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Veteran Actor, Otunba Akin Lewis to Receive NANTAP Fellowship Award

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Veteran Actor, Otunba Akin Lewis to Receive NANTAP Fellowship Award

Veteran Actor, Otunba Akin Lewis to Receive NANTAP Fellowship Award

 

 

 

 

 

 

 

 

SaharaWeeklyNg Reports That Veteran award-winning Nigerian actor, director and producer, Otunba Akintola Akin-Lewis is to be honoured with the distinguished Fellowship Award by the National Association of Nigerian Theatre Arts Practitioners, NANTAP.

 

 

 

Veteran Actor, Otunba Akin Lewis to Receive NANTAP Fellowship Award

 

 

 

 

 

 

NANTAP’s Fellow of Theatre Arts (fta) conferment is the highest honour of the Association bestowed on practitioners and members who have distinguished themselves through their work, as well as contributions to the advancement and development of theatre and the entertainment industry in Nigeria.

 

 

 

 

 

 

 

 

 

 

According to a statement signed by Mr. Israel Bolaji, Media Adviser to Otunba Akintola Akin-Lewis, “The National Executive Council of NANTAP has conveyed the approval of its Honours and Privileges Committee for the conferment of the prestigious Fellow of Theatre Arts (fta) on the veteran actor in a formal letter dated July 22.

 

 

 

 

 

 

 

 

 

 

“The conferment is in recognition of Otunba Akin Lewis’ immense contributions over the years to the promotion and advancement of the theatre and creative industry.

 

 

 

 

 

 

 

 

 

 

“The colourful ceremony is scheduled to hold on Saturday, 18th September, 2021 in Ado-Ekiti, Ekiti State.”

 

 

 

 

 

 

 

 

 

 

Akin Lewis, one of the finest actors in Nigeria, celebrated his 40th years on stage in December 2013. His legendary film career which spans almost five decades began in 1973, when he joined a drama group led by Professor Bode Sowande, a Nigerian writer and dramatist.

 

 

 

 

 

 

 

 

 

 

 

He came into limelight with ‘Wild Wolf’ which was released in the late 70s, then with “Why Worry (The Adventures of S.K Adio the Barber)”, a popular comedy in the 1980s and later as the lead actor in Madam Dearest, a 2005 Nigerian film produced and directed by Tade Ogidan. Some of his other popular movies include Mind Bending, Dynasty, Alantakun, and Were Alaso.

 

 

 

 

 

 

 

 

 

 

Over the years, he had featured, produced and directed several films. He featured in Tinsel, a Nigerian soap opera that began airing in August 2008 and Heroes and Zeroes, a 2010 Nigerian film written and directed by Niji Akanni. Among other awards, in October 2010, he won the The Audio Visual Awards (TAVA) for best actor and the Yoruba Movie Personality of the Year (Male) – City People Movie Award 2018.

 

 

 

 

 

 

 

 

 

 

He had also worked in several corporate institutions including NTA, Globacom, and the then Owena Bank. He is currently the Rector of Graig-Phillips College of Technology, a film Institute at Shonibare Estate, Maryland, Lagos.

 

 

 

 

 

 

 

 

 

 

Otunba Akin Lewis got a distinction in Acting from the then University of Ife now Obafemi Awolowo University, a first-class Masters in Acting and Directing Theatre Arts from Sophia University, Bulgaria and a PGD in Marketing from the University of Lagos. He was the Best Overall Student in Sofia Bulgaria in 1987.

 

 

 

E-signed

 

 

 

Israel O. Bolaji (MA, MBA)

Media Adviser to Otunba Akintola Akin-Lewis

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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