Business
Omoni Oboli addresses critics over new movie ‘ Wives On Strike’ , Writes on ‘Our people’ and ‘The ‘Crab Mentality’
For those who do not know what the Crab Mentality is, let me first describe it using the Wikipedia: Crab mentality, sometimes referred to as the ‘crab in the bucket’, is a way of thinking best described by the phrase, “if I can’t have it, neither can you.” The metaphor refers to a bucket or pot of crabs. Individually, the crabs could easily escape from the pot, instead they grab at each other in a useless “king of the hill” competition which prevents any from escaping and ensure their collective demise. The analogy in human behavior is claimed to be that members of a group (in this case, Nigeria) will attempt to negate or diminish the importance of any member who achieves success beyond the others, out of envy, spite, conspiracy, or competitive feelings, to halt their progress. It is akin to the ‘Prisoner’s dilemma,’ whereby two completely ‘rational’ individuals might not cooperate, even if it appears that it is in their best interest to do so.
It has been making the rounds by some that my soon-to-be-released movie, ‘WIVES ON STRIKE,’ which is about a group of women who decide to deprive their men of sex for the sake of a cause, was copied (or stolen) from the movie, ‘Chiraq’, which was produced and directed by the internationally acclaimed ace filmmaker, Spike Lee. Firstly, let me table some facts here: the movie concept came to me about 4 years ago when we wanted to do a movie about women going on strike, but we just couldn’t find a reason for the strike that would make sense to our audience. We felt there was no sense in making comedy, just for comedy sake. At least, that’s how I think, and I like to stick to what I know and leave others who are better at their own areas of expertise to do theirs. So when my husband and I wanted to do something concerning the Child-Not-Bride issue which was steaming up back in 2013, we decided that we had found a good enough reason for the strike. I wrote the script, and when we were ready we started principal photography in April 2014. Unbeknownst to us, the women in South Sudan were suggesting a sex strike to end the war in their country later that year after our shoot, and this I heard last year from a United Nations worker whom I met while speaking on the issue of the child bride and our movie’s theme. When I shot the movie, or back when I was writing the script, the idea of going on strike was just fantasy and wishful thinking, not knowing that it had really been conceived by other women in practice, or by other filmmakers and playwrights in theory.
The first time I heard of ‘Chiraq’ was when my husband sent me the trailer last year, prior to its release. We both foresaw the headlines, “Omoni Oboli copies (or steals) from Spike Lee’s Chiraq for her movie,” or, “Nollywood is at it again! Copy! Copy! Copy! Omoni Oboli has joined the bandwagon of Nollywood producers who steal original works and make it their own”. Spike Lee’s ‘Chiraq’ is quite similar to the South Sudan women’s reasons, because it is about ending violence in the Chicago violent black community. It is in no way similar to mine! But that could be ‘clever me’ trying to steer so far from being the same that I’ve tactfully (or tactlessly, considering that I’m Nigerian) changed the plot, as some might assert. Let’s look at it scientifically, or systematically: There’s nothing new under the sun, therefore, stories and ideas are not exclusively given to one person only. The fact that one person presented it first does not always mean the other person copied. I shot my movie in 2014 as clearly shown on the clapper boards of my movie rushes. Spike Lee commenced principal photography (that means he started shooting) in June 2015, and released in select theatres on December 4 of the same year. Heaven forbid that Spike Lee would copy little old Omoni Oboli, “who is in our Nigeria here!” How can that happen?! If I had released it first on October 1st, instead of ‘The First Lady’ like I did, then Spike Lee was definitely being artistic and the similarities were just mere coincidences, but since I decided to release later, then I ‘definitely’ (beyond a shadow of a doubt) copied Mr Lee. Case closed!
I have never met Spike Lee. The only other way I could have had the same movie theme, would be to trace correspondence between us, and I don’t have any such correspondence. We’ve never exchanged emails or met in any capacity. If I wanted to copy a movie theme, it would be safer to go for one who isn’t as popular as Spike Lee, unless you’re dumb! Not that I’ve not been called that by people in the privacy of their own homes, simply because many perceive us who are in the movie industry as dumb. That is such a strong theme, that if I had known beforehand, or knew that Spike Lee was doing the movie at the same time (which he wasn’t) I wouldnt have shot the movie or I would have mentioned that it was adapted from his movie. It’s a lot easier to copy from an obscure industry which is less know than yours and get away with it than the reverse. Which is safe to say that if Spike Lee was copying from me, no one would blink since Hollywood is a bigger industry. They would simply say, “Spike copied from who? Never heard of her,” and move on. But I know that he didn’t copy from me either, cos our stories are radically different, save for the sex deprivation theme. Also, he coined his from a classical Greek comedy, ‘Lysistrata’, by Aristophanes, whom I’d never heard of until just now while trying to write this article (doing some research) and most people haven’t either.
