society
NNPP Chieftain, Ajadi Donates Items To Agodi Correctional Centre To Celebrate Birthday
NNPP Chieftain, Ajadi Donates Items To Agodi Correctional Centre To Celebrate Birthday
Johnson Akinpelu
A Chieftain of the New Nigeria Peoples Party, (NNPP), in the South West, Ambassador Olufemi Ajadi Oguntoyinbo on Sunday put smiles on the faces of staff and inmates of Agodi Correctional Centre Ibadan, Oyo State as he celebrated his birthday with them.Ajadi donated foods, drinks and essentials such as medicine, detergents, toiletries, solar lights among others to the centre to improve the conditions and well beings of the inmates and the staff.He also gave gifts to best behaved male and female inmates, and trophies to the winners of the football and table tennis champions sponsored by his Foundation.
While working with the authority of Agodi Correctional Centre to free seven inmates by paying their fines, Ajadi promised to help provide solar panel and inverters to power the solar borehole at the centre, and a bus to the centre.Speaking after the donation, Ajadi said that he was there to celebrate his birthda to make the inmates happy and feel the good atmosphere of celebration.“I started the idea of celebrating my birthday at correctional centres two years ago at Ibara Correctional Centre in Abeokuta, Ogun State.“You know we have been celebrating my birthday with large number of people, giving them food and drinks, but two years ago, I changed that, we started looking at people in correctional centres and we believe that we should make them happy.“I believe they have been separated from their families for one reason or the other.
That was what brought us to Agodi Correctional Centre this year.“I know the government alone cannot provide the needs of the correctional centres and so I made up my mind that at least once in a year, on my birthday, I will make the inmates happy.“The inmates have been abandoned. Nobody gives them recognition. They are the people that needed to be celebrated. That is why we started this celebration two years ago at Ibara Correctional Centre.“Going round Agodi Correctional Centre in Ibadan today, I am not happy with what I saw. The condition of the inmates is nothing to write home about. If you see where they are staying, it is not the best.“I know that the government is trying, but they should do more. We see how people in the correctional centres in developed countries are treated. I plead with the Federal Government to do more for the inmates for the period they will stay there in the centres.“I also want to implore the Federal Government to please recognise those working at the centres and give them better working conditions. I want the government to treat warders the same way they treat the police and the military, especially in terms of renumeration.“The government should improve the facilities in our correctional centres because it is not all the inmates that are condemned criminals.“We have many people there awaiting trials who have not been pronounced guilty of any offence. At the end of the day, some of these people may not be found guilty of the offences they are remanded for.“I know President Bola Tinubu’s administration is a listening one and they will improve the conditions of the correctional centres.“I also call on well meaning Nigerians to help the government in providing adequate facilities in the correctional centres. They won’t carry money to heaven. They should put smiles on the faces of inmates at least once in a while,” Ajadi said.
society
You Against Crime Founder Tayo Folorunsho Praises Winners of Abuja Schools Festival.
You Against Crime Founder Tayo Folorunsho Praises Winners of Abuja Schools Festival.
Abuja, Nigeria – The maiden edition of the You Against Crime – Schools Festival 2026 Grand Finale has concluded, marking a significant milestone in youth engagement and crime prevention efforts across the Federal Capital Territory (FCT).
The event, held at the University of Abuja, brought together 78 secondary schools from the six Area Councils of Abuja, with the top six schools competing in the Grand Finale.
*Winners Emerge*
Tudunwada School, Bwari took the top spot, followed closely by The Golden Crest Royal in second place, and Government Secondary School, Kuje in third.
*CULTURE, THE CURE FOR CRIME*
The festival’s theme, “Culture, The Cure for Crime,” highlighted the importance of values, identity, mentorship, and positive engagement in preventing crime and shaping responsible citizenship among young people.
*DISTINGUISHED GUEST SPEAKERS*
Auwal Musa Rafsanjani, Chairman, Amnesty International, praised the initiative, saying, “This festival is a beacon of hope for our young people, promoting values and principles that can shape a brighter future for Nigeria.”
Aisha Mohammed, Head of Enlightenment & Re-orientation, Economic and Financial Crimes Commission, emphasized the importance of mentorship, stating, “Empowering young people with the right guidance and opportunities is key to preventing crime and building a stronger nation.”
*PARTNERSHIP AND SUPPORT*
The 2026 Grand Finale Edition was proudly sponsored by Civicx Technology Ltd Int’l, reinforcing a shared commitment to youth empowerment and crime prevention through cultural reorientation and innovation.
Tayo Folorunsho, Host & Founder, You Against Crime International, addressing the media and appealed to government agencies to support initiatives like this, targeting young minds early.
You Against Crime International is a movement advocating cultural change as a long-term solution to crime. The organization remains committed to advancing youth development, civic responsibility, and nation-building across Nigeria.
society
TICP Customs Launches Paperless Regime, Warns Against False Declarations
TICP Customs Launches Paperless Regime, Warns Against False Declarations
The Customs Area Controller of Tin Can Island Port Command of the Nigeria Customs Service (NCS), Comptroller Frank Onyeka, has launched a roadmap for the full implementation of a paperless regime at the command.
Onyeka disclosed this during a press briefing in Lagos, stating that the command was fully prepared for seamless digital operations ahead of the nationwide rollout scheduled for the second quarter of the year.
