“How My Late Sister Influenced My New Movie,”OLAKITAN”-Producer,Gbolahan Adetayo Tells City People Magazine
Have you heard of the new wave-making movie titled, ‘Olakitan’? It’s the new Yoruba movie that’s making quite some impact in the industry right now. The movie features top stars such as Lateef Adedimeji, Madam Saje and a host of others. As of last week, after just a few weeks of its release, it’s recorded close to 100k views on Youtube.
This standout movie with a gripping storyline was produced by a hardworking journalist and one of the industry’s most creative minds, Gbolahan Adetayo.
This is not his first movie production. He ventured into the business of movie-making years back and produced his debut movie, ‘Aala Ife’ which also did reasonably well. Encouraged by the modest success of Aala Ife, Gbolahan, who was one of City People’s strongest editorial hands, has gone on to build an impressive stable from which his movies are now produced.
Last week, City People’s Senior Editor, WALE LAWAL (08037209290) got Gbolahan to speak about Olakitan and reveal the pain and inspiration behind the compelling storyline that everyone is talking about.
Tell us about the storyline, what’s it about? And what inspired the storyline?
Olakitan is a movie that talks about a young man, who forcefully brings his friend who lives abroad back into the country for property investments but his selfish desires in the acquisition eventually ruin his life. Meanwhile, this is a total stranger he met on social media.
And what inspired the storyline?
The truth of the matter is that I lost my sister in 2018, her name is Olaitan Rachael Adetutu Adetayo Sorinola. She is someone I loved so much. I had a baby girl in November 2019, whom I named after my sister. So, I was thinking on a script to do for my late sister in her memory, I wrote Olaitan Obinrin Ogun, a fantastic and multi-million naira movie which at the moment, I don’t have the money to shoot and I don’t like taking loans. My heart was heavy to do a movie in her name. On that faithful day, I wouldn’t know if I was sleeping or I was in a trance, she appeared to me and she narrated the storyline, and titled it Olaoluwakitan. They killed me thinking that I have gone but I am back through you. Then my wife was pregnant. So, when she put to bed, I named the baby girl after her and shot the movie the following year. This was the reason I called it Olakitan. They succeeded in killing her in her first lifetime but now, she’s Olakitan Obinrin Ogun. Watch out for that movie from my stable
That’s very deep. So, did you write the storyline and put the script together yourself?
Due to my primary job as a journalist, I was busy with my journalism duties, I couldn’t script it myself, so I spoke with a scriptwriter on phone, his name is Femi Adefioye. I narrated the story to him and after a week, my script was ready. I shot the movie on September 20th 2020 but it’s rather unfortunate that the movie couldn’t hit the shelves until a year and three months
Why did it take so long after the movie was shot before it was released into the market?
Initially, I planned to release the movie two weeks after the production, but the editor messed himself up. He lost the audio and he couldn’t tell me, he used camera audio and of course, that will automatically produce noise. The guy was using it as an opportunity to extort me until I got furious and I gave the job to another reliable and credible editor
Olakitan paraded quite an impressive assemblage of star actors. Give us a roll call of some of the top actors that featured in the movie.
We have the likes of Lateef Adedimeji, Fausat Balogun popularly called Madam Saje, Obatidey, Kiki Bakare, Kitan Bukunola, Titilayo Akinwale, Olasunkanmi Akanni Olohuniyo, Tope Saint Okemesi, Omolara Kasali, Omo VC, Majekodunmi Emmanuel, Lookman Adewale Luyek, and many more.
You said you had difficulty raising money to shoot the movie, how then were you able to attract such high profile stars if you had a very lean budget for the movie?
Olaitan Obinrin Ogun is another film entirely, which I may probably produce before December 2022. It is a big-budget movie with almost 4 parts. Back to the question. Any actor who has ever featured In any of my movies will confirm to you that I have never worked with them without paying despite my closeness with virtually all of them and my status as a journalist promoting some of them when they were still upcoming. Now, how do I work? Every movie from my stable must have a budget, after that, I will send the script and money to the director. He will be the one to coordinate, invite the actor, pay them and direct the job. I have never for once call an actor by myself and negotiate with him before he appears in my films. The reason is that I respect myself a lot and I don’t take nonsense from anybody, no matter your rank. Till tomorrow, I still see myself as a journalist, not a producer or actor. If I call them myself to feature in my movies, some of them may say they are already booked for that period. Now, two things are involved in that lie. The first one is that, if they tell me the actual amount they wish to collect to feature in movies which is totally different from what we read on pages of newspapers, they believe that I may publish it as a journalist. Secondly, because of our relationship, they wouldn’t want to give me their fee, they will rather say I am not available for that date. So, I took the decision of not inviting or negotiating with any actor in 2017 when I produced my debut flick, Aala Ife.
Why did you go into movie production?
I am blessed with story ideas. I normally write scripts and give them to some of my actor friends. Sometimes I lead the team when we do script conferences. I did one for an actress who is now a star. She produced the film and obstinately refused to include my name as part of the film’s creative team. She was to credit me by saying story by or screenplay by Gbolahan Adetayo simply because as at then, we were at loggerheads. I was furious. Meanwhile, Aala Ife script was ready. I already planned the script but based on what she did, I changed my mind. I called my friend cum director, Okiki Afolayan, I asked what it would cost me to produce a movie and he told me. I gave him the script and I transferred the money to him. Today, the rest is history. Use the link below to watch the movie for free:
Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”
Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.
Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.
“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.
“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.
The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.
“I Was Told I’d Never Win”
Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.
After attempting to tell her side of the story in a public interview, she faced even more backlash.
“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.
Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.
“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.
Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.
Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.
The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.
*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*
By Rtn. Victor Ojelabi
The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.
The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.
The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.
Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.
At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.
Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu
The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.
Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.
The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.
Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).
Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.
Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.
With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.
His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.
His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.
The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.
His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.
In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.
His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.
Bullion Records Officially Commissions New Music House in Lagos
One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.
Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.
“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.
The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.
Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.
In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.
GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.
The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.
The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.