society
Osaara Festival 2018
Just like every other festival, Osaara would come and go as each year passes by. “But it is imperative for the sake of posterity that diligent records in black and white are kept henceforth for history to prevail. Everyone needs to know what each festivals symbolises in order to pass it to generations unborn. This will help them to have a sense of history and they also can continue to propagate our culture.” Those were the exact words of the god-man holding forth for the progenitor of the Oduduwa race, Ooni Adeyeye Enitan Babatunde Ogunwusi Ojaja II, Ooni of Ile-Ife Oduduwa. As a reaction to the words of ‘Oni le Ife- the owner of the land of Ife,’ I took it upon myself to do expository writing of my findings from His Imperial Majesty, my king, the Arole Oodua. Some of my previous writings include discoveries from Olojo, Osoosi and Olokun festivals.
Our focus here shall be on the Osara festival which begins the annual Orisa calendar in Ile-Ife. The celebration often takes a course of 5 days before it is finalised. In time passed, 2 days were often set aside for the people of Ile-Ife to visit the neighbouring community of Okeigbo and Ifetedo to get male palm fond to be used as costumes. The Osara festival is usually celebrated shortly after the Olokun festival in Ile-Ife. The peak of the celebration which is usually at commencement is characterised by thunder spells and rainfall which is often invoked by the Oonirisa after the appeasement to the god and prayers to Olodumare using pigeon and water as part of the offering.
The miracle of immediate thunder spell and heavy downpour has been the order of the day since the reactivation of this energies since 2016 which marks the first Osaara festival celebrated by Ooni Ogunwusi since his ascension to the throne. The 5th of May 2018 was the peak of this year’s celebration. This informs us why the rainy days are here…… Physical evidence in form of pictures shall be attached to this writing.
Need I remind you that, Ile-Ife has a calendar of three hundred and sixty-five less a day in respect to its festivals and worship of deities; deities are messengers of God. It is therefore worthy of note that, “Ife Oodaye kan! Ife Ooyelagbo kan! Ile-Ife Oduduwa kan! – Ojo kan;Oosa kan ni Ile-Ife.” These exclamatory statements imply that, ‘there existed 3 dynasties in the Yoruba kingdom; the first dynasty being the Ife Oodaye, the second was Ife Ooyelagbo and the third which still exists to date is Ile-Ife Oduduwa,’ while Oduduwa was the first king, the incumbent Oonirisa remains the 51st king of Oduduwa kingdom. (I shall save us the stories of the 1st and 2nddynasties until such time that it is required).
Osaara which means Lagoon became the second wife of Oduduwa after the first wife, Olokun (Ocean) could not conceive. According to Fabunmi in the book Ife Shrines, the genealogy of the Ile-Ife clan exhibit a similar, but less radical, from the diversion biblical descent pattern. The most revered monarch, Ooni Ogunwusi also reverted to the bible while explaining the existence of Osaara as one of the five water-body referred to in the book of Genesis 2:10-14. He stated that the other water body include; Olokun which is the source of the four other water-body: Osun, Osaara, Esinmirin and Yeyemolu. Note also that these five became deities and are part of the two hundred and one deities of Ile-Ife.
Osaara became the choicest wife of Oduduwa after she gave birth to their only son, Akanbi. Akanbi would later give birth to the seven children of Oduduwa. The first wife, Olokun felt undermined by the development considering the fact that she advised her husband to marry Osaara, her best friend for the reason of procreation. Therefore, the superiority battle began. It was quite bad that Oduduwa arranged a meeting in which he invited the chiefs-in-council to mediate between the wives. In a typical women display, both wives decided to show-off their substance at the meeting. Olokun who was extremely beautiful and wealthy (she made and traded in beads) adored herself in beautiful and shinning aso-oke and beads. She also decorated the meeting venue with lovely ornaments and also made mouth-watering dishes for the people; the people in consonance with Olokun came up with the idea of “Olobe lo l’oko” meaning ‘a good cook is the husband’s favourite.’
Osaara heard the news of Olokun’s display of beauty and fame. She also decided to showcase her most prized possession, her children as a clap-back. She adored her children in fine attire accompanied with palm fond (agbon seed) on their arms and feet as they danced to the meeting place chanting “Olomo lo l’aye o, Osaara mo gbomo de o” meaning, ‘a fruitful wife rules the world, here comes Osaara with her children.’ This song had since become an anthem during the Osaara festivals.
This unhealthy rivalry would mark the beginning of the end to these adorable queens of the Oduduwa kingdom. Osaara became the spectacle as she was joined by the crowd from Lakoro’s compound near the Ife market. At the junction of Oriyangi near the palace she chanted “agbon ro” and her followers’ responded “ro” meaning the palm fond has descended and they continued chanting the Osaara anthem and also making musical sounds with the agbon. The Osaara- agbon followers still chant through the shrine to the Ooni’s palace during the Osaara festival to date.
