Entertainment
DBANJ GOES BANKRUPT
D’BANJ IN DEBT MESS
+ COURT SUMMONS PASTED ON LEKKI HOUSE
– STAFFERS DOWN TOOLS
Things have fallen apart for popular artiste Dapo Oyebanji widely known as D’banj. The Koko master’s empire is riddled with huge controversies that have stunted his status as the most successful singer in recent times.
Information at our disposal divulged that he has gone bankrupt. One of the pointers to this fact is that he is indebted to some of his once upon a time benefactors who are no longer swayed by his charisma and have decided to wash his dirty linens in the public.
It was reported that he might be sued for a bad debt of over $240,000. A technology company, Mindhub technologies headed by Henry Ojogho alleged that he owes them another N15million.
According to our source, effort to parry the fact by him was brushed aside by the latest development in his empire. Some of his staffers have called it quit. They claimed he could mo longer pay their salaries for months.

The last straw that broke the camel’s back was when theNET exclusively obtained copies of Writ of Summons pasted on his house at Osaro Isokpan Street in Lekki Phase 1 over a debt of N60million loan he got in January 2013.
“. All those thinking it was just a case of slander aimed at the Nigerian music superstar can now see the evidence in the matter. With the case filed in court with suit number: LD/ADR/445/14 with hearing expected to commence on Monday, January 26, 2015 at the Multi-door Courthouse in Obalende, Lagos with Justice Mrs Oyebanji as the presiding judge. Already, the writ of summons and other relevant documents in the suit have been posted on D’Banj’s residence on Osaro Isokpan Street in Lekki Phase 1. The pasting was done by the court bailiff on December 17, 2014 at about 1:35p.m, pursuant to order of court made on November 12, 2014 having been satisfied that the defendant was evading been served the notice. However with the on-going strike by the Judiciary Staff Union of Nigeria (JUSUN) which is over 2 weeks old now, the case may be adjourned if the strike is not called off before January 26, 2015, which is the hearing date”.
Insiders claimed the Eja Nla as D’banj is fondly refer to found himself in this mess due to his recless lifestyle and splashing huge money on women both home and abroad.
D’banj was born in Zaria, Kaduna State, Nigeria to a military officer who commanded an artillery regiment and a church dignitary mother who hailed from Shagamu in Ogun State. Due to his father’s profession he moved several times within Nigeria and later moved to England. D’banj was expected to follow his father’s military career and was enrolled to the Nigerian Military School at age eleven. However, D’banj resisted the system and disenrolled from the school after three years. While at the Military school he was a member of the elite drum corp of the Nigerian Army. From the Nigerian Military School he proceeded to another military owned institution Nigerian Navy Secondary School, Ibara, Abeokuta where he completed his secondary school education.
D’banj was introduced to the harmonica by his late older brother, Femi Oyebanjo, who died in a plane crash at age seventeen. With D’banj’s love for music being greater than his parents’ military aspirations, he struggled for his parents’ approval; this can be best heard through an album track, All Da Way from his debut album.
Following the death of his 17-year-old brother, D’banj arranged all his possessions on his bed after they were brought home and just picked up his harmonica. I’d play it to remember him.” Later, at university, he realized what his new skills with the instrument could bring him. “I’d go to the female hostel after lectures, and even if there was no electricity I could play there.” He remembers learning Celine Dion’s “My Heart Will Go On” after Titanic came out – “and that got me a lot of girls!”
Plans to continue his studies as a mechanical engineer in London were derailed when he arrived in the UK in 2001, and met Don Jazzy who was trying to make it as a songwriter and producer. D’Banj started hanging around the studio, making ends meet while working as a security guard. “It was OK, because I did nights,” he says, “so I could listen to music on my headphones.”
Don Jazzy told D’Banj he thought he was a star in the making, and sensing that the music scene in Nigeria was “blossoming”, the pair returned to Lagos in 2004. That same year came the single “Tongolo”; the video was paid for by D’Banj’s mother. His first endorsement was with an energy drink called Power Fist.
D’banj, as an artist of Mo’ Hits Records, is also a member of its collective group, Mo’ Hits Allstars (includes artists Dr SID, Wande Coal, KaySwitch, and D’Prince). He has once been spotted with one of Nigeria’s most talented singers, “Smile Lasisi”. The collective’s debut album, Curriculum Vitae, was released in December 2007. It included hit singles, “Be Close To You”, “Booty Call” and “Move Your Body”, which was the lead single. D’banj was featured in Ikechukwu’s 2008 hit, “Wind Am Well”.
July 2008 saw the release of D’banj’s third album, The Entertainer, with the singles “Gbono Feli Feli”, “Kimon”, “Olorun Maje” and “Entertainer”.[8]
In June 2011, D’banj was signed to Kanye West’s G.O.O.D Music record label as artiste. On 9 June 2011, D’banj wrote on his Twitter account, @iamdbanj, “Just like yesterday, myself and my brother did Tongolo. 7 years later, Mo’Hits signs with GOOD Music. Best Birthday gift ever. God thank you.”[9]
After several months of speculation and wild rumours, ace producer, Don Jazzy confirmed via his Twitter account the break-up of Mo’Hits. After the break-up, Don Jazzy, D’Prince, Dr SID, Wande Coal started Mavin Records while D’banj founded DB Records and as expected, he signed his younger brother Kayswitch to the label alongside two producers, Jaysleek and Deevee.
Entertainment
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
By Alhaji Arems (Baba Fuji)
Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.
The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.
Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.
The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.
Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.
The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.
Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.
As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.
Entertainment
BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy
*BREAKING NEWS
*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*
Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.
Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.
“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”
Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.
As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.
Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.
Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.
Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.
The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.
Entertainment
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
By Alhaji Arems (Baba Fuji)
Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.
More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.
A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.
Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence
• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.
• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.
Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.
April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.
For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.
In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.
Rewriting the Narrative for Women in Fuji :
Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.
Omo-Opeki’s 3-in-1 album challenges that precedent.
Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.
Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.
This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.
Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.
A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.
A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.
By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.
A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.
April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.
As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.
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