society
Culture And Tourism: One Year Of Painful Agony By Frank Meke
Culture And Tourism: One Year Of Painful Agony
By Frank Meke
President Ahmed Bola Tinubu is certainly a strategic thinker. He possibly could pass as the Aristotle of Nigerian politics, and many people wonder at his many socio-economic and political interventions, some of them begging for interpretations.
Out of the blues, Mr. President gave us two ministries, Culture, Arts Creative economy, and Tourism. The development, though inspiring, provoked bitter and sweet reactions.
How could culture, arts, and a creative economy that oxygenate tourism be separated from each other? The arguments raged and trust some of our pranting noise makers who couldn’t see beyond their noses, they premised everyone who called on the president to do a rethink on the separation of the twins as noise makers and rude to Mr President.
The president, who is ever willing to listen, waded into the controversy, and explained that he wanted to use the creation of the two ministries to stimulate job creation and offer space for more hands in baking the cake for the renewed hope agenda.
If creating jobs in the cultural tourism industry is the focal expectations of the renewed hope agenda, then the president has hit the bull’s eyes but on political job offerings for the sake of boys and girls in the political space, then there must be a rethink, considering the huge plundering of the nation by ex political appointees.
Unlike 2015, when President Buhari came with sweeping brooms to audit the ministry of Tourism and found the cupboards empty without any documentation to help his government restructure the economy, which consequently led to the renaming the Ministry as Information, Culture and National Orientation with tourism sadly on a desk profile, Lai Mohammed who took over the ministry, shadowed tourism as the voice of Jacob to culture.
Indeed, and in truth, culture played a significant and pivotal role in shaping our tourism space with the National Council of Arts and Culture under the watch of enigmatic Otunba Segun Runsewe, occupying the Nigerian economic space even beyond tourism rendition.
With a proven track record of delivery while as Nigeria’ s tourism chief years ago, Runsewe rallied and glavernised all Nigerians, particularly members of the national assembly and state governors, to buy into the Nigerian cultural landscape. He didn’t wait for any presidential council on tourism or any fancy overhyped cultural policy.
Matthew Olusegun Runsewe is a man of faith and, within a space of two years in office as Nigeria’s cultural ambassador and marketer won over the hard doubting minds of Nigerians to value the chains in our cultural economy.
The president’s economic eggs heads didn’t consult the cultural tourism maestro, and it was a grave oversight.
Ever strategic, futuristic, innovative, and authoritative, Runsewe didn’t square in the make-believe gallery of cultural spin doctors but carefully took our cultural products to the owners, the Nigerian people
And with an abiding faith in Nigerian tourism press in particular and the entire national media landscape, Runsewe launched out with culture as the new oil, rebranded Nigerian Festival of Arts and Culture, and brought the world to Nigeria through cultural diplomacy to trade in Nigeria’s biggest cultural market, the International Arts and Crafts market.
Abuja, in five years, danced like an excited peacock and became the global cornerstone for cultural tourism diversity, which opened doors for all expenses paid international cultural invitational trips for some of outstanding state cultural troupes to showcase our cultural values to the world. Significantly, INAC became a breeding ground to export our cultural diversity to the world and the world to our doorstep. It was counted for Runsewe!
There were also gains in training opportunities offered by countries such as Turkey, China, and other foreign countries. Indeed, the Nigerian rural communities were targeted beneficiaries of skill acquisitions on arts and crafts, fashion designing, traditional hair making, shoe making, cloth weaving, and so much more. There are living testimonies, no abracadabra!
At each of the two unfailing calendared cultural events, the youths, particularly the females, were mentored to acquire skills to reinvent the sector. The records of beneficiaries gave vent to egg heads around the president to rethink and birth an exclusive cultural economy. Unfortunately, they didn’t consult the maestro, and that led to our agonies.
From Kaduna, Rivers , Plateau , Edo, Ekiti, and Lagos States, Runsewe, in partnership with these state governors, delivered on the socioeconomic strength of Nigerian culture and arts economy. For a week duration, the festival took place in those states, and it’s evident that both local and international attention were focused on the gains of the iconic festival.
This report today is to audit the ministries of culture and tourism under Hannatu Musa Musawa and Lola Ade John respectively and to submit with evidence, the two beautiful women failed this administration, and put to flight our expectations on the renewed gains in the two sectors. My verdict is that they should look for jobs elsewhere or go back to their Egypt.
