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Why Rapper, Olamide will never meet up with Wizkid, Davido

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By Osho Oluwatosin

 

No doubt, the youngest music stars making waves currently in Nigeria are Wizkid, Davido, and Olamide. Any artiste will come after them. They have done a lot of songs, gotten endorsements, and recorded songs that had massive airplay, videos that won awards, and are still doing more, Arguably, in Nigeria currently, they are the richest among their age grades when it comes to music.

 

Everything was going fine between them until last year 2017, I mean, they all had almost the same status in the music industry. They all have almost the same crowd of fans and had sold out shows until one of them, Olamide fell out of the race ( I will explain). One thing I discovered is in Nigeria, even till now, they have their fans, lot of them, but Music is beyond just a region.

 

Arguably, Ayodeji Balogun ‘Wizkid’ in 2017 had the best concert in the United Kingdom. He had a sold out with the hall of the event filled with lots of people. You would agree with me that Wizkid throughout 2017 was practically not in Nigeria. He technically relocated to the United Kingdom all for Music sake and it really paid off. He sold the highest ticket, meaning he had the highest money and gained so much popularity. Wizkid even got a nomination on the prestigious grammy award though it wasn’t his song directly. Apart from that, Wizkid’s signees were also part of the successful artistes in the year. Everyone knew Mr.Eazi, Maleek Berry. Infact, if you weren’t told, you wouldn’t believe they were signed to Star boy Record Label because their Boss, Wizkid gave them a free hand and don’t even interfere. Infact, he hardly appears in their videos.  He sees Music beyond Entertainment, and faced the business aspect of it. Through great management, and we can say Wizkid is the greatest artiste of all time.

 

On the other hand, although DMW Boss, David Adeleke widely known as  ‘Davido’  didn’t follow the same process as Wizkid, he gave Nigerians and the world great music. Everyone knew Davido to always do ‘gra-gra’ songs but the Young man changed his tune. He made sure he gave us something better and continued with the trend. Take a look at his debut single, Damiduro and his master hit song, IF.  Davido was an opposite of ‘Damiduro’ character in IF, it was just too cool and ever since then, he released FIA, Flora My Flawa. cool songs, he changed his tune and he was more blown than he was.

 

It wasn’t a surprise that he won several awards in the year, got endorsements, and has his 30 Billion concert. And Gosh! He made half a billion from that concert and it was completely sold out, why? Davido brought Wizkid, united Mo’hits crew, and in 2017, it was one of the most talked about concert. This is Business, Camping his fans and Wizkid’s fans together, how strategic!

 

Now to Our Street Credibility brother, Self Acclaimed street King, Olamide Badoo. He has also done greatly in the music industry but Olamide has failed to do justice to the business aspect of Music. Olamide always has OLIC sold-out every year where he uses Eko Hotel and it’s always very filled up. According to reports, the hall he uses there is a 6000 capacity hall but in 2017, Olamide decided to move to Teslim Balogun Stadium, a 24,000 capacity stadium, where did he expect to get crowd to fill it up? This is one of the reasons his 2017 OLIC failed to get to be the talk of the town.

 

Furthermore, Olamide has been feeding us with the same style of songs, dishing out different dance steps, giving out a lot of slangs but what has Olamide made out of this. This is beyond money. It is about how far you are recognised, not just in your home zone but outside your comfort zone.  Recongition won’t come to you, you get it. You don’t just sit down in Nigeria and be claiming king of streets whereas your mates are out there, becoming King of the Kings of street.

 

I remember in one of his songs, he said he doesn’t need the International recognition, doesn’t need award but why did Olamide fight on stage for his artiste, Lil Kesh over ordinary headies, not grammy or MTV o. I mean, who knows Olamide if he leaves Nigeria? I haven’t heard Olamide do a concert abroad in recent times, and this is killing his career gradually.

 

Olamide no longer gets on big shows, he wasn’t even on the Gidifest that was just concluded, awards are becoming tough to get which isn’t supposed to be.

 

It calls for attention how a  young man with great prospect could be so comfortable as a local champion. He has the Nigerian Market already, what about the African countries not to talk of United Kingdom, Atlanta, many more.

 

However, I would say Olamide lacks a good managerial team. Getting endorsements for Olamide was even as a result of his hit songs, not a managerial work at all. Lil Kesh left YBNL without Endorsement, Chinko Ekun left without Endorsements, Adekunle Gold, Viktoh too, now we have Dovolee, Temmie, they have no endorsement.How would they have a very balanced life being with a big star like Olamide.

 

He just needs a managerial team which will make him realise the need for the international market, shoot him out there, or else, He will never meet up with Wizkid and Davido

 

 

 

–          Osho Oluwatosin, Is a Music Critic.

 

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors

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*Aliu Gafar delivers stellar performance as Esusu in Femi Adebayo’s Seven Doors*

By Rtn. Victor Ojelabi

 

The much-anticipated movie series Seven Doors by Femi Adebayo has finally premiered, currently showing on Netflix, captivating audiences with its intricate storytelling and compelling characters.

The movie begins with a haunting scene of seven women under a mysterious spell leaping to their deaths from a waterfall, setting the tone for a gripping tale that unravels in Ilara Kingdom.

The series explores various societal issues, including corruption, greed, gluttony, family values, malicious conspiracies, and the delicate balance of law and order.

