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How My Late Sister Influenced My New Movie,”OLAKITAN”-Producer,Gbolahan Adetayo Tells City People Magazine

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How My Late Sister Influenced My New Movie,”OLAKITAN”-Producer,Gbolahan Adetayo Tells City People Magazine

 

 

 

 

 

 

Have you heard of the new wave-making movie titled, ‘Olakitan’? It’s the new Yoruba movie that’s making quite some impact in the industry right now. The movie features top stars such as Lateef Adedimeji, Madam Saje and a host of others. As of last week, after just a few weeks of its release, it’s recorded close to 100k views on Youtube.

 

 

 

 

 

 

 

 

 

This standout movie with a gripping storyline was produced by a hardworking journalist and one of the industry’s most creative minds, Gbolahan Adetayo.

 

 

 

 

 

 

 

 

 

 

This is not his first movie production. He ventured into the business of movie-making years back and produced his debut movie, ‘Aala Ife’ which also did reasonably well. Encouraged by the modest success of Aala Ife, Gbolahan, who was one of City People’s strongest editorial hands, has gone on to build an impressive stable from which his movies are now produced.

 

 

 

 

 

 

 

 

 

Last week, City People’s Senior Editor, WALE LAWAL (08037209290) got Gbolahan to speak about Olakitan and reveal the pain and inspiration behind the compelling storyline that everyone is talking about.

 

 

 

 

 

 

Tell us about the storyline, what’s it about? And what inspired the storyline?

Olakitan is a movie that talks about a young man, who forcefully brings his friend who lives abroad back into the country for property investments but his selfish desires in the acquisition eventually ruin his life. Meanwhile, this is a total stranger he met on social media.

And what inspired the storyline?

The truth of the matter is that I lost my sister in 2018, her name is Olaitan Rachael Adetutu Adetayo Sorinola. She is someone I loved so much. I had a baby girl in November 2019, whom I named after my sister. So, I was thinking on a script to do for my late sister in her memory, I wrote Olaitan Obinrin Ogun, a fantastic and multi-million naira movie which at the moment, I don’t have the money to shoot and I don’t like taking loans. My heart was heavy to do a movie in her name. On that faithful day, I wouldn’t know if I was sleeping or I was in a trance, she appeared to me and she narrated the storyline, and titled it Olaoluwakitan. They killed me thinking that I have gone but I am back through you. Then my wife was pregnant. So, when she put to bed, I named the baby girl after her and shot the movie the following year. This was the reason I called it Olakitan. They succeeded in killing her in her first lifetime but now, she’s Olakitan Obinrin Ogun. Watch out for that movie from my stable

That’s very deep. So, did you write the storyline and put the script together yourself?

Due to my primary job as a journalist, I was busy with my journalism duties, I couldn’t script it myself, so I spoke with a scriptwriter on phone, his name is Femi Adefioye. I narrated the story to him and after a week, my script was ready. I shot the movie on September 20th 2020 but it’s rather unfortunate that the movie couldn’t hit the shelves until a year and three months

Why did it take so long after the movie was shot before it was released into the market?

Initially, I planned to release the movie two weeks after the production, but the editor messed himself up. He lost the audio and he couldn’t tell me, he used camera audio and of course, that will automatically produce noise. The guy was using it as an opportunity to extort me until I got furious and I gave the job to another reliable and credible editor

Olakitan paraded quite an impressive assemblage of star actors. Give us a roll call of some of the top actors that featured in the movie.

We have the likes of Lateef Adedimeji, Fausat Balogun popularly called Madam Saje, Obatidey, Kiki Bakare, Kitan Bukunola, Titilayo Akinwale, Olasunkanmi Akanni Olohuniyo, Tope Saint Okemesi, Omolara Kasali, Omo VC, Majekodunmi Emmanuel, Lookman Adewale Luyek, and many more.

You said you had difficulty raising money to shoot the movie, how then were you able to attract such high profile stars if you had a very lean budget for the movie?

Olaitan Obinrin Ogun is another film entirely, which I may probably produce before December 2022. It is a big-budget movie with almost 4 parts. Back to the question. Any actor who has ever featured In any of my movies will confirm to you that I have never worked with them without paying despite my closeness with virtually all of them and my status as a journalist promoting some of them when they were still upcoming. Now, how do I work? Every movie from my stable must have a budget, after that, I will send the script and money to the director. He will be the one to coordinate, invite the actor, pay them and direct the job. I have never for once call an actor by myself and negotiate with him before he appears in my films. The reason is that I respect myself a lot and I don’t take nonsense from anybody, no matter your rank. Till tomorrow, I still see myself as a journalist, not a producer or actor. If I call them myself to feature in my movies, some of them may say they are already booked for that period. Now, two things are involved in that lie. The first one is that, if they tell me the actual amount they wish to collect to feature in movies which is totally different from what we read on pages of newspapers, they believe that I may publish it as a journalist. Secondly, because of our relationship, they wouldn’t want to give me their fee, they will rather say I am not available for that date. So, I took the decision of not inviting or negotiating with any actor in 2017 when I produced my debut flick, Aala Ife.

