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MOHBAD SHOULD HAVE RUN TO US, OPC SAYS, AS IT DEMANDS JUSTICE FOR LATE RAPPER

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MOHBAD SHOULD HAVE RUN TO US, OPC SAYS, AS IT DEMANDS JUSTICE FOR LATE RAPPER

MOHBAD SHOULD HAVE RUN TO US, OPC SAYS, AS IT DEMANDS JUSTICE FOR LATE RAPPER


The Oodua People’s Congress (OPC) has lamented the death of the Nigerian Rapper Mohbad who died recently at the age of 27, saying, if he had opened up to the group about his travails, he would have been kept safe from his attackers.

In a message of sympathy to Mohbad’s immediate family, management team and worldwide fans,.OPC President, Otunba Wasiu Afolabi, described the death of Mohbad as an unquantifiable yet avoidable tragedy.

“OPC sees the death of this promising, hardworking and talented young musician as a personal loss because he was a true Yoruba Ambassador, whose songs and craftsmanship promoted the Yoruba language and people,” said Afolabi in a press statement on Monday by the OPC General Secretary, Comrade Bunmi Fasehun.

“However, we believe he, his parents and management ought to have involved the OPC when the disagreement between Mohbad and other associates escalated to the point of intimidation, assault and haunting.

“OPC has successfully mediated in such cases in the past and we have brought peace and harmony to such feuding parties to the satisfaction of all and sundry.

“Sometimes we act alone and sometimes in collaboration with the Police Force, Civil Defence and DSS. But at the end of the day, we protect the weak against the strong oppressor.

“Where necessary, we can take the case directly to the government. But in most cases, the mere mention of OPC being involved will bring sanity to all concerned, no matter who that person or organisation considers himself to be.

“And I dare say that Mohbad would have lived a better quality of life, and would most likely be alive today, if he and his people had brought his troubles to OPC.

“Meanwhile, we want to use this medium to urge the police, DSS and government to bring to justice all the individuals and groups who contributed to the oppression, harassment and beating of this young man. It doesn’t matter whether such tormentors contributed directly and indirectly to his death. There are enough video evidence and living witnesses to give Mohbad justice in the law courts, even if the charges will be for assault, battery, conduct capable of causing a breach of the peace and attempted murder.

“In addition, all the police officers and formations that refused to act in his complaints should all be brought to book for official sanctioning.”

According to Afolabi, OPC, as a socio-cultural organisation, stood for peace and justice as well as the security of the community and the nation at large.

He recalled that since its formation by the Late Founder, Dr. Frederick Fasehun in 1994, the organisation had not only contributed security personnel for guarding the community, but had been involved in providing safety for petroleum pipelines in the South-West.

MOHBAD SHOULD HAVE RUN TO US, OPC SAYS, AS IT DEMANDS JUSTICE FOR LATE RAPPER

Afolabi recalled that at the height of its struggle against military rule, the organisation OPC boasted no less than 6 million members.

COMRADE BUNMI FASEHUN,
OPC General Secretary.

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.

 

“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.

 

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.

 

The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.

 

As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.

 

“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.

https://ditto.fm/oluwa-settle-me

https://ditto.fm/oluwa-settle-me

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Another Feather for Nollywood Icon Fidelis Duker

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**Another Feather for Nollywood Icon Fidelis Duker

 

*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.

The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.

“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.

Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”

As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.

With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.

As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.

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E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze

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E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze

By George Omagbemi Sylvester | Published by SaharaWeeklyNG

 

“Public Generosity, Celebrity Loyalty and the Symbolism of Wealth in Nigeria’s Entertainment Elite.”

 

On Tuesday, February 17, 2026, Nigerian billionaire and entrepreneur Emeka Okonkwo, widely known as E‑Money, once again captured national attention with a lavish and highly publicised act of generosity, gifting a brand‑new 2024/2025 Ford SUV to veteran Nollywood actor Chinedu Ikedieze, affectionately called Aki, during his high‑profile birthday celebration.

 

The event, held in Lagos amidst a constellation of entertainers, business figures and socialites, was itself part of an annual tradition in which E‑Money marks his birthday (on February 18) with large‑scale giveaways and spectacular shows of material philanthropy. This year, he announced the gift of over 30 cars to friends, staff and family, a gesture that quickly went viral as videos and images circulated across social media platforms.

 

In the case of Ikedieze, E‑Money’s gift appeared to be deeply personal. During the festivities, E‑Money stood beside his elder brother, Grammy‑nominated musician KCee and recounted how Ikedieze stood by him at his 2007 wedding. The billionaire explained that the SUV was a “token of appreciation” for the enduring support the actor had shown over the years which is a narrative that blends friendship with public celebration.

 

Ikedieze, a Nollywood staple with a career spanning more than two decades and over 150 film credits, including the iconic Aki na Ukwa franchise, visibly reacted with humble surprise as he received the vehicle, bowing his head in respect and gratitude. The actor later shared the moment on his Instagram account with a caption celebrating the gift, further fuelling online engagement around the event.

 

Beyond the spectacle, this incident underscores evolving dynamics in Nigerian celebrity culture and the intersection of wealth, influence and reciprocity. Sociologist Dr. Chinedum Uche of the University of Lagos, speaking on the broader implications of such high‑profile gifts, notes: “Philanthropy that is highly publicised can reinforce social bonds, but it also reflects a culture where generosity is intertwined with reputation economy; where giving becomes as much a social signal as it is an act of kindness.” The quote highlights how public acts of wealth transfer among elites serve layered social functions that extend beyond pure altruism.

 

Critics of such displays argue that ostentatious giveaways, particularly in a country with stark economic disparities, risk amplifying social envy and exacerbating perceptions of inequality. Economist Dr. Ifunanya Nwosu from the Lagos Business School observes: “In societies marked by economic stratification, celebrity largesse may inspire admiration, but it can also inadvertently highlight structural inequities; prompting questions about systemic investment in public welfare versus individual generosity.”

 

Still, supporters maintain that E‑Money’s annual tradition (which has in past years included cash gifts to his brother KCee, comedians and even domestic staff) reflects genuine gratitude and a commitment to uplifting his immediate circle, albeit within the private sphere.

 

For Ikedieze, the SUV stands both as a heartfelt gesture from a longtime friend and a public affirmation of their enduring relationship. As the video of the moment continues to circulate, the broader narrative has ignited discussions about the role of private wealth in public life, celebrity culture and how acts of giving are interpreted in contemporary Nigerian society.

 

In a landscape where influence and generosity often play out in equal measure on public stages, E‑Money’s gift to Aki is more than a headline, it is a flashpoint in ongoing debates about wealth, friendship and visibility in Nigeria’s entertainment and entrepreneurial ecosystem.

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