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Omoni Oboli addresses critics over new movie ‘ Wives On Strike’ , Writes on ‘Our people’ and ‘The ‘Crab Mentality’

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For those who do not know what the Crab Mentality is, let me first describe it using the Wikipedia: Crab mentality, sometimes referred to as the ‘crab in the bucket’, is a way of thinking best described by the phrase, “if I can’t have it, neither can you.” The metaphor refers to a bucket or pot of crabs. Individually, the crabs could easily escape from the pot, instead they grab at each other in a useless “king of the hill” competition which prevents any from escaping and ensure their collective demise. The analogy in human behavior is claimed to be that members of a group (in this case, Nigeria) will attempt to negate or diminish the importance of any member who achieves success beyond the others, out of envy, spite, conspiracy, or competitive feelings, to halt their progress. It is akin to the ‘Prisoner’s dilemma,’ whereby two completely ‘rational’ individuals might not cooperate, even if it appears that it is in their best interest to do so.

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It has been making the rounds by some that my soon-to-be-released movie, ‘WIVES ON STRIKE,’ which is about a group of women who decide to deprive their men of sex for the sake of a cause, was copied (or stolen) from the movie, ‘Chiraq’, which was produced and directed by the internationally acclaimed ace filmmaker, Spike Lee. Firstly, let me table some facts here: the movie concept came to me about 4 years ago when we wanted to do a movie about women going on strike, but we just couldn’t find a reason for the strike that would make sense to our audience. We felt there was no sense in making comedy, just for comedy sake. At least, that’s how I think, and I like to stick to what I know and leave others who are better at their own areas of expertise to do theirs. So when my husband and I wanted to do something concerning the Child-Not-Bride issue which was steaming up back in 2013, we decided that we had found a good enough reason for the strike. I wrote the script, and when we were ready we started principal photography in April 2014. Unbeknownst to us, the women in South Sudan were suggesting a sex strike to end the war in their country later that year after our shoot, and this I heard last year from a United Nations worker whom I met while speaking on the issue of the child bride and our movie’s theme. When I shot the movie, or back when I was writing the script, the idea of going on strike was just fantasy and wishful thinking, not knowing that it had really been conceived by other women in practice, or by other filmmakers and playwrights in theory.

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The first time I heard of ‘Chiraq’ was when my husband sent me the trailer last year, prior to its release. We both foresaw the headlines, “Omoni Oboli copies (or steals) from Spike Lee’s Chiraq for her movie,” or, “Nollywood is at it again! Copy! Copy! Copy! Omoni Oboli has joined the bandwagon of Nollywood producers who steal original works and make it their own”. Spike Lee’s ‘Chiraq’ is quite similar to the South Sudan women’s reasons, because it is about ending violence in the Chicago violent black community. It is in no way similar to mine! But that could be ‘clever me’ trying to steer so far from being the same that I’ve tactfully (or tactlessly, considering that I’m Nigerian) changed the plot, as some might assert. Let’s look at it scientifically, or systematically: There’s nothing new under the sun, therefore, stories and ideas are not exclusively given to one person only. The fact that one person presented it first does not always mean the other person copied. I shot my movie in 2014 as clearly shown on the clapper boards of my movie rushes. Spike Lee commenced principal photography (that means he started shooting) in June 2015, and released in select theatres on December 4 of the same year. Heaven forbid that Spike Lee would copy little old Omoni Oboli, “who is in our Nigeria here!” How can that happen?! If I had released it first on October 1st, instead of ‘The First Lady’ like I did, then Spike Lee was definitely being artistic and the similarities were just mere coincidences, but since I decided to release later, then I ‘definitely’ (beyond a shadow of a doubt) copied Mr Lee. Case closed!

I have never met Spike Lee. The only other way I could have had the same movie theme, would be to trace correspondence between us, and I don’t have any such correspondence. We’ve never exchanged emails or met in any capacity. If I wanted to copy a movie theme, it would be safer to go for one who isn’t as popular as Spike Lee, unless you’re dumb! Not that I’ve not been called that by people in the privacy of their own homes, simply because many perceive us who are in the movie industry as dumb. That is such a strong theme, that if I had known beforehand, or knew that Spike Lee was doing the movie at the same time (which he wasn’t) I wouldnt have shot the movie or I would have mentioned that it was adapted from his movie. It’s a lot easier to copy from an obscure industry which is less know than yours and get away with it than the reverse. Which is safe to say that if Spike Lee was copying from me, no one would blink since Hollywood is a bigger industry. They would simply say, “Spike copied from who? Never heard of her,” and move on. But I know that he didn’t copy from me either, cos our stories are radically different, save for the sex deprivation theme. Also, he coined his from a classical Greek comedy, ‘Lysistrata’, by Aristophanes, whom I’d never heard of until just now while trying to write this article (doing some research) and most people haven’t either.