Why did I start with the metaphors? It is simply to call out so many among us who would rather believe the worst of their own rather than admit their faulty standards: who, instead of doing their due diligence to ascertain correctly the truth about anything, would prefer to attack and believe the worst of their own. They make statements like, “let’s be real,” and trail it with big words and their statuses, showing that they live in affluence or live abroad or locally, and possess the level of intellect to know better than we mere mortals who have not walked in their shoes, as the only validation for their claims. Haba! When are we ever going to give ourselves a chance or a break from the hateful, condescending, self-loathing, low self esteem, pull down syndrome that basically surmises our position as truly living with the ‘Crab mentality’? When would we, like other nations, first take time to celebrate, and then do our due diligence to find out the truth before we start mouthing off words that we can’t affirm often with the intention of pulling our own down? How can we demand love from others when we don’t even know how to love ourselves first. We rarely use those same standards when assessing others from other nations. We live by the code, “It’s the Nigerians that are wrong first, until proven otherwise.” We hope to make ourselves look big by making others feel small. We have, as my husband would put it, the “King and I” syndrome, which he basically defines from the king’s character in the movie of the same title as standing tall because you’ve forced everyone else to bow in your presence, and not because you’ve climbed higher. What would be the aim of those who keep bringing this issue up, but to try and make my work less than what it is so that I can lose at the cinemas. I thank God that my work has been successful so far, and by His grace we will record another success with ‘Wives On Strike.’ in Jesus name! Amen!
Please go out there on the 8th of April and show support for your girl by watching my movie, ‘WIVES ON STRIKE,” (a comedy) which is in no way like that of Mr Lee’s ‘Chiraq’ (a satirical musical drama), but by God’s grace would impact lives and entertain everyone who goes out there to watch it. In the spirit of the new movement to buy Nigerian, the first step to achieving this turnaround must start with our deliberate actions towards loving Nigeria first, and watch how our taste for Nigerian goods would develop and help build our economy. See you all at the cinemas on the 8th of April and God bless you all. As always, I love hearing from you so drop me a line. Keep smiling!
Below are screen grabs from various Instagram pages clearing showing shots and videos from as far as a hundred weeks ago.
Business
Aare Adetola Emmanuelking Welcomes President Tinubu to Gateway International Airport Commissioning in Iperu-Remo
Aare Adetola Emmanuelking Welcomes President Tinubu to Gateway International Airport Commissioning in Iperu-Remo
In a momentous occasion that underscores the rapid infrastructural advancement of Ogun State, renowned real estate mogul and philanthropist, Aare Adetola Emmanuelking, warmly received the President of the Federal Republic of Nigeria, Bola Ahmed Tinubu, at the official commissioning of the Gateway International Airport, located in Iperu-Remo.
The landmark event, held under the visionary leadership of the Ogun State Governor, Dapo Abiodun, marks a significant stride in the state’s economic transformation agenda, positioning Ogun as a key hub for aviation, commerce, and investment in Nigeria.
Aare Emmanuelking, who is also the Chairman/CEO of Adron Homes and Properties, commended the Ogun State Government for its foresight and commitment to infrastructural excellence. He described the airport project as a “game-changer” that will not only boost connectivity but also stimulate real estate growth, tourism, and industrial expansion across the region.
Speaking during the commissioning, President Tinubu lauded Governor Abiodun’s administration for delivering a world-class facility that aligns with the Federal Government’s Renewed Hope Agenda, emphasizing the importance of strategic infrastructure in driving national development.
The Gateway International Airport is expected to serve as a critical gateway for investors and travelers, further enhancing Ogun State’s reputation as one of Nigeria’s most business-friendly environments.
The presence of top dignitaries, industry leaders, and stakeholders at the event underscores the project’s significance and its anticipated impact on the state’s socio-economic landscape and beyond.
Business
N4.65 Trillion in the Vault, but is the Real Economy Locked Out?
N4.65 Trillion in the Vault, but is the Real Economy Locked Out?
