celebrity radar - gossips
Finally, truth crushes Nigerian Army at Lekki By Tunde Odesola
Finally, truth crushes Nigerian Army at Lekki By Tunde Odesola
Goliath and Chief of Defence Staff, General Lucky Irabor, is the highest-ranking military officer Nigerian Armed Forces. His duties include formulating operational policies and programmes for the Army, Navy and Air Force with a view to attaining national security.
The Defender of the Nigerian Universe, General Irabor, has able lieutenants in the Chief of Army Staff, Lieutenant General Farouk Yahaya; Chief of Naval Staff, Vice Admiral Awwal Gambo; and the Chief of Air Staff, Air Marshal Isiaka Amao, – all Goliaths in their own rights – though smaller in size, but with offices more sought after because they have under their direct controls, officers, men and mHoney.
Irabor isn’t the Philistine giant from Gath who wore to war a bronze helmet, coat of scale armour weighing 5,000 shekels, bronze greaves to protect his legs, and had a javelin slung across the back with a shield bearer going ahead of him.
Irabor is the Nigerian Goliath from Delta. He’s an Ika. Many people, who don’t know that the Ika are a unique people from Aliokpu Agbor, see Irabor as an ika, a Yoruba word for the wicked because of his merciless role in the bloodbath at Lekki.
On the way to war on October 20, 2020, Irabor armed himself with an AK-47, endless rounds of ammunition, bulletproof vest, helmet, jackboots, knives, teargas, flashlight and horse whip, coming metaphorically behind his abominable shield bearers, who had perforated many heads with bullets and crushed countless bones even before Irabor’s calvary halted in triumph at the notorious Lekki Toll Gate, the place of skulls.
Irabor is the Nigerian Goliath, who exactly 15 days after his 55th birthday anniversary marked amid prayers for long life and prosperity, went to war against thousands of unarmed Nigerians that include children and women. He returned home with a basketful of dripping heads hurriedly interred in an unmarked mass grave lit by the gaze of the distant owl which provided light for the midnight secret operation.
What are the sins of the shot Nigerians? One, they dared to hold aloft the Nigerian flag and two, they demanded a better country from their sightless and selfish rulers.
In the inferred view of Goliath Irabor, who knew that bloodied military guns were cleaned and locked away after the Lekki massacre, Nigerian youths are a truly lazy and stupid bunch, always asking for what their country can do for them, and not what they can do for their country.
I think this is why Irabor, the numero uno of the killing Nigerian military, frowns on the leakage of the report by the panel of inquiry set up by the Lagos State Government to investigate the massacre carried out by Nigerian soldiers and police against innocent citizens at the Lekki Toll Gate in October 2020.
It’s not in the character of generals to talk without thinking. With Irabor, speech is silver: silence is stupid. The body language of the Anioma general without a war medal reflects the belief that the man with a gun is always right no matter the emptiness in his skull.
Last Monday, the no-death anthem composed by the media fiends of Abuja stuck in the throat of Irabor, whose Army had vehemently denied shooting a live bullet at the scene, let alone hurt a fly.
Repeatedly, the Goliath in Irabor had looked down on Nigerians, and thrown a challenge at them, taunting the citizenry to produce a shred of evidence linking his Army to the killings at the notorious toll gate in Lekki, just like the big Philistine did to Israelites in the Valley of Elah,
Illogical, incoherent and insensitive, Irabor, in a viral video, more concerned that the report became public knowledge via ‘a wrong channel’, than showing remorse and apologising for the innocent lives that his zombie soldiers mowed down in cold blood on the Black Tuesday of October 2020. Irabor is the cynic whose conscience conveniently sits on the truth while his boots regally trample on justice, shamelessly.
In the interview conducted by African Independent Television, the acting Goliath squawked, “I’d like to indicate that the Armed Forces of Nigeria is a professional armed force. We are peopled by Nigerians and we remain committed to constitutional mandate.” What nonsense!
He continued, “So, we will not, at this point, think that Nigerians should make disparaging remarks regarding the Armed Forces of Nigeria in the sense that we are professional armed forces.” Professional kill-and-go, you mean, sir?
Irabor rambles on, “If there are issues, of course, we address them within the ambit of the provisions. It would not be right to disparage men and women who have worked so hard to ensure that the territorial integrity of this nation is kept intact.” This is the type of narratives Irabor feeds Nigeria’s passive Commander-in-Chief, making Daura falsely believe he’s in control of 36 states when the North-East has fallen to insurgents and the Indigenous People of Biafra make the rules in the South-East.
