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NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

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NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

 

 

 

 

Oluwakemi Otekaiye Collorassi is artistically known as Nnkan Eleduwa or her stage name Nnkan which rings a very loud bell in the Nigerian entertainment sector.

 

 

 

 

 

 

 

Nnkan is the leader of Ditoko Band and she is a lady endowed with multiple talents in the artistic entertainment space, who skilfully chants, sings, acts and dances on stage. She is an epitome of complete creative entertainment. She has been doing this since her growing up years as a child and she is still immensely talented in arts till date.

 

 

 

 

 

 

Nnkan discovered very early in life that she was gifted but she did not know the channel which to pass through.

 

 

 

 

 

However, she was motivated into the arts as a child when one of her neighbours, a woman sang a beautiful song, she immediately fell in love with it. She sang the song and one other person told her she will make a music star in the future.

 

 

 

 

Fast forward, Nnkan joined a group called Black Image where she was really discovered and anchored any music that came with the stage drama whenever the group has a performance.

 

 

 

 

On her parents supporting her career at the beginning, her father was actually a good dancer who challenged the King of world beat himself, King Sunny Ade when Nnkan was just five years old. So, obviously her father was very supportive of her music career because he was always playing the likes of Comfort Omoge, KSA, Ebenezer Obey’s music and he even go further by inviting his friends to come watch his daughter Nnkan dance to Comfort Omoge or King Sunny Ade’s song where she will come out behind the curtain and danced herself to stupor because she did not see that as a performance then.

 

 

 

 

She was then called ‘kokoro’ by her admirers, majority of whom were her father’s friends who admire her dancing talents so much. Though, Nnkan lost her father at a relatively young age of around 10 to 11, he supported her talents very strongly giving her enough confidence.

 

 

 

 

Nnkan also acknowledged her father’s support after her performance at the Silverbird Most Beautiful Girl in Nigeria Pageant many years back. She remembered his support after performing for a very large crowd at the event. She also acknowledged her mother’s supportive roles as well. So, her two parents have being there for her and even though they are no more but they are still there with her in spirit because she knows she can’t be where she is today without God and with them, her parents being her guiding angels, watching over her and propelling her forward.

 

 

 

 

 

Nnkan learnt music and entertainment through the process of her long years on stage. She never went to any musical school to learn. It was an inborn thing and all she had to do is stay focused in the sector to be more knowledgeable about it all. Her stay with the Black Image and being the lead vocalist really helped and she is also highly talented. She picks her key easily and begin to learn the more she performs and the more she finds herself on stage.

 

 

 

Its a process here and there, learning the keyboard and others.

Currently, Nnkan is a Nurse practitioner but she is an OND holder in Business Administration from a higher institution in Nigeria and she also did several professional courses in Marketing. She is also taking some prerequisite classes in Nursing currently. Nnkan, came from a family of five and she was in the middle of the pack having two elderly ones and two younger.

 

 

 

 

Unfortunately however, Nnkan is the only living soul of her family generation and automatically became mother to all the children left behind by her late siblings. One of those children is graduating from the University while the others are doing great in their own academic rights. Like I said earlier, her father influenced her into singing though, she has this natural instinct and passion for singing in her and also her artistic director, Paul Uwagbae who was also the artistic director of Black Image then, for more than 20 years ago, he has always been encouraging Nnkan alongside the CEO of Black Image then. “So, I can only say that my dad encouraged me a lot and with the fact that music is an inborn thing with me, I have always loved to sing and that is what I know how to do best. I have been in the game for years, though I have to take some break to take good care of the kids my siblings left behind. I took over this responsibilities over a decade ago so that they can be well structured.” She was quoted as saying.

 

 

 

 

If Nnkan is not into music today, she would have been a medical doctor which her father had planned for her to be right from her childhood, so, she would have been in the medical line as a nurse if not for music.

 

 

 

 

Nnkan is a beautifully married lady who has quite a lot of men flocking around her with some of them opting for a relationship, but as a married lady, she knows her boundary with them and she maintains an artiste/fan relationship with everyone of them.

 

 

 

 

For her, a star must know how to manage anyone that comes around her, Nnkan has done one album produced by Kayode Samuel way back, Music of Our Ancestors and the next one coming out soon is called Broda.

