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“Why We Wore What We Wore”, AMVCA’S Worst Dressed

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The much awaited African magic viewers choice awards took place at the Eko Hotel & Suites over the weekend, and has left behind numerous talks about he event, the winners and most especially the outfits our darling celebrities graced the occasion with.

With lots of designer outfits on display, fashion hits and miss,some celebrities have generated much more buzz than their counterparts. The trio of Susan Peters, Denrele Edun, and Ali Baba have been the butt of so many jokes, fortunately for us, the celebrities have plenty to say in their defense. Susan Peters whose “mosquito net like” dress was designed by  celebrity clothier, Toyin Lawani, said she wore the outfit to stand out.
“They thought they could bury us. They didn’t know we are seeds…#Doroisityourmoney? I AM NOT CREATED TO BLEND IN… I AM CREATED TO STAND OUT!!! IF THE KITCHEN IS TOO HOT MBOK EXIT THE BUILDING.Only people with High Fashion Sense Can Understand. Still thanking my glam squad @tiannahsplacempire @bibyonce@ugomakeme God go bless una plenty … to everyone supporting the ministry GGMYABIJN Amen. Who can hurt those who have God’s covering? None at all…
Ali Baba favoured a traditional attire which people termed as inappropriate for the event. He blamed the popular consensus on lack of cultural values;
“Trust you had a great weekend. I did. And had been looking forward to sharing something with you. So, I have also Been looking for a clear picture of me that was taken at the #AMVCA … The closest I could come upon is this courtesy @NET… But it’s not about the picture itself. It was about someone who claims to be a Fashion Critic…… who made a comment that I thought I should harp on. She said, “Bros, didn’t you get the invite? It said ‘black tie’ “… herself and a few of her fashion buffs had a laugh at my expense. So I let the laugh settle down and I asked, did you read the part that said “black tie or Glamorous?” I then saw one of them quickly bring her card holder invite holder out, read the dress code portion and shoved it back in the case. The dumbest of the four, who is also on television, said something like, but this is not glamorous. So I pointed at Kunle Afolayan, who was decked in AGBADA. And she was sucked in to my trick. “Eheeeeen! That is glamorous.” Her cronies agreed. So I dropped my joker. ‘Really? So it’s only the traditional attire from the YORUBA or Hausa speaking part of Nigeria that is glamorous? Is that what you were taught in school? Or is that the position of your media house? Or is that all your knowledge about fashion availed you? May be you are TRIBALISTIC. May be you think AFRICANS must look like a white man to be glamorous! May be you have no values! By the way, I thought this was an AFRICAN magic viewers’ choice awards (notice the capital letters)? At this point, 2 of them started that line that signals they had gotten the message… “Bros you are correct, but you know we were just teasing you. HABA! Can’t you take a joke?” My point was made and I walked off. The problem we have in this country is not totally our government’s failures. It is also the failure of many of us to know what is important to us as AFRICANS and what we should value in our culture. ATTIRE for journalist WEY no recognize glamorous ATTIRE. As for any journalist that thinks dressing in my traditional outfit meant for special occasions is not glamorous, please check a dictionary and revert! #broadcasters #fashionPolice#AfricanCulture #UrhoboAttir”
Channel O presenter, Denrele Edun, whose attire got the most backlash admits that he went a little overboard,
“It is 24-carat gold and I just looked at it and I said to myself, ‘why not strut out something that reeks of the statuette?’ and I wanted to look like a statuette tonight. I know I went a bit overboard with it. I mean my back is all in the open and I am hot. I do not know how you ladies do it. My back is so sweaty that I had to tell everyone who wants to hug me to put their hand on my butt instead of my back. It is quite difficult to maneuver as well but this is what I’m going to rock the after party with.”
alibaba (1)Denrele (1)AMVCA-15-Susan-Peters-sk (1)denrele2susan p

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

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Top Music Producer, Gbenga Leo Marks 45 Years in Music with Lagos Celebration

By Alhaji Arems (Baba Fuji)

 

Otunba Gbenga, popularly known as Leo Taiwo, will be celebrated for his 45-year journey in the music industry at a special event scheduled for Tuesday, May 5, 2026, in Lagos.