Both Hannatu Musa Musawa and Lola Ade John do not have depth, charisma, and the guts to take us across the Jordan to promised renewed land of Hope in Culture and Tourism trade.
Let me situate that Hannatu Musa Musawa as Minister of Culture, Arts and Creative economy, amputated the Nigerian cultural movement through her unbelievable swoop on all the eleven heads of parastatals under the newly created ministry of culture, an effort which caused a heart failure of the Nigerian cultural movement.
Though changes are inevitable in the journey of life, it is sad for a minister to bitterly knife through the souls of the best we have in the system out of mere political shenanigan, certainly showcasing ingenuity in scandalous self worth.
Runsewe was not only the bigger star in our cultural firmament, there were an Ahmed Mohammed Ahmed and Ado Yahuza, who turned around the fortunes of National Troupe of Nigeria and National Institute for Cultural Orientation ( NICO) respectively before the coming of Hannatu Musa Musawa.
Ahmed literally burnt midnight candles, went round the country, sought out the best creative young persons, and on the flooded planes of Iganmu,Lagos office of the agency, breath life back into our moribund National Troupe, set it off on global showcase and insisted that Nigeria must welcome her foreign guests with the best of culture dances and drummings on showcase.
Hannatu killed that dream, but today, she wished to appropriate the gains as landmarks of her key performance metrics. The case of Ado Yahuza at NICO is equally worth mentioning because we must build on gains and not distractions packaged to deceive the public.
NICO also rose from the ashes of misplaced and misappropriated priorities. As a tested human resources manager, Ado Yahuza took NICO’s training school out of the lethargy of focal mission, affiliated it with Nassarawa state University, breeding certificated cultural officers for the good of nation and for export to global cultural knowledge market.
Under Ado Yahuza, NICO tackled headlong the discomforting cultural malaise among Nigerian young persons, took our languages to the barracks, and schools across the country and flourished cultural revival through cultural clubs in secondary schools. Our children became proud again about our way of life.
Ado Yahuza also worked hard with the encouragement of UNESCO and got Nigerian heritage values , Sango festival in Oyo State, and our midwifery system listed on UNESCO representative calendar. NICO thematic workshops targeting the academic community and Sundry professional groups produced detailed essays and materials for generic documentation to find solutions to national cultural setbacks. Hannatu again nailed Ado Yahuza on head for outstanding performance but would turn around to document his achievements as one of her great achievements in one year.
In a recent publication sighted last week in a national newspaper and written by one Dr Deji Ayooola, an anthropologist, his deliberate delivery of what was clearly an attempt to credit Hannatu Musa Musawa with scores of achievements she bitterly repudiated by sacking these patriotic Nigerians , is nauseating. It was an anthropological fallacy written to curate Hannatu as our cultural messiah. It failed to click and register against her failed efforts so far.
Though Hannatu was quoted to gleefully admit that the remarkable achievements and milestones in the culture space were the handwork of ” her predecessors” in the sector, it is, however, rankling to the mind why Hannatu choose to sack the best, the ” predecessors ” ( DGs) and sought their replacement with girls and boy scouts! In a hurry to assert her lordship in the sector, she pulled down pillars unto honour, and she wanted us to clap for her?
The truth is that Hannatu Musa Musawa has added no values to whatever she met on the ground in the culture space and should be shown the way out of this government. There was no inclusivity in the way she ran the ministry and which evidently ambushed critical ongoing gains before she came.
Her first stakeholders meeting at Villa ended terribly in chaos when the creative community told her to regard herself as a mere passenger and not as chief pilot in the fast-moving Nigerian creative train. The media was awash with the apologies of our amiable vice-president, Kashmi Shettima, who promised the culture and creative stakeholders that this government will respond positively to their neglect over the years. Hannatu didn’t get the message!
Hannatu’s effort to reap from the Grammy Awards nominations of some Nigerian acts and whom unfortunately lost out to a South African listed nominee drove nails between the minister and Nigerians when she out of desperation called for an African Grammy Awards replica.
Certainly, it won’t be out of place that Hannatu’s one year in office attracted most stringent controversies ever apart from the edugate affair. The public opprobrium against her many public missteps is a tail sign that she is surplus to requirement in this administration.
