Entertainment
I am supposed To Be In The Limelight Alongside Davido, Wizkid And Olamide” – Rayo
Aderayo Paul Ariyo, best known as ‘Rayo’ is no doubt a promising fast rising Nigerian Afro Pop act and song writer with panache to compete with other artiste in the music industry.
Rayo is a promising act currently signed toSAOrecords.com in this interview, explains how he started music and his relationship with A List artiste in Nigeria.
How was growing up like for you?
Growing for me was interesting, As I look back to it, I have come to see that my growing up as been an adventure.I’m from Osun state but born and grew up in Ondo State, I learnt other culture and schooled with other people from different states. I found my way among the people as I was favoured in the community. The people love my family so the same love was extended to me as I live each day among people of different ideologies.
When did you start nursing the ambition of becoming an artiste?
I started nursing this ambition of mine since I was 14 years Old, And ever since then. I just can’t get myself to stop. I keep my mind set on this ambition.
What were your early experiences in the music industry?
(Sighed) Hmmm, it was somehow difficult for me in my early days in the industry. As I have been in the game long enough. I was supposed to be on the limelight alongside Davido, Wizkid and Olamide. But I was floated by a trusted person whom I gave my time and and trust, but it all ended in vain promises. That slowed me down but nevertheless I kept my game face on then moved to the island in the year 2014 without knowing what is in stuck for me. I just kept doing my thing and waiting on God to connect me rightly.
WATCH RAYO’S NEW VIDEO HERE “AISHA”
How did the name Rayo come about?.
I use to go by the name Tripple A, after holding on to it for some time, I got sick of it and waited for an inspiration, and what can be more inspirational then once Original name Ariyo Paul Adeoye Ade”Rayo”. So I chose to stay RAYO.
How many albums have you released?
To the market, none. In hand ready albums, Three.
How would you describe your style of music?.
I am diversify in my style of music, but as of now, I am more pertinent about AfroPop.
Which audience is your music targeted at?
Males, Females, Old and the Young’s once. So I guess Everyone.
Do you think you have what it takes to conquer the upscale market?
Sure I do have what it takes.Like I told you earlier, I am coming into the industry with so much dynamics and only good musics. Those I believe will keep my fit steady in the industry.
Where is the most unlikely place you’ve met fans of your music?
I have always see my lovely fans everywhere I step my fit and it’s been amazing. I can’t really say I will not expect to see them anywhere.
Have you ever been looked down on by A-list artistes because of the kind of songs you sing?
Never have I been looked down on by any A-list artists, as a matter of fact, I have always get a thumbs up.
Have you been romantically linked with some actresses; which one of them are you dating?
Romantically No. connected professional? Yes. I have been in contact with Tope Osoba and the likes.
Do you have a baby mama somewhere we don’t know about?
What? No way. I have no baby mama no where.
What’s the greatest lesson you’ve learnt in the entertainment industry?
In this entertainment industry, I have learnt few lessons.
1. Patient
2. Never be lazy
3. Stay focused
As determination matters most to achieve once goals in life.
Follow on Instagram @superstarrayo
How do you unwind?
I like to chill out with couple of my teams after a long day of work or after a high tension performance by eating in a nice restaurant then drink some fine wine. The company of beautiful African queens too will surely spiced the unwinding time perfectly.
Entertainment
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
Nigerian Thespian Wuraola Olaniran Takes Center Stage
Wuraola Olaniran, a versatile actor, scriptwriter, and director, has carved a niche for herself in Nigeria’s entertainment industry. With a degree in English Literature from the University of Ilorin, Wuraola’s passion for acting began at a tender age, blossoming into a successful career.
A Stellar Career
Wuraola’s professional journey commenced in 2015, with her debut screenplay appearance in February 2016. Since then, she has captivated audiences with breathtaking performances in numerous stage and screen productions. Her repertoire includes:
• Stage plays: “A Dance of the Forests,” “Life Burial,” “Love Twirls of Aditu and Iyunade,” “Efunsetan Aniwura,” and “Moxie of Afonja.”
• Screen productions: “To Kill a Monkey,” “Miracle Center,” “Omije,” “Aiyetoro Town,” and “The Only Celebrity in Nigeria.”
• Notable collaborations: Funke Akindele, Sola Sobowale, Toyin Abraham, Femi Adebayo, and Kemi Adetiba.
Directing Credits
Wuraola’s directing credits include:
• A Dance of the Forests (Wole Soyinka)
• Life Burial (Helen Paul)
• KWRS Tax Program (2018)
Upcoming Performance
Catch Wuraola live on stage on November 17th in “Moxie of Aareonakakanfo,” where she will masterfully portray three distinct characters.
Artistic Philosophy
For Wuraola, acting transcends entertainment; it’s a cultural bridge, preserving heritage and uniting diverse audiences. Her dedication to authenticity and immersive storytelling has earned her recognition within the industry.
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