society
Husband jailed 12 years for killing wife
Husband jailed 12 years for killing wife
The Lagos State High Court in Ikeja on Monday convicted and sentenced a man, Akinwale Akinlabi, to 12 years imprisonment for killing his wife.
The convict was initially arraigned on July 26, 2021, on a count of manslaughter before the presiding judge, Justice Oyindamola Ogala, to which he pleaded not guilty.
His charge sheet read, “Akinwale Akinlabi on or about February 2, 2020, at No 23 Adeogun Street, Ijaiye Ojokoro area of Lagos State, in the Ikeja Judicial Division unlawfully killed one Cecilia Tope Akinlabi.”
According to the prosecution counsel, the one count of manslaughter is an offence that contravenes Section 229 of the Criminal Law Ch. C17, Vol. 3, Laws of Lagos State 2015.
It was reportedly gathered that during the trial which began on May 12, 2022, the prosecution’s first witness, identified as Inspector Jumai Adonduwa, testified that the deceased had reported her husband, the defendant, to the police for domestic violence before her death.
“The deceased on January 30, 2020, at about 11:40 pm, made a report against her husband, the defendant, at the station and stated that on that particular day at about 10:00 am, her husband demanded N100 from her to buy a recharge card and when she said she didn’t have any to give him, the defendant used a bunch of brooms to beat her in the presence of her son. She said she left home for peace to reign and thought that by the time she returned, all would be settled,” Adonduwa said. He then told the court that the deceased returned at about 10:00 pm and the beatings continued.
“She said the radio in the room was too loud and when she tried reducing the volume, the defendant came in from nowhere and started beating her with fist blows all over her body. The defendant then pushed her and she fell on a glass shelf in their room.
“She said the glass broke and she sustained a serious injury with a deep cut and that her husband continued to beat her and it was her son that rescued her from the defendant and that the defendant threatened to beat her to death saying that his family has money for a court case,” Adonduwa stated.
The prosecution counsel further disclosed that the deceased’s brother came to the Ijaiye Police Station to inform them about his sister’s sudden death.
On February 2, 2020, at about 6:30 pm, the brother to the deceased came to the police station to report that he was in Benin when he heard the sad news of his sister’s death and that he learnt that his sister had come to the station to report the case. He told the police that his sister had died as a result of beatings. The deceased’s brother stated that the defendant refused to inform them of the death of their sister and that the defendant took the corpse somewhere in Ogun State to bury it without the consent of her family,” he said.
Adonduwa further confirmed that the children reported their mother was purging blood and was rushed to the hospital where she slumped and later died.
The prosecution’s second witness, Sergeant Adeniyi Sola, testified that he was familiar with the defendant and remembered February 3, 2020, when the case was initially reported at the Ijaiye Police Station against the defendant. He stated that the case was later transferred to the SCID for further investigation. His testimony supported that of the prosecution’s first witness.
During cross-examination, Adeniyi confirmed that the first altercation occurred on January 31, 2020, and the second incident happened a day before the deceased’s death. He also assured the court that he conducted a thorough investigation into the case.
The defendant, testifying as the defence second witness on March 18, 2024, stated that he had been married to his wife for 21 years without any incident of violence. He revealed that January 29, 2020, was the first time the police intervened in their marital issues. The defendant also disclosed that his wife had a history of health episodes, including attacks and fainting. Furthermore, he confirmed that, to his knowledge, his late wife did not have any disagreement with anyone else apart from the January 29, 2020 incident.
Justice Ogala, in her judgment, stated that the prosecution had established beyond a reasonable doubt the single count of manslaughter against the defendant whose wife, Cecilia Tope Akinlabi, died on February 2, 2020. She held that there was consistency in the evidence of the prosecution witnesses as regards the facts leading to the fight between the defendant, his wife and the resultant injury.
The judge said, “After having carefully reviewed the evidence before the court, the evidence tendered and the position of the case law, the honourable court finds that the prosecution has provided circumstantial evidence beyond a reasonable doubt, the unlawful acts of the accused which harmed the deceased and caused her death.”
“The honourable court finds that it is clear from the evidence before it that the fatality arose from the violence (fight) that ensued between the defendant and his wife. It is also clear that the death was unintentional and that the deceased died shortly after the fight. The fact of vertical scars on the back of the deceased as stated in Exhibit (f) corroborates the evidence of the prosecution witnesses and situates the sustained injury.