For want of repeating myself, it’s funny that someone somewhere in present day Nigeria, in our culture space, will deliberately mark up the ongoing refurbishment of National theatre, a private business, owned by the Bankers Committee as one of Hannatu’s pindown achievements. It is a hilarious , unbelievable, desperate movie script written to mock our intelligence.
Moonlight jobs and GDP sweet songs:
I was gripped with fear on the anthropological submission that about 257, 754 ” new jobs” were harvested by Hannatu in one year and to the Gross National domestic productivity, Hannatu’s classical ingenuity scaled up the GDP by a share of 0. 37 per cent from 1. 3% to a current GDP share of 1. 67%. This abracadabra figures from certainly a heinous research beats my imagination considering the fact that the minister and her new team are struggling on all fronts. She held her first retreat with her team barely three weeks ago, so where did magic figures come from?
There were other generated statistics from the synagogue of Satan, unbelievably outlandish and programmed to deceive unassuming Nigerians.
Soft power magic!
It was again written by our anthropologist that the ministry spearheaded Nigeria cultural influence from 2. 5 % to 46% in the period under review and the brand index perception from 1. 5% to 18%. I dey laugh the devil. What? Under Hannatu’s, the clueless minister of culture? Wonders shall not end with infertile imaginations of some Nigerians. Watch out from this week advertorials, press releases, and paid opinions on the achievements of day dreamers in this government.
On the stakeholders’ belt, the ministry and minister “organised” successfully about 18 stakeholders’ meetings spread through workshops and public engagements by CEBAAC and Nigerian Gallery of Arts. Really? When and where? Hannatu held a creative sector meeting under the office of the Vice President, and just on Friday, May 10th, the Nigerian film and Censors Board, headed now by Dr Shaibu Husseini held a strategic stakeholders meeting in Lagos. Two is the number and not 18, as generously and ingeniously claimed by the magical anthropological hand.
Certainly, the game to justify their appointments is here, and the fear of their removal for poor performance will beyond measure the pushing out conjured figures to the public space. Except for Dr Shaibu Husseini of Nigeria films, movies, and censors Board, nothing good has come out of the Culture House of Hannatu.
Hannatu sadly is her own problem. She was not circumspect and wise to clearly work with the best she met on the ground, but today, without fear of posterity, has aligned with the achievements of those she pushed under the bus in the desperation to have an absolute grip on the sector.
We won’t be surprised to see the same fabulous fallacious ecosystem emanating from some of her appointees to just justify their obvious failings. Unfortunately, Hannatu can not save the failures as the blind can not lead the blind.
In the tourism sector, Lola Ade John should just go and take a deserved rest somewhere. She is not in tourism, not cut out for it, can not interpret her mission, and is too laid back to confront the two monsters under her struggling ministry.
Madam Lola is a victim of her fear. She is feeble, weak, and afraid to effect changes and drive collaborations that can advance the course of the sector. She has walked into a deadly trap, and it’s too late for her to escape the hammer of non performance.
Her spin doctors are well-known industry buccaneers . They will give you a shoulder to cry on for a fee or reward. Ade John came to seek a sympathetic tourism crowd, and they have been praising her to high heavens and justifying her very grave failings.
I won’t waste my time because Lola Ade John has no technical tourism structure of her own. She is in the wrong place, pretending that she can do the job. Lola Ade John can’t do anything for tourism. That is the truth and the only truth. We won’t be surprised to see her Bill Boards all over Abuja, Lagos, and Ekiti states, showcasing her soft power in cutting red tapes to declare open grandiose tourism projects primed to confuse the uninitiated.
I don’t know why people lie openly to justify just a stay in public office, to which they are unfit to run. Is it a crime to throw in the towel if the ring is too hot and unbearable?
PROFESSIONAL PROFILE OF CHINEDU NSOFOR (CEO, WORK WHILE IN SCHOOL GROUP)
Chinedu Nsofor is a dynamic and seasoned technocrat, a visionary social worker, an International Development Expert, and an accomplished programmes development and management expert with over 15 years of diverse professional experience. He is a trailblazer in youth empowerment, job creation, and social innovation, renowned for his creative problem-solving skills and unmatched ability to transform challenges into sustainable opportunities.
