celebrity radar - gossips
YEYEMOLU; Olori #1, Ooni of Ile-Ife
There has been tales and stories which one may have taken as mere hearsay or some myth about the so called Yeyemolu of Ile-Ife.
Today, I shall be TELLING about this mysterious and symbolic Yeyemolu, her personality and relationship with the Arole Oduduwa; Ooni Adeyeye Enitan Babatunde Ogunwusi, Ojaja II.
According to the number one citizen of Oduduwa race, Alase Orisa! His Imperial Majesty (H.I.M), Yeyemolu is the first wife of the first Oonirisa and she remains the first wife of subsequent Oonirisas including himself as the incumbent and subsequent kings that would reign thereafter. He stated that Yeyemolu was his first contact in the Palace having ascended the throne of his fore-fathers and he had performed such rights as would be expected of an Oonirisa to his beloved Olori on entering the palace.
H.I.M majesty further explains that, he holds conversation and deliberates with Yeyemolu on a daily basis as he would a wife. Together as couple they deliberate on his activities and decide on steps to be taken. The revered monarchs explained that Yeyemolu is a god-sent wife to the Oonirisa. Any other Olori in the Palace of the Ooni must accord Yeyemolu the expected respect and would have to a take cue from her otherwise; she would be an unwelcomed guest at the palace.
Yeyemolu is often celebrated in the month of April in Ile-Ife as a deity (messenger of God). The celebration is seen as the king’s prerogative owing to the fact that she is the revered wife that must be honoured. Although, she is now with Olodumare (God) and no longer physically visible in human to us but she has been immortalised in the form of living spring, that is a “well” right there in the palace. The water from this well is used in carrying out all water-required activity of the Oonirisa in the palace. H.I.M claims that it is imperative to celebrate the legend Yeyemolu; she is “oro” that is, ‘a must-to-do sacrifice’.
Kabiyesi gave us an insight as to the distinction between culture and religion when explaining the concept of oro. He said “oro” is obeisance to formal rights of the Yoruba people. For instance, it is mandatory for a properly raised Yoruba to pay homage to the elders by kneeling or prostrating when greeting them. Kabiyesi made it clear that, culture is distinct from religion; irrespective of one’s religion, it would be an abomination to disrespect an elder and this goes to show that culture cannot be undermined as it is the way by which people live. In like manner, it is important to celebrate Yeyemolu and other cultural festivals. H.I.M believes this cannot be far-fetched for the reason why the South-West people of Nigeria live in one accord; it owns to the fact that we respect our culture and appreciate our individual differences in terms of religion.
Kabiyesi reiterated that we must always endeavour to promote our culture as a people with beautiful heritage as this will in-turn benefit us as a nation in the area of tourism.
Another spectacular sight at the well is the fact that, Yeyemolu is uncovered and yet remains spotless clean when drawn. Kabiyesi stated that, it is the wish of Yeyemolu to be left open as she seeks to look unto God, the author and finisher of her faith. No wonder it is called “O to ro ro omi a le Ife. Ara yi to mu nibe ko wopo o….” this implies that, ‘Yeyemolu is such clean and supernatural water full of purity and without blemish. Those who drink from it are so few……….’ It is also referred to as the spring of absolute truth.
Yeyemolu was said to be a kind, loving and supportive wife to her husband but as fate would have it, she could not conceive and bring forth a child for her husband despite all effort. As a result, she insisted that her husband, the king should marry another woman who would bare him children. The then Oonirisa therefore, married a new wife who gave birth to a child. Everyone including Yeyemolu was delighted for the new addition to the family.
Shortly after the birth, Yeyemolu told the king that she was up to surprise the Ooni; the king laughed and indeed was expecting a nicely packaged surprise from Olori at the appointed time. Days later, Yeyemolu went missing in the palace; no one could tell about her disappearance. Whilst in search for Yeyemolu, an Emese (king’s helper) found a strange sight in the palace; a freshly dug well. He reported to the king who also sighted the well. That was a surprise for the king as well as a mystery, due to the fact that, he had not ordered a well to be dug.
Therefore, the king invited Babalawo (an Ifa priest) who in-turn sought the face of Orunmila by consulting the oracle regarding the circumstances. Orumila, the Orisa (diety) of wisdom, knowledge and divination, who understands the human form and purity as the premodial diety (orisa abalaye), ibikeji Olodumare (next to God in hierarchy) and the eleri ipin (witness of fate) vividly told Kabiyesi how the well had appeared on the spot. “Yeyemolu had turned herself into the living well.”
