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Legacy Is Not a Meme: Why Comparing Wizkid to Fela Kuti Is a Cultural Disservice

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Legacy Is Not a Meme: Why Comparing Wizkid to Fela Kuti Is a Cultural Disservice.

By George Omagbemi Sylvester | For saharaweeklyng.com

“Seun Kuti’s Fiery Rebuttal and What It Reveals About Nigerian Music, History and Respect for Cultural Icons.”

In a moment that ignited fervent debate across social media, Grammy-nominated musician Seun Kuti delivered a blunt and unapologetic rebuke to fans who have taken to comparing contemporary Afrobeats star Wizkid to his father, legendary Afrobeat pioneer Fela Anikulapo-Kuti. In a viral Instagram livestream, Seun Kuti described the comparison not merely as inaccurate, but as “DISRESPECTFUL”, rooted in “IGNORANCE,” and symptomatic of a cultural trend that conflates popularity with historical relevance, a trend that risks trivialising one of Nigeria’s most revolutionary artistic legacies.

Seun’s remarks, passionate and raw, were not a simple defence of family honour. They were a clarion call to cultural literacy, a demand that Nigerians, especially music lovers and artists, distinguish between sound and substance; fame and legacy.

Roots of the Controversy.
The debate stems from persistent online claims (largely emanating from segments of Wizkid’s fanbase (“Wizkid FC”) that the singer represents a modern incarnation of Fela Kuti, or even that he has “SURPASSED” the Afrobeat legend in global influence. Seun Kuti responded emphatically:

Legacy Is Not a Meme: Why Comparing Wizkid to Fela Kuti Is a Cultural Disservice.
By George Omagbemi Sylvester | For saharaweeklyng.com

“Wizkid FC, keep Fela’s name out of your mouths. You try to claim that your fake artiste is the new Fela, It’s an insult to Fela to call Wizkid the new Fela.”

These words, incendiary as they are, underscore a deeper debate: What does it mean to carry a legacy? And can commercial success ever be equated with revolutionary cultural impact?

Fela Kuti: More Than Music — A Movement.
To understand why Seun’s outburst resonates with many cultural historians and music scholars, we must revisit the magnitude of Fela Anikulapo-Kuti’s contributions.

Fela was not just a musician; he was the founder of Afrobeat, a genre combining jazz, funk, highlife, traditional Yoruba rhythms, and potent political commentary. His compositions were long, hypnotic, socially charged, and unapologetically defiant — songs like Zombie, Expensive Shit, and Water No Get Enemy were soundtracks of resistance against military dictatorship, corruption, and social injustice in Nigeria.

More than that, Fela’s music became a social movement; inspiring consciousness, unity, and defiance. The late scholar and critic Robert Farris Thompson once noted that Afrobeat was “a creative revolution that fused music with social transformation,” something few genres in world history have achieved with such potency. This was not merely performance art and it was performance protest.

His life was a campaign against oppression, resulting in repeated arrests, the notorious military attack on his Kalakuta Republic commune, and relentless persecution and yet he persisted, turning every struggle into artistic fuel. This context is crucial: Fela’s legacy is not measured by chart positions; it is inscribed in the political memory of a nation.

Wizkid: A Global Star, But in a Different Arena.
There is no denying Wizkid’s achievements. Emerging from Ojuelegba to global prominence, Wizkid has performed on legendary stages, collaborated with international icons, and brought Nigerian music to unprecedented commercial heights. He is a brand, a cultural ambassador, and a global export of Nigerian artistry.

Yet, there is a critical distinction: Wizkid’s influence is predominantly commercial and cultural, not overtly political or revolutionary in the mould of Fela Kuti’s mission.

Many of Wizkid’s songs (energetic, melodic, and deeply appealing) serve celebration more than revolution. They resonate with love, lifestyle, and Afrocentric swagger, but do not directly confront the systemic failings or power structures that shaped Fela’s oeuvre. This is not a diminishment of Wizkid’s craft, but a categorical difference, not hierarchy.