With a strong academic foundation—holding a B.Sc. in Social Work from the University of Nigeria, Nsukka, and an M.Sc. in Social Work (Industrial Social Welfare) from Ladoke Akintola University of Technology, Ogbomoso—he combines intellectual depth with practical expertise. His distinguished career reflects his unwavering commitment to tackling unemployment in Nigeria, a mission he has pursued through pioneering initiatives such as the Work While in School Programmes, the IMOFINTEC project for 5,000 youths, and several other impactful programmes across tertiary institutions, government bodies, and international organizations.
Recognized as a versatile project management expert, innovative business development strategist, creative writer, professional biographer, media consultant, and Wikipedian, Nsofor’s influence extends across social, economic, and academic spheres. His professional track record includes leadership roles in reputable organizations such as the Nigeria Association of Economists, Global Coalition for Sustainable Environment, Iwuanyanwu Foundation, the Imo State Government Committee on Science and Technology Roadmap (2020–2030), and Asia Pacific Sports International, where he has served as Nigeria’s Programmes Director.
Heiss is also currently the Country Director (Nigeria), RapidHeal International, a health intervention firm with its global headquarters in Malaysia. Beyond his rich portfolio, he is celebrated for his divine wisdom, inspirational leadership, and Midas touch in wealth and job creation, having directly empowered over 50,000 youths across Nigeria with life-transforming skills. Passionate, resourceful, and impact-driven, Chinedu Nsofor stands out as a nation-builder whose contributions continue to shape lives and institutions to the glory of God.
Customs at the Crossroads: When Lawmakers Look Away and the Executive Looks Aside
By Dr. Bolaji O. Akinyemi
In a democracy, legislative oversight is the scalpel that cuts through deceit, inefficiency, and corruption in public institutions. It is the people’s last institutional shield against abuse of power. But what happens when that shield becomes a shelter for the very rot it is meant to expose? And what happens when the Executive arm, whose duty is to supervise its agencies, pretends not to see?
The unfolding drama between the National Assembly and the Nigeria Customs Service (NCS) reveals more than a policy dispute. It exposes a dangerous triangle of confusion, complicity, and economic sabotage. At stake is not only the rule of law but the survival of an economy already gasping under inflation, a weak naira, and suffocating costs of living.
The House Talks Tough
In June 2025, Nigerians saw a glimpse of legislative courage when the House of Representatives Committee thundered at Customs:
> “Nigerian Customs Service, by June 30, must not collect CISS again. You are to collect only your 4% FOB assigned by the President. Even the 7% cost of collection you currently take is illegal—it was an executive fiat of the military, not democratic law. Any attempt to continue these illegal collections will be challenged in court. The ‘I’s have it.”
The voice was firm, the ruling decisive. Nigerians expected a turning point.
But the righteous thunder of the House was quickly muffled by the Senate’s softer tone, which suggested not the enforcement of the law but a readiness to bend it.
Senate: Oversight or Escape Route?
At a Senate Customs Committee session, Senator Ade Fadahunsi admitted openly that Customs has been operating illegally since June 2023. Yet rather than demand an end to illegality, he extended a lifeline to Comptroller-General Bashir Adeniyi:
> “If we come back to the same source… the two houses will sit together and see to your amendment so you will not be walking on a tight rope.”
But should Adeniyi be handed a loose rope while Nigeria’s economy hangs by a thread?
Instead of accountability, the Senate Customs Committee floated adjustments that would make life easier for Customs. The nation was given hints about fraudulent insurance and freight data, but instead of sanctions, what we saw was a search for escape routes. This is not oversight—it is overlook.
Smuggling and Excuses
The Senate Committee also lamented cross-border smuggling—Nigerian goods like cement flooding Cotonou, Togo, and Ghana at cheaper prices than in Nigeria. Senator Fadahunsi blamed the Central Bank’s 2% value deposit for encouraging the practice.
But where are the Senate’s enforcement actions—compliance checks, stiffer sanctions, cross-border coordination? None. The result is predictable: smugglers prosper, reserves bleed, and ordinary Nigerians pay more for less.
A Bloated Customs Budget
The Service’s 2024 capital allocation ballooned to ₦1.1 trillion from ₦706 billion. Instead of channeling these resources into modern trade systems, Customs is expanding empires of frivolity—such as proposing a new university despite already having training facilities in Gwagwalada and Ikeja that could easily be upgraded.
Oversight is not an afterthought; it is the legislature’s constitutional duty. To see waste and illegality and yet propose amendments that would legalise them is to turn oversight into overlook.
