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REDTV’s Web Series, Assistant Madams Season 2 Premieres, New Cast unveiled at Launch in Lagos

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REDTV

REDTV’s Web Series, Assistant Madams Season 2 Premieres, New Cast unveiled at Launch in Lagos

 

 

 

 

All the stars came out this weekend for the exclusive premiere of REDTV’s latest web series, Assistant Madams, Dark Hearts. REDTV, the online network supported by the United Bank for Africa continues to make an impact in the creative industry on the African Continent, with a focus on job creation and growth.

 

 

 

 

The second season of the series revealed new cast members from Across Africa including Dilish Mathews, winner of the 2013 Big Brother Africa, from Namibia; award winning actresses Salma Mumim and Jocelyn Dumass from Ghana as well as Mauwuli Gavor a TV presenter turned actor, also from Ghana.

The series has a star studded cast with Singer and song writer, Sheyi Shay; Timini Egbuson; Big Brother star, Cee-C Nwadiora; Osas Ighodaro who played the infamous Chioma in the first season of Assistant Madams; Femi Branch; Ademola Adedoyin, RED Hot Topics Star, Temilola Young and Eso Dike.

The excitement over the return of REDTV’s blockbuster series Assistant Madams 2 was palpable as the show premiered at Cilantro in Lagos on Saturday night.

The Executive Producer of REDTV, Bola Atta welcomed the Chairman, United Bank for Africa Plc, Mr. Tony Elumelu, to the premiere as well as the cast and crew and top celebrities from the entertainment industry, including the stars of The Men’s Club,  Efa Iwara, Sharon Ooja, Enado Odigie, Nengi Adoki; Segilola Ogidan. Also present were Kunle Oshodi-Glover; Tobi Osoba; Obi Asika; Debola Williams and his wife Kehinde; Chude Jidenonwo; Fresh L, amongst others.

Atta who is also the Group Director for Communications at UBA spoke about the passion and drive behind UBA’s continuous support of the creative industry and said that the bank is always on the look-out for innovative ways to enable more youths build upon their talents and embrace their creative side.

She said, “UBA remains committed to growing the creative industry through its lifestyle channel – REDTV and we are really thrilled with the journey thus far.  At REDTV, we are focused on creating a platform where young people can meet, create and harness their art’.

Atta thanked the Chairman of UBA, Mr Tony Elumelu and the GMD, Kennedy Uzoka for their support of all the REDTV initiatives. She also thanked Assistant Madams co-producers at Urban Vision, Tola Odunsi and Akins Akinkugbe.

On his part, CEO Urban Vision and Director, Assistant Madams, Tola Odunsi, commended UBA and indeed REDTV for the continuous support in ensuring that viewers are always provided with the best quality entertainment.

“We have been partnering with UBA and REDTV to create top quality content and jobs for the past 4 years, and we are amazed by the number of jobs that have been created and people who have been employed through our partnerships alone. We look forward to many more years of partnership with REDTV’ said Odunsi.

Assistant Madams Season 2 centres around three bold, beautiful, and ambitious women who want to live their best luxurious lives.

Powered by UBA, REDTV Producers of hit shows such as The Men’s Club, Our Best Friend’s Wedding, Inspector K, Assistant Madams, RED Hot Topics;  Boutique Hotel, REDTV continues to collaborate with the most talented creative minds to put African entertainment on the global stage.

Subscribe to REDTV on you tube and catch the premiere of Assistant Madams, season 2 on Wednesday, September 12021, at 3pm.

 

 

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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