BY BLAISE UDUNZE
Following the successful conclusion of the banking sector recapitalisation programme initiated in March 2024 by the Central Bank of Nigeria, the industry has raised N4.65 trillion. No doubt, this marks a significant milestone for the nation’s financial system as the exercise attracted both domestic and foreign investors, strengthened capital buffers, and reinforced regulatory confidence in the banking sector. By all prudential measures, once again, it will be said without doubt that it is a success story.
Looking at this feat closely and when weighed more critically, a more consequential question emerges, one that will ultimately determine whether this achievement becomes a genuine turning point or merely another financial milestone. Will a stronger banking sector finally translate into a more productive Nigerian economy, or will it be locked out?
This question sits at the heart of Nigeria’s long-standing economic contradiction, seeing a relatively sophisticated financial system coexisting with weak industrial output, low productivity, and persistent dependence on imports truly reflects an ironic situation. The fact remains that recapitalisation, by design, is meant to strengthen banks, enhancing their ability to absorb shocks, manage risks and support economic growth. According to the apex bank, the programme has improved capital adequacy ratios, enhanced asset quality, and reinforced financial stability. Under the leadership of Olayemi Cardoso, there has also been a shift toward stricter risk-based supervision and a phased exit from regulatory forbearance.
These are necessary reforms. A stable banking system is a prerequisite for economic development. However, the truth be told, stability alone is not sufficient because the real test of recapitalisation lies not in stronger balance sheets, but in how effectively banks channel capital into productive economic activity, sectors that create jobs, expand output and drive exports. Without this transition, recapitalisation risks becoming an exercise in financial strengthening without economic transformation.
Encouragingly, early signals from industry experts suggest that the next phase of banking reform may begin to address this long-standing gap. Analysts and practitioners are increasingly pointing to small and medium-sized enterprises (SMEs) as a key destination for recapitalisation inflows, which is a fact beyond doubt. Given that SMEs account for over 70 percent of registered businesses in Nigeria, the logic is compelling. With great expectation, as has been practicalised and established in other economies, a shift in credit allocation toward this segment could unlock job creation, stimulate domestic production, and deepen economic resilience. Yet, this expectation must be balanced with reality. Historically, and of huge concern, SMEs have received only a marginal share of total bank credit, often due to perceived risk, lack of collateral, and weak credit infrastructure.
Indeed, Nigeria’s broader financial intermediation challenge remains stark. Even as the giant of Africa, private sector credit stands at roughly 17 percent of GDP, and this is far below the sub-Saharan African average, while SMEs receive barely 1 percent of total bank lending despite contributing about half of GDP and the vast majority of employment. These figures underscore the structural disconnect between the banking system and the real economy. Recapitalisation, therefore, must be judged not only by the strength of banks but by whether it meaningfully improves this imbalance.
Nigeria’s economic challenge is not merely one of capital scarcity; it is fundamentally a problem of low productivity. Manufacturing continues to operate far below capacity, agriculture remains largely subsistence-driven, and industrial output contributes only modestly to GDP. Despite decades of banking sector expansion, credit to the real sector has remained limited relative to the size of the economy. Instead, banks have often gravitated toward safer and more profitable avenues such as government securities, treasury instruments, and short-term trading opportunities.
This is not irrational. It reflects a rational response to risk, policy signals, and market realities. However, it has created a structural imbalance in which capital circulates within the financial system without sufficiently reaching the productive economy. The result is a pattern where financial sector growth outpaces real sector development, a phenomenon widely described as financialisation without productivity gains.
At the center of this challenge is the issue of credit allocation. A recapitalised banking sector, strengthened by new capital and improved buffers, should theoretically expand lending. But this is, contrarily, because the more important question is where that lending will go. Will Nigerian banks extend long-term credit to manufacturers, finance agro-processing and value chains, and support scalable SMEs or will they continue to concentrate on low-risk government debt, prioritise foreign exchange-related gains, and maintain conservative lending practices in the face of macroeconomic uncertainty? Some of these structural questions call for immediate answers from policymakers.
Some industry voices are optimistic that the expanded capital base will translate into a broader loan book, increased investment in higher-risk sectors, and improved product offerings for depositors; this is not in doubt. There are also expectations that banks will scale operations across the continent, leveraging stronger balance sheets to expand their regional footprint. Yes, they are expected, but one thing that must be made known is that optimism alone does not guarantee transformation. The fact is that without deliberate incentives and structural reforms, capital may continue to flow toward low-risk assets rather than high-impact sectors.
