Entertainment
Test confirms I have Nigerian ancestry in my blood,’ says Grenada singer, Dionne Blaize
‘Test confirms I have Nigerian ancestry in my blood,’ says Grenada singer, Dionne Blaize
Popular Caribbean Island, Grenada entertainer, Dionne Blaize has said that Nigerian ancestry runs in her blood, little wonder singing Afrobeats, a music genre of Nigeria origin comes naturally to her.
Dionne Blaize is a multi-talented entertainer. Aside from singing, she’s equally a songwriter, model, actress and screen play writer. She’s currently making waves with the audio and video of her latest single, ‘Can’t Forget’.
Her family is from the Caribbean Island, Grenada, but she grew up in Brooklyn New York, and is very passionate about music and the arts. “I love creating/writing life experiences and feelings through song. I love creating music that makes people think and also feel good.
“According to my mother, I started singing as early as six months old. My father was a self-taught musician because he grew up poor in Carricou, Grenada. I sang in church, and in the performing arts in school. I also have siblings and uncles who are musicians. I’ve always been surrounded by music. I understand its power. It has the ability to make people feel certain emotions, and I love being a part of that.
“My father used to dance big drum in Carricou, Grenada. It was passed down to him from his mother and his grandmother, which I know was passed down the generational bloodline. They kept some of the African culture. I admired my father. He had a strong influence in my life, especially when it comes to music and the arts. I’ve always been interested in African culture. It’s not something that’s a part of the school curriculum in America, but I’ve always
been interested in learning and knowing more about it. From the moment I heard Afrobeats, I fell in love with it. It’s amazing music. I’m so very proud of where it’s come,” Blaize gushes.
Speaking further, she said: “I did an ancestry test and I happen to have Nigerian ancestry so it’s in my blood (laughs). It feels and comes so naturally to me doing Afrobeats. I feel like it’s a part of my calling. I feel our lives are already mapped out for us and I know this is where I’m supposed to be and what I’m supposed to be doing.
“I admire and I am a fan of many Nigerian artists like Burna Boy, Tems, Rema, Nomcebo, just to name a few. I love their style. I think they got the ‘it’ factor! There’s so many great Nigerian artists. I think they’re all amazing and I would love to be a part of it. I would love to do collaborations with them all.
“Nigerians are very strong people. I admire their determination/courage/drive. They are warriors! I think they have a very strong influence in African culture. I think they dominate/succeed in every field that they set their mind to. I think that they set the pace for Afrobeats. If someone would’ve said that Afrobeats would be where it is today, a lot of people wouldn’t have believed it, but look at the where it is now? I was so proud when I saw Burna Boy, Rema and Tems performing at the NBA halftime show. Amazing. That’s a great accomplishment!”
On her penchant to constantly dish out good music, Dionne Blaize reiterates that “I am in touch with my emotions and when I listen to a song it has to make me feel something. If the song is supposed to make me feel good and want to dance, then I should be on my feet dancing and smiling/feeling good! If that song is supposed to make me feel that person’s pain then I wanna feel that pain. When I hear a song for the first time, I’m listening with my emotions and if it can invoke the emotion it’s supposed to, then it’s good music to me.
“I hope that when people listen to my new single and watch my video that they feel the message that I’m trying to convey. I hope they get goosebumps!
“My future plan is to put out some great afrobeats music. I love creating, and I want to make music that makes people feel good. My focus is to drop some really happy good feeling music. I want to come to Nigeria and work with the great talented producers and artists there. I hope to come there and perform one day soon.”
Dionne Blaize considers herself to be an artist like Rihanna, in the sense that she does different genres of music. With her previous songs, she had delivered genres like R&B, reggae, dance, Soca, Pop and Afrobeats.
“I love music and I don’t like to lock myself into a box, but I feel that I have found my niche with Afrobeats,” she concluded.
Entertainment
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration
By Alhaji Arems (Baba Fuji)
Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.
The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.
Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.
The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.
Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.
The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.
Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.
As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.
Entertainment
BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy
*BREAKING NEWS
*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*
Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.
Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.
“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”
Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.
As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.
Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.
Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.
Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.
The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.
Entertainment
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release
By Alhaji Arems (Baba Fuji)
Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.
More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.
A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.
Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence
• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.
• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.
Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.
April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.
For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.
In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.
Rewriting the Narrative for Women in Fuji :
Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.
Omo-Opeki’s 3-in-1 album challenges that precedent.
Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.
Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.
This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.
Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.
A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.
A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.
By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.
A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.
April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.
As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.
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