He described the engagement as the first in a series of consultations aimed at sensitising stakeholders on the strategies, operational framework and expectations under the new regime.
The controller commended the media for its constructive reportage since his assumption of office and sought continued collaboration to ensure the success of the initiative.
Presenting the command’s performance report, Onyeka said the Tin Can Island Command generated ₦609 billion in revenue in 2025, describing it as the highest in the history of the command.
He added that revenue collection rose from ₦116 billion recorded in January of the previous year to ₦145 billion in the corresponding period last month, representing an increase of over ₦29.9 billion.
Onyeka stated that his vision was to make the command known for trade efficiency, explaining that under the paperless regime, containers would be released without physical contact between Customs officers and clearing agents, provided declarations were accurate.
He credited the Comptroller-General of Customs, Bashir Adewale Adeniyi, for providing the leadership and strategic direction driving modernisation efforts across Customs formations nationwide.
The controller urged stakeholders to avoid false declarations and engage directly with the command to resolve concerns, emphasising that transparency and dialogue were essential to achieving efficient port operations.
He assured that consignments with clear scanning results and proper documentation would be released promptly, while those flagged by the risk management system would undergo physical examination, adding that the command would continue to collaborate with other agencies to reduce cargo dwell time and enhance port efficiency.
society
Love on Display: Katie Price and Lee Put On a Public Show of Affection
Love on Display: Katie Price and Lee Put On a Public Show of Affection
By George Omagbemi Sylvester | Published by SaharaWeeklyNG
British media personality Katie Price is once again at the center of tabloid and public attention after being photographed poolside with her new husband, Lee, in a display of affection that quickly circulated across entertainment platforms. The images, reportedly taken during a recent leisure outing at a private resort location in the United Kingdom, show the couple embracing and kissing beside a swimming pool, with Lee prominently displaying a tattoo tribute dedicated to Price.
The photographs, which surfaced in mid-February 2026 through British tabloid outlets, depict the couple appearing relaxed and affectionate. Lee, whose full name has been reported in sections of the UK press but who largely maintains a lower public profile compared to his wife, lifted his arm to reveal a visible tattoo said to be in honor of Price and a gesture widely interpreted as a public affirmation of their relationship.
What happened was straightforward but symbolically charged: a public display of affection between newlyweds, amplified by Price’s longstanding celebrity status. Where it happened (poolside at what sources describe as a private holiday setting) underscores the blending of personal life and public spectacle that has long defined Price’s media journey. During a recent February getaway placed it squarely within ongoing tabloid interest surrounding her latest marriage. Price, 47 and her new husband Lee, whose visible tribute tattoo became the focal point of the moment.
Celebrity culture scholars argue that public figures such as Price operate within a media ecosystem where visibility sustains relevance. “Modern celebrity is performative intimacy,” explains Professor Graeme Turner, a media and cultural studies scholar known for his work on celebrity culture. “Public displays of affection are not merely private acts; they are communicative gestures that reinforce brand identity and narrative continuity.” In Price’s case, her romantic relationships have long been interwoven with her public persona.
Price first rose to prominence in the late 1990s under the glamour model moniker “Jordan,” before transitioning into reality television, publishing and business ventures. Her personal life (including previous marriages and high-profile relationships) has frequently generated headlines in the British press. This latest marriage continues that pattern of intense scrutiny.
The tattoo tribute displayed by Lee is particularly significant in celebrity symbolism. Body art dedicated to a partner is often perceived as a declaration of permanence. Dr. Chris Rojek, emeritus professor of sociology and an authority on fame and public identity, has observed that “celebrity relationships are sustained as much through symbolic reinforcement as through private commitment. Visible tokens (rings, tattoos, coordinated appearances) function as public assurances.” In this case, the tattoo serves not merely as personal expression but as a visual narrative device in an already highly mediated relationship.
How the moment unfolded (casually but conspicuously) reflects the dynamics of contemporary celebrity coverage. Photographs were reportedly captured either by paparazzi stationed nearby or shared through controlled media access, a common practice in the British entertainment industry. Within hours, the images were republished by multiple outlets, accompanied by commentary on Price’s relationship history and ongoing legal and financial challenges, issues that have previously placed her under intense public scrutiny.
Despite recurring controversy throughout her career, Price remains a resilient media figure. Communications analyst Mark Borkowski has previously remarked in interviews that “Katie Price understands publicity better than most. Whether by design or instinct, she maintains a feedback loop with the press that keeps her culturally visible.” The poolside photographs appear to fit squarely within that established pattern of managed exposure and reactive media amplification.
Critically, there is no indication of misconduct, public disturbance or controversy tied directly to the poolside display itself. It was, by all verified accounts, a consensual and celebratory expression of affection between married adults. The wider attention it has generated speaks less to the act and more to the individuals involved; particularly Price’s enduring position within British popular culture.
For global audiences, the episode illustrates a broader truth about contemporary fame: private milestones often become public commodities. The marriage of Katie Price and Lee (and the symbolic tattoo that now marks it) has become another chapter in a life lived persistently under the camera’s gaze.
As celebrity culture continues to blur boundaries between intimacy and publicity, moments like this poolside embrace are no longer trivial snapshots. They are narrative events, reinforcing identity, commitment and brand continuity in equal measure.
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