“Prosecution has indeed established the ingredients of the offense of manslaughter that the defendant is charged with. He is therefore accordingly convicted of the same.”
He ruled that, After having heard and having considered the plea of the defence counsel, and also taking into consideration the peculiarity of this case, the defendant is accordingly sentenced to a term of 12 years. The period of his incarceration, from February 3, 2020, will also be taken into consideration.”
You Against Crime Founder Tayo Folorunsho Praises Winners of Abuja Schools Festival.
Abuja, Nigeria – The maiden edition of the You Against Crime – Schools Festival 2026 Grand Finale has concluded, marking a significant milestone in youth engagement and crime prevention efforts across the Federal Capital Territory (FCT).
The event, held at the University of Abuja, brought together 78 secondary schools from the six Area Councils of Abuja, with the top six schools competing in the Grand Finale.
*Winners Emerge*
Tudunwada School, Bwari took the top spot, followed closely by The Golden Crest Royal in second place, and Government Secondary School, Kuje in third.
*CULTURE, THE CURE FOR CRIME*
The festival’s theme, “Culture, The Cure for Crime,” highlighted the importance of values, identity, mentorship, and positive engagement in preventing crime and shaping responsible citizenship among young people.
*DISTINGUISHED GUEST SPEAKERS*
Auwal Musa Rafsanjani, Chairman, Amnesty International, praised the initiative, saying, “This festival is a beacon of hope for our young people, promoting values and principles that can shape a brighter future for Nigeria.”
Aisha Mohammed, Head of Enlightenment & Re-orientation, Economic and Financial Crimes Commission, emphasized the importance of mentorship, stating, “Empowering young people with the right guidance and opportunities is key to preventing crime and building a stronger nation.”
*PARTNERSHIP AND SUPPORT*
The 2026 Grand Finale Edition was proudly sponsored by Civicx Technology Ltd Int’l, reinforcing a shared commitment to youth empowerment and crime prevention through cultural reorientation and innovation.
Tayo Folorunsho, Host & Founder, You Against Crime International, addressing the media and appealed to government agencies to support initiatives like this, targeting young minds early.
You Against Crime International is a movement advocating cultural change as a long-term solution to crime. The organization remains committed to advancing youth development, civic responsibility, and nation-building across Nigeria.
TICP Customs Launches Paperless Regime, Warns Against False Declarations
The Customs Area Controller of Tin Can Island Port Command of the Nigeria Customs Service (NCS), Comptroller Frank Onyeka, has launched a roadmap for the full implementation of a paperless regime at the command.
Onyeka disclosed this during a press briefing in Lagos, stating that the command was fully prepared for seamless digital operations ahead of the nationwide rollout scheduled for the second quarter of the year.
He described the engagement as the first in a series of consultations aimed at sensitising stakeholders on the strategies, operational framework and expectations under the new regime.
The controller commended the media for its constructive reportage since his assumption of office and sought continued collaboration to ensure the success of the initiative.
Presenting the command’s performance report, Onyeka said the Tin Can Island Command generated ₦609 billion in revenue in 2025, describing it as the highest in the history of the command.
He added that revenue collection rose from ₦116 billion recorded in January of the previous year to ₦145 billion in the corresponding period last month, representing an increase of over ₦29.9 billion.
Onyeka stated that his vision was to make the command known for trade efficiency, explaining that under the paperless regime, containers would be released without physical contact between Customs officers and clearing agents, provided declarations were accurate.
He credited the Comptroller-General of Customs, Bashir Adewale Adeniyi, for providing the leadership and strategic direction driving modernisation efforts across Customs formations nationwide.
The controller urged stakeholders to avoid false declarations and engage directly with the command to resolve concerns, emphasising that transparency and dialogue were essential to achieving efficient port operations.
He assured that consignments with clear scanning results and proper documentation would be released promptly, while those flagged by the risk management system would undergo physical examination, adding that the command would continue to collaborate with other agencies to reduce cargo dwell time and enhance port efficiency.
