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NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

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NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

 

 

 

 

Oluwakemi Otekaiye Collorassi is artistically known as Nnkan Eleduwa or her stage name Nnkan which rings a very loud bell in the Nigerian entertainment sector.

 

 

 

 

 

 

 

Nnkan is the leader of Ditoko Band and she is a lady endowed with multiple talents in the artistic entertainment space, who skilfully chants, sings, acts and dances on stage. She is an epitome of complete creative entertainment. She has been doing this since her growing up years as a child and she is still immensely talented in arts till date.

 

 

 

 

 

 

Nnkan discovered very early in life that she was gifted but she did not know the channel which to pass through.

 

 

 

 

 

However, she was motivated into the arts as a child when one of her neighbours, a woman sang a beautiful song, she immediately fell in love with it. She sang the song and one other person told her she will make a music star in the future.

 

 

 

 

Fast forward, Nnkan joined a group called Black Image where she was really discovered and anchored any music that came with the stage drama whenever the group has a performance.

 

 

 

 

On her parents supporting her career at the beginning, her father was actually a good dancer who challenged the King of world beat himself, King Sunny Ade when Nnkan was just five years old. So, obviously her father was very supportive of her music career because he was always playing the likes of Comfort Omoge, KSA, Ebenezer Obey’s music and he even go further by inviting his friends to come watch his daughter Nnkan dance to Comfort Omoge or King Sunny Ade’s song where she will come out behind the curtain and danced herself to stupor because she did not see that as a performance then.

 

 

 

 

She was then called ‘kokoro’ by her admirers, majority of whom were her father’s friends who admire her dancing talents so much. Though, Nnkan lost her father at a relatively young age of around 10 to 11, he supported her talents very strongly giving her enough confidence.

 

 

 

 

Nnkan also acknowledged her father’s support after her performance at the Silverbird Most Beautiful Girl in Nigeria Pageant many years back. She remembered his support after performing for a very large crowd at the event. She also acknowledged her mother’s supportive roles as well. So, her two parents have being there for her and even though they are no more but they are still there with her in spirit because she knows she can’t be where she is today without God and with them, her parents being her guiding angels, watching over her and propelling her forward.

 

 

 

 

 

Nnkan learnt music and entertainment through the process of her long years on stage. She never went to any musical school to learn. It was an inborn thing and all she had to do is stay focused in the sector to be more knowledgeable about it all. Her stay with the Black Image and being the lead vocalist really helped and she is also highly talented. She picks her key easily and begin to learn the more she performs and the more she finds herself on stage.

 

 

 

Its a process here and there, learning the keyboard and others.

Currently, Nnkan is a Nurse practitioner but she is an OND holder in Business Administration from a higher institution in Nigeria and she also did several professional courses in Marketing. She is also taking some prerequisite classes in Nursing currently. Nnkan, came from a family of five and she was in the middle of the pack having two elderly ones and two younger.

 

 

 

 

Unfortunately however, Nnkan is the only living soul of her family generation and automatically became mother to all the children left behind by her late siblings. One of those children is graduating from the University while the others are doing great in their own academic rights. Like I said earlier, her father influenced her into singing though, she has this natural instinct and passion for singing in her and also her artistic director, Paul Uwagbae who was also the artistic director of Black Image then, for more than 20 years ago, he has always been encouraging Nnkan alongside the CEO of Black Image then. “So, I can only say that my dad encouraged me a lot and with the fact that music is an inborn thing with me, I have always loved to sing and that is what I know how to do best. I have been in the game for years, though I have to take some break to take good care of the kids my siblings left behind. I took over this responsibilities over a decade ago so that they can be well structured.” She was quoted as saying.

 

 

 

 

If Nnkan is not into music today, she would have been a medical doctor which her father had planned for her to be right from her childhood, so, she would have been in the medical line as a nurse if not for music.

 

 

 

 

Nnkan is a beautifully married lady who has quite a lot of men flocking around her with some of them opting for a relationship, but as a married lady, she knows her boundary with them and she maintains an artiste/fan relationship with everyone of them.

 

 

 

 

For her, a star must know how to manage anyone that comes around her, Nnkan has done one album produced by Kayode Samuel way back, Music of Our Ancestors and the next one coming out soon is called Broda.

 

 

 

 

Broda is a song that ministered a lot to Nnkan, inspired by when she was going through a process of healing after a surgery and the part that her husband did really means a lot to her and she decided to did that song written by Baba T who said she is the only one that can give a good voice to that song. So, she has done one album and four singles. ‘Music of our Ancestors’ produced by Kayode Samuel in 2005 was her first album, her first single was ‘Revolution’ and the second one was ‘Get More’ which she didn’t release until after 11 years, that was after ensuring she took good care of her siblings’ children and make sure that they can stand on their own. Get More was actually a gospel song she did during a convention themed with the same name and had great impacts on the people. Next was ‘Mr. DJ’ and after that is the latest one ‘Broda’. Its a song that is dedicated to all men and its going to be released on father’s day. Nnkan realized that the only musician that appreciates men is Luther Vandross. She sees her husband as her brother, as her partner, gist partner and indeed, partner in everything. She also sees him as a father figure who advises her and she listens to him, so she dedicates the song to all wonderful men outside there.

 

 

 

 

Men who stood by somebody they love, somebody they cherish. So, for now my husband influenced me because after we got married, he was the one that propelled me that the world wants to hear my music and that is why we had to go back to the studio and he encouraged me to release ‘Get More’ which I have done a long time, then he pushed me again to do ‘Mr. DJ’ and now he is pushing me again to do another one. So, he’s really influencing me into getting back to my shape and into my musical career back and that is why they say, get married to the right person. So, I will say am very grateful to him because he influenced me to getting back to music.

 

NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors

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*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*

By Rtn. Victor Ojelabi

 

The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.

The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.

The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.

Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.

At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.

Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu

The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.

Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.

The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.

Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).

Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.

Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.

With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.

His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.

His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.

The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.

His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.

In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.

His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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