Why did I start with the metaphors? It is simply to call out so many among us who would rather believe the worst of their own rather than admit their faulty standards: who, instead of doing their due diligence to ascertain correctly the truth about anything, would prefer to attack and believe the worst of their own. They make statements like, “let’s be real,” and trail it with big words and their statuses, showing that they live in affluence or live abroad or locally, and possess the level of intellect to know better than we mere mortals who have not walked in their shoes, as the only validation for their claims. Haba! When are we ever going to give ourselves a chance or a break from the hateful, condescending, self-loathing, low self esteem, pull down syndrome that basically surmises our position as truly living with the ‘Crab mentality’? When would we, like other nations, first take time to celebrate, and then do our due diligence to find out the truth before we start mouthing off words that we can’t affirm often with the intention of pulling our own down? How can we demand love from others when we don’t even know how to love ourselves first. We rarely use those same standards when assessing others from other nations. We live by the code, “It’s the Nigerians that are wrong first, until proven otherwise.” We hope to make ourselves look big by making others feel small. We have, as my husband would put it, the “King and I” syndrome, which he basically defines from the king’s character in the movie of the same title as standing tall because you’ve forced everyone else to bow in your presence, and not because you’ve climbed higher. What would be the aim of those who keep bringing this issue up, but to try and make my work less than what it is so that I can lose at the cinemas. I thank God that my work has been successful so far, and by His grace we will record another success with ‘Wives On Strike.’ in Jesus name! Amen!

Please go out there on the 8th of April and show support for your girl by watching my movie, ‘WIVES ON STRIKE,” (a comedy) which is in no way like that of Mr Lee’s ‘Chiraq’ (a satirical musical drama), but by God’s grace would impact lives and entertain everyone who goes out there to watch it. In the spirit of the new movement to buy Nigerian, the first step to achieving this turnaround must start with our deliberate actions towards loving Nigeria first, and watch how our taste for Nigerian goods would develop and help build our economy. See you all at the cinemas on the 8th of April and God bless you all. As always, I love hearing from you so drop me a line. Keep smiling!

Below are screen grabs from various Instagram pages clearing showing shots and videos from as far as a hundred weeks ago.

 

 

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NNPCL and Corruption’s Final Throes

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NNPCL and Corruption’s Final Throes* By Pius Olasanmi

NNPCL and Corruption’s Final Throes

By Pius Olasanmi

 

In the twilight of the Obasanjo administration, when Nigerians were still capable of being outraged, when Turn Around Maintenance (TAM) of refineries was a buzzword that still held some mysticism to bamboozle citizens, during a conversation, a certain man said something profound. The man said, “As a businessman, if I were the owner of these refineries, knowing that they are three decades old, I would take the last money I have, hire bulldozers, raze them to the ground, and obtain loans to build new ones.”

When we pressed him further on why he would engage in such waste, he explained that repairing the refineries is the real waste. He explained that even if the TAM were honestly carried out, a thirty-year-old refinery would never compete favourably with a new one that would integrate contemporary technology. Operating at its best, such a refinery would never be comparatively more efficient. It is therefore pointless to have spent another one naira on the refineries at that point.

A few months later, I had a conversation with a then-lawmaker on an entirely different matter. I mentioned that the National Assembly has failed by not crafting legislation that would criminalise and punish public office holders who foist wrong decisions on the country. The logic: a public office holder need not steal to be punished, wrong decisions should attract penalties for an office holder who opts for the worst of all options when there are less injurious ones.

These established premises speak to the ongoing nauseating efforts at revisionism by those who wrecked the Nigerian National Petroleum Company Limited (NNPCL) and its previous iteration, the Nigerian National Petroleum Corporation (NNPC). Notably, this campaign to rewrite history is traceable to Engineer Mele Kolo Kyari, the disgraced immediate past Chief Executive Officer of NNPCL and his hirelings. They have suffocated the news and the public opinion space with even more lies than they spun while in office.

The Saint Kyari campaign is anchored on convincing Nigerians that the Port Harcourt, Warri and Kaduna Refineries were fully functional when he was booted out of office. So brazen is the campaign that one of its talking heads challenged the group chief executive officer (GCEO), Engr. Bayo Ojulari, to “inform Nigerians categorically what happened to the functioning refineries he inherited from his predecessor, Engr. Mele Kyari.” The effrontery.

