Entertainment
NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE
NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE
Oluwakemi Otekaiye Collorassi is artistically known as Nnkan Eleduwa or her stage name Nnkan which rings a very loud bell in the Nigerian entertainment sector.
Nnkan is the leader of Ditoko Band and she is a lady endowed with multiple talents in the artistic entertainment space, who skilfully chants, sings, acts and dances on stage. She is an epitome of complete creative entertainment. She has been doing this since her growing up years as a child and she is still immensely talented in arts till date.
Nnkan discovered very early in life that she was gifted but she did not know the channel which to pass through.
However, she was motivated into the arts as a child when one of her neighbours, a woman sang a beautiful song, she immediately fell in love with it. She sang the song and one other person told her she will make a music star in the future.
Fast forward, Nnkan joined a group called Black Image where she was really discovered and anchored any music that came with the stage drama whenever the group has a performance.
On her parents supporting her career at the beginning, her father was actually a good dancer who challenged the King of world beat himself, King Sunny Ade when Nnkan was just five years old. So, obviously her father was very supportive of her music career because he was always playing the likes of Comfort Omoge, KSA, Ebenezer Obey’s music and he even go further by inviting his friends to come watch his daughter Nnkan dance to Comfort Omoge or King Sunny Ade’s song where she will come out behind the curtain and danced herself to stupor because she did not see that as a performance then.
She was then called ‘kokoro’ by her admirers, majority of whom were her father’s friends who admire her dancing talents so much. Though, Nnkan lost her father at a relatively young age of around 10 to 11, he supported her talents very strongly giving her enough confidence.
Nnkan also acknowledged her father’s support after her performance at the Silverbird Most Beautiful Girl in Nigeria Pageant many years back. She remembered his support after performing for a very large crowd at the event. She also acknowledged her mother’s supportive roles as well. So, her two parents have being there for her and even though they are no more but they are still there with her in spirit because she knows she can’t be where she is today without God and with them, her parents being her guiding angels, watching over her and propelling her forward.
Nnkan learnt music and entertainment through the process of her long years on stage. She never went to any musical school to learn. It was an inborn thing and all she had to do is stay focused in the sector to be more knowledgeable about it all. Her stay with the Black Image and being the lead vocalist really helped and she is also highly talented. She picks her key easily and begin to learn the more she performs and the more she finds herself on stage.
Its a process here and there, learning the keyboard and others.
Currently, Nnkan is a Nurse practitioner but she is an OND holder in Business Administration from a higher institution in Nigeria and she also did several professional courses in Marketing. She is also taking some prerequisite classes in Nursing currently. Nnkan, came from a family of five and she was in the middle of the pack having two elderly ones and two younger.
Unfortunately however, Nnkan is the only living soul of her family generation and automatically became mother to all the children left behind by her late siblings. One of those children is graduating from the University while the others are doing great in their own academic rights. Like I said earlier, her father influenced her into singing though, she has this natural instinct and passion for singing in her and also her artistic director, Paul Uwagbae who was also the artistic director of Black Image then, for more than 20 years ago, he has always been encouraging Nnkan alongside the CEO of Black Image then. “So, I can only say that my dad encouraged me a lot and with the fact that music is an inborn thing with me, I have always loved to sing and that is what I know how to do best. I have been in the game for years, though I have to take some break to take good care of the kids my siblings left behind. I took over this responsibilities over a decade ago so that they can be well structured.” She was quoted as saying.
If Nnkan is not into music today, she would have been a medical doctor which her father had planned for her to be right from her childhood, so, she would have been in the medical line as a nurse if not for music.
Nnkan is a beautifully married lady who has quite a lot of men flocking around her with some of them opting for a relationship, but as a married lady, she knows her boundary with them and she maintains an artiste/fan relationship with everyone of them.
For her, a star must know how to manage anyone that comes around her, Nnkan has done one album produced by Kayode Samuel way back, Music of Our Ancestors and the next one coming out soon is called Broda.
Broda is a song that ministered a lot to Nnkan, inspired by when she was going through a process of healing after a surgery and the part that her husband did really means a lot to her and she decided to did that song written by Baba T who said she is the only one that can give a good voice to that song. So, she has done one album and four singles. ‘Music of our Ancestors’ produced by Kayode Samuel in 2005 was her first album, her first single was ‘Revolution’ and the second one was ‘Get More’ which she didn’t release until after 11 years, that was after ensuring she took good care of her siblings’ children and make sure that they can stand on their own. Get More was actually a gospel song she did during a convention themed with the same name and had great impacts on the people. Next was ‘Mr. DJ’ and after that is the latest one ‘Broda’. Its a song that is dedicated to all men and its going to be released on father’s day. Nnkan realized that the only musician that appreciates men is Luther Vandross. She sees her husband as her brother, as her partner, gist partner and indeed, partner in everything. She also sees him as a father figure who advises her and she listens to him, so she dedicates the song to all wonderful men outside there.
Men who stood by somebody they love, somebody they cherish. So, for now my husband influenced me because after we got married, he was the one that propelled me that the world wants to hear my music and that is why we had to go back to the studio and he encouraged me to release ‘Get More’ which I have done a long time, then he pushed me again to do ‘Mr. DJ’ and now he is pushing me again to do another one. So, he’s really influencing me into getting back to my shape and into my musical career back and that is why they say, get married to the right person. So, I will say am very grateful to him because he influenced me to getting back to music.
Entertainment
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
By Alhaji Arems (Baba Fuji)
Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.
The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.
Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.
The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.
Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.
The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.
Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.
As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.
Entertainment
BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy
*BREAKING NEWS
*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*
Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.
Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.
“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”
Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.
As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.
Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.
Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.
Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.
The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.
Entertainment
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
By Alhaji Arems (Baba Fuji)
Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.
More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.
A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.
Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence
• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.
• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.
Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.
April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.
For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.
In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.
Rewriting the Narrative for Women in Fuji :
Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.
Omo-Opeki’s 3-in-1 album challenges that precedent.
Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.
Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.
This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.
Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.
A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.
A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.
By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.
A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.
April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.
As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.
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