celebrity radar - gossips
Don’t ask me out, I can’t love again
Taiwo Adenike Adeola
I have been wrapped in the comfort of a womb that carried me
The metronome of my heartbeat beats the drum that I hope the world we dance to
Until tears pierced my blind eye to see the reality of the world outside her womb
The stench of deceit was all over the hand that carried me……
I searched for love in his eyes, but I found none…
I know there was little like a ray of light in a deep hole, but it was covered, covered by his impatience, cos he couldn’t wait to leave me, to abandon me and never to look back.
Then life began to unfold itself like a long nightmare
Life was supposed to be bright, but my corner of it was dark like theoretical mass
I realized, I realized that life was fifty shades of darkness
And my own private world was fifty shades darker.
Daddy! Daddy! I hear other children call..
I hear them call out, and it was like a song
A beautiful piece of music to my hears
A beautiful piece of music, accompanied by a masculine instrumental voice answering “daughter”
Oh I wish someone will call me daughter
I wished my daddy carries me and throw me in the air..
I wished he would catch me in midair and envelope me in a warm embrace
Oh I wished, he was there, he was there to sing Jingle over like a motor to me..
But wishes were not horses… So I could only hope to fly
I felt lonely, mum was never enough, though she tried to be..
My already dark world became darker like abyss
There was no dad’s love to light it up
I remember, I remember countless nights, countless cold nights I wept on my flat 2/4 bed
I felt rejected, I felt lonely
I felt lone like a lost lamb in a thick forest
I was scared, scared of all the bullies around, those wicked big bad wolf..
They knew no one would come to my rescue
They know I don’t have a dad, a dad that will scare them like an angry Shepherd would scare would scare a wolf from his lamb..
They knew I was a poor little child..
Daughter of the poor woman..
Poor young woman, famous for owing debt in every provision store.
So they never stopped bullying me..
Echoes of their wicked laughter followed me like shadow even to dream land.
Mum tried, but she was not just enough…
I needed dad so badly… For 14 years, I hoped and pray
My heart was used to the rhythms of the wall clock…
It was used to the tick-tock sound..
I checked the time every now and then..
Believing, believing my dad would appear suddenly like a thief in the night..
I kept hoping.. Kept praying… I kept praying for that the dad that would never come..
Many times, many times we slept on empty stomach..
We kept repeating the routine of the last super every night..
We lived like that poor woman, that poor Zarephat widow in the bible..
Who had no hope for the future..
Then gradually…. Gradually I gave up on my dad..
It was obvious he was not going to come..
That little girl of 14 years dissapered to the past..
That little girl who longed for her dad’s embrace was gone..
I gave up.. Gave into the fire.. My dreams and high hopes
I know… I know I should have fought
I should have fought the dark shadow hovering over me…
But realization… Realization struck me like lightning
He was never going to come… Not now.. Not ever..
He was never going to come to a child he considered bad lock..
Bad lock born out of wedlock..
I felt like a failure.. as if I have failed life greated examination
14 years ago seem like yesterday before my eyes..
Just yesterday when love so bright.. So bright like sun flower danced in my eyes..
But now… Now I’ve grown into a woman..
I tried not to remember my dad again.. I tried hard to forget him..
But my height, face, and skin color reminds so much of him.. To my dismay…
But the love I had for him has withered..
That beauty sun flower of yesterday has shrunken…
Shrunken cos of lack of sunlight…
It stopped.. It stopped growing, photosynthesis could not take place..
How could it when my father was the photosynthesis.. the photosynthesis my love life needed to grow..
But he abandoned me.. Abandoned me in the darkest corner of the world..
And now, now.. I’ve given up hope..
I’ve thrown my hope my dream down the drain
Now, now I know I don’t deserve nothing..
Nothing, cos I am a child born out of the wedlock..
So don’t even try to pity me, it’s the last thing I want.
Every night, every night I lie in bed
I lie I’m bed, but I can’t sleep…
On the ledge but I can’t leap
I have words on my tongues, but I can’t speak.. My tongue is glued to my mouth
My lips are sealed
Though I’ve grown.. But that little girl, that poor little girl of yesterday..
That little girl who craved for attention was still in me…
I tried to live happy like others..
But I was not conceived like others..
I was not conceived and born like others…
I was a child born out of wedlock..
A mistake.. A great mistake..
I tried so hard..so hard to keep the fire of love burning..
But it’s like taking a step forward and four steps backward..
It kept going down.. Like a melting candle..
And now the light is off..
I tried to love twice.. My father and the other
The other that I risked a lot for..
But I failed… I failed terribly twice
There should be a medal for failures..
Now, I’ve returned to that dreaded zone..
A place of incarceration… A theoretical mass..
The darkest, deepest part of the dark sea..
I’m drowning… Drowning in this sea of hatred..
I have exhausted my anger… It has run run out of me like water down a drain..
I’m choking…choking with fear, regret, pain, tears,
Tears and the constant fear on my mother’s face..
I tried gasping for air, but the black sea kept dragging me back..
I flapped my hands in the water like a dying butterfly..
I tried…tried raising my head..
Tried raising my head..maybe someone would see me..
Maybe a good Samaritan would save me…
Part of me wants to be saved, the other rejects help..
To me it’s finished like Jesus said on the cross..
But save me…save me if you can.
Taiwo Adenike Adeola.
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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