 

 

 

 

Broda is a song that ministered a lot to Nnkan, inspired by when she was going through a process of healing after a surgery and the part that her husband did really means a lot to her and she decided to did that song written by Baba T who said she is the only one that can give a good voice to that song. So, she has done one album and four singles. ‘Music of our Ancestors’ produced by Kayode Samuel in 2005 was her first album, her first single was ‘Revolution’ and the second one was ‘Get More’ which she didn’t release until after 11 years, that was after ensuring she took good care of her siblings’ children and make sure that they can stand on their own. Get More was actually a gospel song she did during a convention themed with the same name and had great impacts on the people. Next was ‘Mr. DJ’ and after that is the latest one ‘Broda’. Its a song that is dedicated to all men and its going to be released on father’s day. Nnkan realized that the only musician that appreciates men is Luther Vandross. She sees her husband as her brother, as her partner, gist partner and indeed, partner in everything. She also sees him as a father figure who advises her and she listens to him, so she dedicates the song to all wonderful men outside there.

 

 

 

 

Men who stood by somebody they love, somebody they cherish. So, for now my husband influenced me because after we got married, he was the one that propelled me that the world wants to hear my music and that is why we had to go back to the studio and he encouraged me to release ‘Get More’ which I have done a long time, then he pushed me again to do ‘Mr. DJ’ and now he is pushing me again to do another one. So, he’s really influencing me into getting back to my shape and into my musical career back and that is why they say, get married to the right person. So, I will say am very grateful to him because he influenced me to getting back to music.

 

NNKAN, A UNIQUE MUSICAL REVELATION WITH CREATIVE ARTISTRY, VELVET VOICE

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Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

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*Nollywood Actress and Philanthropist Amb. Princess Chelsea R.C. Nwodo Appointed as Chief of Staff to AGN National President*

Abuja, Nigeria – The Actors Guild of Nigeria (AGN) announces the appointment of Amb. Princess Chelsea R.C. Nwodo as the new Chief of Staff to National President, ALHAJI SANUSI ABUBAKAR YAKUBU. This strategic move underscores the Guild’s commitment to excellence and its dedication to fostering a more efficient and effective leadership structure.

 

Amb. Nwodo brings a wealth of experience and expertise to her new role, having served as a National Deputy Secretary (Emeritus) and demonstrating exceptional leadership skills and a deep understanding of the Guild’s vision and mission. A respected member of the Nigerian entertainment industry, she is also known for her dedication to promoting actor welfare and advancing the Guild’s interests.

*A Proven Track Record*

Amb. Nwodo’s appointment is a testament to her outstanding contributions to AGN and her commitment to serving the Nigerian film industry. Her philanthropic efforts and advocacy for social causes have made a positive impact on Nigerian communities, She’s also the CEO of CHELSEA NWODO’S FOUNDATION a foundation known for its unique cultural expression and alliance with many state government including Delta state government and so on.

*About the Actors Guild of Nigeria (AGN)*

The AGN is the governing body for professional actors in Nigeria’s Nollywood film industry, established in 1998 with over one million members across the six geopolitical zones of the federation. The Guild promotes actor’s welfare, protects their rights, and advances the Nigerian film industry.

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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

By George Omagbemi Sylvester 

“The British rap star’s public declaration of Islam sparks global reactions and renews debate about spirituality, identity, and influence in contemporary music.”

British rap superstar Central Cee has publicly announced that he has converted to Islam, a revelation that has rapidly spread across global media and social platforms, drawing reactions from fans, cultural commentators and religious observers alike. The development marks a deeply personal shift for one of the most influential voices in modern UK drill, and it highlights the growing intersection between faith, identity and popular culture.

Central Cee, whose real name is Oakley Neil Caesar-Su, disclosed the decision during a recent livestream, where he stated that he had taken the Shahada, the Islamic declaration of faith that formally marks a person’s conversion to Islam.

According to multiple reports published on February 6, 2026, the rapper confirmed the conversion publicly, saying he had changed his name and embraced Islam, with friends present during the broadcast congratulating him.
The announcement quickly became a trending global topic, with thousands of fans flooding social media with messages of support and congratulation.

What happened, when, where and how
The confirmed facts are straightforward.

