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BETWEEN SAINT OBI’s MARRIAGE AND HIS DEATH

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BETWEEN SAINT OBI’s MARRIAGE AND HIS DEATH

SAINT OBI– His social life was blunted. Perhaps by his reticent disposition.His persona, two dimensional.  To a distant public, he was upscale and cool .
His manly bearing spoke loud. His onscreen image ironically amplified some idiosyncrasies ;  heroics, romantic adventures and traits that did not gel with the mortal  privacy that eerily define his quiet and lonely life.
Saint Obi, real name, Obinna Nwafor, was shy, almost bordering on timidity and insecurity. He cherished the pleasantly tranquil interractions among a few friends. He would vanish at any outburst that could upset the poise of such small meetings. As he repeatedly told me, he just wanted to live a cool, quiet and fulfilled life.
But, has he lived  this cool and fulfilled life he envisioned ? I have my doubts.
I tell Saint’s story here with painful tears in my eyes ; because he was a star, a super star whose life turned out a gleam of irony .
 Yet, it was this stardom that fetched him his much professed financially strong and powerful wife . And their wedding, that solemn ritual  of love would drastically alter the cause of his life and tragically yank him off the creative community that threw him up for the wife to capture and indeed conquer.
 Their marriage was at best a  dramatization of love. It was quick. He barely told us that he found a wife . Then, the marriage happened.  It was something of a mystique, only those involved understood the histrionics that played out .  None of us who were his closest pals, who walked with him through the crucible to the crest of his career in Nollywood, none of us was invited. The distance between us and the guy I admirably called Saint of the Storm had begun . This gulf would widen with each year. We saw him perhaps once in a year after this marriage.
  
And life actually seemed to have given him a fair shake of the dice. He dressed well, drove big cars and  even his skin, in literal lingo, spelt wellness.
The Saint would be blessed with three beautiful children. But not on one occasion were his friends in Nollywood invited for christening or birthday. We were told that his wife was of the topmost hierachy in telecom giant, MTN . But even if their celebrations were designed to be a rendezvous of the elites of the technocracies that his wife chiefly belonged, you expected that Saint would reach out to a few of his fellow creatives, for even if they would  herald his small beginnings , there could be no tinge of shame to it because we all have our journeys and our stories. And even at that, the actor or cineaste in Nollywood is by no means poor.
But more tragic is the fact that his marriage did not only take away Obinna from his friends, it took him away from Nollywood.  Saint stopped acting, absconded from his career and perhaps his calling.
It would seem prognostic now. Yes, because I recall leaving my house in Lagos Mainland for his massive office in Lekki, Victoria Island, Lagos. It was about six years ago. There, I demanded to know why my friend abandoned our industry. He told me with his usual shy expressions that he wanted to focus on some other businesses and also to work behind the camera. Because his visage was unconvincing to me, I told him in stark terms, that whatever his new vision and pursuits, he must not abandon the trade that made him who he was.
It took another three years for Saint to return to his homies. But when he did, some of the deeply disappointed ones sniggered behind him. This was because the simmering rumours of cracks in his marriage had hit home. And though secretive in his ways, he knew it was time to open up. And he did. ” I do not know why my wife’s sibblings see me as a gold digger. They confront me, harass and fight me in my own matrimony. And my wife did nothing to stop them. I work hard, I earn my money . I have never depended on my wife “, he lamented, eyes blurred with tears. You could tell he was in deep pain. By the next visit, the Saint returned with a deep cut from knife on his left eye. His wife’s brothers, he said , scaled the wall fence of their house to attack him. They were captured by hidden closed-circuit television,  CCTV, installed for surveillance and security, he revealed.
He reported them at the police station and subsequently acquired a gun to defend himself. This effectively marked the beginning of the end of his marriage and perhaps Saint Obi’s long walk to a sad end. He moved out of his marital home to a new house to begin the reconstruction of his destiny, alone without his wife and worse still without his three beautiful children.
Meanwhile, his wife went to the police to defend her sibblings using her financial power to manipulate the cause of justice, Saint stated unequivocally. The wife also sued for divorce, not in Lagos, but in Ogun state. As Saint put it, ” It was to make the journey difficult for me. But I will not bend neither will I break. I will fight with my last blood to take custody of my children. They love me and they know it will be hard for me to live without them.The divorce is not an issue. My marriage has long been over “, he said with a mix of courage and a quaky heart that betrayed his distress.
BETWEEN SAINT OBI's MARRIAGE AND HIS DEATH
About mid last year, however, Obinna took ill. But he told no one. He simply became scarce. He was in and out of hospital, we would later learn. He sold two of his three big SUVs to take proper care of his health and to acquire six camry cars he’d use for Uber. But his vanishing health continued unabated. He seemed to have a premonition of his own passing as he wept repeatedly about not seeing his children. He emaciated. Life took a grim picture. When I saw him by chance in January 2023, the dude called Saint looked 15 years older than his age. His macho cut had shrunk. His fat wallet was gone. What was left was only his fat will. His eyes seemed lost in their socket. This would be the last time I would see him.
Saint snuck out of Lagos to hang in with his sister in Jos. He told no one.
But a month ago, in April precisely,  the once delightful actor who brought joy to many a home broke his icy silence. He called our mutual friend in US to give him a devastating message. He was on a deathbed, he  said and wanted our friend to pray for him. ” It’s not looking good, pray, pray for me “, he appealed passionately. His next call came on  May 1, 2023. This time to his mentor, the man who made him a star with his productions,  Zeb Ejiro, OON.  He told him with a wavering voice that he had had three surgeries but was still in hospital in Jos. He    averred again that his situation was not looking good,  that he is also in a deep pain, distressed that he could not see his children. But still he begged him not to tell anyone about his ailment. Such was the life of this creative hermit, a lonely trouper.
I was the first to hear the news of his death late on Sunday, May 7. Having confirmed it, I called Zeb Ejiro . ” I have a very bad news my brother, Zeb “, I began. ” What is it, what is it, “, he asked anxiously.  “A big star has fallen in Nollywood “. Zeb broke down in tears. I hadn’t said who it was. But sobbing helplessly now, he said, ” Don’t tell me it is Saint Obi “.
Sadly,  he was right.
May his soul find peace.
 *Zik Zulu Okafor, veteran journalist, Nigeria Media Merit Award Winner and multiple award winning film maker wrote from Abuja.*

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

 

President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).

 

The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.

PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE

President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.

 

He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.

 

Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.

 

The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.

 

President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.

 

The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.

 

“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.

 

President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.

 

Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.

 

Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.

 

 

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

 

The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.

Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer

 

In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.

 

 

NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.

 

 

The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

Read the statement below:

PRESS STATEMENT
For Immediate Release

NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES

The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.

The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.

It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”

NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.

We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.

NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.

We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.

The safety of journalists remains paramount, and the media will not be silenced.

Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift

By Alhaji Arems (Baba Fuji)

 

 

Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.

The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.

Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.

Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.

According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.

Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.

His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.

The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.

Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.

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