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‘I will never take an artiste to court’ – CEO, Kennis Music, Kenny Ogungbe

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Music mogul, Kenny Ogungbe has looked into some emerging trends in the global music industry, particularly the Nigerian music industry and gave some shocking revelation.

The founder of Kennis Music in an interview with Nigerian Celebrity Armed Wrestling revealed that unlike in the past where talents is the main demands to appeal to the world, hype is now more important to make an artiste successful with the revolution of social media and the internet

The Kennis boss stated that the most talented are no longer the most celebrated nowadays, but the most syndicated.

“When we started, there was no internet, we used to hawk our music at the back of our booth all around Lagos but the internet is a phenomenon that we are all excited about and keying in now. If you are caught sleeping in this internet age, you are gone…more stars are being made through the internet now…and hype is all an artistes actually need now. Infact, talent is just 10percent, while hype is 90 of what is important to make an artiste now”.

Ogungbe also speak widely about the trend of every artistes wanting to start their own labels.

“People used to mock us when started. When artistes started leaving our label to start their own, they mocked us even more; they blamed us. Now, those people are setting up labels everywhere and signing artistes; those artistes too are leaving them to set up their own record labels. When these artistes too sign up other artistes, the artistes also leave to set up labels. So, you can see that Kennis Music has been justified. At the end of the day, there is nobody that will not want to start his or her own thing. Tubaba has Digital Hypertek, and he is still my brother. We see often, i go to his club. So it is relationships that matter.”

Baba Keke, as he is fondly called also blamed Nigerian journalists for much of the controversies often sorrrounding artistes and record label relationships.

He said “There is no where in the world where artistes leave a record label and it becomes news. But Nigerian journalists, and i say this with a deep sense of respect, because as you know i am a journalist myself; Nigerian journalists are always on the side of the artiste even if the artiste is at fault. They will write rubbish about the label without bothering to contact them….In Nigeria, the banks will not even support an artiste, but one individual will see you, believe in your talent and invest millions on you, then after that you will say you are leaving when you both still have a contract; will you be happy if you were that investor? But journalists will ignore that to write rubbish about the label, simply because they like the artistes’ music…Nigerians generally don’t celebrate record labels”.

Kenny Ogungbe however said he will never take an artiste to court for anything.

According to him; “Record label owners are taking legal actions against the artistes when they breach contracts, which is fine on a business concern. But i can’t bother myself taking a Nigerian artiste to court because i am a leader in this industry. I am a pioneer, i started all this and i can’t be part of the people that built an industry and also break it. If you are doing something wrong as my artiste, i will call you to order and advice you as an elder, father and a brother. But if you still insists on towing the part, i will just leave you”.

Speaking about hierarchy in artiste management, he clarified some common notions such as, who the boss is between an artiste, the manager or financier;

“The artiste is the boss of his manager because the artiste employed him. That’s the standard all over the world. If the artiste is no longer satisfied with the service of the manager, he can fire him. However, i must say that the position of an artiste manager is an exalted one, a very glorious one. The financier on the other hand is who he is; he is the executive producer, he is the boss. The person who pays you is your boss. He finances your talent because you can’t; he is your boss. Many of this artistes don’t even know this and they need to know.”

He advised young artistes;

“To have Respect is the only advise i will give to young artistes. Majority of the successful artistes you see shining now, let me not mention names, had nothing before they started. The money came from financier,it could be family members or parents, but once they attain a little success they starts carrying their shoulders up. That’s a very wrong way of life. That person who helped you when you had nothing, respect that person.”

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Bye- Election: TRUE NIGERIANS HAVE SPOKEN! By Prince Adeyemi Shonibare

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Fellow Nigerians, and friends of Nigeria abroad,

They said the APC was not popular with the people. They said its strength was only in government houses, not in the marketplace, not in the villages, not in the hearts of men and women who rise each day to labor under the hot sun. Yet the people have now spoken, and their voice is louder than the rumors of social media, stronger than the whispers of drawing rooms.

In the bye-elections of this past weekend, sixteen seats were set before the people. Out of these, the APC took eleven, stretching across Kano, Kaduna, Jigawa, Taraba, Ogun, Kogi, Edo, Adamawa, and Niger. One more stands in contest, and there too the APC leads.

APGA secured two seats in Anambra. The PDP held one in Oyo. The NNPP claimed one in Kano. But the others—ADC, SDP, Labour—were nowhere to be found. Not a single seat fell their way.

So I ask: how do you define popularity? By the clamor on Facebook? By the trend on Instagram? By the fury of TikTok or the storms of X? No. Popularity in a democracy is measured by ballots cast, by hands inked, by real people walking to the polls to say with their vote: this is who we trust.

In America, they speak of midterm elections, a verdict passed halfway through a presidency. There, such elections measure the strength of the president and the staying power of his party. Nigeria has no midterm Congress. But these bye-elections, spread across thirteen states and five geopolitical zones, are our closest equivalent. And their meaning cannot be ignored.

Many thought the ADC, older in years than the APC, would rise with its new converts and prove itself a rival. Many thought the PDP would mount a strong wave. But the verdict of the ballot tells a different story. The PDP lives, but it fights to hold ground. The ADC, SDP, and Labour remain shadows, not yet substance. The NNPP, for all its color, remains a Kano river, not a national sea.