We have not forgotten so soon the charade that followed the baffling claim that Nigeria has spent $2.8 billion on the repair of the refineries, while they are not churning out even a single litre of refined product among them. Saint Kyari and his goons played all manner of tricks, all of which embarrassed President Bola Tinubu, who had counted on ticking off the return to productivity of the refineries as part of his achievements, only to realise that he was deceived into celebrating phantoms. Tragic.

Lest we forget, 200 trucks were arranged as props in a well-directed video clip to celebrate the re-streaming of the Port Harcourt Refinery. The disappointment. Nigerians were to learn from several reports that the Port Harcourt refinery was not producing and was instead using old, stored petroleum products to load trucks. Worse still, the Kyari crew was passing off sanction-tainted Russian-sourced crude oil refined in Malta as locally refined products. More insult was piled on the assault on our collective sensibility with the lies that the Port Harcourt Refinery exported semi-finished products. Brazen.

Meanwhile, Kyari and his hirelings called those who pointed out or protested these glaring scams all manner of names. They hid behind industry technicalities and jargon to create the impression that those of us who knew Nigerians were being robbed did not understand what we were saying. The point remains that a $2.8 billion investment can potentially build a refinery with a capacity of around 100,000 barrels per day (bpd). Of course, the actual capacity of such a refinery will depend on various factors, including the complexity of the refinery, the technology used, and the location. That is the amount that Kyari’s regime at the NNPCL took and did not give Nigerians refined products.

Fast forward to Kyari’s sack and the appointment of Engineer Bayo Ojulari, who has demonstrated that things can indeed be done differently. Kyari’s exit was expectedly followed by the Economic and Financial Crimes Commission (EFCC) going after him and his associates. The extent of the theft is better understood against the backdrop of N80 billion being found in the bank account of one of his associates. They went on the run.

Perhaps because the EFCC was biding its time on securing international warrants for the arrests of these characters on the lam, they have become emboldened. They have decided to fight back and rewrite the story of their participation in the greatest fraud against Nigerians. Engineer Ojulari’s renewed mindset, which is entrenching a semblance of the transparency Nigerians demand, became their natural target. The demons that once roamed around the corporation came out with malevolence. They started spinning stories of corruption to tarnish the incumbent who refused to hide their crimes. The objective: bring Ojulari down. But alas, he is winning the war as it stands.

His innocence is proven, and it is glaring that those who want him out are mere charlatans who can no longer ply their corrupt wares because of the impact of the new reforms. Corruption in the NNPCL is in its final throes. The fake news being unleashed against the incumbent leadership is akin to corruption’s last kicks as reforms in the sector strangulate it and its practitioners. The reforms must take place in the NNPCL, whether the industry demons like it or not.

As a parting shot, Kyari and his associates would do well to prepare their defence. In addition to accounting for the $2.8 billion they laundered in the name of repairing the moribund refineries, they must also answer for the poor decision to fix that which is irretrievably broken. Awarding contracts for Turn Around Maintenance of 59-year-old refineries that a right-thinking person had suggested should be demolished almost twenty years ago, when they were only 30 years old, is criminal. Trying to deceive Nigerians that the fake repairs worked is treason.

NNPCL and Corruption’s Final Throes*
By Pius Olasanmi

Olasanmi is a public affairs analyst writing from Lagos.

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

Set to Rise elegantly against the Lagos skyline, is the Grandis 5Star Luxury Apartment & Suites. According to Adejuwon Ademola, The General Manager of the Development company, it is more than just a residential building
“it’s a lifestyle statement. Standing 17 floors high in the heart of Victoria Island, this revolutionary masterpiece of modern architecture will offer a panoramic 360° view of Eko Atlantic, Victoria Island, and Ikoyi, transforming every apartment into an exclusive penthouse experience for the world’s most discerning elite.”

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND
Developed by Dumarco Construction Limited, a globally acclaimed company with decades of delivering complex, high-value projects in the highly regulated petroleum, oil, and gas industries, Grandis 5Star brings unmatched international safety standards, uncompromising quality, and timeless elegance into Nigeria’s luxury property market.

> “When you live in Grandis, you’re not just buying a home—you’re investing in peace of mind, world-class safety, and an effortless luxury experience that will remain pristine for decades,” says Adejuwon A. Ademola, General Manager of Dumarco Construction Limited.

The Gold Standard in Safety and Quality

Dumarco’s roots in the oil and gas sector mean the company operates to some of the strictest safety protocols in the world. Every stage—from conceptualization, design, construction, to long-term maintenance—follows internationally accepted procedures and quality assurance measures. Cutting corners is simply not in Dumarco’s vocabulary.

