Entertainment
Why Rapper, Olamide will never meet up with Wizkid, Davido
By Osho Oluwatosin
No doubt, the youngest music stars making waves currently in Nigeria are Wizkid, Davido, and Olamide. Any artiste will come after them. They have done a lot of songs, gotten endorsements, and recorded songs that had massive airplay, videos that won awards, and are still doing more, Arguably, in Nigeria currently, they are the richest among their age grades when it comes to music.
Everything was going fine between them until last year 2017, I mean, they all had almost the same status in the music industry. They all have almost the same crowd of fans and had sold out shows until one of them, Olamide fell out of the race ( I will explain). One thing I discovered is in Nigeria, even till now, they have their fans, lot of them, but Music is beyond just a region.
Arguably, Ayodeji Balogun ‘Wizkid’ in 2017 had the best concert in the United Kingdom. He had a sold out with the hall of the event filled with lots of people. You would agree with me that Wizkid throughout 2017 was practically not in Nigeria. He technically relocated to the United Kingdom all for Music sake and it really paid off. He sold the highest ticket, meaning he had the highest money and gained so much popularity. Wizkid even got a nomination on the prestigious grammy award though it wasn’t his song directly. Apart from that, Wizkid’s signees were also part of the successful artistes in the year. Everyone knew Mr.Eazi, Maleek Berry. Infact, if you weren’t told, you wouldn’t believe they were signed to Star boy Record Label because their Boss, Wizkid gave them a free hand and don’t even interfere. Infact, he hardly appears in their videos. He sees Music beyond Entertainment, and faced the business aspect of it. Through great management, and we can say Wizkid is the greatest artiste of all time.
On the other hand, although DMW Boss, David Adeleke widely known as ‘Davido’ didn’t follow the same process as Wizkid, he gave Nigerians and the world great music. Everyone knew Davido to always do ‘gra-gra’ songs but the Young man changed his tune. He made sure he gave us something better and continued with the trend. Take a look at his debut single, Damiduro and his master hit song, IF. Davido was an opposite of ‘Damiduro’ character in IF, it was just too cool and ever since then, he released FIA, Flora My Flawa. cool songs, he changed his tune and he was more blown than he was.
It wasn’t a surprise that he won several awards in the year, got endorsements, and has his 30 Billion concert. And Gosh! He made half a billion from that concert and it was completely sold out, why? Davido brought Wizkid, united Mo’hits crew, and in 2017, it was one of the most talked about concert. This is Business, Camping his fans and Wizkid’s fans together, how strategic!
Now to Our Street Credibility brother, Self Acclaimed street King, Olamide Badoo. He has also done greatly in the music industry but Olamide has failed to do justice to the business aspect of Music. Olamide always has OLIC sold-out every year where he uses Eko Hotel and it’s always very filled up. According to reports, the hall he uses there is a 6000 capacity hall but in 2017, Olamide decided to move to Teslim Balogun Stadium, a 24,000 capacity stadium, where did he expect to get crowd to fill it up? This is one of the reasons his 2017 OLIC failed to get to be the talk of the town.
Furthermore, Olamide has been feeding us with the same style of songs, dishing out different dance steps, giving out a lot of slangs but what has Olamide made out of this. This is beyond money. It is about how far you are recognised, not just in your home zone but outside your comfort zone. Recongition won’t come to you, you get it. You don’t just sit down in Nigeria and be claiming king of streets whereas your mates are out there, becoming King of the Kings of street.
I remember in one of his songs, he said he doesn’t need the International recognition, doesn’t need award but why did Olamide fight on stage for his artiste, Lil Kesh over ordinary headies, not grammy or MTV o. I mean, who knows Olamide if he leaves Nigeria? I haven’t heard Olamide do a concert abroad in recent times, and this is killing his career gradually.
Olamide no longer gets on big shows, he wasn’t even on the Gidifest that was just concluded, awards are becoming tough to get which isn’t supposed to be.
It calls for attention how a young man with great prospect could be so comfortable as a local champion. He has the Nigerian Market already, what about the African countries not to talk of United Kingdom, Atlanta, many more.
However, I would say Olamide lacks a good managerial team. Getting endorsements for Olamide was even as a result of his hit songs, not a managerial work at all. Lil Kesh left YBNL without Endorsement, Chinko Ekun left without Endorsements, Adekunle Gold, Viktoh too, now we have Dovolee, Temmie, they have no endorsement.How would they have a very balanced life being with a big star like Olamide.
He just needs a managerial team which will make him realise the need for the international market, shoot him out there, or else, He will never meet up with Wizkid and Davido
– Osho Oluwatosin, Is a Music Critic.
Entertainment
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
Nigerian Thespian Wuraola Olaniran Takes Center Stage
Wuraola Olaniran, a versatile actor, scriptwriter, and director, has carved a niche for herself in Nigeria’s entertainment industry. With a degree in English Literature from the University of Ilorin, Wuraola’s passion for acting began at a tender age, blossoming into a successful career.
A Stellar Career
Wuraola’s professional journey commenced in 2015, with her debut screenplay appearance in February 2016. Since then, she has captivated audiences with breathtaking performances in numerous stage and screen productions. Her repertoire includes:
• Stage plays: “A Dance of the Forests,” “Life Burial,” “Love Twirls of Aditu and Iyunade,” “Efunsetan Aniwura,” and “Moxie of Afonja.”
• Screen productions: “To Kill a Monkey,” “Miracle Center,” “Omije,” “Aiyetoro Town,” and “The Only Celebrity in Nigeria.”
• Notable collaborations: Funke Akindele, Sola Sobowale, Toyin Abraham, Femi Adebayo, and Kemi Adetiba.
Directing Credits
Wuraola’s directing credits include:
• A Dance of the Forests (Wole Soyinka)
• Life Burial (Helen Paul)
• KWRS Tax Program (2018)
Upcoming Performance
Catch Wuraola live on stage on November 17th in “Moxie of Aareonakakanfo,” where she will masterfully portray three distinct characters.
Artistic Philosophy
For Wuraola, acting transcends entertainment; it’s a cultural bridge, preserving heritage and uniting diverse audiences. Her dedication to authenticity and immersive storytelling has earned her recognition within the industry.
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