The APC, under President Bola Ahmed Tinubu, has not only stood but has been endorsed. For all the cries, for all the bitter words against his reforms, the people have answered with their votes: they are willing to endure the hard medicine if it promises a better tomorrow.

What then is the road ahead? It is clear. The APC stands as the party to beat in 2027. The opposition must gather itself, must bind its wounds, must cease from fighting in fragments if it wishes to rise as a true alternative.

But for now, let it be recorded in the annals of our young democracy: that on the 16th of August, 2025, the Nigerian people spoke with ballots, not hashtags; with votes, not noise; with courage, not despair. And their verdict was plain.

The APC is not a party of rumor, but a party of the people.

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Lagos Govt. unveils 72-hour Cultural Weekend, pushes for economic growth

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The Lagos State Government, in its continued effort to promote cultural heritage and deepen tourism footprints, has concluded plans to host the Lagos Cultural Weekend.

A three-day cultural extravaganza, scheduled to take place across multiple strategic locations, including the J. Randle Centre for Yoruba Culture and History, Freedom Park, National Theatre, Badagry Heritage Museum, Lekki Arts and Crafts Market, and Tafawa Balewa Square, from November 14th to November 16th, 2025.

This weekend-long celebration will spotlight the richness of Nigeria’s traditions through curated events that blend history, culture, and local artistry.

Speaking on the initiative, Special Adviser to the Governor on Tourism, Arts, and Culture, Mr. Idris Aregbe, noted that the event is a key part of a broader framework of the Lagos Cultural Mission.

“We aim to use the Lagos Cultural Weekend as a true reflection of Lagos culture, a herescope for tourists and visitors from across the globe to witness just how rich our culture is.

“The three days will be a cultural baptism, a deep, meaningful introduction to who we are. As a government, we now understand prioritising cultural representation as a driver for economic growth.

”On the initiative’s impact, the Special Adviser explained that it goes beyond showcasing culture, but investing in cultural artisans, talented enthusiasts, and key stakeholders to foster real engagement and growth.“Governor Babajide Sanwo-Olu’s administration values collaboration and inclusiveness, which is why we want to work closely with Lagosians who truly understand our culture to help us achieve these goals.

“From the historians, to creatives, curators, artisans, culinary experts, performers, fashion designers, community leaders, and traditional institutions, we need them to join us in making a lasting impact.“So that, in the end, our guests and friends from many nations will carry home an authentic story of Lagos and enriched cultural literacy,” Mr. Aregbe said.

Attendees will enjoy array of activities, including live music performances, DIY sessions, contemporary art exhibitions, traditional dance showcases, fashion shows, culinary tastings, and craft demonstrations.

Also lined up are symposiums and cultural lectures designed for tourists and enthusiasts who wish to dive deeper into the Lagos cultural identity.

The weekend will be animated by diverse local performance groups representing the rich ethnic landscape of Lagos, with a special emphasis on language, literature, and indigenous storytelling.

Lagos Cultural Weekend 2025 reaffirms the state’s commitment to building a thriving creative economy while celebrating the depth of Nigerian traditions.

Through strategic partnerships, corporate sponsorships, and community engagement, this initiative will set a new benchmark for inclusive cultural programming in Lagos and Africa at large.

Lagos Cultural Mission….Preserving Our Heritage, Advancing The Future

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Aare Adetola Emmanuel King Congratulates Hon. Adesola Ayoola-Elegbeji on Election Victory

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Aare Adetola Emmanuel King Congratulates Hon. Adesola Ayoola-Elegbeji on Election Victory

Aare Adetola Emmanuel King Congratulates Hon. Adesola Ayoola-Elegbeji on Election Victory

 

 

The Chairman/CEO of Adron Group, Sir Aare Adetola Emmanuel King KOF, has congratulated Hon. Adesola Ayoola-Elegbeji on her resounding victory in the just-concluded by-election for the Remo Federal Constituency seat in the House of Representatives.

 

 

In a goodwill message issued by him, he described the victory as “a historic moment for the Remo people, coming at a time when the constituency yearns for a leader with vision, courage, and genuine commitment to service.”

 

 

He noted that the outcome of the election was an attestation to the trust and confidence reposed in Hon. Ayoola-Elegbeji by the people, adding that her sterling qualities, integrity, accessibility, and compassion for the grassroots had endeared her to the electorate.

 

 

“The overwhelming support you garnered at the polls is proof that you are the right voice at the right time to carry the aspirations of Remo to the national stage,” he stated.

 

 

While acknowledging that the by-election followed the painful demise of the late Hon. Adewunmi Oriyomi Onanuga (Ijaya), Aare Adetola Emmanuel King said Hon. Ayoola-Elegbeji’s emergence symbolizes the continuity of purposeful representation. He expressed confidence that she would not only sustain the legacy of her predecessor but also surpass it with new energy, innovative ideas, and progressive leadership.

 

 

The Adron Group Chairman further prayed for divine wisdom, strength, and compassion for the Member-Elect as she assumes office, expressing confidence that her tenure will usher in meaningful development, economic empowerment, and greater opportunities for the people of Remo Federal Constituency.

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