The Babalawo made it possible for the Ooni to see and have a conversation with her beloved Olori. Yeyemolu said, “It was her wish to continue her life as a well so she could be a blessing unto the king and others. She would always be there any time she is needed; she promised to support the king or whoever comes to ask her for a favour in good faith, she would remain a pillar of support forever.” All that need to be done is to speak to Yeyemolu and also drink from the well; all problems are considered resolved by Olodumare through the living deity, Yeyemolu.
Indeed, Yeyemolu seem compassionate but regardless, she is jealous. She could not stand the rivalry and act of sharing her man with another woman; hence the decision to let go of her home in the physical realm. This decision however, had left her in a vulnerable position. Countless rulers of Ile-Ife had pitched their tent in her bosom. The numbers of rulers from the first to second dynasty are innumerable to us but we know of the third dynasty of which she is in her 51st matrimony to my king, Alaka Omo Apaara! Otiti Arikilemi! Ooni Adeyeye Enitan Babatunde Ogunwusi. Kabiyesi oooooooo…………O yo omo loko lala sonu!
Gbemisola ‘Bisi-Taiwo.
celebrity radar - gossips
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
PRESIDENT TINUBU CONGRATULATES OTEGA OGRA ON ELECTION TO WORLD FEDERATION OF ADVERTISERS EXECUTIVE COMMITTEE
President Bola Ahmed Tinubu has congratulated his Senior Special Assistant on Digital Engagement, Strategy and New Media, Mr Otega Ogra, on his election to the Executive Committee of the World Federation of Advertisers (WFA).
The election took place today at the organisation’s Annual General Meeting, held during the Global Marketing Week Conference in Stockholm, Sweden.
President Tinubu described the development as a significant step for Nigeria’s growing influence in global communications.
He noted that Mr Ogra’s emergence as the only representative from West Africa and Sub-Saharan Africa on the Executive Committee reflects the depth of Nigerian expertise and the contribution of a new generation of young Nigerian professionals to global industry standards.
Mr Ogra was elected to the Executive Committee on the platform of the Advertisers Association of Nigeria (ADVAN), underscoring the role of Nigeria’s organised advertising and marketing industry in shaping representation at the global level.
The WFA is the leading global body for advertisers, representing over 150 multinational and Fortune 500 companies, alongside national advertiser associations across more than 60 countries, with a combined annual marketing spend running into hundreds of billions of dollars. Its Executive Committee is the organisation’s highest decision-making body, responsible for setting priorities and guiding global policy on responsible advertising, media transparency, sustainability, and the evolution of digital ecosystems.
President Tinubu noted that Mr Ogra’s election is both a personal distinction and a strategic opportunity for Nigeria and the African continent, placing them at the centre of global conversations on brand trust, platform accountability, innovation and the future of marketing and communications.
The President commended Mr Ogra, who also serves as Vice President of ADVAN, for his sustained contributions to strengthening Nigeria’s marketing and communications ecosystem, drawing on a career spanning leadership roles across the banking, manufacturing, and public sectors.
“Otega’s election reflects the growing recognition of Nigerian expertise and affirms our capacity to contribute meaningfully to the frameworks shaping global markets,” the President said.
President Tinubu added that the achievement aligns with his administration’s Renewed Hope Agenda, particularly in advancing the creative economy, strengthening digital governance, and positioning Nigeria as a competitive hub for innovation and enterprise.
Josh Faulks, CEO of the Australian advertiser association (AANA), and Simon Michaelides, Director General of the UK advertiser association (ISBA), also join the leadership team.
Current members of the executive committee, David Wheldon, President and Philip Myers, Deputy President, who is also the Chief Institutional Affairs and Corporate Communications Officer at Ferrero, continue in their current roles, as do all regional vice presidents.
celebrity radar - gossips
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
Hold Peter Okoye Responsible If Any Harm Comes To Our Member – NASRE Fires Back At Singer
The Nigerian Association of Social and Resourceful Editors (NASRE) has raised alarm over an alleged threat by Afrobeat artist Peter Okoye (Mr P) against journalist and NASRE Directorate member, Mr Bayo Adetu, warning that the singer will be held responsible should any harm come to the journalist or his family.
In a press statement issued on April 20, 2026, NASRE’s leadership, led by Comrade Femi Oyewale, expressed concern over the incident reportedly occurring at the Ikoyi High Court during proceedings in the ongoing legal dispute involving P-Square and their elder brother, Jude Okoye.
NASRE views the alleged statement as inappropriate and unacceptable, stating that any language suggesting intimidation against a journalist performing lawful duties raises serious concerns about press freedom, safety, and professional ethics.
