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My talents inspired me and I’m determined to put africa, Nigeria on the world map – Lagos popular event planner Okobi

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My talents inspired me and I’m determined to put africa, Nigeria on the world map – Lagos popular event planner Okobi

My talents inspired me and I’m determined to put africa, Nigeria on the world map – Lagos popular event planner Okobi

 

 

 

Upwardly mobile Master of Ceremony (MC), content creator and event planner, Okobi John Emeka, in this interview talks about his sojourn to the entertainment sector and other issues

 

Tell us about yourself?

I’m Okobi John Emeka, also known as Yeyelagosboy. I’m a Christian from Asaba, Delta State, but I was born and raised in Ibadan, Oyo State. After completing my degree at the prestigious University of Ibadan, I moved to Lagos to pursue my career in entertainment. I work as an event host, also known as a Master of Ceremony, and I’m involved in event and stage management. Additionally, I’m a content creator and I run a charity event for orphans every December and this has been held for 3 years and counting

 

 

My talents inspired me and I’m determined to put africa, Nigeria on the world map – Lagos popular event planner Okobi

 

How long have you been doing all of these?

I’ve been doing this since my university days, from my 2nd year in the university of Ibadan I’ve been hosting events for different organizations that come into our campus, they run campaigns, do shows amidst other things. I can say I’ve been doing this for 9 years now, I’ve been hosting events, managing events and also creating contents.

 

 

 

Who and what inspired you to start Hosting?

 

My talent inspired me ooooo, I figured that I could speak to a reasonable number of my friends and they’d be engrossed in my talk talk because it was always fun and relaxing to them.

 

 

How do you control yourself if you’re on stage and you start shaking?

 

Well that has never happened to me before because before I host any event I pray and ask God to take control of this event and he does that all the time for me so I have never been nervous on stage

 

 

 

The journey of being an event/stage manager also, how has it been?

It’s been splendid, I learn a lot from the job and also meet different people from different spheres of life. It can be very demanding sometimes but i love doing it

 

 

 

What do you think makes a great manager?

For me it’s your interpersonal relationship skills, The ability to manage different set of people that you work with and get results. Also the ability to work under pressure because pressure will always locate you on the job

 

 

Tell me about a time when you were in charge of an event that didn’t go as planned.?

 

 

I’ve not managed any event that didn’t go as planned, it might not look like it when the event starts but we always get our desired results by the end of the event.

 

 

 

What was your first show as a Stage Manager, or in a position where you had stage management responsibilities?

If I can remember, I think my first stage management responsibilities was at Oyo state Youth Festival , I can’t really remember the year but it was under the tenure of Hon Abayomi Oke

 

How do you balance work and personal life (this include family &friends)?

I balance it well, there’s time for everything under the sun, when it’s time for me to work I work, time for family and friends I also don’t joke with it.

 

What advice do you have for young folks who want to venture into the entertainment industry?

Firstly get yourself solid education, school no be scam, enlighten yourself with information about the industry you’re about to get into, see the areas you’re strong in, find a mentor and keep growing. Don’t forget God! God is the ultimate factor in your success.

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TICP Customs Launches Paperless Regime, Warns Against False Declarations

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TICP Customs Launches Paperless Regime, Warns Against False Declarations

 

The Customs Area Controller of Tin Can Island Port Command of the Nigeria Customs Service (NCS), Comptroller Frank Onyeka, has launched a roadmap for the full implementation of a paperless regime at the command.

 

Onyeka disclosed this during a press briefing in Lagos, stating that the command was fully prepared for seamless digital operations ahead of the nationwide rollout scheduled for the second quarter of the year.

 

He described the engagement as the first in a series of consultations aimed at sensitising stakeholders on the strategies, operational framework and expectations under the new regime.

 

The controller commended the media for its constructive reportage since his assumption of office and sought continued collaboration to ensure the success of the initiative.

 

Presenting the command’s performance report, Onyeka said the Tin Can Island Command generated ₦609 billion in revenue in 2025, describing it as the highest in the history of the command.

 

He added that revenue collection rose from ₦116 billion recorded in January of the previous year to ₦145 billion in the corresponding period last month, representing an increase of over ₦29.9 billion.

 

Onyeka stated that his vision was to make the command known for trade efficiency, explaining that under the paperless regime, containers would be released without physical contact between Customs officers and clearing agents, provided declarations were accurate.

 

He credited the Comptroller-General of Customs, Bashir Adewale Adeniyi, for providing the leadership and strategic direction driving modernisation efforts across Customs formations nationwide.

