the skit makers, the online guys, they are doing well but there is always a niche for everybody as every space is not your space. I have seen one or two of them who would come to the event and try to make people laugh. You can just come and do your skit and leave the stage. The sky is big enough for every bird to fly and Infact as Ali Baba would say, we do not have enough comedians yet, maybe until we have comedians knocking on your door, or on a third mainland bride asking to tell a joke for N5k.

 

 

 

Who is your target audience?

My target audience is upward and mobile persons, the young at heart, teens, and any other category. But when I am on the radio, I do not have a target audience.

What are your plans for the next 10 years?

The level I have gotten today, I knew I would get there but I never knew I would get there easily. No wonder the Psalmist says count your blessings one by one. I will be 40 by June 28. And when I tell people of what God has done for me it is like how possible?  I was telling somebody that I have a daughter in boarding school and he was surprised.  He sees me and doesn’t see that little seriousness and somebody who must have all of that, I think I learnt that from Charley Boy. Don’t allow whatever you have been able to do be seen by people as a big deal. I don’t see it, I just see the goal. And in 10 years’ time, as my name connotes, Intercontinental Entertainer, I see myself going Intercontinental, how it will work out I don’t know but just as God has been directing my steps from birth, He will do His thing.

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”

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Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”. By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.

By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

 

Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.

Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.

 

A house built on influence; why the visits never stop.

 


Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.

Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.

 

Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.

Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.

The unresolved shadow: June 12 and the ethics of influence.


No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.

Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.

What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.

2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.

3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.

4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.

The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.

Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.

The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.

First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.

Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.

Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.

At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.

 

Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

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Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK

Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.

Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.

“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”

While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.

FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.

“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

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Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration By Aderounmu Kazeem Lagos

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration

By Aderounmu Kazeem Lagos

 

Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.

Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.

Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.

Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.

Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos

From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.

As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.

For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.

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