The group marvelled the king and all the audience so much that they were accorded a standing ovation. Osaara was such a good dancer! However, the children and the entire followers of Osaara danced so much that they shattered the ornaments displayed by Olokun. This got Olokun angry so much that she swore, never again to have any dealings with Osaara. On the contrary, Osaara promised never to desert Olokun. Lest I forget, in contrast to all the mouth-watering dishes made by Olokun, Osaara could only afford to offer her followers with bean cake; reason why ‘Ekuru’ is a must at every Osaara festival.
It became a pity-party as Olokun distributed all her material goods and substances to the children of Osaara before she embarked on this journey of no return. Lots of Aso-Oke and beads were handed to the children of Osaara. This explains why worshippers of Osaara usually have Aso-Oke tied around their waist and beads on their necks. On the other hand, Osaara was not ready to back-down on the promise to always be with her good friend turned rival-wife. Hence, Osaara followed Olokun as she left Ile-Ife in annoyance. Olokun went through Ilesha; her pond bake/sign of passage can be spotted in the palace of Owa Aromolaran of Ilesha to date. She thereafter passed through Abeokuta and some neighbouring community and at last to the final destination, Lagos and still in company of Osaara.
Alas, Olokun hit the ground; she fell and became the Okun, the Ocean. In like manner, in a bid to keep her vow, Osaara also hit the ground and turned to the Lagoon. Mysteriously, both Okun and Osa remains neighbours but not a friendly one afterwards, as there is a visible demarcation between both water-body to date.
The goddess of Osaara is the mother of the Yoruba tribe, she represents fruitfulness and her love for children and husband cannot be over-emphasised. She is also referred as the deity of the swamp. Osaara is celebrated in the month of May at the Osaara shrine in Moore, Ile-Ife.
Gbemisola Bisi-Taiwo
PhD Candidate, Maynooth University Department of Law.
society
From Broadcast to Spiritual Renaissance: The Journey of Alọba A. Orisabimbola Ifatomi, Creator of ÒRÌṢÀTV
From Broadcast to Spiritual Renaissance:
The Journey of Alọba A. Orisabimbola Ifatomi, Creator of ÒRÌṢÀTV
In a time when African stories are often misrepresented or diluted, a seasoned voice in Nigeria’s media and creative industry is stepping forward with a bold vision to reclaim, preserve and project the depth of African spirituality through a new wave of cinematic storytelling powered by technology.
Alọba Adewunmi, a respected broadcaster, journalist and creative professional, is the mind behind ÒRÌṢÀTV a groundbreaking platform using Artificial Intelligence (AI) cinematic production to tell authentic Yoruba stories rooted in cosmology, spirituality and cultural heritage.
ÒRÌṢÀTV is not just a channel it is a destination to experience “The Beginning”, a Yoruba cosmology-based AI cinematic series that explores the origin of life and existence through an African lens.
A Career Built on Media Excellence
With years of experience across broadcast and print media, Alọba Adewunmi has established himself as a dynamic storyteller and cultural voice.
He has worked with several notable platforms including OSBC, Orisun FM, Yotomi Cable, Okin FM, Midland FM, Delta Cable, Akede Oodua Publications and Akede Africa.
His professional journey includes:
– Reporter at Alariya Oodua
– Editor at Gbajumo Online Magazine
– General Editor at Akede Africa ( a bilingual news magazine)
Through these roles, he has contributed significantly to journalism, cultural reporting, politics, crime and entertainment.
A Multifaceted Creative Force
Beyond journalism, Alọba Adewunmi’s creative footprint extends deeply into film and storytelling.
He is not just a performer, but a creative architect behind the scenes, serving as:
– A Continuity Director
– Continuity Director of the home video “Tobi (Forgiveness)”, produced by Kola Adeyemo
– A Story Writer and Dialogue Director
– A Scriptwriter
He has also contributed to several home video productions from the late 1990s through the early 2000s, reflecting a long-standing presence in Yoruba film storytelling.
A Spiritual Path and Cultural Mission
Beyond media and film, his journey is rooted in a deeper spiritual calling.
Alọba Adewunmi is a traditional priest, teacher and herbal medicine practitioner, dedicated to the preservation and practice of Yoruba spirituality.
His temple, Obàtálá Alábãlàse Temple of Purity, stands as a sacred center for purity, healing and spiritual guidance.
The Vision Behind ÒRÌṢÀTV
ÒRÌṢÀTV is more than a content platform, it is a cultural revival movement powered by AI-driven cinematic storytelling.
Through this innovative approach, the platform explores:
– The origin of existence
– The roles of divinities
– The structure of human destiny
– The spiritual laws governing life
The debut episode, “The Birth of Ilẹ̀ Àwọn Alààyè”,( Command of Creation ) marks the beginning of the series “The Beginning”.
Blending mythology, spirituality and AI-powered visuals, ÒRÌṢÀTV offers a unique experience that is both educational and deeply immersive.
A Mission Beyond Entertainment
For Alọba Adewunmi, this project goes far beyond entertainment.
