*The Man YAYI: His Personality; His Politics, His Humanity*

*BY OLAJIDE AMUSAN

*Everyman, regardless of circumstances of birth, is here to tell, create or be part of history. In that history, everyman is also judged and assessed by what he does, what he says about himself and what people say about him.*

Distinguished Senator (Aremo) Solomon Olamilekan Adeola, FCA, representing the good people of Ogun West Senatorial District at the Nigerian Senate, Chairman, Senate Committee on Appropriations, in the estimations of the people, is a man of unique history.

A history anchored on divine destiny, edified by a special calling, shaped by strong convictions, propelled by personal commitment, driven by self discipline, character and integrity. A Chattered Accountant of impeccable pedigree, Adeola, before veering into Nigerian politics, has proved his professional mettle in the private sector, rising to the pinnacle of his career as Chief Accountant of the Guardian Newspaper.
Heavens help those who help themselves.

Olamilekan Adeola is a man of humble background, born and brought up by devout Christian parents, baptised and schooled in the family ethos of OMOLUABI.

Armed with prerequisite education, Adeola has, through deep commitment to personal development, rose from the shadows of his humble beginnings to the present enviable status of successful politician and statesman.

Yayi, as fondly called, is just like any other man. Not born with the proverbial silver spoon, but his life trajectory reflects and projects a man created and sent to this terrestrial plane for a purpose.

This humble and courageous son of Ilaro-Yewa (partenal) and Abeokuta (maternal) Ogun State, is today a very consummate politician, a pragmatic statesman, and highly connected personality who bestrides the world around him like a colossus.

Yayi’s politics is designed for just one purpose – service to the people. His people- centric policies and initiatives have brought to, and etched him in the consciousness of the people.

As one of Nigeria’s most popular national legislators, Adeola, in the state and national assemblies, has created unbroken and unmatched records of excellent legislative performance.

In Lagos State, both as House of Representatives (Alimosho Federal Constituency and Senator representing Lagos West Senatorial District in the National Assembly, Aremo Yewaland, Solomon Olamilekan Adeola, popularly called YAYI, has left an indelible mark in the sands of time.

That today, Distinguished Senator Solomon Adeola is presumed as one of the most popular senators in Nigeria did not happen by accident.
A sought-after Senator, who commands the respect and attention of others, has simply earned that dignified accolade with hard work. Generous beyond measure, the Gbobaniyi of Ilaro-Yewa enjoys the comradaire of his colleagues, in the Nigeria’s 10th Senate, not only because of his deep pockets but, most importantly, his ability to connect and build bridges of understanding across party lines.

His transition from Lagos West to Ogun West in 2023 was a call to duty. A call that he gladly obeyed without hesitation.

Not driven by selfish ambition, but propelled by the desire to offer selfless service the people of his native land-Yewa-Awori, and by extension, Ogun State, Senator Adeola, adequately prepared for the huge task ahead, offered himself for service.

Armed with requisite experience, competence and capability, enraptured by the love, support and warm reception of his people, YAYI had won the 2023 Ogun West Senatorial District election, thus setting the stage for the unprecedented human-capacity and infrastructural development in Ogun West and beyond.

Today, Senator Adeola’s homecoming has been a huge blessing to the people of his native land, Yewa and his state of origin, Ogun.
Yayi’s sense of urgency to stamp out poverty and underdevelopment in Ogun West Senatorial District, quite resonotaes with his love for humanity. He is one politician, whose commitment to liberating the underprivileged from the yoke of poverty and squalor, has been very consistent with his political philosophy.

Through numerous empowerment projects across Ogunwest and beyond, lives of the poor and underprivileged have been widely touched and positively impacted. Massive investment in education through annual student bursary and scholarships schemes, well coordinated ICT/Digital trainings, targeted at the youth, reflects his passion for education and skills acquisition as tools for self employment and poverty eradication.

The unprecedented folower-ship and ever growing army of Yayi’s supporters both physically and across social media is an eloquent testimony of his acceptability across political divides. His antecedents, character and performance have continued to endear him to the people.

Adeola, today, has become, not just a political phenomenon but a movement, whose popularity and acceptability is gaining momentum and growing in intensity every passing day. The clamouring, across the state, for him to contest the 2027 Ogun governorship election is electrifying.

If the voice of the people is the voice of God, then, it is safe to conclude that, if Ogun governorship election holds today, Distinguished Senator Solomon Olamilekan Adeola, FCA, will win record a landslide victory.

_*Olajide Amusan, Publisher, aAuthor, Editor and Political Analyst is from Igbogila-Yewa, Ogun State._

*_#LOYAMP_*

Lancelot Imasuen Congratulates Gov. Okpebholo On His One Year In Office

Africa’s most consistent filmmaker, Ambassador Lancelot Oduwa Imasuen, has congratulated the Executive Governor of Edo State, His Excellency,
Senator Monday Okpebholo, on his meritorious one year in office as the elected Governor of the State.