 

The controller urged stakeholders to avoid false declarations and engage directly with the command to resolve concerns, emphasising that transparency and dialogue were essential to achieving efficient port operations.

 

He assured that consignments with clear scanning results and proper documentation would be released promptly, while those flagged by the risk management system would undergo physical examination, adding that the command would continue to collaborate with other agencies to reduce cargo dwell time and enhance port efficiency.

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Love on Display: Katie Price and Lee Put On a Public Show of Affection 

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Love on Display: Katie Price and Lee Put On a Public Show of Affection 

By George Omagbemi Sylvester | Published by SaharaWeeklyNG 

British media personality Katie Price is once again at the center of tabloid and public attention after being photographed poolside with her new husband, Lee, in a display of affection that quickly circulated across entertainment platforms. The images, reportedly taken during a recent leisure outing at a private resort location in the United Kingdom, show the couple embracing and kissing beside a swimming pool, with Lee prominently displaying a tattoo tribute dedicated to Price.

 

The photographs, which surfaced in mid-February 2026 through British tabloid outlets, depict the couple appearing relaxed and affectionate. Lee, whose full name has been reported in sections of the UK press but who largely maintains a lower public profile compared to his wife, lifted his arm to reveal a visible tattoo said to be in honor of Price and a gesture widely interpreted as a public affirmation of their relationship.

 

What happened was straightforward but symbolically charged: a public display of affection between newlyweds, amplified by Price’s longstanding celebrity status. Where it happened (poolside at what sources describe as a private holiday setting) underscores the blending of personal life and public spectacle that has long defined Price’s media journey. During a recent February getaway placed it squarely within ongoing tabloid interest surrounding her latest marriage. Price, 47 and her new husband Lee, whose visible tribute tattoo became the focal point of the moment.

 

Celebrity culture scholars argue that public figures such as Price operate within a media ecosystem where visibility sustains relevance. “Modern celebrity is performative intimacy,” explains Professor Graeme Turner, a media and cultural studies scholar known for his work on celebrity culture. “Public displays of affection are not merely private acts; they are communicative gestures that reinforce brand identity and narrative continuity.” In Price’s case, her romantic relationships have long been interwoven with her public persona.

 

Price first rose to prominence in the late 1990s under the glamour model moniker “Jordan,” before transitioning into reality television, publishing and business ventures. Her personal life (including previous marriages and high-profile relationships) has frequently generated headlines in the British press. This latest marriage continues that pattern of intense scrutiny.

 

The tattoo tribute displayed by Lee is particularly significant in celebrity symbolism. Body art dedicated to a partner is often perceived as a declaration of permanence. Dr. Chris Rojek, emeritus professor of sociology and an authority on fame and public identity, has observed that “celebrity relationships are sustained as much through symbolic reinforcement as through private commitment. Visible tokens (rings, tattoos, coordinated appearances) function as public assurances.” In this case, the tattoo serves not merely as personal expression but as a visual narrative device in an already highly mediated relationship.

 

How the moment unfolded (casually but conspicuously) reflects the dynamics of contemporary celebrity coverage. Photographs were reportedly captured either by paparazzi stationed nearby or shared through controlled media access, a common practice in the British entertainment industry. Within hours, the images were republished by multiple outlets, accompanied by commentary on Price’s relationship history and ongoing legal and financial challenges, issues that have previously placed her under intense public scrutiny.

 

Despite recurring controversy throughout her career, Price remains a resilient media figure. Communications analyst Mark Borkowski has previously remarked in interviews that “Katie Price understands publicity better than most. Whether by design or instinct, she maintains a feedback loop with the press that keeps her culturally visible.” The poolside photographs appear to fit squarely within that established pattern of managed exposure and reactive media amplification.

 

Critically, there is no indication of misconduct, public disturbance or controversy tied directly to the poolside display itself. It was, by all verified accounts, a consensual and celebratory expression of affection between married adults. The wider attention it has generated speaks less to the act and more to the individuals involved; particularly Price’s enduring position within British popular culture.

 

For global audiences, the episode illustrates a broader truth about contemporary fame: private milestones often become public commodities. The marriage of Katie Price and Lee (and the symbolic tattoo that now marks it) has become another chapter in a life lived persistently under the camera’s gaze.

 

As celebrity culture continues to blur boundaries between intimacy and publicity, moments like this poolside embrace are no longer trivial snapshots. They are narrative events, reinforcing identity, commitment and brand continuity in equal measure.