Customs has about 16,000 staff, yet many remain poorly trained. Rather than prioritise capacity building, the Service is busy building staff estates in odd locations. How does Modakeke—an inland town with no border post—end up with massive Customs housing projects, while strategic border towns like Badagry, Idiroko, and Saki remain neglected? Is Bashir Adeniyi Comptroller-General of Customs—or Minister of Housing?
The 4% FOB Levy: A Policy Blunder
The central controversy is the Federal Government’s plan to replace existing port charges with a new 4% Free-On-Board (FOB) levy on imports.
Nigeria is an import-dependent nation. This levy will instantly hike the costs of cars, spare parts, machinery, and raw materials—crippling industries and punishing consumers.
Already, the consequences are biting:
A 2006 Toyota Corolla now costs between ₦6–9 million.
Clearing agents who once paid ₦215,000 for license renewal must now cough out ₦4 million.
New freight forwarder licenses have jumped from ₦600,000 to ₦10 million.
Customs claims the revenue is needed for its modernisation programme, anchored on a software platform called B’Odogwu. But stakeholders describe this so-called “Odogwu” as epileptic—if not comatose. Why commit trillions to a ghost programme that will be obsolete by January 2026, when the Nigerian Revenue Service is set to take over Customs collections?
Industry Raises the Alarm
The Manufacturers Association of Nigeria (MAN) has warned that the levy will worsen inflation, disrupt supply chains, and hurt productivity.
Lucky Amiwero, President of the National Council of Managing Directors of Licensed Customs Agents, calls the levy “economically dangerous.” His reasoning is straightforward:
The 4% FOB levy is much higher than the 1% CISS it replaces.
Peer countries like Ghana maintain just 1%.
The new levy will fuel inflation, raise the landed costs of goods, and destabilise the naira.
He also revealed that the Customs Modernisation Act, which introduced the levy, was passed without Senate scrutiny or meaningful stakeholder consultation. He estimates that the levy could add ₦3–4 trillion annually to freight costs—burdens that will be transferred directly to consumers.
Who Is Behind the “Odogwu” Masquerade?
The haste to enforce this levy, despite its looming redundancy, raises disturbing questions. Who benefits from the “Odogwu” project draining trillions? Why the rush, when NRS will take over collections in a few months?
This masquerade must be unmasked.
The Price Nigerians Pay
For ordinary Nigerians, this policy translates into one thing: higher prices. Cars, manufactured goods, and spare parts are spiraling beyond reach. A nation struggling with inflation, unemployment, and a weak currency cannot afford such reckless experiments.
So, while the Senate looks away, the Executive cannot look aside.
The Executive Cannot Escape Blame.
It is easy to focus on the failings of the legislature. But we must not forget: the Customs Service is an agency of the Federal Ministry of Finance, under the direct supervision of the Honourable Minister of Finance, Mr. Wale Edun.
If Customs is breaking the law, wasting resources, or implementing anti-people policies, the buck stops at the Executive’s table. The Minister of Finance is Chairman of the Customs Board. To fold his hands while the Service operates in illegality is to abdicate responsibility.
History gives us a model. In 1999, the Minister of State for Finance, Nenadi Usman, was specifically assigned to supervise Customs and report directly to the President. Meanwhile, Ngozi Okonjo-Iweala focused on broader fiscal and economic policies. That division of responsibility improved accountability. Today, the absence of such an arrangement is feeding impunity.
President Tinubu and his Finance Minister must act decisively. Oversight without executive will is a dead letter.
A Call to Accountability
The truth is stark:
Customs has been operating illegally since June 2023 to the Senate’s own confession.
The 4% FOB levy will deepen inflation and worsen economic hardship.
The Ministry of Finance bears ultimate responsibility for Customs’ conduct.
Until importing and consuming, Nigerians demand accountability—of the Comptroller-General, the Senate, and above all, the Finance Ministry—this bleeding will continue.
Nigerians deserve better. They deserve a Customs Service that serves the nation, not a privileged few. They deserve a House that enforces its resolutions, not one that grandstands. They deserve a Senate that upholds the law, not one that bends it. And above all, they deserve an Executive that does not look aside while illegality thrives under its ministry.
Only public pressure can end this indulgence. If Nigerians keep silent, we will keep paying the price—in higher costs, weaker currency, and a sabotaged economy.