 

The event, set to hold at the Radio Lagos Marquee Hall in Agidingbi, Ikeja, is expected to bring together friends, family, and associates to honour a career defined by longevity and consistent contribution to Nigeria’s Fuji music scene.

 

Though not widely in the public spotlight, Leo Taiwo is regarded within industry circles as a respected figure whose work has spanned decades. His role as a music producer and collaborator has positioned him among the quiet contributors who have supported the growth and continuity of Fuji music over the years.

 

The celebration is slated to begin at 2 p.m., with guests expected to observe a white dress code. Attendance will be by access card, with caps and gele serving as entry identifiers.

 

Fuji star King Sule Alao Malaika is billed to lead the music for the occasion, while popular hosts Ifankaleluyah and Tokunbo Marvins will anchor proceedings.

 

The choice of venue underscores the cultural relevance of the event. Radio Lagos has long been associated with the promotion of indigenous music, making it a fitting location for a milestone rooted in tradition and legacy.

 

Reaching 45 years in any creative industry is a notable achievement. In a genre that has evolved across generations, such longevity reflects both resilience and sustained relevance.

 

As preparations continue, the event is shaping up to be not just a celebration of one man’s journey, but also a moment to acknowledge the enduring community behind Fuji music.

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BREAKING NEWS: Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy

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*BREAKING NEWS

*Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

Lagos, Nigeria – In a stunning display of talent, leadership, and philanthropy, Amb. Chelsea RC Nwodo has been crowned winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award. This remarkable achievement cements her status as a powerhouse in the Nigerian entertainment industry.

 

Amb. Chelsea Nwodo, the newly crowned NAGA Nollywood FACE OF AFRICA 2026, has extended her heartfelt gratitude to all who supported her in this remarkable achievement.

 

“I am overwhelmed with joy and gratitude to announce that I have been crowned the winner of the prestigious NAGA Nollywood FACE OF AFRICA 2026 award,” Amb. Nwodo said. “I want to express my sincere appreciation to everyone who voted for me, including my loving family members and TOSA to NAGA , I am honored to be part of this prestigious award and I appreciate the recognition.”

 

Amb. Nwodo, a multifaceted personality, has proven herself as an acclaimed actress, dedicated philanthropist, and visionary business leader. Her exceptional leadership and commitment to advancing Nollywood has earned her the respect and admiration of her peers.

 

As CEO of the Chelsea Nwodo Foundation, she drives transformative initiatives empowering women and children, fostering growth and opportunity. Her leadership skills extends to Chy-kas Travels and Tour, showcasing her entrepreneurial acumen.

 

Recently appointed Chief of Staff to the National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, Amb. Nwodo’s exceptional leadership and commitment to advancing Nollywood is undeniable.

 

Amb. Nwodo’s philanthropy resonates deeply. Her impactful “Operation Feed 5000 Street Children” program, in partnership with Regal Connect Foundation-Ghana, delivered food, shelter, and skills training to vulnerable children in Ghana, attracting high-profile support.

 

Her NAGA Nollywood FACE OF AFRICA 2026 win celebrates not just her achievements but her dedication to uplifting others, making her a beacon of hope across industries. This recognition solidifies her position as a role model and influencer, inspiring a new generation of artists and entrepreneurs.

 

The NAGA Nollywood FACE OF AFRICA award is a testament to Amb. Nwodo’s hard work, talent, and commitment to excellence. Her win is a proud moment for Nigeria and the African continent, showcasing the best of Nollywood’s talent and philanthropy.

 

BREAKING NEWS *Amb. Chelsea RC Nwodo Crowned NAGA Nollywood FACE OF AFRICA 2026 – A Triumph of Talent, Leadership, and Philanthropy*

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Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release 

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 Faaji Unlimited : Omo-Opeki Announces ‘Step Up,’ ‘Multi Talented,’ And ‘God’s Mercy’ — A Historic 3-in-1 Fuji Album Set For April 8 Release

By Alhaji Arems (Baba Fuji) 

Alhaja Queen Isimot Abake Abiola, widely known as Omo-Opeki, is stepping into a defining moment in her career with the official announcement of her ambitious 3-in-1 Fuji album. Titled Step Up, Multi Talented, and God’s Mercy, the project is scheduled for release on April 8 — a date that also marks her birthday.

