6TH AFRIMA: Sipho Dlamini, Sarah Boulos, Yoel Kenan, Adebisi A. Adedeji, Udochi Muogilim, Obi Okwudili Casmir, Eric Bally, and Others to Speak at the Africa Music Business Summit (AMBS)
It will be a gathering of African and International music Intellects, professionals and enthusiasts at the annual Africa Music Business Summit (AMBS) organized as part of lined-up events in celebration of the 6th All Africa Music Awards, AFRIMA slated for Friday, November 22, 2019 at the Fantasia Hall, Eko Hotels and Suites, Victoria Island, Lagos, from 8:30a.m to 4:30p.m, where discussions on the music business in Africa will be brought to bare.
Discussions will be centered around the topic ‘Music Business in Africa: Connecting Borderless Talents’.
A cross-section of leading minds from around the world will connect and interact on global musical issues and topic of trends in the music and culture industry while creating a platform for engaging and networking in an atmosphere where potentials present in the African music industry and ways to harness its socio-economic gains is critically analysed.
On the panel of discussion are some of Africa’s seasoned and accomplished men and women. They include; Sipho Dlamini, who is the Managing Director at Universal Music, South Africa. Sarah Boulos, Chairperson, Society for the Performing Arts, Nigeria. Dr. Obi Okwudili Casmir, President of Performing Musicians Association of Nigeria (PMAN). Seidu Idrissu, West Africa Agents, Sheer Publishing Africa, Ghana.
In addition, Adebisi A. Adedeji, Deputy Director, Development Finance, Central Bank of Nigeria (CBN); Udochi Muogilim, the Lead Partner, Price Water House Coopers (PwC); Yoel Kenan, who is the Chief Executive Officer, Africori in South Africa; and Eric Bally, Associate Producer of the biggest touring company in Europe, YUMA Production.
African music artiste who will be joining the panelist to share their experience from the music perspective include; Salatiel, Ace Producer/Founder of Alpha Beta Records and 6th AFRIMA Nominee from Cameroon; DJ Moh Green, International DJ/ Producer and 6th AFRIMA Nominee from Algeria, and Kanvee Adams, renowned music artiste and 6th AFRIMA Nominee from Liberia.
Dr. Obi Okwudili Casmir, popularly known as Voombastic Uncle P, National President, (PMAN) who expressed his expectations at the summit said, “I feel honoured to be a guest panelist at the Africa Music Business Summit of the 6th AFRIMA. I will be speaking on the topic, “Music Business as relates to the GDP of Nigeria. I will shed light on how music business can be of great benefit to our nation. I’ve been a professional in the music industry with over twenty-five years of experience. I welcome the rest of the world to join us in Lagos, Nigeria. Come and feel African culture in stylish pattern”.
Also sharing his excitement, Sipho Dlamini, Managing Director, Universal Music Group, South Africa added “In relation to the theme of the summit, I will shed light on current distribution opportunities in Africa and what the future may look like. As a professional with over twenty years of experience in the music business, from Europe, to the Middle East and Africa, I hope to share some insight that will bring value to your career and your role within the business”.
Participants will get the opportunity to engage in robust conversations on the economic viability and corporate benefits of the African music and arts industry. Participants will include music artiste/songwriters, music producers, record label owners, owners of publishing/entertainment companies, associations of music professionals, policymakers in the art and culture sector, lawyers, journalists, students and many more.
Coordinating the panels is Cameroonian French-speaking Media Personality, Pamela Happi alongside Munya Chanetsa who is Head of Licensing & New Business of Composer, Authors & Publishers, South Africa.
The 6th AFRIMA tagged ‘Feel Africa’ is in partnership with the African Union Commission is committed to the stimulation of conversations among Africans and between Africa and the rest of the world about the potentials of the cultural and creative economy for real enterprise on the continent, contributing significantly to social cohesion and continental integration as well as sustainable economic growth and development in Africa by lending its voice to promotion of education and campaign against extreme poverty and preventable diseases. The 6th AFRIMA is sponsored by the Pan African Bank, Ecobank and Africa’s Telecom Giant, MTN.
As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.
Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.
The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.
That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.
An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.
In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.
Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.
Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush
The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.
Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.
Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.
As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.
Stay tuned for updates and watch the video below as the mystery continues to unfold!
Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”
Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.
Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.
“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.
“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.
The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.
“I Was Told I’d Never Win”
Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.
After attempting to tell her side of the story in a public interview, she faced even more backlash.
“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.
Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.
“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.
Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.
Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.
The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.
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