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Collapsed Synagogue Guest House: Defense Closes Case, Admits Report Indicting SCOAN is Mischievous
Defendants in the collapsed Synagogue church building Guest house closed their case at the weekend with the cross examination of their last witness in a Lagos high court sitting at Igbosere.
During resumed proceedings, the court heard that the mode of collapse of Synagogue church Guest House negated the characteristics of collapsed building with structural defects.
Professor Patrick Nwankwo stated this while being crossed examined by the Lagos State Director of Public Prosection, Mr Yequob Oshoala.
Nwankwo, a Professor of Structural Engineering and Construction Materials an expert witness at the instance of Engr Oladele Ogundeji who is facing trial for the collapsed building as its Supervising Engineer was before Justice Lateef Lawal-Akapo.
“Any defective building whether emanating from under or over reinforcement, poor constructional materials among others will have a ductile type of collapse.
“That of Synagogue Guest House was too catastrophic and such could only have been caused by an external factor”.
Asked by counsel to first defendant, Olalekan Ojo (SAN) what he meant by “the type of collapse”, the professor of structural engineering clarified: ” if defective or substandard materials were used, the mode of collapse would be ductile and gradual”.
He shared in the views of the prosecution that a building with defective structural and substandard materials could lead to collapse.
He however maintained: “different mode of types of collapse is dependent on types of materials used.
“The characteristics of a building coming down on itself is different. If it is structural defect or use of defective materials, the mode of collapse will be ductile and gradual.
“This is not the case with the collapsed Synagogue church guest house. This building has about 12 frames. The frames, beams, columns would not all have collapsed at the same time. It can only happen by some external forces”, he said.
While further responding to questions from the DPP, Professor Nwankwo an international expert said he was motivated to conduct investigation on the collapsed Synagogue church building by its unusual mode of collapse, professional and academic concern noting: “Engr Ogundeji is a known competent professional colleague whom I have known over time”.
Nwankwo who said he conducted the investigation by visiting the place, asking questions, examining the various investigations already carried out and the technical drawings on the building stated that his reports submitted to the court was thorough in the integrity of the profession”.
The European trained expert who had earlier conducted various researches on collapsed structures in the country said he was not involved in the previous enquiries instituted by Corona Inquest on the collapsed Synagogue church building.
Responding to DPP on the Orion Design Software output he faulted on the first prosecution witness against the collapsed building, Nwankwo who is also a Master in Orion design Software operation said what was earlier interpreted from the Orion output was completely wrong because “there’s usually a print out of whatever is rejected by Orion software which was not the case here. I used the same 750mm by 225mm and it was not rejected by same Orion design Software as can be seen evidentially in my report. “
Earlier in the cross examination by Mr Oluseye Diyan, Chief Efe Akpofure SAN and Mrs Titi Akinlawon SAN, the erudite scholar and expert in Structural engineering stated there were appropriate international standard codes guiding construction industry and he had examined the collapsed Synagogue church building’s structural elements, its design and construction works meeting all the required appropriate codes.
He also revealed that the reports earlier submitted by the witness to the prosecuting counel is mischievous.
He admitted that when a wrong code is in existence, it will affect the conclusion and can’t be relied upon.
He said such conclusion could be termed mischievous.
He admitted the calculation in the report submitted by Lagos state is erroneous and the implication is that exaggerated result will be gotten and the conclusion can’t be relied upon.
He confirmed that since the calculation is wrong, more errors are in that reports findings and as such can’t be relied upon.
He, however, defended himself that his own findings in report he tendered in court Is the required code of practice in Nigeria.
The trial which has been on since 2014 when the building collapsed in which many nationals died has undergone protracted trials with several witnesses drawn by both the prosecution and defendants.
Justice Lateef Lawal-Akapo adjourned the case to January 24, 2020
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PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
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Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
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Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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