The association has therefore called on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu, while also urging all parties involved in the ongoing legal matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
Read the statement below:
PRESS STATEMENT
For Immediate Release
NASRE RAISES ALARM OVER ALLEGED THREAT BY PETER OKOYE (MR P) AGAINST BAYO ADETU IN COURT, WARNS OF CONSEQUENCES
The leadership of the Nigerian Association of Social and Resourceful Editors (NASRE), led by Comrade Femi Oyewale, expresses concern over an alleged threat issued by popular Afrobeat artist Peter Okoye, widely known as Mr P, against journalist and NASRE Directorate member, Mr Bayo Adetu.
The incident reportedly occurred at the Ikoyi High Court during proceedings in the ongoing legal dispute involving the music duo P-Square and their elder brother, Jude Okoye. Eyewitnesses present in court stated that Mr Peter Okoye drew the attention of Justice Alexander Owoeye to Mr Adetu’s presence, noting that he was formerly P-Square’s publicist but now works with his brothers. The remark reportedly generated reactions in the courtroom.
It is further alleged that after the court session, Mr Peter Okoye confronted Mr Adetu in the presence of others and said, “You, Bayo, I will set you up.”
NASRE views this alleged statement as inappropriate and unacceptable. Any language suggesting harm or intimidation directed at a journalist performing lawful duties raises serious concerns regarding press freedom, safety, and professional ethics.
We state unequivocally that should anything happen to Mr Bayo Adetu or any member of his family, Mr Peter Okoye will be held accountable. Such statements, when directed at a media professional, are taken with utmost seriousness.
NASRE will not tolerate any form of intimidation, harassment, or threat against its members. We are fully prepared to activate all lawful media and legal channels to protect our members and safeguard the integrity of the profession. Mr Peter Okoye must be aware that utterances of this nature carry consequences and he will be held responsible for any outcome arising from this matter.
We therefore call on Mr Peter Okoye to retract the alleged statement and issue a public apology to Mr Bayo Adetu. We also urge all parties involved in the ongoing matter to conduct themselves with restraint, respect, and strict adherence to the rule of law.
The safety of journalists remains paramount, and the media will not be silenced.
Signed:
Lateef Owodunni
Media Director, NASRE
April 20, 2026
celebrity radar - gossips
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
Fuji Star, Saheed Osupa Addresses Prado Controversy, Says Vehicle Was Compensation — Not Political Gift
By Alhaji Arems (Baba Fuji)
Nigerian Fuji star Saheed Osupa has responded to a wave of political controversy surrounding his recent campaign appearance in Oyo State, clarifying that a vehicle linked to the debate was not a political gift but compensation tied to a professional engagement.
The backlash followed the circulation of a Facebook Reel showing Osupa performing at an event associated with Sharafadeen Alli, who has declared interest in the Oyo State governorship under the All Progressives Congress (APC). As the video gained traction, it sparked renewed scrutiny over entertainers’ roles in political campaigns and the assumptions that often follow such appearances.
Amid the reactions, individuals aligned with the Peoples Democratic Party (PDP) circulated claims on social media alleging that Osupa, alongside gospel artist Yinka Ayefele, had previously received luxury vehicles from the administration of Oyo State Governor Seyi Makinde. The claims, which remain unverified, framed the alleged gesture as an example of questionable public spending and raised concerns about political loyalty.
Osupa has since pushed back against that narrative, offering a different account of events. In a video statement, the artist explained that his involvement in the campaign was strictly professional, based on a negotiated performance agreement rather than any form of political alignment.
According to him, he was engaged to perform at campaign events with assurances that he would be adequately compensated after the election. He, however, alleged that those commitments were not fulfilled following the electoral victory.
Addressing the controversy surrounding the vehicle, Osupa stated that his personal car was damaged during the course of the campaign. He said the replacement vehicle later provided to him was intended as compensation for that loss, not a discretionary gift or political reward.
His response reframes the discussion from one of political patronage to a dispute over professional obligations—an important distinction in an environment where entertainers are frequently enlisted to support campaign visibility.
The episode highlights a recurring tension within Nigeria’s political landscape: the blurred line between performance and perceived allegiance. For artists, participation in campaign activities can quickly shift from paid engagement to public endorsement in the eyes of observers, particularly when details of such arrangements are not clearly communicated.
Osupa’s clarification brings that tension into focus, underscoring how easily professional engagements can be recast within political narratives. As conversations continue, the situation points to a broader need for transparency in the relationship between public figures and political actors—especially in moments where perception can carry as much weight as fact.
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