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Esama of Benin, Igbinedion, Obaseki, Osagie Ize-Iyamu, Others Endorse ‘Gbege’ Attends Private Screening

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Esama of Benin, Igbinedion, Obaseki, Osagie Ize-Iyamu, Others Endorse ‘Gbege’ Attends Private Screening

Gbege

 

The private screening of arguably the biggest movie ever made from South South Nigeria, Gbege, also known as the ‘First Born Saga’, held in honor of His Excellency Chief Gabriel Osawaru Igbinedion, the Esama of Benin, is still the talk of the town in Benin Kingdom.

Held at the expansive mansion of The House of Igbinedion, Round House, 1-13 Okada Avenu GRA, Benin City, in appreciation and commendation for his support for the creative industry in Nigeria, also known as the ‘First Born Saga’ was produced and directed by Africa’s most consistent Filmmaker, Amb Okpioba Lancelot Oduwa Imasuen.

Gbege

 

 

 

 

Dignitaries including the vice chancellor of university of Benin, Professor Lilian Salami, Prince and Princess Esama Erediawa Enigie, Managing Director, ITV/Radio, Engr. Elvis Obaseki, a former Governorship candidate in the state, Pastor Osagie Ize-Iyamu, captains of industries and other guests converged on the residence of the Esama of Benin for the movie premier.

After being trailed for 80 minutes, some of the first guests to view the movie comment on their impression and also showered encomium on Sir (Dr.) Gabriel Osawaru Igbinedion for his unalloyed support for the creative industry.

 

 

 

 

 

 

 

 

In his remark, the Producer of the movie, Lancelot Oduwa imasuen, said the movie is part of efforts to promote the rich Benin culture and change different misconceptions. He equally commended the Esama of Benin, Sir Chief (Dr) Gabriel Osawaru Igbinedion, his continued support for the creative industry and hosting of the entire cast and crew of movie whose production cost is estimated at over N60 million.

On his part MD of ITV/Radio, Engr. Elvis Obaseki, commended the creativity and moral lessons in the movie and assured of his supports of its station to support efforts that promotes culture and tradition of Benin culture.

 

 

 

 

 

 

 

 

 

The movie ‘Gbege’ The Omorodion Saga was shot at the residence of Esama of Benin sir (Dr) Gabriel Osawaru Igbinedion, corporate office of ITV and Radio, glass house on airport road and other locations in Benin city.

The star studded movie also featured the very best of Nollywood in Sam Dede, Jide Kosoko, Ini Edo, Nosa Rex, Zubby Michael, Mercy Aigbe, Charles  Inojie, Harry B, Junior Pope and many other ‘A list’ artists.

 

 

 

 

 

 

 

 

 

GBEGE is a production of Lancelot Imasuen Media Network and Hopkins Global Network, a company headed by young and vibrant Mr Hopkins Osahon who is looking forward to a more greater partnership with Mr. Guvnor himself.

Entertainment

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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