DGUVNOR as he is fondly called described the last 365 days of the Governor as impactful period, and leading a government that has demonstrated clear instinct and genuine effort towards repositioning Edo for growth and development.

The letter reads:

CONGRATULATIONS ON YOUR ONE YEAR IN OFFICE

I wish to personally congratulate you, Your Excellency, On the occasion of your first anniversary in office as the Executive Governor of Edo State. Within this short but impactful period, your administration has demonstrated clear instinct and genuine effort towards repositioning Edo for growth and development. It is refreshing to see your dedication to good governance; your calm yet focused leadership style, and your commitment to the welfare of our people.

As a proud son of Edo and one deeply invested in the cultural and creative advancement of our state, I commend your continued support for initiatives that promote Edo’s heritage, tourism, and the arts.

May this milestone mark the beginning of greater achievements and enduring legacies for our dear state under your leadership.
Congratulations once again, Your Excellency

Ambassador Lancelot is currently preparing for a mother of celebration for his 30-years behind camera, is one of the greatest exports from Edo State and the Black race at large.

Pk-1st Obesere’s Plea : Stop the Online Fights — Promote Fuji Instead

Alhaji Arems

When a voice like Obesere asks FUMAN and bloggers to stop feeding the fights and start promoting fuji, it’s not nostalgia — it’s strategy. The genre’s growth depends far more on spotlighting shows, sales and culture than on social-media skirmishes that make headlines but do little for streaming numbers, ticket sales or sponsorship deals.

Abass Akande “Obesere” has always been one of fuji’s most visible personalities, and his recent call for unity — urging members of the Fuji Musicians Association of Nigeria (FUMAN), bloggers and fans to promote fuji acts positively — is a timely reminder that reputations and revenues are fragile. Local coverage of his statement frames it as a reaction to incidents that have given the genre negative airtime, and as a push to protect fuji’s public image.

There’s a pattern here many of us recognise: fan bases that once cheered in stadiums now operate as organised online armies, ready to defend their favourites at a moment’s notice. In Nigeria’s broader music ecosystem, these “stan wars” have become visible forces — they amplify releases but also escalate rivalries into persistent noise that can overshadow the music itself. That behaviour has been documented across outlets covering Nigerian fandom trends.

Why this matters for fuji: the genre’s commercial and cultural opportunities — festival slots, brand partnerships, cross-genre collaborations, international bookings — depend on a tidy public narrative. Brands and festival programmers watch headlines and social sentiment. When fuji is framed by feuds rather than artistry and live experiences, the conversation shifts away from what matters: the music, the shows, and the communities that track the genre’s history. Coverage of fuji events and FUMAN-organised showcases shows how constructive promotion lifts the scene — sponsorships, packed venues and renewed media interest follow when the spotlight is on performance and culture.

There’s also a moral case. Promoting artists when they have shows and speaking well about colleagues cultivates a healthier ecosystem. Positive publicity is cumulative: a blogger who features a rising fuji act or a fan who shares a well-shot performance clip helps build the career infrastructure that keeps artists touring and recording. Research into digital music promotion and discussions among practitioners underline the point: targeted promotion — not perpetual online conflict — generates sustainable attention and monetisation.

That said, the reality is nuanced. Rivalries have long been part of music cultures worldwide; they can drive interest when handled as creative competition. But when loyalty morphs into coordinated attacks or sustained trolling, it becomes toxic rather than promotional. For fuji, a genre with deep cultural roots and an older core audience alongside a growing younger listenership, preserving dignity while adapting to online habits is essential.

So what does constructive promotion look like in practice?

• When an artist has a show, amplify dates, ticket links, and highlight set times, not gossip.

• Run short features or interviews that explain why a song matters — context sells.

• Use measured praise: celebrate craft and stagecraft rather than stoke rivalries.

• Bloggers and influencers should prioritise verification and fairness; fact-checked features age better than viral spats.

• FUMAN and its members can continue using public statements to steer tone — leadership matters in setting cultural norms.

Obesere’s message isn’t policing fandom — it’s a reminder that fans and media are partners in an artist’s career arc. The most useful role a fan can play today is to turn engagement into opportunity: attend shows, buy music, share quality content, and speak well enough that industry gatekeepers notice the genre’s market potential.

If fuji’s next chapter is to include bigger stages and wider audiences, it will be powered less by who shouted loudest online and more by who sold out the room.

Obesere’s ask is simple and practical: stop fighting in public; promote fuji in plain sight. The music will do the rest.