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“Why We Wore What We Wore”, AMVCA’S Worst Dressed

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The much awaited African magic viewers choice awards took place at the Eko Hotel & Suites over the weekend, and has left behind numerous talks about he event, the winners and most especially the outfits our darling celebrities graced the occasion with.

With lots of designer outfits on display, fashion hits and miss,some celebrities have generated much more buzz than their counterparts. The trio of Susan Peters, Denrele Edun, and Ali Baba have been the butt of so many jokes, fortunately for us, the celebrities have plenty to say in their defense. Susan Peters whose “mosquito net like” dress was designed by  celebrity clothier, Toyin Lawani, said she wore the outfit to stand out.
“They thought they could bury us. They didn’t know we are seeds…#Doroisityourmoney? I AM NOT CREATED TO BLEND IN… I AM CREATED TO STAND OUT!!! IF THE KITCHEN IS TOO HOT MBOK EXIT THE BUILDING.Only people with High Fashion Sense Can Understand. Still thanking my glam squad @tiannahsplacempire @bibyonce@ugomakeme God go bless una plenty … to everyone supporting the ministry GGMYABIJN Amen. Who can hurt those who have God’s covering? None at all…
Ali Baba favoured a traditional attire which people termed as inappropriate for the event. He blamed the popular consensus on lack of cultural values;
“Trust you had a great weekend. I did. And had been looking forward to sharing something with you. So, I have also Been looking for a clear picture of me that was taken at the #AMVCA … The closest I could come upon is this courtesy @NET… But it’s not about the picture itself. It was about someone who claims to be a Fashion Critic…… who made a comment that I thought I should harp on. She said, “Bros, didn’t you get the invite? It said ‘black tie’ “… herself and a few of her fashion buffs had a laugh at my expense. So I let the laugh settle down and I asked, did you read the part that said “black tie or Glamorous?” I then saw one of them quickly bring her card holder invite holder out, read the dress code portion and shoved it back in the case. The dumbest of the four, who is also on television, said something like, but this is not glamorous. So I pointed at Kunle Afolayan, who was decked in AGBADA. And she was sucked in to my trick. “Eheeeeen! That is glamorous.” Her cronies agreed. So I dropped my joker. ‘Really? So it’s only the traditional attire from the YORUBA or Hausa speaking part of Nigeria that is glamorous? Is that what you were taught in school? Or is that the position of your media house? Or is that all your knowledge about fashion availed you? May be you are TRIBALISTIC. May be you think AFRICANS must look like a white man to be glamorous! May be you have no values! By the way, I thought this was an AFRICAN magic viewers’ choice awards (notice the capital letters)? At this point, 2 of them started that line that signals they had gotten the message… “Bros you are correct, but you know we were just teasing you. HABA! Can’t you take a joke?” My point was made and I walked off. The problem we have in this country is not totally our government’s failures. It is also the failure of many of us to know what is important to us as AFRICANS and what we should value in our culture. ATTIRE for journalist WEY no recognize glamorous ATTIRE. As for any journalist that thinks dressing in my traditional outfit meant for special occasions is not glamorous, please check a dictionary and revert! #broadcasters #fashionPolice#AfricanCulture #UrhoboAttir”
Channel O presenter, Denrele Edun, whose attire got the most backlash admits that he went a little overboard,
“It is 24-carat gold and I just looked at it and I said to myself, ‘why not strut out something that reeks of the statuette?’ and I wanted to look like a statuette tonight. I know I went a bit overboard with it. I mean my back is all in the open and I am hot. I do not know how you ladies do it. My back is so sweaty that I had to tell everyone who wants to hug me to put their hand on my butt instead of my back. It is quite difficult to maneuver as well but this is what I’m going to rock the after party with.”
alibaba (1)Denrele (1)AMVCA-15-Susan-Peters-sk (1)denrele2susan p

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

 

The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.

In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.

“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.

He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.

“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.

Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.

“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.

He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.

According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.

 

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

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Why Everyone Is Talking About GICANA: The New Nigerian Drama Shaking YouTube

 

A powerful new Nigerian drama, GICANA, has made its debut during the Yuletide season, sending a strong social message while keeping audiences glued to their screens. The film, now streaming on Mustapha Sholagbade Television (MSTV) on YouTube, explores the dangerous consequences of transacting one’s body for money, portraying it as a risky game with far-reaching emotional and moral implications.

 

Produced by Almatin Limited, GICANA is directed by the creative duo of Olayemi Adeodu and Ayanbode Simon. The directors bring depth and realism to the story, carefully unpacking themes of desperation, survival, greed, and the silent battles faced by individuals pushed to the edge by circumstance.

 

The movie, which was shot in Canada and Nigeria, boasts a rich ensemble of industry talents who delivered compelling performances, including Remi Surutu, Dotun Adebanjo, Mustapha Sholagbade, Bukola Kiitan, Temidayo (Starboy), Dare Melody, Jumoke Fadipe, Queen Blessing Ebigieson, Adejoke Adesokan, and several others. Their performances added emotional weight and authenticity to the storyline, making GICANA both engaging and thought-provoking.

 

Behind the scenes, the production quality of GICANA stands out. Cinematography was handled by Director Keny and Abiodun Bukola, while Mr Perfect served as script supervisor. Sound was recorded by Idrissound, with lighting by Tomcity. Makeup was expertly done by Ifeoluwa Adejumo, and Muhammed Hussein brought the film’s environments to life as set designer.

 

Released at a time traditionally associated with celebration and reflection, GICANA uses the Yuletide season to challenge viewers to think deeply about societal pressures and the hidden dangers of quick money. The film is already generating conversations online, with viewers praising its message, performances, and strong moral undertone.

 

With its timely release and compelling narrative, GICANA is more than just a movie, it is a cautionary tale and a must-watch drama for audiences seeking meaningful African storytelling this new year.

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