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Buhari: Our president, their patient

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Buhari: Our president, their patient By Tunde Odesola

 

Buhari– His name outnumbers the 26 letters of the English alphabet. Arguably, the most creative hands to ever hold a chisel and a paintbrush, but unmistakably the sublime genius embodying the inventive force of the Renaissance Age.

 

 

A sculptor, painter, architect, poet and engineer, Michelangelo di Lodovico Buonarroti Simoni is the 38-letter name a little wizard was given at birth. But the world picked Michelangelo from the names and stuck it to his forehead.

 

 

 Buhari: Our president, their patient

 

A year before he died at age 88, Michelangelo, an Italian, who lived between March 6, 1475 and February 18, 1564, wrote in Italian language on a sketch he was working on, “Ancora Imparo,” meaning, “I’m still learning.”

The quote is akin to the pearl of wisdom from compatriot, fellow polymath and older rival, Leonardo da Vinci (April 15, 1452–May 2, 1519), who had earlier said, “Learning never exhausts the mind.”

For Michelangelo, every work of art he embarks on is a challenge, a task accomplishable on the flourish of his brilliance. He defines his raison d’être in these enduring words, “Every block of stone has a statue inside it and it is the task of the sculptor to discover it. I saw the angel in the marble and carved until I set him free.”

I affirm that Michelangelo’s imperishable legacy stands on four cardinal pillars: learn, discover, act and set free. These, for me, are the hallmarks of great leaders, great epochs.

Depressingly, however, these same pillars are conspicuously absent in the regime of Nigeria’s President, Major General Muhammadu Buhari (retd.), which comes across as standing on the pillars of ignorance, neglect, inertia and persecution.

Whereas Michelangelo describes learning as a life-long process, President Buhari appears to see life from a short-sighted spectrum, having not learnt any economic and patriotic lessons from his over 40 years of medical tourism to the United Kingdom.

In an unlearned defence of government policy, Information and Culture minister, Lai Mohammed; and Buhari’s Special Adviser on Media and Publicity, Femi Adesina, severally said it was right for the President to patronise foreign medical services for over 40 years.

This is despite the fact that Made-in-Nigeria doctors, who migrated abroad as a result of the rickety state of Nigeria’s medicare, today hold vital positions in first-class hospitals worldwide, potentially including Buhari’s hospital in the UK.

Last Thursday, Mohammed, in a display of the confusion that has continuously characterised the Buhari regime in the last six years, said those criticising the President for seeking medical care abroad were making ‘inconsequential attempts to de-market him’.

In a jejune defence, Adesina also said, “President Buhari has been with the same doctors and medical team for upward of 40 years. It is advisable that he continues with those who know his medical history and that is why he comes to London to see them. He has used the same medical team for OVER 40 years. Once you can afford it, then stay with the team that has your history.”

With soaraway inflation crippling Nigerians, Adesina should know that Nigeria cannot afford the unending presidential flights to the UK and the sacks of pound sterling in medical fee for gerontocratic ailments treatable in Nigeria.

The hotness of Lai Mohammed’s sophistry and the coldness of Adesina’s remarks will win trophies in Sodom and Gomorrah.

The display of profound arrogance by both Buhari spokespersons runs against the time-tested advice for caution in a Yoruba proverb that says, “When a man is sent on an errand fit for a slave, he should display discretion.”

What would Buhari and his image-makers say about Aisha, the wife of the President, who went to Dubai last year to treat neck pain? Dubai doctors must have been treating Aisha from the womb, right?

In a move to deflect public criticism from her neck-pain trip, Aisha spun the red herring fallacy when she said her flight back to Nigeria encountered a turbulent storm, hoping to mask the wastage of public funds, which her trip symbolises, with public sympathy.

Then she pushed her luck over the precipice and rubbed insult into injury by saying, “I, therefore, call on the healthcare providers to take advantage of the Federal Government’s initiative through the Central Bank of Nigeria guidelines for the operation of N100bn credit support for the healthcare sector as was released (and) recently contained in a circular dated March 25, 2020, to commercial banks.

“This will, no doubt, help in building and expanding the capacity of the Nigerian health sector and ultimately reduce medical trips and tourism outside the country.”

What hypocrisy! Scarcely had Aisha’s flight from Dubai touched down than she started to talk about reducing medical tourism. If she knew that medical tourism was a drain on Nigeria’s economy, why did she embark on it? Nigerians, whose taxes are being used to maintain Buhari and his family’s expensive lifestyle, are grumbling, ‘like husband, like wife’.

In 2017, Aisha had lamented that there was no syringe in Aso Rock Clinic, Abuja, when she fell sick. She revealed that, “In the end I had to go to a hospital (in Nigeria) owned and operated by foreigners 100 per cent.”

Similarly, Aisha’s daughter, Zahra had, also in 2017, said there was no Paracetamol in Aso Rock Clinic despite a budget of N3bn for the provision of drugs to the hospital.

That this insane level of corruption could happen under Buhari’s nose without perpetrators fearing the consequences of their action indicates a rudderless Nigerian ship careening against the rocks of insecurity, unemployment, hopelessness and poverty, heading for doom.

When Buhari, who has completely lost the fear factor, doesn’t care about the corruption perpetrated with the precincts of his residence, how would he care about the slaying of farmers by Fulani herdsmen in Igboho or the killings by unknown gunmen in Owerri? How would he care about the kidnapping of schoolchildren in the North or the bloodletting in the Middle Belt? Or care about the worse-than-pigsty hostels in the University of Nigeria, Nsukka?

If Buhari had done something about the anomaly in Aso Rock Clinic since 2017, Aisha wouldn’t have embarked on a neck-pain trip to Dubai in 2020.

When you minus 40 years from Buhari’s 78 years, you have 38 years. For someone who joined the military in 1962 at the age of 19, this means that Buhari had received medical treatment in Nigeria for 19 years, that is, up till 1981 when he was a colonel who had been Military Secretary at the Army Headquarters, a member of the Supreme Military Council, and had been GOC of the 4th Infantry Division, 2nd Mechanised Division, and the 3rd Armoured Division.

I ask, why did Buhari stop receiving treatment in the good, old Nigeria where doctors had his medical records for 19 years?

And if Buhari says he’s been receiving medical treatment abroad in the last 40 years, that suggests that he was receiving medical treatment in the UK between 1983 and 1985 when he headed a military junta that toppled the democratically elected government of Alhaji Shehu Shagari on December 31, 1983 over allegations that the civilian government was ostentatious and corrupt.

This act of hypocrisy runs contrary to the War Against Indiscipline mantra upon which Buhari and his deputy, Brigadier General Tunde Idiagbaon, rode to power.

In Buhari’s lip-service War Against Indiscipline, public officers were forbidden to own foreign accounts, own houses abroad, send their children to foreign schools, send their underage children on pilgrimage, among other prohibitions.

But when Nigeria’s bloodiest military head of state, General Ibrahim Babangida, torpedoed the Buhari-Idiagbon fascism on August 27, 1985, Idiagbon had gone on holy pilgrimage to Mecca with his underaged son, Adekunle, showcasing another classical hypocrisy of Buhari’s leadership.

Nothing demarkets Nigeria more than Buhari’s over 40 years of medical tourism.

Then British Prime Minister, David Cameron, in May 2016, during a conversation with Queen Elizabeth II, described Nigeria and Afghanistan as ‘fantastically corrupt’.

Cameron is right.

Email:
Tunde Odesola.com
[email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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