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Tinubu Signs Electoral Bill into Law — A Defining Moment for Nigeria’s Democracy

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Tinubu Signs Electoral Bill into Law — A Defining Moment for Nigeria’s Democracy

By George Omagbemi Sylvester | Published by SaharaWeeklyNG

 

“New Electoral Act 2026 Enters the Statute Books Amid Intense Debate Over Nigeria’s Democratic Future.”

 

In a watershed development for Nigeria’s political trajectory, President Bola Ahmed Tinubu has signed the Electoral Act, 2026 (a fundamental overhaul of the nation’s electoral legal framework) into law. The signing took place on 18 February 2026 at the Presidential Villa in Abuja, following the passage of the Electoral Act (Repeal and Re‑Enactment) Bill, 2026 by the National Assembly.

 

This move marks a critical legislative milestone ahead of the 2027 general elections. The amended Electoral Act replaces the 2022 law and introduces key changes to Nigeria’s electoral processes, procedures and timelines; a package that has ignited both approval and fierce criticism from political stakeholders, civil society and democracy advocates.

 

At the centre of the amendments are revisions to election timetables, the scope of result transmission procedures, and administrative adjustments intended to align the law with the logistical realities of upcoming polls. The Senate, during its legislative consideration, moved to shorten the notice period for general elections from 360 days to 300 days, a shift argued to be necessary to avoid a clash with the Ramadan fasting period, which could complicate nationwide mobilisation and voter participation.

 

Among the most contested provisions in the new law is the treatment of electronic transmission of election results. Initial versions of the bill sought to mandate the real‑time upload of polling unit results directly to the Independent National Electoral Commission’s (INEC) result platform — a reform widely regarded by experts as crucial for transparency and public confidence. However, the Senate’s final version retained a fallback to manual transmission in cases of network failure, a compromise that has been sharply criticised.

 

This compromise has drawn pointed warnings from seasoned electoral experts. Mike Igini, a former Resident Electoral Commissioner with the Independent National Electoral Commission (INEC), unequivocally described the bill as potentially harmful to Nigeria’s democratic progress. In a televised appeal on Arise Television, Igini urged President Tinubu not to sign the bill, calling it “a recipe for chaos” and a betrayal of the struggles that brought Nigeria to a competitive democratic space. He warned that weakening electronic transmission safeguards could leave room for manipulation, undercutting confidence in election outcomes.

 

Such dissent underscores the larger debate now gripping the nation, especially among civil society and opposition figures. Critics argue that the amendments fall short of international best practices for electoral transparency and accountability. Natasha Akpoti‑Uduaghan, a lawmaker and vocal proponent of stronger electoral reforms, has publicly condemned the removal of mandatory real‑time result transmission, calling it a “lethal assault on Nigeria’s democracy”. She urged for stronger safeguards that align with technological advancements and global trends toward transparent elections.

 

Proponents of the new law, including some in the ruling All Progressives Congress (APC) and supportive legislators, insist that the provisions strike a necessary balance between ambition and practicality. They argue that preserving manual processes as a contingency recognises the realities of Nigeria’s digital infrastructure challenges, especially in rural and underserved regions where reliable internet connectivity cannot be guaranteed.

 

Notably, the new law also preserves the Independent National Electoral Commission’s discretionary authority over certain key administrative functions, including the manner and timing of result transmission, which INEC is now expected to align with fresh guidelines consistent with the new statutory framework.

 

Analysts note that this legislative stride comes at a moment of heightened political activity as parties gear up for the 2027 elections. INEC’s recently released timetable for the next general polls signals a compressed campaign and preparation cycle, heightening the stakes for political actors and voters alike.

 

For many Nigerians, the day’s events resonate beyond legislative procedure and enter the realm of democratic symbolism. According to Dr Akin Olukayode, a governance expert at the Centre for Democratic Development, “How electoral laws are crafted and implemented defines the essence of representation. Elections are not merely contests for power; they are expressions of popular will. Any framework that weakens transparency undermines the social contract between citizens and state.”

 

As Nigeria enters its next general election cycle under this new legal regime, the country faces profound questions about reform, credibility and political inclusiveness. The path ahead (from INEC’s operationalisation of the law, through legal interpretations in the courts, to the lived experience of voters in 2027) will ultimately determine whether this legislative overhaul strengthens or weakens Nigeria’s democratic foundation.

 

What remains clear is that in signing the Electoral Act 2026 into law, President Tinubu has set into motion a defining chapter in Nigeria’s electoral history; one that will be intensely scrutinised by scholars, policymakers and citizens at home and abroad.

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