Entertainment
Breaking Down the Brutal Ending of The Fall of the House of Usher
Breaking Down the Brutal Ending of The Fall of the House of Usher
From the start of the first episode of The Fall of the House of Usher, we know that all of Roderick Usher’s children are dead. It’s the how and the why of their deaths that plays out over the course of Mike Flanagan’s new horror anthology series, now streaming on Netflix.
Inspired by the work of Edgar Allan Poe, House of Usher traces the downfall of the uber-wealthy Usher family and their corrupt drug company, Fortunato Pharmaceuticals. The story centers on Usher family patriarch and Fortunato CEO Roderick (Bruce Greenwood), who, as the show begins, calls up his longtime rival, assistant U.S. attorney C. Auguste Dupin (Carl Lumbly), to come hear his confession following the deaths of all six of his adult children (by five different mothers)—Frederick (Henry Thomas), Tamerlane (Samantha Sloyan), Victorine (T’Nia Miller), Napoleon (Rahul Kohli), Camille (Kate Siegel), and Prospero (Sauriyan Sapkota)—in the span of a week.
The overarching narrative of The Fall of the House of Usher loosely follows Poe’s 1839 short story of the same name, with Roderick recounting his decades-spanning tale to Auggie inside his decrepit childhood home. Throughout the evening, Roderick is tortured by visions of his dead children—who appear to him as he relays the gruesome ways in which each of them met their end—while banging sounds that he says are coming from his twin sister, Fortunato COO Madeline Usher (Mary McDonnell), can be heard emanating from the home’s basement.
As Roderick nears the conclusion of his story, which jumps back and forth between his early years working at Fortunato and the events that led up to each of his children’s deaths, he finally arrives at the fateful night that changed everything, New Year’s Eve of 1979. Rodrick reveals that after plotting to betray a young Auggie (Malcolm Goodwin), then a Medicare fraud investigator, by lying about Fortunato’s illegal business practices, young Roderick (Zach Gilford) and Madeline (Willa Fitzgerald) carried out the final phase of their plan to take over the company by drugging and subsequently burying then-Fortunato CEO Rufus Griswold (Michael Trucco) alive inside the basement wall of Fortunato headquarters—a nod to Poe’s 1846 short story “The Cask of Amontillado.”
The siblings then made their way to a local bar to establish an alibi. It was there that they met a bartender named Verna (Carla Gugino), the supernatural entity responsible for killing off the Usher clan, and made a deal that changed the course of their lives forever.
What deal did the Ushers make with Verna?
Once Roderick and Madeline were the only ones left in the bar after a long night of drinking, Verna revealed to the twins that she knew what they had done. But, if they agreed to her terms, she could guarantee that they would not only get away with Rufus’ murder but also rise to control Fortunato’s billion-dollar painkiller empire and never be convicted of a single crime.
In exchange for this protection, both Roderick and Madeline had to consent to the bargain that at the end of Roderick’s life, just before he was fated to die anyway, his entire bloodline would die with him. Roderick and Madeline would also have to die at the same time, leaving this world the same way they came into it. The siblings agreed to the deal, left the bar, and soon after became convinced that the whole thing had been a shared delusion.
“Early in his life, [Roderick] had a conversation with somebody who promised him an effortless life in return for something that he didn’t quite believe could happen,” Greenwood told Netflix of is character’s story arc. “And now that’s coming home to roost.”
How does The Fall of the House of Usher end?
Decades later, once it became clear that Verna was the one killing off the Usher children, Madeline tried to sidestep the deal by convincing Roderick to kill himself. But Verna wasn’t willing to let him get off that easy and brought him back to face the full extent of his reckoning, the death of his granddaughter Lenore (Kyliegh Curran), the only morally good Usher.
Roderick then invited Madeline over to their childhood home, where he poisoned her drink and set to work mummifying her. It was shortly after this that Auggie arrived at the house to hear Roderick’s confession. Only, as evidenced by the noises coming from the basement, Madeline wasn’t quite dead.
As Roderick finishes his story, an eyeless and bloodied Madeline suddenly bursts out of the basement and attacks Roderick as the house begins to crumble around them. In a final burst of strength, Madeline strangles Roderick to death as Auggie flees collapsing home—a sequence that mirrors the ending of Poe’s “House of Usher.”
In the final minutes of the episode, it’s revealed that Roderick’s second wife, Juno (Ruth Codd), inherited Fortunato and went on to repurpose the company into the Phoenix Foundation to fund rehabilitation programs, while the Usher family’s fixer, lawyer Arthur Pym (Mark Hamill), became the only person to face a conviction from the Fortunato case—having denied Verna’s offer of immunity in exchange for the sacrifice of a valuable asset—and would spend the rest of his life in prison.
As the series draws to a close, Verna—whose name is an anagram of the titular bird in Poe’s classic 1845 poem “The Raven”—is shown placing an item on each of the Usher’s graves that represents their respective downfalls, closing the loop of her karmic retribution.
Entertainment
Bullion Records, Sports, and Industries gains international recognition with UK certification
Bullion Records, Sports, and Industries gains international recognition with UK certification
Bullion Go-Neat Global Limited, a Nigerian-based company renowned for its ventures in manufacturing, Music Records labels and Hotel management, sports, and real estate, has achieved a significant milestone with its certification in the United Kingdom. The company, now officially registered as Bullion Records, Sports, and Industries Limited under the Companies Act 2006, was incorporated as a private limited company in England and Wales on November 20, 2024.
This certification, confirmed by the Registrar of Companies for England and Wales, enables Bullion Records to legally operate in the UK, marking a pivotal step in its international expansion.
The company’s CEO, Ambassador Olufemi Ajadi Oguntoyinbo, expressed his excitement about this achievement, highlighting its potential to bolster the company’s international footprint. “This certification by the Registrar of Companies for England and Wales is a major step forward. It marks the beginning of a new phase where we can operate in both local and international markets seamlessly,” Ambassador Ajadi said.
He revealed that Bullion Records will commence the production of key products, such as Coco Malt Drink; Coco Magic Energy Drink, and lubricant products, by 2025. The innovative business strategy involves an exchange of goods between the UK and Nigeria, ensuring that products manufactured in Nigeria will be sold in the UK and vice versa.
Our target is to make products produced in the UK accessible in Nigeria and other parts of the world. Likewise, products made in Nigeria will be available for sale in the UK,” Ambassador Ajadi added.
He further emphasized the company’s commitment to expanding its operations to meet the demands of the global market while supporting local industries. “This recognition is not just a boost for Bullion Records but also the collaboration between local and international markets,” he stated.
Bullion Records, already known for its contributions to the entertainment and real estate industries, sees this certification as a step toward achieving its vision of becoming a global leader in diverse industries. The company aims to create a strong connection between its operations in the UK and Nigeria, fostering economic growth and job creation in both regions.
This landmark achievement positions Bullion Records as a model for other Nigerian companies looking to expand their reach internationally while contributing to local development
Entertainment
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
-
Business7 months agoMaxwell Opara Goofed Says AAS Investors As They Stand By Jesam Michael, Demand For Justice
-
society6 months agoExposing The Many Lies Of Wanted Cyber Bully, Dorcas Adeyinka + Her Failed Attempt To Blackmail The Odegbamis
-
society7 months agoAlleged Assault In Court: Setting The Record Straight, Jesam Michael is The Victim, Not Maxwell Opara
-
Politics6 months agoNiger’s Journey of Redemption Under Governor Bago* By Paul Dickson