celebrity radar - gossips
Top 5 Actors From Osun State and the name of their Town (Photos)
Published
2 years agoon
Top 5 Actors From Osun State and the name of their Town (Photos)
They are popular celebrities in the movie industry. These top five popular actors share a common bond. They are from the same state, Osun.
BOLAJI AMUSAN (MR LATIN)
Bolaji Amusan, born October 15, 1966, is a Nigerian comic actor, filmmaker, director, and producer. He was born on October 16, 1966, at Gbongan, the headquarter of Aiyedaade Local Government Area of Osun State southwestern Nigeria. He married Ronke Amusan in 1999 and has two kids. He began acting in 1988 and featured in a movie titled 50-50, produced in 1992 by the late Akin Ogungbe, and joined ANTP in 1989. He has produced over 40 movies mostly comedies.
He is the current director for organization and business in the professional association known as Theater Arts and Motion Pictures Producers Association of Nigeria Before he got to this level he served at local and state; Mr. Latin is the CEO of Mr. Latin TV an Mr. Latin Foundation.
Femi Jacobs
Femi Jacobs, born Oluwafemisola Jacobs on 8 May, is a Nigerian actor, speaker and singer from Osun State.
He came into prominence for playing Makinde Esho in the film The Meeting, which also stars Rita Dominic and Jide Kosoko.
For his role in The Meeting, he received a nomination for Best Actor in a Leading Role at the 9th Africa Movie Academy Awards. He also won the award for Best Actor in a Comedy at the 2015 Africa Magic Viewers Choice Awards (AMVCA).
Femi jacobs studied mass communication at Lagos State University and marketing management at Lagos Business School. He also trained as a pilot in South Africa, stopping short of a commercial pilot license.
For his role in The Meeting, he received a nomination for Best Actor in a Leading Role at the 9th Africa Movie Academy Awards. He also received nominations for Best Lead Actor in a Film at the 2013 Nigeria Entertainment Awards, for Favourite Male African International Emerging Screen Talent at the 2014 Screen Nation Awards, and for Best Supporting Actor of the Year at the 2015 City People Entertainment Awards. He won the award for Best Actor in a Comedy at the 2015 Africa Magic Viewers Choice Awards (AMVCA) and Best Supporting Actor (English) at the 2014 Best of Nollywood Awards (BON
Antar Laniyan
Antar Babatunde Laniyan who is simply known as Antar Laniyan is a Nigerian actor, movie producer, and director born on May 26.
He is known for his action roles in most Yoruba movies.
He is from the Osun state part of Nigeria and grew up at the Army Barracks, Ilaro.
He attended a Muslim primary school and Baptist secondary school in Lagos before he proceeded to the University of Ibadan where he obtained a Bachelor of Arts degree in Theatre Arts.
He started acting at an early age around 1976 while doing stage dramas but began professionally in 1981, about 37 years ago under Ben Tomoloju. His first role was as a “Major general” in the film” Everybody wants to know during his days at the Kakaki Art squad
Antar Laniyan has also starred in several films including Amiwo, Arewa, Durodola, and Sango, a film scripted by Wale Ogunyemi, and produced by Obafemi Lasode.
Antar was the director of the first episode of the award-winning television soap opera ‘Super story” produced by Wale Adenuga. He also directed “Oh Father Oh Daughter” produced by Wale Adenuga.
Antar Laniyan is married with three sons. One of his sons, Ifeoluwa Laniyan had described his father in a recent interview with Vanguard that he is a friendly and disciplinarian at home
The talented actor has won numerous awards for his efforts including The AMVCA, Yoruba movie awards, and so on.
Damola Olatunji
He is a popular Nigerian actor and movie producer born on February 2
Damola is the second child in a family of six and hails from Edo Agbo in Osun state.
He had his primary and secondary education in the Ife part of Osun state and studied Engineering at Yaba College of Technology (YABATECH) in Lagos.
He is well known for his energetic roles in Yoruba movies.
Damola started acting at a very tender age while joining the drama group where he performed on stage plays.
