His Imperial Royal Eminence King Sir Benny Terry Danson Leads UKA’s Charge for International Recognition*

The United Kingdom of Atlantis (UKA) today issued a statement clarifying its sovereignty and territorial boundaries, emphasizing its commitment to international law and cooperation. The UKA is a sovereign nation established in accordance with the Montevideo Convention on the Rights and Duties of States (1933) and in compliance with international laws.

The nation is taking steps to gain official recognition, including establishing diplomatic ties with countries like the US, UK, Nigeria, and India, and securing bilateral treaties with nations like Bangladesh, Malaysia, and South Africa. UKA has also gained membership in the International Police Commission and is seeking UN membership ¹ ² ³.

“We are a proud and independent nation, with a rich history and heritage,” said [Official Spokesperson], spokesperson for the UKA government. “Our territory is unique and distinct, and we are committed to maintaining our sovereignty and independence.”

The UKA’s territory is located outside the African region, and it has no plans to establish a presence in Nigeria or any other African country. The nation is committed to upholding the principles of the United Nations Charter and meeting all requirements for membership.

*Key Developments:*

– *Diplomatic Offices*: Established in several countries, including the US, UK, Nigeria, and India

– *International Memberships*: Member of the International Police Commission, seeking UN membership

– *Recognition Efforts*: Received State Sovereignty Certificate from the First Republic Register Foundation, applying for ISO currency code for the Atlantian Crown

The UKA is working towards meeting the Montevideo Convention criteria for recognized sovereign statehood, including defined territory, government, and independence.

His Imperial Royal Eminence

King Sir Benny Terry Danson, Admin to the throne of UKA , has been instrumental in leading the nation’s efforts to gain international recognition

Oyo 2027: Ajadi Clears PDP Screening, Makes Makinde’s Final Shortlist for Governorship Ticket

A leading governorship aspirant on the platform of the Peoples Democratic Party (PDP) in Oyo State, Ambassador Olufemi Ajadi Oguntoyinbo, has successfully scaled the party’s screening process conducted by the committee constituted by Governor Seyi Makinde ahead of the next gubernatorial election.

Sources within the party disclosed that Ambassador Ajadi was among the aspirants screened on Thursday, March 26, 2026, as the party intensifies internal consultations to present what insiders describe as a formidable, credible, and people-oriented candidate for the 2027 governorship race.

The screening committee, chaired by legal luminary Chief Bolaji Ayorinde, who also serves as Chairman of the Governor’s Advisory Council (GAC), reportedly shortlisted Ajadi for Governor Makinde’s final evaluation based on what party stakeholders described as his competency, leadership capacity, political experience, and grassroots acceptability.

Ajadi’s Political Strengths Impress Committee

According to party sources familiar with the exercise, Ajadi’s screening session highlighted his long-standing involvement in party development, youth mobilisation, and his consistent advocacy for economic empowerment and inclusive governance.

Insiders revealed that the committee was particularly impressed by his:

Demonstrated administrative capacity

Strong grassroots political structure

Private sector exposure and entrepreneurial background

Loyalty and contributions to PDP’s growth in Oyo State

A party source hinted that:

“Ambassador Ajadi represents the new generation of leadership the PDP needs—someone with capacity, vision and the courage to consolidate on Governor Makinde’s achievements.”

Seen as Continuity Candidate

Observers within the party believe Ajadi’s performance at the screening further strengthens his profile as one of the aspirants capable of sustaining the developmental strides of the Makinde administration while expanding opportunities for youths, professionals, and the business community.

Political analysts within the party structure also described his shortlisting as a reflection of growing confidence in his ability to unite different interests within the PDP and attract wider electoral support.

PDP Moves Toward Consensus

The screening exercise, which started on Saturday, 21 March includes other notable aspirants such as Dr. Debo Akande, Hon. Adedeji Olajide Odidiomo, Hon. Segun Ogunwuyi, Nureni Aderemi, Bimbo Adekanmbi, Fatai Owoseni and Oluseye Opatoki, is part of PDP’s strategy to ensure a transparent and merit-based selection process.

Party leaders say the exercise is not only about qualifications but also about electability, acceptability, and the ability to protect PDP’s dominance in Oyo State.

Ajadi Reaffirms Commitment

Although details of his interaction with the committee remain largely confidential, close associates say Ambassador Ajadi reaffirmed his commitment to progressive governance, party unity, and people-centred policies if given the mandate.

Supporters who spoke after the exercise expressed optimism that his screening outcome signals growing momentum for his aspiration.

The screening process is expected to continue in the coming days, after which Governor Makinde and party leaders are expected to further review the recommendations as consultations continue toward producing the party’s flagbearer.