Why did you go into movie production?

I am blessed with story ideas. I normally write scripts and give them to some of my actor friends. Sometimes I lead the team when we do script conferences. I did one for an actress who is now a star. She produced the film and obstinately refused to include my name as part of the film’s creative team. She was to credit me by saying story by or screenplay by Gbolahan Adetayo simply because as at then, we were at loggerheads. I was furious. Meanwhile, Aala Ife script was ready. I already planned the script but based on what she did, I changed my mind. I called my friend cum director, Okiki Afolayan, I asked what it would cost me to produce a movie and he told me. I gave him the script and I transferred the money to him. Today, the rest is history. Use the link below to watch the movie for free:

 

How My Late Sister Influenced My New Movie,"OLAKITAN"-Producer,Gbolahan Adetayo Tells City People Magazine

Entertainment

Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound

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Fuji Wayne, Shanko Rasheed’s Canada Summer Tour Signals The Rise of A Fuji-Infused Afro-Fusion Sound 

By : Alhaji Arems (Baba Fuji)

 

 

In an industry where virality often overshadows steady growth, Nigerian artist Shanko Rasheed is taking a different route — one defined by gradual expansion, cultural fusion, and strategic international movement. From early releases to touring activity across North America, his trajectory reflects a new class of Nigerian artists who are less visible in headlines but increasingly active on the global stage.

 

 

 

 

A Sound Rooted in Tradition, Shaped by Modern Influence :

 

 

At the core of Shanko Rasheed’s artistry is a blend that feels both familiar and forward-looking: Afro-fusion layered with Fuji influences.

 

Fuji, a genre deeply rooted in Yoruba musical tradition, is known for its percussive intensity, vocal cadence, and spiritual undertones. By merging this with Afro-fusion — a broader, globally digestible sound palette — Shanko positions himself in a lane that bridges:

• Street authenticity

• Cultural heritage

• Contemporary accessibility

 

 

 

 

This hybrid approach aligns with a wider movement in Nigerian music, where artists are increasingly revisiting indigenous sounds and recontextualizing them for modern audiences. However, unlike more mainstream acts who polish these elements for pop appeal, Shanko Rasheed appears to lean into the rawness of Fuji-inspired delivery, giving his music a distinct edge.

 

 

 

 

Building Beyond Borders : Touring The United States And Canada

 

 

One of the clearest indicators of Shanko Rasheed’s growth is his international touring footprint.

 

In the past year, he has:

• Performed across parts of the United States, expanding his reach beyond Nigeria

• Secured upcoming tour dates in Canada for the summer, signaling continued demand within diaspora communities

 

For an artist still in the early stages of mainstream recognition, this level of cross-border activity is significant. It suggests:

• An existing audience base outside Nigeria

• Strategic connections or grassroots promoters within diaspora circuits

• A willingness to invest in physical presence rather than relying solely on digital growth

 

 

 

 

The Nigerian diaspora has long served as a testing ground for emerging talent, and artists who successfully tap into that ecosystem often build loyal, high-engagement audiences before breaking into wider markets.

 

 

 

 

Lifestyle Signals And Artist Positioning :

 

 

Beyond music and touring, Shanko Rasheed’s recent acquisition of a Mercedes-Benz adds another layer to his public image. While such milestones are common in the music industry, they often serve a dual purpose:

 

 

• A personal achievement marker

• A branding signal reinforcing upward mobility and success

 

 

 

 

In the context of an emerging artist, it also reflects a narrative of progression — from early-stage hustle to visible rewards. When communicated effectively, these moments can strengthen audience perception and credibility, particularly within genres that value both authenticity and aspiration.

 

 

 

 

The Visibility Gap : Present, Yet Underdocumented

 

 

Despite these developments, Shanko Rasheed remains underrepresented in mainstream media and digital indexing. There is limited:

 

 

• Press coverage

• Editorial playlist visibility

• Structured artist profiling

 

This creates a noticeable gap between activity and awareness. In practical terms, he exists in a space where:

 

The work is happening, but the story hasn’t been fully told.

 

For many artists at this level, this gap can slow momentum. However, it also presents an opportunity to shape a narrative deliberately, rather than reacting to one formed by external media.

 

 

 

 

A Strategic Moment For Definition :

 

 

Shanko Rasheed’s current phase can best be described as pre-definition — a period where the foundation is in place, but the identity is still being formalized in the public eye.

 

 

 

 

He has:

• A developing catalog on streaming platforms

• An active social media presence

• International performance experience

• A culturally rooted sound with crossover potential

 

 

 

 

What remains is the alignment of these elements into a cohesive narrative that audiences — and industry stakeholders — can easily understand and engage with.

 

In a Nigerian music landscape often dominated by rapid breakout cycles, Shanko Rasheed’s path highlights an alternative model:

 

 

• Build steadily

• Expand geographically

• Refine sound identity

• Let audience growth follow organically

 

His fusion of Afro-fusion and Fuji also contributes to a broader cultural conversation about the preservation and evolution of indigenous sounds. As global listeners become more receptive to genre-blending and cultural specificity, artists operating in this space are well-positioned to benefit.