> “In the oil and gas industry, there’s no room for compromise. We’ve brought that same discipline and zero-tolerance for mediocrity into property development,” says Ademola. “That’s why Grandis will be one of the safest and most enduring residential developments in Nigeria.”

To ensure transparency and prevent (project complacency), Dumarco deliberately separates the developer, contractor, and consultant roles, engaging only the most competent professionals in each respective field. Dumarco’s project team includes globally recognized contractors such as Julius Berger, Cappa & D’Alberto, and Elalan, Migliore Construczione & Tecniche (MC&T) and their partners VENCO IMTIAZ CONTRACTING COMPANY (VICC) based in Dubai, UAE, Business Contracting Limited, alongside leading consultants like Morgan Omanitan & Abe, LAMBERT, and James Cubitt.

Grandis – Investments, appreciation, returns and profitability

Our selection process for the location of the project alone was pains-taking and completely thorough scientific process. Top professional companies were employed to conduct a scientific data acquisition and analytical survey of the entire Victoria Island, Ikoyi, Lekki and Eko Atlantic before a project site is selected. Analyzing and acquiring areas developmental charts and trends, studying and gathering historical and present sale prices, rental charge and occupancy rates over a 50 year period from every individual street before the selection of the location of any of our developments especially true for the Grandis Project
He adds,

“Our clients and residents can be rest assured that the location of Grandis has been scientifically proven through all existing data to provide our clients with a 100% occupancy rate, highest developmental location, highest rental income and investment returns. ”

The Grandis Experience

Located minutes away from international corporate headquarters, embassies, and landmarks such as Eko Hotel, Radisson Blu, and the Radisson Red, Grandis offers unmatched convenience for professionals, diplomats, and high-net-worth individuals. Every residence is designed for both indulgence and efficiency, with high-grade finishes, smart-home systems, and private amenities that ensure seamless living.

From sunrise over the Atlantic to the glittering Lagos night skyline, residents will enjoy uninterrupted luxury, supported by discreet and highly trained staff, advanced security systems, and a design that prioritizes comfort and privacy.

> “We designed Grandis for people who want everything—security, elegance, convenience, and the assurance that their home will look as spectacular in 20 years as it does on day one,” Ademola notes.

A Legacy That Lasts

With its combination of visionary architecture, peerless safety, and meticulous maintenance planning, Grandis is built to remain iconic for generations. Thanks to Dumarco’s meticulous approach, the building’s service charges are expected to remain low while its value and appeal continue to appreciate over time.

In a market often marred by shortcuts and substandard practices, Mr Ademola says
Grandis stands as a beacon of what luxury living should be—safe, spectacular, and built to last.

“Grandis 5Star Luxury Apartment & Suites — Where safety meets sophistication, and every detail is designed for a life well-lived.”
He added

Website -www.dumarcoltd.com
Project website – www.26idowutaylor.com
Email [email protected]
Tel / WhatsApp +234 9077777883
GM – Adejuwon A. Ademola

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

Tinubu Overhauls NTA Leadership: Media Powerhouse Rotimi Pedro Takes Helm as DG

 

President Bola Ahmed Tinubu has announced a major shake-up at the Nigerian Television Authority (NTA), appointing renowned media executive Rotimi Richard Pedro as the new Director-General in a move widely seen as a bold step toward modernising the state broadcaster.

Pedro, a Lagos native, brings nearly 30 years of expertise in broadcasting, sports rights, and marketing communications across Africa, the UK, and the Middle East. A trained entertainment and intellectual property lawyer, he also holds an MSc in Investment Management and Finance from City University Business School, London.

In 1995, Pedro founded Optima Sports Management International (OSMI), which rose to become one of Africa’s leading sports content providers—distributing premium events such as the English Premier League, UEFA Champions League, FIFA World Cup, and CAF competitions to audiences in over 40 countries.

His career highlights include top roles at Bloomberg Television Africa and Rapid Blue Format, as well as advisory work for FIFA, UEFA, Fremantle Media, and the African Union of Broadcasters (AUB). At the AUB, he was instrumental in securing exclusive pan-African free-to-air media rights for all CAF competitions.

Alongside Pedro’s appointment, Tinubu named Karimah Bello from Katsina State as Executive Director of Marketing, Stella Din from Plateau State as Executive Director of News, and Sophia Issa Mohammed from Adamawa State as Managing Director of NTA Enterprises Limited.

Industry insiders credit Pedro with building commercially viable broadcast platforms, driving sponsorship growth, and delivering world-class content to African audiences. His appointment marks one of the most significant leadership changes at NTA in years—signalling the government’s intent to strengthen the broadcaster’s competitiveness in a fast-evolving media landscape.

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