 

More than a strategic rollout, the timing signals intention. It frames the project as both a personal milestone and a cultural statement, positioning the veteran Fuji act at the center of a conversation that extends beyond music.

 

A Three-Part Statement of Growth, Identity, and Gratitude :
By unveiling the titles of the three albums, Omo-Opeki transforms what was once a bold concept into a fully realized artistic vision.

Each title carries its own thematic weight:
• Step Up suggests progression — a conscious elevation into a new phase of artistry and influence

• Multi Talented highlights range, reinforcing her versatility within a genre that rewards depth and endurance.

• God’s Mercy reflects gratitude, pointing to the spiritual and personal journey that underpins her career.

 

Together, the albums form a layered narrative. Rather than a single body of work, the 3-in-1 structure allows for a broader exploration of identity, sound, and storytelling — a format that aligns naturally with Fuji’s tradition of extended compositions and expressive delivery.

 

April 8 : More Than A Release Date :
Choosing April 8 as the release date adds a deeper layer of symbolism to the project. Birthdays often represent renewal, reflection, and forward momentum — themes that mirror the essence of the album titles themselves.

 

For Omo-Opeki, the alignment of her birthday with such a significant release suggests more than coincidence. It positions the moment as a personal and professional convergence — one that celebrates longevity while signaling evolution.

 

In an industry where timing can shape perception, anchoring a major release to a date of personal significance strengthens the narrative around it. It becomes not just a drop, but a moment of declaration.

 

Rewriting the Narrative for Women in Fuji :

Fuji music, deeply rooted in Yoruba Islamic and Apala traditions, has long been shaped by male dominance in both performance and large-scale releases. While female artists have contributed significantly to its growth, landmark projects of this magnitude have rarely been associated with women.

 

Omo-Opeki’s 3-in-1 album challenges that precedent.

Executing a multi-volume release demands more than creative output. It requires strategic planning, financial commitment, audience loyalty, and the confidence to carry such weight within a traditional space. By taking on this scale, she is not only expanding her own catalog but also redefining what is possible for female Fuji musicians.

Leadership Beyond The Studio :
Beyond her work as a recording artist, Omo-Opeki serves as the President of the Elite Women Musician Association of Nigeria (EWMAN). Her role within the organization reflects a broader commitment to advocacy, mentorship, and structural support for women in the music industry.

This dual position — as both artist and leader — strengthens the significance of her upcoming release. It reinforces her credibility not just as a performer, but as a figure actively shaping opportunities for others.

 

Balancing creative output with industry leadership is no small feat. Yet, it adds weight to the moment, positioning the album as part of a larger narrative around representation and access.

 

A Strategic Moment For Fuji in a Global Era :
The announcement arrives at a time when Afrobeats continues to dominate global conversations, often overshadowing indigenous genres. In this context, bold releases within traditional spaces carry added importance.

 

A project of this scale does more than spotlight an individual artist — it draws attention back to the genre itself.

 

By delivering a 3-in-1 album with clear thematic direction and symbolic timing, Omo-Opeki is contributing to a renewed visibility for Fuji. It becomes a reminder that the genre remains dynamic, evolving, and capable of commanding attention on its own terms.

A Defining Chapter in Motion :
With Step Up, Multi Talented, and God’s Mercy, Omo-Opeki is not just releasing music — she is curating a moment that blends personal significance, artistic ambition, and cultural impact.

 

April 8 will mark more than a birthday. It will stand as a milestone in her journey and, potentially, a turning point in the narrative surrounding female artists in Fuji music.

 

As the date approaches, anticipation continues to build. But beyond expectation lies something more enduring — the sense that this release is not just about what is coming next, but about what it makes possible going forward.

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