celebrity radar - gossips
Why my movie, Tiresimi Is trending” Adetona Davies
Why my movie, Tiresimi Is trending” Adetona Davies
Adetona Davies is a Music Artist cum Film Producer and a successful entrepreneur. In an exclusive chat with us, the amiable CEO of the TALENT HUNT AFRICA-EUROPE FOUNDATION opens up on the success of his newly released movie, which came out on the 5th of February 2023 and showing on YouTube via LIBRA TV
CAN YOU TELL US ABOUT YOURSELF
My name is Adetona Davies. I am the CEO of a Youth Empowerment foundation named Talent Hunt Africa AcademySouth Africa) which I fully registered and started in the city of Johannesburg in 2011. For seven years, we operated the NGO fully with the main training center in Joburg and during those years, we reached out extensively to Nigeria, Kenya, Ghana, Sweden, Germany, Norway, France, and Holland with various training programs in MUSIC among African and European children/youths. In 2018, I got an appointment from a Spanish School of Art in Madrid, to be its first African Music Instructor! After completion of the contract, I moved down to an Island called PALMA DE MALLORCA here in SPAIN. where I started my community outreach music programs. In 2019, I change the name of the NGO to TALENT HUNT AFRICA-EUROPE FOUNDATION because SPAIN is now my permanent base with the vision of reaching out to both African and European youths with our TALENT DISCOVERY PROGRAMS
HOW DID YOUR JOURNEY INTO ENTERTAINMENT START AND WHAT MOTIVATED YOU
Hmmm! That’s a good question that I love to answer because it brings back the memory of my growing up in the city of IBADAN (Oyo State, Nigeria). It is an ancient rich in deep and undiluted YORUBA CULTURE! As a young teenager, as far back as 1981, every evening after dinner, we always gathered together to watch Yoruba play like KOOTU ASHIPA, AWADA KERIKERI, and ARELU! I always get excited every evening because I always look out for the songs that will be rendered along with the acting by the actors! My best of them are all the plays produced by Late PA Oyin Adejobi and I can categorically say that he was my foundational Mentor in Music, because all the songs from those plays are my daily National Anthem! I got motivated and from there started developing my singing talent! There as a teenager, I gave birth to MY DREAM that one day, I will be going around the world singing and producing films rich in AFRICAN CULTURE and that it will be a TOTAL THEATER (i.e Combination of MUSIC/ACTING/DANCE) Production, just like the late legends ( Pa Oyin Adejobi, Hubert Ogunde, Ade Love, etc) during their time.
*YOUR MOVIE TIRESIMI IS TRENDING, HOW DID YOU FEEL ABOUT IT?
I’m so excited and happy about the huge success and can you believe it that within three weeks, we got over half a million views on YouTube! This can only be GOD and having a good story with good handlers! For a movie to get people’s attention, it must be a good STORYLINE to be handled by a seasoned and professional DIRECTOR!
I did my homework, I sought out one of the best YORUBA MOVIE DIRECTOR that is current in NIGERIA! My net caught Princess ALLWELL ADEMOLA, who is currently an award-winning and best Yoruba Female Director in Nigeria!
She did justice on the well-scripted story written by my lovely daughter – EWABUNMI AKINNUBI, who acted as TIRESIMI in the FILM. My director really went far in getting seasoned and current award-winning Nollywood actors for the film! That effort of hers gave the film a great boost! This year, people should look out for more!
TO EVERY GLORY IS A STORY TO TELL! WHAT ARE THE CHALLENGES FACED AND HOW DID YOU OVERCOME THEM?
In the past, I’ve gotten a lot of bitter and bad experiences through debts! I’ve borrowed money in the past for projects that I ran into huge debts which I never recover from till we entered the pandemic! So during the pandemic, I concluded that I won’t come near film production again! Towards the end of 2021, I ventured into another business related to travel and tours, expecting a breakthrough by the early part of 2022! So I entered with great hope for huge success but unfortunately, the business failed woefully! I WAS DUPED! I became depressed through the month of February and March of 2022! I stayed indoors throughout, seeking God’s face and new direction! You won’t believe it that during that dark period, apart from God’s deep intimacy I had, I WATCHED OVE 50 YORUBA MOVIES and most of them gave me motivational messages that made me conclude that this is for real the path God wanted me to take! To be producing films that will touch lives(especially Yoruba people living in the diaspora!)
But as a die-hard person who doesn’t give up at all, by April of 2022, TIRESIMI became a personal message to me when my daughter(EWABUNMI) shared it with me!
God miraculously provided the fund for the shoot without consulting anyone to borrow money for the project! God indeed PUSH FAVOUR TOWARDS MY DIRECTION (OLUWATIRESIMI)
*WHAT SEPARATES THE MOVIE FROM OTHER MOVIES
In this present generation, especially in Africa, the general belief is that the best production can only be done by men! That we are in a Men’s world where people always assume that only men can direct good films and that good stories can only come from popular and guru story and script writers! The uniqueness of the film TIRESIMI is that it proved all those beliefs wrong! The story was written by a woman and directed by a woman that is ever ready to operate in the midst of a highly competitive world of film directing in Nigeria and the entire World!
*IS THIS YOUR FIRST MOVIE AS A PRODUCER?
No! I did my last movie in 2013 and it was titled THE UNBROKEN that future Nollywood Actors like DAMOLA OLATUNJI, AYO ADESANYA, SHOLA KOSOKO, BIDEMI KOSOKO, and others. It was shot in Nigeria, South Africa, and UK
We know you are into music too, tell us about it.
Yes! MUSIC is my mainstream! I’ve been singing since 1982. I started in IBADAN with Mummy TOUN SOETAN.
Then in 1994, with my box guitar, I became a traveling evangelist to Nations of the World!
There is a particular musical storyline that I’ve rendered in 18 Countries of the World! I became famous in churches with the story titled TAANI YOO D’ADE(WHO WILL WEAR THE CROWN) and this is our next film coming out this year!
*WHICH OTHER PROJECTS ARE YOU WORKING ON?
This year, people should be expecting two major films of which one is going to be an epic film!
Two, we are planning a big event here in Spain tagged TALENT FESTIVAL!
Three, We are going to create more awareness about my NGO(TALENT HUNT AFRICA-EUROPE ACADEMY SPAIN) with a training center here in Spain and Nigeria for youths and adults talented in MUSIC/ACTING/DANCE
By GOD’S GRACE, our vision is to TRAIN YOUTHS ON HOW TO PLAY GUITAR, BE A GOOD actors & dancers, and establish TALENT SCHOOL & FILM VILLAGE here on the Island of Palma De Mallorca SPAIN! Lastly, to AFRICAN and EUROPEAN Culture through MUSIC, ACTING, and DANCE! Will be having frequent film PRODUCTIONS in Nigeria, and South Africa where our European students will travel to collaborate with their African counterparts!
celebrity radar - gossips
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.

Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.

No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
celebrity radar - gossips
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
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