What happened: Central Cee announced his conversion to Islam.
Who: The British rapper, born Oakley Neil Caesar-Su.
When: The announcement surfaced publicly on or around February 6, 2026.
Where: The declaration was made during a livestream, widely circulated online.
How: He confirmed he had taken the Shahada and embraced Islam, with friends present during the session.
Before this announcement, Central Cee had never publicly declared adherence to any specific religion, though fans had long speculated about his spiritual leanings.
Background: the rise of a global rap force
Born on June 4, 1998, in London, Central Cee rose from the streets of Shepherd’s Bush to become one of the most commercially successful British rappers of his generation.
He achieved mainstream recognition with his 2020 single Day in the Life and later dominated charts with hits such as Doja and Sprinter, accumulating billions of streams worldwide.
By the mid-2020s, he had become a defining figure in UK drill, blending street narratives with a polished, globally accessible sound.
Reactions and significance
The news of his conversion triggered widespread reaction across continents. Many fans congratulated him, using phrases such as “Welcome to Islam, brother,” reflecting the celebratory tone among supporters.
Others expressed curiosity about whether the decision would influence his music, public image, or future lyrical direction.

Cultural analysts note that religion has long played a quiet but significant role in hip-hop. From Malcolm X’s influence on American rap consciousness to the presence of Muslim artists in both US and UK scenes, faith has often shaped artistic identity.

British sociologist Dr. Reza Pankhurst, writing on religion and youth culture, has argued that for many urban artists, faith offers “a language of discipline, moral structure and belonging in environments often defined by instability.”
Similarly, American scholar Dr. Sherman Jackson has noted that Islam’s appeal among musicians and athletes lies partly in its “emphasis on personal responsibility, spiritual dignity, and community.”
While these are broader observations about religious influence in culture, they help explain why high-profile conversions often resonate far beyond the personal sphere.

Why the announcement matters
Central Cee is not merely another celebrity; he is one of the most commercially powerful voices in British rap, with global reach across Europe, Africa, Asia and North America. His decisions, therefore, carry symbolic weight.

When artists of such stature publicly embrace a faith, it often triggers three parallel conversations:

First, identity: Fans begin to examine how the artist’s beliefs align with their lyrics and public persona.

Second, influence: Younger audiences may view the decision as aspirational or spiritually significant.

Third, authenticity: Critics and supporters alike debate whether faith will reshape the artist’s artistic content.

British cultural commentator Kehinde Andrews has previously observed that hip-hop is “not just music but a social language through which young people negotiate power, race, faith and identity.”
In that sense, Central Cee’s announcement becomes part of a larger cultural dialogue not merely a personal declaration.

The question of a new name
Some reports indicate that the rapper mentioned changing his name after taking the Shahada, though details remain inconsistent across sources.
While certain online reports suggested possible new names, there is no universally confirmed official new name from the artist at the time of reporting.
This remains an evolving aspect of the story, and responsible reporting requires caution until a formal statement is released through verified channels.

The broader context: faith and hip-hop
Central Cee joins a growing list of artists who have publicly embraced Islam. Over the decades, figures such as Yasiin Bey (Mos Def), Lupe Fiasco, Ice Cube, and Q-Tip have either converted to Islam or drawn heavily from Islamic teachings in their music.
In the UK, Muslim identity has long been intertwined with the grime and drill scenes, reflecting the multicultural realities of cities like London, Birmingham and Manchester.

Cultural historian Tricia Rose, one of the foremost scholars of hip-hop, once wrote that the genre “has always been a site of spiritual searching, moral struggle and social commentary.”
In that context, a public conversion is not an anomaly but part of a longstanding tradition of artists seeking meaning beyond fame and commercial success.
What remains unclear
Despite the viral spread of the story, certain details are still evolving:

The exact location of the livestream has not been formally confirmed.

The identity of the individuals present during the Shahada has not been publicly verified.

Any official legal name change has not been documented in confirmed public records.

Responsible journalism requires distinguishing between verified facts and social-media speculation.

Final assessment
Central Cee’s conversion to Islam is a deeply personal decision that has nonetheless sparked global conversation. Announced during a livestream in early February 2026, the declaration places one of Britain’s most influential rappers at the centre of a broader discussion about faith, culture and celebrity influence.

In an era where artists are often defined solely by streaming numbers and chart positions, his announcement underscores a different narrative: the search for meaning, identity, and spiritual grounding in the midst of global fame.

As the late scholar James Cone once wrote, “Spiritual transformation is the most radical form of social change, because it begins inside the human soul.”
Whether Central Cee’s journey will reshape his music or remain a private source of guidance is a question only time can answer. What is certain, however, is that his decision has already stirred conversations that extend far beyond the world of rap.

 

From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop
By George Omagbemi Sylvester 

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

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