Love on Display: Katie Price and Lee Put On a Public Show of Affection
By George Omagbemi Sylvester | Published by SaharaWeeklyNG
British media personality Katie Price is once again at the center of tabloid and public attention after being photographed poolside with her new husband, Lee, in a display of affection that quickly circulated across entertainment platforms. The images, reportedly taken during a recent leisure outing at a private resort location in the United Kingdom, show the couple embracing and kissing beside a swimming pool, with Lee prominently displaying a tattoo tribute dedicated to Price.
The photographs, which surfaced in mid-February 2026 through British tabloid outlets, depict the couple appearing relaxed and affectionate. Lee, whose full name has been reported in sections of the UK press but who largely maintains a lower public profile compared to his wife, lifted his arm to reveal a visible tattoo said to be in honor of Price and a gesture widely interpreted as a public affirmation of their relationship.
What happened was straightforward but symbolically charged: a public display of affection between newlyweds, amplified by Price’s longstanding celebrity status. Where it happened (poolside at what sources describe as a private holiday setting) underscores the blending of personal life and public spectacle that has long defined Price’s media journey. During a recent February getaway placed it squarely within ongoing tabloid interest surrounding her latest marriage. Price, 47 and her new husband Lee, whose visible tribute tattoo became the focal point of the moment.
Celebrity culture scholars argue that public figures such as Price operate within a media ecosystem where visibility sustains relevance. “Modern celebrity is performative intimacy,” explains Professor Graeme Turner, a media and cultural studies scholar known for his work on celebrity culture. “Public displays of affection are not merely private acts; they are communicative gestures that reinforce brand identity and narrative continuity.” In Price’s case, her romantic relationships have long been interwoven with her public persona.
Price first rose to prominence in the late 1990s under the glamour model moniker “Jordan,” before transitioning into reality television, publishing and business ventures. Her personal life (including previous marriages and high-profile relationships) has frequently generated headlines in the British press. This latest marriage continues that pattern of intense scrutiny.
The tattoo tribute displayed by Lee is particularly significant in celebrity symbolism. Body art dedicated to a partner is often perceived as a declaration of permanence. Dr. Chris Rojek, emeritus professor of sociology and an authority on fame and public identity, has observed that “celebrity relationships are sustained as much through symbolic reinforcement as through private commitment. Visible tokens (rings, tattoos, coordinated appearances) function as public assurances.” In this case, the tattoo serves not merely as personal expression but as a visual narrative device in an already highly mediated relationship.
How the moment unfolded (casually but conspicuously) reflects the dynamics of contemporary celebrity coverage. Photographs were reportedly captured either by paparazzi stationed nearby or shared through controlled media access, a common practice in the British entertainment industry. Within hours, the images were republished by multiple outlets, accompanied by commentary on Price’s relationship history and ongoing legal and financial challenges, issues that have previously placed her under intense public scrutiny.
Despite recurring controversy throughout her career, Price remains a resilient media figure. Communications analyst Mark Borkowski has previously remarked in interviews that “Katie Price understands publicity better than most. Whether by design or instinct, she maintains a feedback loop with the press that keeps her culturally visible.” The poolside photographs appear to fit squarely within that established pattern of managed exposure and reactive media amplification.
Critically, there is no indication of misconduct, public disturbance or controversy tied directly to the poolside display itself. It was, by all verified accounts, a consensual and celebratory expression of affection between married adults. The wider attention it has generated speaks less to the act and more to the individuals involved; particularly Price’s enduring position within British popular culture.
For global audiences, the episode illustrates a broader truth about contemporary fame: private milestones often become public commodities. The marriage of Katie Price and Lee (and the symbolic tattoo that now marks it) has become another chapter in a life lived persistently under the camera’s gaze.
As celebrity culture continues to blur boundaries between intimacy and publicity, moments like this poolside embrace are no longer trivial snapshots. They are narrative events, reinforcing identity, commitment and brand continuity in equal measure.
-
celebrity radar - gossips6 months agoWhy Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
-
society6 months agoPower is a Loan, Not a Possession: The Sacred Duty of Planting People
-
news6 months agoTHE APPOINTMENT OF WASIU AYINDE BY THE FEDERAL GOVERNMENT AS AN AMBASSADOR SOUNDS EMBARRASSING
-
society5 months agoReligion: Africa’s Oldest Weapon of Enslavement and the Forgotten Truth