 

 

 

 

Shanko Rasheed may not yet be a household name, but his movements suggest an artist laying deliberate groundwork for long-term relevance. With international tours, a distinct sonic direction, and visible personal milestones, he is steadily transitioning from obscurity to recognition.

 

 

 

 

Beyond his professional strides, Shanko Rasheed has also faced personal tragedy. The Fuji singer reportedly lost his first son, Jamaldeen Atanda, on February 27, 2026. While details surrounding the loss remain private, the moment marks a deeply personal chapter in his life, unfolding alongside a period of growing international visibility.

 

 

 

 

The next phase of his career will likely depend not just on the music itself, but on how effectively his story is documented, distributed, and amplified. If aligned properly, his blend of Afro-fusion and Fuji — combined with his growing global footprint — could position him as one of the more compelling emerging voices in Nigeria’s evolving music scene.

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem

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I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother

-Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’

 

 

A young man doing well in life is often defined by a disciplined, and purpose-driven approach to his personal and professional growth. 34-year-old Lagos State born social media influencer, Olalekan Akeem Akintola, disclosed in this interview that he has cultivated the habits and mindsets of a young man determined for long-term success before he attained age 21. He said he continually updated his knowledge and skills to keep up with changing demands and trends even before he left Nigeria for Europe in search of greener pastures at age 29. Other than his talent alone, Akeem noted that his becoming successful abroad was not all by luck, but mostly by being kind and respectful. He also revealed the secret behind his popular social media nickname, ‘oko awon single mothers’. And more…

 

 

 

 

 

What do you love about yourself?

 

What I love about myself is that I am a very determined person. When I am determined to do something I don’t look back. I just go into it not minding what the result would be and I don’t care about what anybody would say.

 

 

 

Tell us about your marital life.

 

I was married. But I’m a single father now (general laughter).

 

 

 

 

 

What year did you travel abroad and how did you manage to succeed abroad?

 

I traveled out of Nigeria in 2021. I’m currently in Europe, Germany, South Cyprus to be precise. I worked in the kitchen. To be honest, my experience abroad wasn’t an easy one. Thank God, today I have my citizenship documents and I’m living fine. It wasn’t easy getting to this level. I give God the glory.

 

 

 

Who are the most special people in your life?

 

The most special person in my life is my mum. Then my kids and my mum’s families, especially Sister Iyabo and Sister Nofisat. My mum’s families are so special in my life because they have been very supportive of my life.

 

 

 

Tell us about your experience helping a sick lady, Keji, whose matter has gone viral on social media.

 

This lady, Keji, came into my Instagram inbox and told me that she was sick and needed help. Ordinarily, I do use my platform to help people, especially those who are sick. There was a time I ignored her and didn’t attend to her complaints. But when she showed me the evidence and pleaded that I should help her, I had to support her. I am the person that sent her to see Agbala Gabriel pastor. But I didn’t know that he was going to mess up.

 

 

 

What type of people do you love to be around you?

 

I love to be around people who are friendly, ready to help and very supportive. I do not like people with negative vibes.

 

I Used To Insult Single Mothers Until I Remembered That My Mum Is A Single Mother -Akeem Akintola a.k.a. ‘Oko Awon Single Mothers’  

 

You’re a young guy, why do people call you ‘oko awon single mothers’?

 

There was a time I used to abuse single mothers; what they were doing, why did they leave their marriages and so on. I saw it as an abnormality. But I came to realize that my mum is also a single mother and I said why should I be insulting single mothers when I was also raised by a single mother. So, I had to start making videos about single mothers, praising them and talking about their challenges and qualities. Since that time, single mothers started calling me ‘oko awa single mothers’ (husband of us single mothers).

 

 

 

Do you make so much money through social media posts or you have a job that gives you the biggest?

 

Yes, I make money on social media. I also work in the kitchen as a chef. I’m into kitchen stuff here abroad and it pays me well. Also, I run adverts for people on my platform and I make a lot of money from it.

 

 

 

You are very popular among society women; how did you make it happen?

 

All I can say is thank God. I don’t know how it happened. I just found myself with millions of fans and followers. People really love me, especially older society women who fondly call me ‘oko wa’ (our husband).

 

 

 

What is your success tip for young people like you?

 

My advice for young people like me is that whatever they’re doing they should keep doing it. They should be consistent. Keep doing it, don’t relent and don’t look back. When I started out on social media, I was bullied, cursed. I never envisaged where I am today. I never expected that people would be talking about me sometime in the future. But here I am. I never saw this coming. I really thank God for everything. So, let us just keep doing whatever we are doing. There’s light at the end of the tunnel.

 

 

 

Are you fully in the entertainment industry or on part time?

 

I work and I’m fully back in the entertainment industry.

 

 

 

 

 

You look so young despite your age, what’s the secret?

 

The secret is that I maintain physical fitness, I do regular workouts. I know that a strong body supports a strong mind.

 

 

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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