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Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson

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Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail queen Maadiah johnson

QUEEN MAADIAH: Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Nigerian Teen Author, Queen Maadiah Johnson As She Launched Her Debut Effort “Raise them, Queens.”

By Ifioque
Former governor and serving Senator, Owelle Rochas Okorocha has described Queen Maadiah Johnson, Nigerian Teen Author as a Wizkid.
Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson
The debut of her latest effort – “Raise Them Queens” happened on Saturday, June 26, 2021, at the Conference Hall, Watbridge Hotel, IBB Way, Uyo, Akwa Ibom State.
      Okorocha in the company of the Uyo Book Club, the Johnsons, and withstanding ovation from seasoned men, women, and children at the event advised the youth to engage themselves in educational efforts that would assist them in their future endeavors.
      Queen Maadiah Johnson’s journey in the industry started like a dream – a still, small voice of inspiration. And then, sheet after sheet of paper, sentence after sentence, she wrought her way to becoming the youngest author in the Niger Delta region of Nigeria with the published book “Clawed to Death” now selling on Amazon.
 On June 24, 2021, Queen Maadiah Johnson launched her Pro girl child project, “Raise Them, Queens.” The initiative is a call to all arms of society, a reorientation campaign as it concerns raising the girl child, to completely toss rape, abuse, violence, servitude, and child labour into the figurative Mediterranean Sea.
Queen Madinah at the event noted that “When the girl child is accepted as a queen, she’s honoured, respected and won’t be molested nor abused.”
Senator Okorocha, Ekong Sampson, Anietie Usen, Others Hail Maadiah johnson
This concerted effort of the 16-year-old Queen Maadiah Johnson is a step to her, but a mile for the girl child and every youngster in Nigeria and around the world who lives, dreams, and hopes for the light.
            “Clawed To Death” was created in Maadiah’s unbelievable imagination as a 10-year-old girl.
      “I gathered paper, glued them perfectly together to form a small book, and then I designed a unique front cover with the fearsome but analytical title above.”
      “I started writing and the ink kept flowing while my mind kept stringing layers upon layers of words and sentences together. It took three days to finish what my mind had canvassed.”
      “Back at school, I was not hesitant to show my classmates what I had done. They were amused at what seemed like a pirated story, but if pirated means an original idea reproduced on the bearer’s mind for endless days and night, then I would agree, it had been pirated.”
      “I kept writing, creating a mental world of bliss that friends could travel to just by weaving through my beautiful wordplay. Their amusement was a major inspiration; It gave a great sense of satisfaction and pleasure.”
     “Then one day, I stopped. I stopped and thought: these were kids like me, what about the older population? Would they find stories of wolves and myths as interesting at their level? Were my infantile imaginations going to be controversial? Did the African society have room to accommodate science fiction literature like mine?”
      “I had to pull back in loss of motivation to go a step further. I piled my works and stashed them in a box in the distant corners of my mind and the house – I stopped writing.”
“Another ‘child’s play’ sadly ended.
      “5 years later, during routine home cleaning on a torrid afternoon, I stumbled on a familiar disorderly heap of abandoned books in a box. I smiled: memories of my conjured reality were refreshed. I immediately got back to work!”
     “Thinking, writing, editing, canceling and writing again, chewing the back end of my pen, I refined those thoughts. It was the Covid-19 lockdown and I had enough time to recreate.”
     “Word after word, line by line, I slowly but consistently cut through the sentence structures until, phew! I heaved in satisfaction.”
     “After hours and days of dictionary usage, sleepless nights and laborious days way beyond what a 10-year-old should endure, “Clawed To Death” was born.”
       “I dedicate this book to the girl-child in particular, and to everyone who ever faced discouragement, redundancy and fear – essentially all of us.”
Queen Maadiah in her formative days had always loved creative think-through solutions.
      Hear her: “I remember spending countless hours watching shows on artistry, literary works and showmanship — basically anything that got my mind to explore.”
      “I have always painted this perfect picture of a world where innovations come from the younger minds, and opportunities are given to the youths to exchange those talents and values with the world.”
      “My aims and objectives with this project “Raise Them Queens” is to bring the right value of the girl child to the fore, by creating a sensitization programme for the government and parents to appreciate the need to raise female children as queens.”
      “In every developed societies, inputs of women are pivotal to development. In fact, by nature, a woman was made a solution. A girl child must not be treated unequally; a girl child can not be rudely dealt with; a girl child cannot be bullied, cannot be raped, cannot be seen as body part merchandise. Women should be respected and accepted if our society must be fixed.”
      According to Maadiah, her mission includes:
1. Raising a network of young women to mobilize across Africa and raise an army of confident Queens.
2. Visiting schools in Nigeria to indoctrinate the girl child on the right values and self-dignity necessary to impact society.
3. Visiting social groupings and religious communities to help them appreciate the values of our young women.
      She intends to publish 3 more books before the end of first quarter in 2022. They are: Diary of the Nigerian Girl, Holding Hands and Love At First Words.
      Find her social media platforms on
 linktr.ee/maadieanie or contact mobile +2348055659755

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems

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Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy By Alhaji Arems

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy

By Alhaji Arems

 

In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.

 

 

Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.

Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star's Storytelling Legacy

By Alhaji Arems

In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.

Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.

The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

 

Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.

Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.

Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.

Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.

Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.

Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.

With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.

What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade

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Coalition Congratulates Oluyede on Appointment as Acting COAS

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Coalition Congratulates Oluyede on Appointment as Acting COAS

Coalition Congratulates Oluyede on Appointment as Acting COAS

 

The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).

Coalition Congratulates Oluyede on Appointment as Acting COAS

The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.

President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.

The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.

“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.

“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.

“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.

“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.

“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”

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