It is a mission to preserve indigenous knowledge, educate future generations, correct misconceptions about African spirituality and restore pride in African identity.
The Man Behind the Vision
Despite his wide experience and creative influence, Alọba Adewunmi remains a naturally private and introverted individual.
He is known more for his work than for public appearances moving quietly between his professional responsibilities and personal space.
Rather than seeking the spotlight, he has consistently chosen to let his talent, creativity and impact speak for him.
Those who encounter his work or collaborate with him understand the depth he brings a reminder that true substance is not always loud and presence is not always public.
Looking Ahead
With Episode 1 now released, anticipation continues to build as “THE BEGINNING” prepares to explore deeper aspects of creation, human destiny and spiritual alignment.
This is not just a project it is a legacy unfolding through culture, spirituality, and innovation.
Watch Now
THE BEGINNING
Episode 1
The Birth of Ilẹ̀ Àwọn” Command of Creation)
Available on YouTube.
Media & Contact
For interviews, features and collaborations:
08125883088
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All Rights Reserved
TY BURATAI HUMANITY CARE FOUNDATION COMMENDS GOVERNOR ZULUM FOR HELPING MILITARY FAMILIES
The TY Buratai Humanity Care Foundation has commended Borno State Governor Babagana Umara Zulum for his generous donation of ₦150 million to the families of three military officers who were tragically killed in recent attacks. Each family received ₦50 million as part of the state’s continued commitment to supporting fallen heroes and wounded personnel involved in counter-insurgency operations.
The commendation was contained in a statement signed by the foundation’s chairman, Ibrahim Dahiru Danfulani Sadaukin Garkuwan Keffi/Betara Biu, and made available to the press.
The foundation expressed gratitude for the governor’s compassionate gesture, which included personal visits to the families of the late Lieutenant Colonels Umar Farouq, Salihu Iliyasu, and Aliyu Saidu Paiko in Abuja, Niger, and Kano States. During the visits, Governor Zulum offered his condolences and praised the service, sacrifice, and patriotism of the fallen officers.
The foundation’s Grand Patron, His Excellency, Lieutenant General Tukur Yusufu Buratai, CFR (Rtd), personally commended the governor’s dedication to improving the lives of Borno State residents. He also extended his condolences to the families of the officers and soldiers who made the ultimate sacrifice in service to the nation.
During his visits, Governor Zulum reaffirmed his administration’s commitment to supporting bereaved families, which includes offering scholarships to the orphaned children of fallen personnel. He pledged to extend similar visits to other affected families, underscoring a compassionate approach to addressing the needs of those who have suffered in the line of duty.
society
Queen Amb Dr. Nwamaka Cordelia Anyatonwu Appointed Minister of Humanitarian, Culture, and Kingdom Affairs, United Kingdom of Atlantis
*Queen Amb Dr. Nwamaka Cordelia Anyatonwu Appointed Minister of Humanitarian, Culture, and Kingdom Affairs, United Kingdom of Atlantis
Her Majesty Queen Amb Dr. Nwamaka Cordelia Anyatonwu, Queen of the Aches Empire under the jurisdiction of the United Kingdom of Atlantis (UKA), has been appointed as the Minister of Humanitarian, Culture, and Kingdom Affairs, effective immediately.
This appointment comes as the UKA takes decisive steps to strengthen its humanitarian efforts and protect its citizens from unauthorized activities. In light of recent developments, the UKA has issued an official public disclaimer cautioning citizens, followers, and the general public about the activities of individuals promoting and operating a coin or platform not officially recognized by the Atlantian Gold Coin (ATC). This follows the hijacking of the 5 billion humanitarian project, a move that has been met with concern and condemnation from the international community.
As the newly appointed Minister, Queen Amb Dr. Anyatonwu has announced that all matters pertaining to the 5 billion humanitarian project in UKA should be directed to her office. This includes the newly captured NGOs, which are now required to report to the Office of Humanitarian Affairs, ensuring transparency and accountability in the management of humanitarian resources.
“We are committed to transparency and accountability in our humanitarian efforts,” said Queen Amb Dr. Anyatonwu. “We urge all stakeholders to work with us to ensure the success of our initiatives and protect our citizens from unauthorized activities. We will not tolerate any form of exploitation or mismanagement of humanitarian funds, and we will take all necessary measures to ensure that those responsible are held accountable.”
The UKA has assured its citizens and the international community that it is taking all necessary measures to recover the hijacked funds and bring the perpetrators to justice. The appointment of Queen Amb Dr. Anyatonwu is seen as a significant step towards achieving this goal and ensuring that humanitarian efforts are aligned with the UKA’s values and principles.
For more information. Please contact the Office of the Minister of Humanitarian, Culture and Kingdom Affairs.
*About the United Kingdom of Atlantis*
The United Kingdom of Atlantis is a sovereign nation committed to promoting peace, prosperity, and humanitarian values. The UKA is dedicated to working with international partners to address global challenges and improve the lives of its citizens and people around the world.
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