Wizkid himself acknowledged this nuance years ago, stating in an interview that “You cannot compare me with Fela, Fela is an inspiration.” He emphasised respect for Fela’s influence without equating their artistic identities.

Why the Comparison Is Misguided; And Harmful.
Seun Kuti’s criticism points to several key issues:

1. Ignorance of Historical Context
Seun labelled the ongoing comparisons as stemming from a lack of understanding of Fela’s historical struggle. Fela’s work was deeply embedded in political activism — something modern pop stardom rarely demands of artists today.

2. Erasure of Cultural Complexity
Reducing Fela to a brand name for hype disregards the layers of resistance and African identity he championed. As cultural theorist Paul Gilroy once said: “The politics of music cannot be separated from the politics of power.” By flattening Fela into a buzzword, we lose that textured insight.

3. Fueling Toxic Fan Culture
Seun also pointed to how fan rivalries (particularly online) can stifle genuine artistic collaboration. He cautioned that comparing one artist to another in combative terms leads to division rather than celebration of diverse musical contributions.

4. Conflating Commercial Success with Revolutionary Impact
This is perhaps the most salient point: global streaming numbers and sold-out shows are not the same as challenging oppressive systems. Fela’s legacy is measured not just in acclaim, but in societal change. Online popularity cannot mirror that.

Voices from Scholars and Cultural Critics.
Renowned ethnomusicologist Dr. E. Taylor Atkins once argued that “Afrobeat was fundamentally an intellectual and political project before it was a musical genre.” It was a language of dissent. In contrast, modern Afrobeats (while sonically rich) thrives within global pop structures and commercial ecosystems, rather than outside them.

Similarly, music historian Ingrid Monson has observed that “legends are not born from applause alone; they are forged in resistance and resonance with the people’s struggles.” In this light, Fela becomes a figure not easily paralleled.

A Cultural Reckoning : Honour Without Diminishment.
The debate ignited by Seun Kuti is more than a social media sensation. It is a cultural reckoning and a reminder that Nigerian music history is rich, layered, and deserves nuanced appreciation.

This is not to say that Wizkid’s achievements are irrelevant. They are monumental in their own right. But to elevate a contemporary pop star into the lineage of a revolutionary icon without context is, as Seun Kuti correctly pointed out, a disservice to history, to artistry, and to cultural memory.

In the words of acclaimed philosopher Kwame Anthony Appiah: “A culture that forgets its foundations forfeits its future.” Let us celebrate Wizkid for what he has achieved, and honour Fela Kuti for what he fought for, without conflating the two into a false equivalence.

For genuine cultural growth, Nigerian music must embrace its past, honour its icons, and encourage artistic excellence across all fronts; commercial, cultural, and political.

 

Legacy Is Not a Meme: Why Comparing Wizkid to Fela Kuti Is a Cultural Disservice.
By George Omagbemi Sylvester | For saharaweeklyng.com

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‘I Never Indicted Egbetokun’ — Jesam Michael Rebuts Sowore’s Allegations

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‘I Never Indicted Egbetokun’ — Jesam Michael Rebuts Sowore’s Allegations

 

 

Abuja — Businessman Jesam Michael has strongly refuted claims attributed to him in a recent report by activist and publisher Omoyele Sowore, describing the publication as false, misleading, and a total misrepresentation of his statements.

 

 

‘I Never Indicted Egbetokun’ — Jesam Michael Rebuts Sowore’s Allegations

 

In an exclusive chat on Saturday, Michael denied ever making the allegations credited to him by Sowore concerning the Inspector-General of Police (IGP), Kayode Egbetokun, while both men were reportedly inmates at the Kuje Correctional Centre in October 2025.

 

 

 

 

Sowore, in a widely circulated account, claimed that Michael had alleged receiving operational support from senior police officers, including the provision of office space within the Nigeria Police Force Headquarters, police protection, and the use of officers to detain individuals connected to a purported Ponzi scheme. The report further alleged financial inducements involving senior police officers.