Central to its plot is the calamitous fate of Oba Adedunjoye, the Onilara of Ilara, whose failure to perform traditional rites—symbolised by knocking on seven doors—unleashes devastating consequences on his kingdom.

At the heart of this chaos is Esusu, a malevolent and exiled villain whose return wreaks havoc.

Esusu, a ni ohun t’Eledumare o ni.
Eledumare o ni ika, ika ni Esusu

The character of Esusu, pivotal to the story’s depth, is masterfully brought to life by Aliu Gafar.

Gafar’s first appearance, late in Episode 2, immediately shifts the narrative, introducing a chilling force that spares no one, not even the royal family. His commanding portrayal encapsulates the essence of Esusu, a man whose wickedness defies comprehension.

The backstory reveals Esusu’s sinister pact with Ọba Adejuwọn, an ancestor of Adedunjoye.

Desperation led Adejuwon to seek Esusu’s help to evade death—a move that came at an unthinkable cost, forgetting that bi alọ ba lọ, abọ nbọ (a pendulum that swings to is still coming to swing fro).

Esusu’s return demanded not only royal treatment but the freedom to live as he pleased, challenging the very fabric of the kingdom.

Gafar embodies this complex character with remarkable precision, delivering a performance that is both chilling and unforgettable.

With almost two decades in Nollywood, Aliu Gafar has solidified his reputation as a versatile and dedicated actor.

His extensive filmography includes acclaimed productions such as Jagun Jagun, Anikulapo, Iyalode, Eefin, and Omo Ajele.

His role in Seven Doors further cements his legacy as a master of his craft, showcasing his ability to seamlessly portray multifaceted characters.

The Yoruba actor has also garnered accolades for his work, including the Best Actor award at the Dallas International Yoruba Movies Awards for his role in Peregun.

His commitment to the industry and his talent for captivating performances continue to make him a force to be reckoned with in Nollywood.

In Seven Doors, Gafar’s nuanced performance as Esusu elevates the series, demonstrating his ability to command attention and bring depth to a complex narrative.

His contribution to the Nigerian film industry remains invaluable, and his portrayal of Esusu is a testament to his enduring excellence.

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Bullion Records Officially Commissions New Music House in Lagos

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Bullion Records Officially Commissions New Music House in Lagos

One of Nigeria’s leading music labels, Bullion Records, has taken a significant step in its journey of redefining the Afrobeat music industry with the commissioning of its state-of-the-art Music House. The grand ceremony, held on Friday, December 6, 2024, at 29 Abebi Close, Goodwill Estate, Bemil, Ojodu Abiodun, Berger, Lagos, was a star-studded affair graced by notable personalities, well-wishers, and media representatives.
Ogun State chairman of the New Nigeria People’s Party (NNPP), Barrister Femi Aina, officially inaugurated the facility by cutting the ribbon. He was joined by key dignitaries, including the NNPP’s Ogun State Public Relations Officer, Comrade Omokehinde Olowu; the convener of the Ajadi Independent Movement (AIM), Hon. Idowu Shola Imoleayo; and the Ogun State Secretary, Alhaja Shakirat Arowolo.

Ambassador Olufemi Ajadi Oguntoyinbo, CEO of Bullion Records, expressed his gratitude and excitement during the event. He described the Music House as a dream realized, emphasizing the label’s dedication to fostering creative excellence.

“This Music House represents our commitment to providing a platform where talents can thrive and Afrobeat can continue to flourish globally,” Ajadi said. “Bullion Records is more than a music label; it is a family, a movement, and a force for positive change in the entertainment industry. We are proud to unveil this facility as a hub for creativity and innovation.”
The Managing Director of Bullion Records, Mr. Elegbede Ajibola, also highlighted the significance of the Music House. “This is a new chapter in our journey. The Music House will not only serve as a recording studio but also as a center for nurturing and promoting exceptional talents. We are excited about the possibilities it holds for the future of Afrobeat,” he stated.

The event was hosted by popular comedians MC Emmer and African Pencil G, while comedian MC Kirikiri entertained the dignitaries and guests with his humor. DJ Dr. Step, and DJ Danny Yankee of LASU FM curated the music policy for the night, setting an energetic and celebratory tone throughout the event.

Guests were further captivated by electrifying performances from Bullion Records’ star artistes. Harcher, the label’s newly signed 20-year-old Afrobeat sensation, delivered an unforgettable performance alongside Kingsley Fortune, popularly known as GyC, the label’s senior act. The duo thrilled the audience with their hit tracks, showcasing the label’s dedication to producing quality music.

In his remarks, Harcher expressed his appreciation for the opportunity to be part of Bullion Records, calling it a family that supports his passion and vision. “This is not just a music house; it is the home of dreams. I’m grateful to be part of this journey, and I promise to make my fans and the label proud,” he said.

GyC, who has been a pivotal figure in the label’s success, also shared his excitement about the new development. “Bullion Records has always set the standard for excellence, and this Music House is a testament to that. It is a space where creativity will thrive, and I am proud to be part of this historic moment,” GyC said.

The event drew significant media attention, with Soundcity TV, a prominent Nigerian lifestyle and music channel, in attendance alongside other reputable media houses.

The ceremony ended on a high note, with well-wishers applauding Bullion Records’ innovative vision and commitment to uplifting the Afrobeat genre globally.

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