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Baba Tee’s Marriage To Yetunde “Bustline” Hits The Rock …………..”We Parted Ways Because I Couldn’t Get Pregnant For Him”

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The controversial marriage between actor and comedian Babatunde Bernard popularly known as Baba Tee and his U. K based wife Yetunde Oduwole, has eventually hit the rocks. The two have come out of it throwing all manner of accusations at each other, speaking with E-247, Yetunde, known popularly as bustline revealed that the relationship has indeed packed up, saying it is evident on both their Instagram pages that Baba Tee has moved on with another lady who he now calls his wife.

On Baba Tee’s claim that he never benefited anything from the relationship, Yetunde replied that there was no iota of truth oin the statement,
 
He never got any benefits from me, but he is driving my car? I also furnished his house, as well as pay his rent here in Nigeria. I bought him a Daewoo Tacoma car and 80% of the things in his house were bought by me. He may have sold the car because he knows I’ll be after him for it.


Reminiscing on their relationship and its eventual demise  she attributed the breakup partly to her inability to give the actor children, 
Yes, we dated for five years, and as far as I’m concerned, it ended in January this year. The relationship ended earlier this year because he was acting funny. At the onset, he was like he likes me, but I told him that I’m older than him though that’s not really a problem. Even the man that married me wasn’t my age mate. He was on my matter begging me that he likes me, and I wasn’t dating anybody then.
I considered him because of his consistency. I like bold people, and it was his boldness that won me over.
I even asked him that does he have a girlfriend, and that if he doesn’t have one, he should get a girlfriend and let her get pregnant for him, because he was already concerned that at his age, he hadn’t given birth. Even if you don’t like somebody from the beginning, it will get to a stage where you will start falling for the person, so I wouldn’t lie that I started to like him and I tried to get pregnant as well, but it didn’t work. Getting pregnant wasn’t even my own wish, it was just a way to compensate him because, I’ll give it to him, he is not your everyday young man who is always gallivanting about. I’m not like that as well, and he knows that about me. A lot of people don’t know that I keep to myself a lot. I hardly have boyfriends, and he can testify to that. Except I have events or meetings to attend, I rarely leave my house. I don’t have a boy friend apart from him. People who are close to me know that all the things written about me are false. The false stories they used to write about me used to break my heart, but not anymore.  
Now, I just see it as the price I have to pay for fame. In January, we had a quarrel because he was becoming cranky, and it was due to the fact that he wanted a child, but he felt I was being non-challant about it because I told him he was free to go and impregnate someone else. Then he began to read meanings to things which he never used to do before. If I used the picture of any man on my social media accounts, he would ask if that was the person I was dating. I started to get off the hook as well because he knows I don’t do things like that. Eventually, we had a quarrel and he called me over forty times, and I didn’t pick my phone because I wanted him to know that I’ve had enough. I have a lot of things on my mind; I’m the only one raising my kids, and I didn’t want any trouble which is why I didn’t want any relationship in the first place. I made up my mind then not to pick his calls again because I was tired of his troubles. He’s a jealous and possessive person.
Even though he knows that I don’t do all those things, he feels that if I have a male business partner, then something must be going on between us. I’m no longer a kid, and I have passed that stage of my life. Anyway, he saw the handwriting on the wall, and that was how the whole thing ended. He began telling people to ask me if it was really over, but I always told them to just leave us alone. However, someone brought the news to me that he was now dating someone else, and I felt we couldn’t have just broken up, and he became so close to another girl within that short period. I reasoned that he must have been dating her for a while though I had always been asking him but he never opened up to me. 
Anyway, I was happy for him. Even most of the things I sell like bags and shoes are still in his house that I paid the bulk of the rent for him in Ikorodu. When I came to Nigeria, I even involved the Commissioner of Police because I planned to barge in on him, and take back my car and other properties, but I reconsidered because I have a project I’m planning at the moment and I don’t like distractions. Perhaps, I’ll do that when next I come to the country. Someone even sent me a picture on Instagram that Baba Tee made a video with his girlfriend, and the television in his house belongs to me. And I replied that even the spoons in his house belong to me. The person asked if I wouldn’t go and take everything.
I will but in due time. There was a time I got a message which I think was from his girlfriend, that so I want to come and pack my things, that I wouldn’t do such a thing again. And I felt nobody can threaten me in my own country. When I told my friend who knows the Commissioner of Police about it, she said it was a threat and advised me to take it up. But I do not want to give the world a wrong impression about me than they already have.
On her attraction to people who are younger than her, Yetunde attributed it to God,
That’s the way God has ordained it. Maybe because I’m attractive and don’t look my age. Maybe I play the part. I’ve always had younger guys on my case. Sometimes, I sit back and wonder what they see in me. Even when I tell them my age, they don’t believe me.
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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

By Alhaji Arems (Baba Fuji)

 

Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.

 

The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.

 

Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.

 

The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.

 

Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.

 

The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.

 

Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.

 

As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.

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BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy

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*BREAKING NEWS

*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.

 

Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.

 

“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”

 

Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.

 

As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.

 

Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.

 

Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.

 

Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.

 

The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.

 

BREAKING NEWS *Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

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Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release 

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 Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release

By Alhaji Arems (Baba Fuji) 

Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.

 

More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.

 

A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.

Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence

• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.

• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.

 

Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.

 

April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.

 

For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.

 

In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.

 

Rewriting the Narrative for Women in Fuji :

Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.

 

Omo-Opeki’s 3-in-1 album challenges that precedent.

Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.

Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.

This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.

 

Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.

 

A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.

 

A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.

 

By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.

A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.

 

April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.

 

As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.

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