 

 

 

 

However, Michael dismissed the account as “entirely fabricated.”

 

 

 

“I never made those statements to Omoyele Sowore or to anyone else,” Michael said. “At no point did I accuse the Inspector-General of Police or any senior police officer of providing me with offices, police units, or protection. The claims attributed to me are false and malicious. I only met him briefly when he came to greet Nnamdi Kanu’s younger brother whom I share a block with here and there is no way we could have sat down to discuss such fabricated stories ”

 

 

 

Michael specifically rejected claims suggesting that he supported or “served” police officers, insisting that he never stated that he had any police unit at his disposal or that law enforcement personnel acted on his instructions.

 

 

 

 

“I never said I supported police officers or had officers working for me. That allegation did not come from me,” he said.

He also denied claims that his properties were shared among senior police officers, describing the allegation as baseless and untrue.

 

 

 

 

 

“At no time did I say that my properties were shared among police officers or anyone else,” Michael stated.

 

 

Additionally, Michael categorically refuted allegations credited to him that a retired Deputy Inspector-General of Police, Dasuki Galandanchi, collected ₦250 million or played any role in silencing victims.

 

 

 

 

 

“I never mentioned DIG Dasuki Galandanchi, nor did I accuse him or anyone else of collecting money. That statement was never mine,” he said.

 

 

 

 

 

Michael further alleged that Sowore, through intermediaries, had previously attempted to persuade him to publicly indict the IGP in exchange for media backing—an offer he said he firmly rejected.

 

 

 

 

“I was approached repeatedly through a lawyer called Marshall, allegedly acting on Sowore’s behalf, asking that I make statements against the IGP so an article could be published. I refused, and I believe this publication is retaliation for that refusal,” he stated.

 

 

 

 

According to Michael, he declined to entertain the lawyer again after the initial contact, insisting that he would not be used to advance any personal or political agenda.

 

 

 

 

Sowore had earlier narrated his detention following the #FreeNnamdiKanuNow protest, alleging harassment by police officers and accusing the IGP of acting unlawfully in office. His report cited conversations he claimed to have had with Michael during their time in custody as further evidence of alleged corruption within the Nigeria Police Force.

 

 

 

 

 

Michael, however, maintained that any legal issues surrounding him are already before the appropriate authorities and are being handled by the Economic and Financial Crimes Commission (EFCC).

 

 

 

 

“My case is before the law. I have not, and will not, make reckless allegations against individuals or institutions to gain favour or sympathy,” he said.

 

 

 

 

As of the time of filing this report, the Nigeria Police Force has not issued an official response to either Sowore’s allegations or Michael’s rebuttal.

 

 

 

The development adds a new layer to the ongoing public controversy surrounding Sowore’s claims against the police hierarchy, with Michael’s denial raising questions about the accuracy of statements attributed to private individuals in politically sensitive narratives.

 

Jesam Michael’s business challenges are currently being addressed at the federal high court as well as FCT high court Jabi. He is very confident that justice will surely be done at the end of the day.

 

Joining Sowore in his pursuit of cheap blackmail against the IGP, other senior police officers or anyone else has never and will never be a part of Jesam Michael.

 

To say the least, Jesam Michael is totally disgusted by the stories falsely peddled by Sowore and wishes to totally dissociate him self from the false and malicious stories told by Sowore.

 

Sowore should please look for another willing tool to use not Jesam Michael.

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When Power Meets Privilege: Controversy Trails the Rise of NNPC Gas Czar Lekan Ogunleye

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When Power Meets Privilege: Controversy Trails the Rise of NNPC Gas Czar Lekan Ogunleye

 

Among many of Abraham Lincoln’s popular saying is that “If you want to test a man’s character, give him power.” This saying suggests power and affluence reveals a person’s true nature rather than changing it.

