Funke Akindele’s Everybody Loves Jenifa Smashes Records, Grosses N500 Million in 12 Days

Nollywood superstar and box office queen Funke Akindele has achieved another remarkable feat with her latest comedy blockbuster, Everybody Loves Jenifa (ELJ). The film has officially become the highest-grossing Nollywood movie of 2024, amassing a staggering N500 million in just 12 days.

Taking to Instagram, Funke shared her heartfelt gratitude to fans and supporters for their unwavering love.

“Thank you, Lord!! Thank you, everyone!! I couldn’t have done this without your love and support!! God bless you all!!!” she wrote, accompanied by celebratory emojis.

The actress has every reason to celebrate, as Everybody Loves Jenifa continues to dominate cinemas both locally and internationally. The movie’s UK premiere at Odeon Cinemas last week sold out within minutes, prompting Funke to announce additional screenings to cater to the overwhelming demand.

Fans and critics alike have praised the film for its humor, relatability, and heartwarming themes, cementing Funke’s reputation as a Nollywood powerhouse and a master storyteller. The movie’s success is a testament to her ability to connect with audiences through her unique blend of comedy and heart.

With this latest achievement, Funke Akindele not only reinforces her status as a trailblazer in Nigerian cinema but also sets a new benchmark for Nollywood’s global reach and influence.

As Everybody Loves Jenifa continues its record-breaking streak, the actress remains focused on appreciating the fans who have made it all possible. “It’s not just about the numbers; it’s about the love,” Funke said during a recent interview. “This journey wouldn’t be possible without God and my incredible supporters.”

The story of Jenifa’s endearing and comedic escapades has once again captivated audiences, proving that Funke Akindele’s magic is timeless and universal.

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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