Beyond lending, experts are also calling for a shift in how banking success is measured. The next phase of reform, according to the experts in their arguments, must move from capital thresholds to customer outcomes. This includes stronger consumer protection frameworks, real-time complaint management systems and more transparent regulatory oversight. A more technologically driven supervisory model, one that allows regulators to monitor customer experiences and detect systemic risks early, could play a critical role in strengthening trust and accountability within the system.
This dimension is often overlooked but deeply significant. A banking system that is well-capitalised but unresponsive to customer needs risks undermining public confidence. True financial development is not only about capital strength but also about accessibility, fairness, and service quality. Nigerians must feel the impact of recapitalisation not just in improved financial ratios, but in better banking experiences, more inclusive services, and greater economic opportunity.
The recapitalisation exercise has also attracted notable foreign participation, signaling confidence in Nigeria’s banking sector. However, confidence in banks does not necessarily translate into confidence in the broader economy. The truth is that foreign investors are typically drawn to strong regulatory frameworks, attractive returns, and market liquidity, though the facts are that these factors make Nigerian banks appealing financial assets; it must be made explicitly clear that they do not automatically reflect confidence in the country’s industrial base or productivity potential.
This distinction is critical. An economy can attract capital into its financial sector while still struggling to attract investment into productive sectors. When this happens, growth becomes financially driven rather than fundamentally anchored. The risk therefore, is that recapitalisation could deepen Nigeria’s financial markets but what benefits or gains when banks become stronger or liquid without addressing the structural weaknesses of the real economy.
It is clear and explicit that the current policy direction of the CBN reflects a strong emphasis on stability, with tightened supervision, improved transparency, and stricter prudential standards. These measures are necessary, particularly in a volatile global environment. However, there is an emerging concern that stability may be taking precedence over growth stimulation, which should also be a focal point for every economy, of which Nigeria should not be left out of the equation. Central banks in emerging markets often face a delicate balancing act and this is putting too much focus on stability, which can constrain credit expansion, while too much emphasis on growth can undermine financial discipline, as this calls for a balance.
In Nigeria’s case, the question is whether sufficient mechanisms exist to align banking sector incentives with national productivity goals. Are there enough incentives to encourage long-term lending, sector-specific financing, and innovation in credit delivery? Or does the current framework inadvertently reward risk aversion and short-term profitability?
Over the past two decades, it has been a herculean experience as Nigeria’s economic trajectory suggests a growing disconnect between the financial sector and the real economy. Banks have become larger, more sophisticated and more profitable, yet the irony is that the broader economy continues to struggle with high unemployment, low industrial output, and limited export diversification. This divergence reflects the structural risk of financialization, a condition in which financial activities expand without a corresponding increase in real economic productivity.
If not carefully managed, recapitalisation could reinforce this trend. With more capital at their disposal, banks may simply scale existing business models, expanding financial activities that generate returns without contributing meaningfully to production. The point is that this is not solely a failure of the banking sector; it is a systemic issue shaped by policy design, regulatory priorities, and market incentives, which needs the urgent attention of policymakers.
Meanwhile, for recapitalisation to achieve its intended purpose and truly work, it must be accompanied by a deliberate shift or intentional policy change from capital accumulation to productivity enhancement and the economy to produce more goods and services efficiently. This begins with creating stronger incentives for real sector lending with differentiated capital requirements based on sector exposure, credit guarantees for high-impact industries, and interest rate support for priority sectors can encourage banks to channel funds into productive areas and this must be driven and implemented by the apex bank to harness the gains of recapitalisation.
This transformative process is not only saddled with the CBN, but the Development finance institutions also have a critical role to play in de-risking long-term investments, making it easier for commercial banks to participate in financing projects that drive economic growth. At the same time, one of the missing pieces that must be taken into cognizance is that regulatory frameworks should discourage excessive concentration in risk-free assets. No doubt, banks thrive in profitability, as government securities remain important; overreliance on them can crowd out private sector credit and limit economic expansion.
Innovation in financial products is equally essential. Traditional lending models often fail to meet the needs of SMEs and emerging industries as this has continued to hinder growth. Banks must explore new approaches, including digital lending platforms, supply chain financing, and blended finance solutions that can unlock new growth opportunities, while they extend their tentacles by saturating the retail space just like fintech.
Accountability must also be embedded in the system. One fact is that if recapitalisation is justified as a tool for economic growth, then its outcomes and gains must be measurable and not obscure. Increased credit to productive sectors, higher industrial output and job creation should serve as key indicators of success. Without such metrics, the exercise risks being judged solely by financial indicators rather than its real economic impact.