 

 

 

The saying might rightly describe one of NNPC limited eggheads, Lekan Ogunleye, who is the Executive Vice President, Gas, Power & New Energy.

 

 

 

It’s a matter of stating the obvious saying that the former Deputy Managing Director of Nigeria LNG Limited is a brilliant chap. He’s been  equipped with significant industry experience in various aspects of the gas value chain, he was made the Managing Director and Chief Executive Officer of Gas Aggregation Company Nigeria Limited (GACN),a firm set up by Federal Government of Nigeria to implement the Nigerian Gas Master Plan and manage domestic supply of gas.

 

 

 

But with all of these achievements, many alleged that a thorn in the flesh that lives with Mr Ogunleye is his fondness for the other gender. Sources close to him alleged that he invests millions in satisfying his cravings to invite them from around the world in different sizes and shapes on regular basis.

 

 

 

Information gathered has it that like many of his class, he has a permanent suite in a luxurious hotel on Lagos Island where he entertains them, it was alleged that his arrangements even provides luxurious treatment for them even when he’s not in town. A recent case of such was when he travelled to UAE during last year December with his family, sources close to him alleged that while he was away,  ladies invited from Indonesia and Rwanda were receiving royal treatment in this permanent suite which cost over half a million Naira per night.

 

 

 

The sources also alleged that he’s known to relish his fetish practices with two ladies at the a time, and to watch them play with themselves before joining in the fun.

 

 

 

While his personal life may not be that important, how he was able to sustain such an expensive lifestyle, was scrutinize and it was alleged that he regularly receives kickbacks from NNPC vendors and contractors, especially the foreign partners who have been awarded contracts worth millions of dollars through his assistance.

 

 

 

Some of his close allies alleged that power that his privileged office brought was responsible for his insatiable desires for the opposite sex a situation that led to the collapse of his first marriage before he remarried a few years ago.

 

 

 

In other to establish the true state of things, a query was sent to him especially about the allegation of financial irregularities and the abuse of power and privileges for personal enrichment, the query was left unanswered after more than two weeks even when receipt was confirmed.nleye

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Pomp, Prestige and Purpose: Dr. Mutiu Adewale Badmus Crowned Otunba Alayeluwa Onimolete of Molete, Ogbomoso

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Pomp, Prestige and Purpose: Dr. Mutiu Adewale Badmus Crowned Otunba Alayeluwa Onimolete of Molete, Ogbomoso

 

Last Sunday was etched in gold in the annals of Molete, Ogbomoso, as the ancient town came alive in colour, culture, and celebration for the conferment of a prestigious chieftaincy title on the erudite entrepreneur and man of many parts, Dr. Mutiu Adewale Badmus.

In a ceremony steeped in tradition and grandeur, Dr. Badmus was formally installed as the Otunba Alayeluwa Onimolete of Molete, Ogbomoso, drawing an impressive gathering of crème de la crème from across the social, business, and cultural strata of society.

The atmosphere was one of pride, reverence, and collective joy as dignitaries, community leaders, friends, and well-wishers thronged the historic town to witness the landmark event.
The honour, bestowed in recognition of his outstanding contributions to societal development and humanity at large, reflects Dr. Badmus’ enduring commitment to service, excellence, and community upliftment. As the Chief Executive Officer of Al-Hatyq Travel and Tours Limited, he has distinguished himself not only as a successful business leader but also as a compassionate humanitarian whose impact transcends commerce.

The colourful ceremony showcased the rich cultural heritage of Ogbomoso, with traditional rites, music, and pageantry underscoring the significance of the occasion. For many in attendance, the conferment was more than a title—it was a celebration of character, legacy, and a life devoted to meaningful service.

As Dr. Mutiu Adewale Badmus assumes his new role as Otunba Alayeluwa Onimolete, expectations are high that his wisdom, vision, and passion for humanity will continue to inspire progress and unity within Molete, Ogbomoso, and beyond.

 

 

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