celebrity radar - gossips
The Head or Tail in Sugabelly’s Rape Accusation
If a woman says she was raped, whether it is true or false, she deserves our support. Rape is too big a word to be toyed with. In my opinion, a woman who says she was raped when nothing of such happen has bigger problem than a woman that is raped (she need more help).
That was my initial reaction to Sugabelly’s rape narrative. Let’s assume she was saying the truth, she deserves our support, on the other hand, let’s assume she was lying, she deserves our support. Head or tail, Audu’s children and friends accused of rape and repugnant acts are now the victims; I don’t envy them neither do I pity their PR consultant right now.
What sense should we make of Sugabelly’s accusation? There are many. One, I will pay more attention to my daughter if I ever had one. I have always felt it is excruciatingly tasking to raise a child, and that has a Mathematics’ raised to power 2 to it if you were to raise a daughter. Raising my boys with my dutiful wife is not the kind of task school can prepare you for. You constantly have to keep up with the changes, options, knowledge, ever present cartoons, new friends and the music that break the heart of dutiful parents blaring out of the car radio, the TV or end of the year party. The ‘revelation’ by Sugabelly makes me reassess my role as a parent, my fear and the ever present question ‘am I doing enough to prepare them for tomorrow including all the sexual demons out there? Am I paying enough attention and am I praying enough?’ Many questions but few answers! This revelation should make all parents ask themselves the hard questions which require honest answers. Are you preparing your kids to face the monsters in human form out there?
Secondly, the accusation and counter accusation have made me jump to the conclusion to believe Sugabelly hook, line and sinker. What woman lie about rape in that proportion, graphic details and is brazen to use pictures without being sure? The Sugabelly story is so believable, we almost did not need court of law to pass judgement. We all know the judgement to pass-‘to the cross o ye Audu’s children’. But at the risk of standing against popular opinion, I beg to disagree. The fact that Sugabelly made it believable does not mean we should believe it without raising questions, the fact that she was brazen about it does not mean she couldn’t be lying.
I remember an incident in my childhood that shaped the way I take accusation without hard facts till date. My late step-mum had overheard a male child of our tenant, Oluyemi saying he kept money with a neighbour; she mistook the neighbour to be me. She reported me to my father and asked me with all the tricks in the book if I was keeping money for our neighbour. I said no since I wasn’t keeping money for the said neighbour. Oluyemi was called and asked if he kept money with me, and to my shock and chagrin he said yes. I looked at him in the eyes and asked with tears dropping from my eyes if he heard the question correctly, he said ‘yes’ and insisted I had kept the money for him right in the presence of my father and step-mum who already had the whip with her. She beat the hell out of me and my accuser was there to witness the hellish beating without changing his mind. I was traumatised by that experience. Till my step mum died she never believed Oluyemi did not keep the money with me. Till today I do not take every accusation on face value without proofs.
Few years later, Oluyemi was in my office after many years in between, I raised the issue of the false accusation, and to my shock, he did not remember. How could he have forgotten about an event that lives with him?
Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.
“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.
The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.
As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.
“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.
**Another Feather for Nollywood Icon Fidelis Duker
*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.
The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.
“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.
Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”
As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.
With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.
As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.
celebrity radar - gossips
E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze
E‑Money’s Grand Gesture: A Closer Look at the SUV Gift to Chinedu “Aki” Ikedieze
By George Omagbemi Sylvester | Published by SaharaWeeklyNG
“Public Generosity, Celebrity Loyalty and the Symbolism of Wealth in Nigeria’s Entertainment Elite.”
On Tuesday, February 17, 2026, Nigerian billionaire and entrepreneur Emeka Okonkwo, widely known as E‑Money, once again captured national attention with a lavish and highly publicised act of generosity, gifting a brand‑new 2024/2025 Ford SUV to veteran Nollywood actor Chinedu Ikedieze, affectionately called Aki, during his high‑profile birthday celebration.
The event, held in Lagos amidst a constellation of entertainers, business figures and socialites, was itself part of an annual tradition in which E‑Money marks his birthday (on February 18) with large‑scale giveaways and spectacular shows of material philanthropy. This year, he announced the gift of over 30 cars to friends, staff and family, a gesture that quickly went viral as videos and images circulated across social media platforms.
In the case of Ikedieze, E‑Money’s gift appeared to be deeply personal. During the festivities, E‑Money stood beside his elder brother, Grammy‑nominated musician KCee and recounted how Ikedieze stood by him at his 2007 wedding. The billionaire explained that the SUV was a “token of appreciation” for the enduring support the actor had shown over the years which is a narrative that blends friendship with public celebration.
Ikedieze, a Nollywood staple with a career spanning more than two decades and over 150 film credits, including the iconic Aki na Ukwa franchise, visibly reacted with humble surprise as he received the vehicle, bowing his head in respect and gratitude. The actor later shared the moment on his Instagram account with a caption celebrating the gift, further fuelling online engagement around the event.
Beyond the spectacle, this incident underscores evolving dynamics in Nigerian celebrity culture and the intersection of wealth, influence and reciprocity. Sociologist Dr. Chinedum Uche of the University of Lagos, speaking on the broader implications of such high‑profile gifts, notes: “Philanthropy that is highly publicised can reinforce social bonds, but it also reflects a culture where generosity is intertwined with reputation economy; where giving becomes as much a social signal as it is an act of kindness.” The quote highlights how public acts of wealth transfer among elites serve layered social functions that extend beyond pure altruism.
Critics of such displays argue that ostentatious giveaways, particularly in a country with stark economic disparities, risk amplifying social envy and exacerbating perceptions of inequality. Economist Dr. Ifunanya Nwosu from the Lagos Business School observes: “In societies marked by economic stratification, celebrity largesse may inspire admiration, but it can also inadvertently highlight structural inequities; prompting questions about systemic investment in public welfare versus individual generosity.”
Still, supporters maintain that E‑Money’s annual tradition (which has in past years included cash gifts to his brother KCee, comedians and even domestic staff) reflects genuine gratitude and a commitment to uplifting his immediate circle, albeit within the private sphere.
For Ikedieze, the SUV stands both as a heartfelt gesture from a longtime friend and a public affirmation of their enduring relationship. As the video of the moment continues to circulate, the broader narrative has ignited discussions about the role of private wealth in public life, celebrity culture and how acts of giving are interpreted in contemporary Nigerian society.
In a landscape where influence and generosity often play out in equal measure on public stages, E‑Money’s gift to Aki is more than a headline, it is a flashpoint in ongoing debates about wealth, friendship and visibility in Nigeria’s entertainment and entrepreneurial ecosystem.
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