For many observers, however, Ajadi’s successful outing at the screening has further positioned him as a serious contender in the race to shape the future political direction of Oyo State.

From Service To Stage : AskariFuji Transition From Policing To Fuji Music

By Alhaji Arems (Baba Fuji)

In a moment that blends discipline with artistry, duty with passion, DSP Ishola Adeyinka—popularly known as AskariFuji 1—is stepping into a new chapter of his life. After 35 years of meritorious service in the Nigeria Police Force, the respected officer is preparing to retire and fully embrace a path he has long walked in parallel: Fuji music.

What makes this transition remarkable is not just the career shift, but the legacy behind it.

*A Dual Identity Built Over Decades*

For years, DSP Ishola Adeyinka balanced two demanding worlds—law enforcement and live music performance. Within the police force, he built a career spanning over three decades, beginning with the April 1st, 1991 Police College Ikeja intake. His retirement ceremony, scheduled for April 11, 2026, marks the culmination of a distinguished service record defined by discipline, structure, and commitment.

Outside the uniform, however, he cultivated a unique presence in Nigeria’s cultural scene. Known by his stage identity AskariFuji 1, Adeyinka carved out a niche that few—if any—have occupied before him.

According to announcements made during his recent live performance event at The City Pulse Lounge in Ikeja, he is recognized as:

1. The first police officer to actively perform Fuji music

2. The first Mogaji (a respected traditional title holder) from Ibadan to engage in Fuji music professionally

This rare combination of roles places him at an intersection of authority, tradition, and entertainment—an identity that has defined his journey so far.

*The Announcement That Set the Tone*

At the “Itunu-Awe Dance Carnival,” held on Friday, March 20 at The City Pulse Lounge, Adeyinka delivered more than just a musical performance. The event, which ran from 6 PM till late, doubled as a major announcement platform.

In front of an audience gathered for what was expected to be a standard live Fuji outing, it was revealed that upon his official retirement, he would be dedicating himself to music full-time.

The moment carried symbolic weight. For attendees, it wasn’t just another show—it was the closing chapter of one identity and the opening of another.

Notably, the event also drew a strong presence from industry stakeholders and cultural figures, underscoring the significance of the moment. Among those in attendance were Elder Fancy Ayealamu, Eluku at 40, Dare Zaka, Mogaji Ola Mohammed (Islander), Mayor Tunde Damendra (Governor, Lagos State FUMAN), Alhaja Sidiqut Sidi Ilorin, Olabisi Orente of LTV 8, Ojonson (State Provost, FUMAN), Oju Aje (Zonal Chairman, Ikeja FUMAN), and Sodikoko, whose presence added further credibility and visibility to the announcement.

*Breaking Ground in Fuji Culture*

Fuji music, deeply rooted in Yoruba culture, has long been associated with grassroots storytelling, rhythm, and community expression. It is a genre that thrives on authenticity, respect, and lineage.

Adeyinka’s journey into Fuji stands out not only because of his background in law enforcement, but also because of his traditional title as a Mogaji in Ibadan—a role that carries cultural authority and familial leadership.

Bridging these worlds is no small feat.

By stepping into Fuji as both a police officer and a titled figure, he has challenged conventional boundaries around who participates in the genre and how identity shapes artistic expression.

*Retirement, But Not a Slowdown*

The upcoming retirement ceremony, set to take place at the Police College Ikeja, is expected to be both formal and celebratory. With fellow officers, colleagues, and associates gathering to honor 35 years of service, the event also signals the beginning of a new, more public-facing chapter.

Notably, Adeyinka is also billed to perform at the ceremony—an intentional overlap of his past and future.

Rather than slowing down, retirement appears to be a pivot.

*What This Means Going Forward*

Transitions like this are rare, especially within institutions like the police force, where careers are often defined by structure and continuity. Adeyinka’s decision to fully embrace music suggests a broader narrative about identity—one that allows room for reinvention, even after decades in a rigid system.

For the Fuji music scene, his full-time entry could introduce a different kind of storytelling—one shaped by years of service, discipline, and lived experience from within one of Nigeria’s most structured institutions.

It also raises interesting questions:

1. How will audiences receive him now that music is no longer a side pursuit?

2. Will his background influence the themes and tone of his music moving forward?

3. Can his journey inspire others in structured careers to explore creative paths more boldly?

*A Story Still Unfolding*

DSP Ishola Adeyinka’s story is far from over—it’s simply evolving.

From the barracks to the bandstand, from uniform to stage presence, his journey represents a rare blend of service and self-expression. As April 11 approaches, one thing is clear: this is not an ending, but a carefully timed transition into a space he has long been part of, now ready to fully own.

And if his past is anything to go by, he won’t just participate—he’ll leave a mark.