Typical of a deluded bully lashing out at seen and unseen enemies, Irabor derogatorily dismissed the police by reminding Nigerians of the suferiority of the Army over the police. He boasted, “I can assure that the Armed Forces of Nigeria are well-disciplined and we do not engage in any ignoble acts. If Nigerians do not trust us, then we won’t be doing what we are doing, and in any case, it is the Armed Forces of Nigeria; we are not talking of the police.” I respect the Armed Forces, so, I won’t question Irabor claiming supremacy over the police just as I won’t question Boko Haram’s superiority over Irabor’s army.
It’s not completely out of depth that Goliath Irabor faulted the leakage of the report. His action is in line with officials and chief executives that work in lawless environments. But instead of the Irabors of Nigeria to resign or speak the truth, they dismember it and hunt down anyone pronouncing or writing the letter T.
I say this because October 20, 2020 wasn’t the first time the Nigerian Army that produced Irabor would kill the truth. The Army had been killing the truth long before the clock was invented, and has continued to kill the people and kill their truths till this very day.
Though it’s laughable that Irabor is aggrieved about the Lekki report being leaked through ‘a wrong channel’, I’ll show why Nigerians can’t trust the Nigerian Armed Forces or governments at all levels to implement the report.
After sitting for two and a half years, the Justice Chukwudifu Oputa-led panel submitted its report on human rights violations and nationwide communal unrest nationwide to President Olusegun Obasanjo in 2002.
The General, whose reign was most awash with blood, Ibrahim Babangida; and General Abdulsalami Abubakar, whose regime was criticised by the Oputa commission for the death of MKO Abiola in custody, blatantly shunned the public hearing. Nigerians watched helplessly as a court dismissed the panel as illegal. It took courage on the part of two activist groups, Nigeria Democratic Movement and Civil Society Forum, to publish report.
Soja Irabor, the report of the Kaduna State Commission of Inquiry into the killing of 347 Shiites including children and women by soldiers in December 2015 hasn’t seen the light of the day. No soldier has been brought to book, but the victim, El-Zakzaky, has been on trial ever since.
Also gathering dust on bookshelves are the Justice Ayo Salami-led panel report on the financial allegations against former EFCC acting chair, Ibrahim Magu; report on arms proliferation by a panel set up by former President Goodluck Jonathan, report by a panel set by Jonathan on 234 abducted Chibok girls.
Ten years after, the recommendations of the Stephen Oronsaye report that called for the scrapping and merging of some agencies have yet to be implemented.
Can anyone trust an army that burnt Fela Anikulapo’s house in the broad daylight of February 18, 1977, threw his mother downstairs, and yet blamed it on unknown soldiers?
Email: [email protected]
Facebook: @tunde odesola
Twitter: @tunde_odesola
TundeOdesola.com
celebrity radar - gossips
Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour
Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour
Nigeria’s longest-running and most consistent comedy tour, LaffMattazz with Gbenga Adeyinka & Friends, has officially announced its 2026 tour themed “Next Chapter.” The upcoming edition marks a major milestone as the brand celebrates its 15th edition with a bold expansion that includes Canada for the first time.
The Next Chapter edition represents a clear evolution from previous years — signaling growth, global reach, and a renewed creative vision. While past editions focused on taking premium comedy experiences across Nigerian cities, the 2026 tour elevates the brand with international exposure, upgraded production, and stronger engagement with audiences at home and in the diaspora.
Speaking on the significance of the new theme, organizers describe the 15th edition as more than a celebration of longevity, but a statement of intent — positioning LaffMattazz as a global Nigerian entertainment export.
CONFIRMED TOUR CITIES & VENUES
•Ibadan – Jogor Center (Easter Sunday, April 5th, 2026)
•Akure – The Dome International Culture & Event Center
•Abeokuta – OOPL Marquee
•Lagos – Balmoral Convention Center
•Canada – Multi-city tour (dates to be announced)
Audiences can expect a rich blend of comedy, music, and surprise guest appearances — delivered with the signature “& Friends” experience that has defined the tour for over a decade.
With the Next Chapter, LaffMattazz reinforces its legacy while opening new doors for African comedy on the global stage.
celebrity radar - gossips
Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.
“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.

Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.
The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.
As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.
“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.
celebrity radar - gossips
Another Feather for Nollywood Icon Fidelis Duker
**Another Feather for Nollywood Icon Fidelis Duker
*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.
The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.
“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.
Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”
As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.
With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.
As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.
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