He was introduced into acting by fellow actor Yomi Fash Lanso and got his role in the movie “Ojo (Rain)” produced by Opeyemi Aiyeola and directed by Yomi Fash Lanso.
Damola is married to actress Bukola Awoyemi and their union is blessed with twins, Dave and Debby. Not too many people know that Damola had a first wife who is based in the UK, her name is Raliat Abiodun Olatunji. Their marriage only lasted for a year before he met Bukky on the set of a movie location.
In case you don’t know who Bukola Awoyemi is, she’s a Yoruba actress popularly known for the movie “Arugba”. She was born in 1988 in Kwara state and studied Performing arts at the University of Ilorin.
Damola Olatunji who acts mostly in romantic roles in movies has starred in more than 50 movies which include Oro Inu and Semilore.
Murphy Afolabi
The famous Nigerian actor was born in Osun State. He is from the town of Osogbo. His birthday is celebrated by his fans, his friends, his family, and himself on May 5th. This year the celebrity turned 44
After completing school, the future actor entered Ire Polytechnic. His main field of study was movie production, mass communications, and theater art. The Nigerian celebrity graduated 17 years ago, in 2001
Murphy Afolabi began acting long before his college years and graduation when he was a little boy. His first experience was a movie titled ‘Ifa Olokun’ under Dagunro’s guidance.
Today the actor is well-recognized for his movie such as ‘Owowunmi,’ ‘Jimi Bendel’ and ‘Mafi Wonmi.’ He is also a famous film scriptwriter in Nigeria and boasts a big number of nominations. His talents have been noticed and he has been nominated as the best director, actor, and producer by City People.
Murphy Afolabi’s biography in the movie industry features more than 60 films. Besides being fond of writing scripts and producing films in the Yoruba language, the actor enjoys an exciting life full of entertainment, and happy and sometimes scary moments.
There was a time when Murphy Afolabi was returning from a nightclub to one of Lagos hotels he was staying in. A gang of armed robbers attacked when he got to the hotel. He was attacked and lucky to escape their bullets. This could have been a horrible tragedy, but the actor was blessed (that night at least two people were killed, and the actor was robbed of his money, handsets, laptop, and other things kept in the car).
However, Murphy Afolabi reportedly has no wife and had no wedding yet. He keeps dating new women, and posts impressive photos of him with gorgeous actresses, his ‘sisters,’ ‘brothers’ and daughters on his Instagram account but there is no word from him about his current second half.
Murphy has at least one child. Her name is Fathia Afolabi, and the famous actor periodically mentions her name in his Instagram posts. For example, he recently congratulated her on graduating from primary school and going to secondary school. However, the actor does not share information about her mother with the public.
There are also rumors about the second child, a girl name Moyosoreoluwa (according to different sources). However, the popular Yoruba actor denies that this girl is his child.
He seems to love his daughter and posts images of the girl on his Instagram account. However, you will not find photos of Murphy Afolabi’s wife or their wedding, because the actor is keeping his private life a secret. We don’t even know if he is truly married or not.
Related
Sahara weekly online is published by First Sahara weekly international. contact [email protected]
You may like
celebrity radar - gossips
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
Published
12 hours agoon
August 18, 2025
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.

Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.

No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
Related
celebrity radar - gossips
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Published
2 days agoon
August 17, 2025
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
Related
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Published
3 days agoon
August 16, 2025
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
Related
Trending
-
society5 months agoRamadan Relief: Matawalle Distributes Over ₦1 Billion to Support 2.5 Million Zamfara Residents
-
Politics2 months agoNigeria Is Not His Estate: Wike’s 2,000‑Hectare Scandal Must Shake Us Awake
-
society4 months agoBroken Promises and Broken Backs: The ₦70,000 Minimum Wage Law and the Betrayal of Nigerian Workers
-
society3 months agoOGUN INVESTS OVER ₦2.25 BILLION TO BOOST AQUACULTURE

















