Entertainment
The movie ‘Dither’ Will Change Nollywood for Good – Makanjuola
Feyisayo Makanjuola is a gospel film producer and founder of Heagle Height Media. She recently premiered a gospel movie in Port Harcourt, Rivers State. The movie which featured some actors from Nollywood attracted a massive crowd of quality film lovers who set out to be entertained and also, receive gospel messages at the same time. She talked about her passion behind movie-making at the premiere.
What is the movie “Dither” about?
Dither is a divinely inspired story like the five foolish virgins referred to in the Bible.
The storyline of the movie is centred around a young lady who refused to forgive those who hurt her. She refused to let go of the past and slowly it consumed and controlled her decisions. The truth meant nothing to her as she became paranoid and suspicious of every intention people had. This became her greatest challenge.
My fans should expect to be well ministered to, through a gospel movie of great motion picture quality, fantastic actors, beautiful storyline and amazing sounds.
Why gospel movies, why not mainstream Nollywood?
Anything described as gospel must have been divinely inspired, hence I am into gospel movies because I was divinely inspired to go into it.
Movie production for me is a tool for the propagation of the gospel. Nollywood is a great industry and motives of players in this industry is focused mainly to generate profit.
For me, my primary objective is to propagate the gospel globally. If I, therefore, need to entertain you to get this message across, so be it. Profitability is good and desirable but for those of us in the gospel movie industry, this is secondary. If money comes from this venture we’re good with it and if it doesn’t, God will still have His way.
What is your take on the Nigerian movie industry (Nollywood)?
The industry is doing well and growing really fast. As Nigerians, Nollywood has a great influence on our lives and ways directly and indirectly.
So like some people have done before me, if the Gospel of Christ is beautifully packaged and delivered through this medium, we will reach and influence many. This is what I stand for and this is what I am up to.
What are the factors hindering the production of gospel movies in Nigeria?
Hmmmm! Funding has been the major factor in this regard. Sponsorship is really hard to come by, probably due to the fact that profitability is a secondary objective in our sub-sector of the Nigerian movie industry.
Interestingly, great talents abound in the industry; fantastic writers, actors and actresses. The missing link in all of these are philanthropists, sponsors and organizations with a large heart to invest in our projects. Be that as it may, if a project is divinely inspired, God will create a way for its funding.
What specific challenges did you face in producing Dither?
Due to the ethics and peculiarities of our sub-sector, the major challenge I encountered was getting the right cast for the movie, but after consultations with my colleagues in the industry, we were able to overcome this challenge. Access to our desired locations was also a bit of a challenge, and of course finance, but God saw us through all these.
Do you have plans to venture into mainstream Nollywood in the future?
Why not? I will be ready and willing to work with any producer whose objectives perfectly aligns with mine. It’s a period I am looking forward to when the objective of the gospel movie sub-sector will dominate the entire industry.
If you have your way, what will you like to change about Nollywood?
Laughs! Now this is a tricky one. But if I have my way, I will ensure that every movie coming out of Nollywood teaches good morals.
On what platforms can people watch “Dither”
Arrangements are in top gear to ensure that Dither is screened in major cinemas all over Nigeria. The movie will also be available on Netflix, YouTube and DSTV in due course. Our target is to put this movie on as many platforms as possible to reach a good number of people.
Entertainment
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music By Alhaji Arems
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
Nigerian Thespian Wuraola Olaniran Takes Center Stage
Wuraola Olaniran, a versatile actor, scriptwriter, and director, has carved a niche for herself in Nigeria’s entertainment industry. With a degree in English Literature from the University of Ilorin, Wuraola’s passion for acting began at a tender age, blossoming into a successful career.
A Stellar Career
Wuraola’s professional journey commenced in 2015, with her debut screenplay appearance in February 2016. Since then, she has captivated audiences with breathtaking performances in numerous stage and screen productions. Her repertoire includes:
• Stage plays: “A Dance of the Forests,” “Life Burial,” “Love Twirls of Aditu and Iyunade,” “Efunsetan Aniwura,” and “Moxie of Afonja.”
• Screen productions: “To Kill a Monkey,” “Miracle Center,” “Omije,” “Aiyetoro Town,” and “The Only Celebrity in Nigeria.”
• Notable collaborations: Funke Akindele, Sola Sobowale, Toyin Abraham, Femi Adebayo, and Kemi Adetiba.
Directing Credits
Wuraola’s directing credits include:
• A Dance of the Forests (Wole Soyinka)
• Life Burial (Helen Paul)
• KWRS Tax Program (2018)
Upcoming Performance
Catch Wuraola live on stage on November 17th in “Moxie of Aareonakakanfo,” where she will masterfully portray three distinct characters.
Artistic Philosophy
For Wuraola, acting transcends entertainment; it’s a cultural bridge, preserving heritage and uniting diverse audiences. Her dedication to authenticity and immersive storytelling has earned her recognition within the industry.
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