Entertainment
*Popular Broadcaster, Soji Omotayo, Machetted Almost To Death *As Socialite, Kunle Agarawu, Attacks Him For Alleged Adultery With Own Wife
Family, friends and fans of popular Yoruba broadcaster and Master of Ceremonies (MC), Soji Omotayo, should be thanking God for his life by now. Why? The print journalist turned broadcaster who likes to address himself as Baaroyin Apede Ara on his programmes both on radio and television was few days back, only a microsecond away from death! He was not involved in an auto crash, nor was he struck by a strange ailment, he was in deed, sentenced to death by machetting in a jungle justice by a man he knew so well as friend and business associate who goes by the name,Kunle Kushimo Agarawu (a car dealer and socialite).
According to a startling revelation on last Friday, 4th September, 2015, edition of a radio programme which airs on Faaji 106.5 fm on Fridays between 10pm to 12am called “Mimi Aye” (The Vicissitudes of Life) and presented by Otunba Yemi Odunodu, Soji Omotayo was a victim of a well orchestrated evil plan which was carried out almost successfully before succour came the way of the lanky independent presenter.
Reportedly, the issue all began with a frantic phone calls to the phone line of Soji Omotayo on Saturday, 22nd August, 2015, by Agarawu which the former was not picking because he was not with his phone. But Soji Omotayo’s Personal Assistant (P.A.), a young lady, who was also in his house on that day later picked the call and Agarawu asked for her boss whom the P.A. said was resting at the time. Agarawu then told the P.A. to tell Soji Omotayo to call him as soon as he woke up because there was a business to be discussed.
And when Soji Omotayo later called Agarawu, he urged Soji Omotayo to see him at his house at Oju-Ore in Ota very early the next day over an MC job he just got for him and Soji Omotayo assured him he would squeeze the time to come before going to Church on the appointed Sunday, 23 August, 2015.
Meanwhile, Soji Omotayo then instructed his P.A. who was already preparing to go to her own parents’ house in Abaranje, Ikotun, to stay over for the night in the guest room in his flat so they could go see Agarawu together the next morning. He assured the P.A. he would drop her off at Iyana-Ipaja when going to Church after meeting with Agarawu.
And by 6am the next day, Soji Omotayo whose recorded interview with the presenter of the programme was played during the programme to add credence to the story said Agarawu’s phone call was what woke him up at the dawn of the next day.
But in his usual manner, according to Soji Omotayo, he would not talk to anybody so early in the morning until he has prayed. So he said he woke up his wife so they could pray together and after the prayer, he called back Agarawu and Agarawu told him he only wanted to remind him of their meeting because it was very important.
Hence, with his P.A., Soji Omotayo got into his car and headed straight for Agarawu’s house on that fateful Sunday morning and he said Agarawu called him desperately about three times while on the way to monitor his movement but he did not suspect anything untoward.
He added that when he parked in front of his gate, he called Agarawu to inform him that he was at his gate and Agarawu came out promptly to open the gate and asked him to drive in as they could not be discussing outside. Soji Omotayo said when he parked in the compound, Agarawu led him and his P.A. to his sitting room, locked the door behind them, then asked Soji Omotayo if his wife was still in the country as she is based in London.
Soji Omotayo responded that his wife who is generally called “Iya Okiki” was still in the country and Agarawu asked Soji Omotayo to call her as he would like to say hello to “Iya Okiki”. When Soji Omotayo put a call through to his wife, he handed the phone to Agarawu and then Agarawu reportedly told the woman that he had just lured her husband to his death because he had just discovered that Soji Omotayo was sleeping with his own wife and he would be machetting him to death!
And before the stunned Soji Omotayo could say Jack Robinson, Agarawu reportedly raised up the top of his dress to pull out a razor sharp cutlass tucked into his trousers and aimed a stroke at Soji Omotayo’s head. But fortunately for Soji Omotayo, there was an antidote to cutlass attack on him and he was able to quickly block the cutlass with his hand and the cutlass bounced back.
“Haha, ise wa lara e…”(So you have juju) Was what Agarawu was quoted as saying when he realised the cutlass would not cut his victim. And knowing that if he was able to hit Soji Omotayo’s head with a stroke of the cutlass, the antidote would be neutrslised once there was blood, so he kept targeting the head with multiple strokes and Soji Omotayo kept blocking till Agarawu was finally able to get a stroke on his head which was attended by gushing out of blood from Soji Omotayo’s head.
Meanwhile, Agarawu had pushed Soji Omotayo’s P.A. out of the sitting room when she was trying to prevent him from hitting Soji Omotayo with the cutlass before relocking the door, so it was just him and Soji Omotayo inside. And Soji Omotayo kept mustering all the energy still left in him to struggle with Agarawu as the “butcher” kept machetting different parts of his body with the cutlass with attendant bleeding.
And when it got to a point that Agarawu thought Soji Omotayo had become too weak on the floor and in a pool of his own blood, he opened the door to attack his own wife as well who was part of the people pleading with him from the window to leave Soji Omotayo alone. And as soon as Agarawu got out,Soji Omotayo said he struggled to reach the door and locked himself inside so that Agarawu would not be able to return to finish him up.
Though, Agarawu as presumed by Soji Omotayo, made frantic effort to return to him inside after his wife had taken to her heels for her dear life, and that was when a detachment of police alerted by some of Agarawu’s neighbours arrived.
They rushed Soji Omotayo to the hospital for immediate medical attention as he was losing too much blood already and Agarawu was locked up that morning only to be released later in the afternoon. As at the time the radio programme ended, Agarawu was said to be nowhere to be found as he had reportedly ran away. But thankfully, Soji Omotayo’s life was saved by the prompt medical attention and he was able to live to tell the horrifying story.
Meanwhile, independent findings by this blog have revealed that Agarawu is currently claiming he has convincing photographic evidence to the effect that there was truly an unholy affair between his wife and Soji Omotayo.
Source: Saheedojubanire.blogspot.com
Entertainment
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV
By Alhaji Arems (Baba Fuji)
The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.
Early Life And Background :
Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.
From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.
Music Career And Creative Journey :
Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.
While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.
His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.
Family Life And Personal Milestones :
Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.
Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.
His Passing :
The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.
While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.
Burial Arrangements :
The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:
Friday, January 23, 2026 :
Time : 2:00 PM
Venue : His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State
Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.
A Legacy Beyond Numbers :
Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.
In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.
As he is laid to rest, his music, memories, and the lives he touched remain.
May his soul rest in perfect peace.
Entertainment
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards
The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.
In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.
“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.
He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.
“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.
Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.
“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.
He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.
According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.
Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube
A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.
Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.
The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.
Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.
Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.
With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.
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