The completion of the recapitalisation programme represents more than a regulatory achievement; it is a defining moment for Nigeria’s economic future. The country now has a banking sector that is better capitalised, more resilient, and more attractive to investors. These are important gains, but they are not ends in themselves.
The ultimate objective is to build an economy that is productive, diversified, and inclusive. Achieving this requires more than strong banks; it requires banks that actively power economic transformation.
The N4.65 trillion recapitalisation is a significant step forward. It strengthens the foundation of Nigeria’s financial system and enhances its capacity to support growth. However, capacity alone is not enough and truly not enough if the gains of recapitalisation are to be harnessed to the latter. What matters now is how that capacity is deployed.
Some of the critical questions for urgent attention are as follows: Will banks rise to the challenge of financing Nigeria’s productive sectors, particularly SMEs that form the backbone of the economy? Will policymakers create the right incentives to ensure credit flows where it is most needed? Will the financial system evolve from a focus on profitability to a broader commitment to the economic purpose of fostering a more productive Nigerian economy and the $1 trillion target?
The above questions are relevant because they will determine whether recapitalisation becomes a catalyst for change or a missed opportunity if not taken into cognizance. A well-capitalised banking sector is not the destination; it is the starting point. The real journey lies in building an economy where capital works, productivity rises, and growth becomes both sustainable and inclusive.
Blaise, a journalist and PR professional, writes from Lagos and can be reached via: [email protected]
Business
Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives
Precision and Heritage: How Fifi Stitches Is Rewriting African Fashion Narratives
A Nigerian-born designer is gradually carving out a cross-continental footprint in contemporary fashion, blending African textile heritage with British technical discipline.
Esther Fiyinfoluwa Adeosun, Founder and Creative Director of Fifi Stitches, is gaining recognition for structured womenswear and bridal couture that reinterprets traditional fabrics through architectural tailoring and precision construction.
Born in Ibadan, Oyo State, Adeosun’s fashion journey began at home, seated beside her mother’s sewing machine. What started as childhood curiosity, sometimes jamming the machine just to understand its mechanics—evolved into a disciplined design practice now operating between Nigeria and the United Kingdom.
During an interview with journalists the fifi Stitches once mentioned “I was fascinated by how flat fabric could transform into something structured and meaningful”.
In her Story , early designs made for her family, though imperfectly finished, were worn with pride—an encouragement that laid the foundation for her professional confidence.
Today, Fifi Stitches is recognised for sculpted bodices, controlled tailoring, corsetry construction, and the contemporary reinterpretation of Ankara, Aso Oke, and Adire textiles.
The brand challenges the long-held perception that African fabrics belong solely in ceremonial contexts, instead positioning them within global luxury and modern design spaces.
Adeosun’s training reflects this dual perspective. She studied Fashion Design and Entrepreneurship at the Institute for Entrepreneurship and Development Studies, Obafemi Awolowo University, and earned a Diploma in Fashion Design through Alison Online.
In the UK, she undertook industry-focused technical training with Fashion-Enter Ltd and gained fashion business exposure through Fashion Capital UK.
Her technical expertise spans pattern drafting, draping, garment technology, structured tailoring, corsetry, and bespoke fittings—skills she describes as central to credibility in fashion. “Precision builds trust,” she says. “A designer must understand construction as deeply as creativity.”
Fifi Stitches has showcased collections at the Suffolk Fashion Show, Liverpool Fashion Show – FB Fashion Ball, Red Carpet Fashion Event in London, and through editorial features in London Runway Magazine.
The brand has also received coverage in The Guardian Nigeria and Vanguard Allure, expanding its visibility across markets.
Beyond couture, Adeosun integrates community impact into her practice.
She has facilitated garment construction workshops, draping sessions, and introductory training programmes for women and emerging creatives, promoting fashion as both artistic expression and vocational empowerment.
Fifi Stcithes Boss operates between Nigeria and the UK, in order to continue to shape her brand identity.
According to her “Nigeria provides cultural richness and expressive textile traditions, while the UK offers structured production systems, sustainability conversations, and institutional frameworks”.
Looking ahead, Adeosun said she plan to establish a fully structured fashion house spanning Africa and the UK, develop scalable production partnerships, launch capsule collections, and expand independent editorial visibility.
Her broader ambition is clear: to position African textile craftsmanship within global contemporary design conversations—through structure, discipline, and technical excellence.
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