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How I resurrected while I was taken to the mortuary – Comedian, Julius Agwu recounts

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​In what seems to be the Revelation of the year, popular comedian Julius Agwu has opened up about an experience he had when he was seriously sick. According to the ace comedian, he died but woke up on his way to the mortuary.
Julius Agwu in his statement said, while he was being unconscious he saw his father who had died so many years back, chasing him back to the land of the living.
He said,
“The truth is that I would not have been alive if not for God. I died and woke up; I literally died and woke up. I say that authoritatively because I know that I had an encounter with people that I know had died during that period. I saw my father who died about 12 years ago; he was the one that came and chased me back to the world because it was not my time. I died here in Nigeria but woke up when they were taking me to the mortuary.
That was the first time I had a seizure in my house but my wife stood by me. God would keep on blessing my wife; I believe that God gave me my wife and I always thank him for her. I bless God that she stayed despite everything that happened to me.
They were taking me to a mortuary but to God be the glory, my hand moved and that was the point they returned me to the hospital. Here I am today. The encounter made me realise that there is nothing as good as rest. It is very important to sleep. I work so hard and I believe that of all comedians in Nigeria, I am the only one with so many brands, I have Crack Ya Ribs, Laff for Christ’s Sake and Festival of Love.”
Julius Agwu reveled that he need to have a second surgery because he didn’t have enough rest after the first one. So at a point he had a relapse:
“What happened was that they did an MRI scan and they detected that I had two growths. They removed a tumour at the back of my head which was the size of a golf ball and the other tumour was close to my brain. They advised me that if they touched the other tumour, it could be fatal. They gave me drugs to shrink the tumour but I did not rest well and that is why it came back last year. I did not rest at all, after my surgery in America, I resumed doing my shows. I thank God for everything.
“The truth is that I am back and better. I just want to use this opportunity to tell the people that God is great and this is a time we should all reflect on our life. I would not lie to you, things are not easy in the country and many people are running away from Nigeria. ‘Crack Ya Rib’ was the first Nigerian show that went to London and after that, everybody started taking their shows there. I thank God that ‘Crack Ya Rib’ paved the way for other shows,” said Julius Agwu.
The comedian also said that a lot of people believed he was being attacked spiritually because he had shown interest in becoming the governor of Rivers State at that time. In his words:
“We live in a country where people are funny. Remember there was a time I made it public that I wanted to contest as a governor for my state, now, people have advised me not to try it again because they believe that my illness was a spiritual attack.
We live in a country where people test your power when you announce that you want to contest for an office. My good friend, Okey Bakassi, told me that the illness was a spiritual attack and pleaded with me not to try it again. He said that there was a time he also thought of contesting for a political office but that something happened to him which he said he would never forget. I just kept on laughing,”

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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