Citizens’ Charge: Silence is Not an Option
Fellow Nigerians, the Customs crisis is not a drama for the pages of newspapers—it is a burden on our pockets, our businesses, and our children’s future. Every illegal levy is a tax on the poor. Every abandoned oversight is an open invitation to corruption. Every silence from the Executive is an approval of impunity.
We cannot afford to fold our arms. Democracy gives us the power of voice, the duty of vigilance, and the right to demand accountability. Let us demand that:
The Senate and House of Representatives stop playing good cop, bad cop, and enforce the law without compromise.
The Ministry of Finance takes full responsibility for the Customs Service, supervising it in the interest of Nigerians, not vested interests.
The President intervenes now, before the Service crosses the dangerous line of turning illegality into policy.
History will not forgive a people who suffered in silence when their economy was bled by recklessness. Silence is complicity. The time to speak, to write, to petition, to protest, and to demand is now.
Customs must serve Nigeria—not sabotage it.
Dr. Bolaji O. Akinyemi is an Apostle and Nation Builder. He’s also the President of Voice of His Word Ministries and Convener Apostolic Round Table. BoT Chairman, Project Victory Call Initiative, AKA PVC Naija. He is a strategic Communicator and the CEO, Masterbuilder Communications.
Email:[email protected]
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Apostle Johnson Suleman: Firebrand of Faith, Prophet to the Nations, Voice to a Generation
By Femi Oyewale
In the beginning, there was just one man with a burning vision. Today, that man has become a global force whose voice thunders across continents, whose prayers ignite miracles, and whose mission is transforming destinies worldwide. He is Apostle Johnson Suleman, the fiery Restoration Apostle, the humanitarian preacher, and the global trailblazer reshaping the Christian faith for a new generation.
From Auchi to the World
Born in Auchi, Edo State, Nigeria, Apostle Suleman’s rise from humble beginnings to international prominence is nothing short of remarkable. What started as a divine calling has now evolved into a global mandate, reaching millions through Omega Fire Ministries International (OFM).
His story is the classic tale of vision meeting conviction—of a man who dared to believe God not just for himself, but for nations. From a modest congregation, OFM has spread like wildfire, with branches in Africa, Europe, Asia, the Americas, and beyond.
The Man & The Mission
To know Suleman is to understand passion—passion for God, for people, and transformation. He lives by one mantra: populate Heaven, depopulate Hell.
His pulpit is a battlefield, his voice a trumpet, his words a sword. Through his fiery sermons, prophetic declarations, and healing crusades, countless men and women testify of divine encounters—cancers healed, destinies restored, impossibilities overturned.
But beyond the pulpit lies the heart of a humanitarian. Suleman’s mission has always extended beyond preaching. He funds scholarships for the underprivileged, empowers widows with homes, sets up businesses for struggling families, and supports countless orphans. In times of crisis, he has sent relief materials across regions, proving that true ministry is not only heard—it is seen.
The Impact
Step into one of his crusades, and the atmosphere tells its own story. Stadiums overflow. Multitudes gather, hungry for hope. From London to Houston, Dubai to Johannesburg, crowds testify to healings, deliverance, and restoration.
Through Celebration TV and other digital platforms, Suleman’s voice penetrates homes, villages, and cities, giving access to millions who may never step into a physical church. His boldness in confronting social ills and speaking truth to power has also established him as a fearless voice beyond the church walls.
The Global Moves
Apostle Suleman is not just a Nigerian voice—he is a global phenomenon. His recent international crusades draw audiences in their tens of thousands, breaking barriers of race, culture, and language.
From prophesying to presidents to laying hands on ordinary citizens, his message is universal: God still speaks, God still heals, God still restores.
Each global tour solidifies his place as one of the most influential Christian leaders of the 21st century. He is as comfortable commanding a crowd in Chicago as he is in Accra, as bold in Paris as he is in Abuja.
The Legacy in Motion
Apostle Johnson Suleman is more than a preacher—he is a movement. A man consumed by vision, driven by compassion, and equipped with an anointing that refuses to be confined by borders.
From Auchi to America, from pulpits to palaces, from widows to world leaders, his impact is undeniable. And as the Restoration Apostle continues to blaze trails across nations, one thing is certain: his legacy is still unfolding, and his global moves have only just begun.
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