celebrity radar - gossips
Faithia Balogun set to give marriage a second chance
Popular actress, Faithia Balogun, recalls how her acting career started and also the challenges she has faced over the years
Can you recall some of your most memorable childhood experiences?
The only thing I can vividly remember is my experience in school. I went to one of the most popular schools in those days, Maryland Comprehensive High School, Ikeja. I loved going to school because every morning, my father would drive me to school and I always looked forward to seeing him after school or whenever he returned from the office.
What kind of family do you come from?
My family is a very small one. We were not extremely rich but we were very comfortable. I had everything a kid desired and I really enjoyed my childhood.
When was the first time you considered acting as a career?
I was a student of the Kwara State Polytechnic, Ilorin and I came home for a brief vacation. One day, my late foster brother, Fatai Teniola, was waiting for one of his casts to show up for a movie production. When the actress didn’t come, he and Kokonsari asked me if I could play the role. I replied that I couldn’t and that I was not even interested in acting. However, after much pleading, I decided to do it. I went back to school after that and I didn’t return for a long time so I forgot all about acting because it wasn’t in my plans. As of then, I was studying for a diploma in Law, with the intention of switching over to accounting because my father really wanted me to become an accountant. But I didn’t get admission to study accounting because I wasn’t good at mathematics. After school, I didn’t have anything to do, so I joined my foster brother’s production outfit and that was how it started. I then realised that it was something I enjoyed and I decided to go with the flow. Because I began to enjoy acting, I didn’t go back to school for my Higher National Diploma. That was when it occurred to me that I could take it up as a sustainable career. I rose fast in the movie industry because as of the time I joined, there weren’t too many actresses in the industry and I was getting ample jobs. However, after few years of acting, I travelled to the United Kingdom.
Did you eventually complete your studies in the UK?
Yes, I enrolled in a part-time drama course, though I did not finish because I got pregnant along the line. But I still had the determination that I would go back to school. Last year, I went to the Olabisi Onabanjo University to study Filming and I am happy about it.
Can you recall the first movie you acted in?
It was either T’alo pa Chief or Secretary and that was between 1989 and 1990.
Which movie made you popular?
T’alo pa Chief was a very popular movie back then and I played a major role in it. Then I was using the name, Faithia Williams and some people still refer to me by that name. After I got back from the UK, I acted in Abule Sowo by Yinka Quadri and that revived my career again.
What were some of the challenges you faced at the beginning of your career?
I usually tell people that there are challenges in all careers, even for meat sellers in the market. One has to pay his or her dues when coming up. You cannot just get there and think you would rise to the top in no time. If you don’t have endurance and patience, you wouldn’t be able to make it because you will get to hear a lot of messed up things. There is also an incident that happened at the early stage of my career. After returning from London, I was invited to act the sub-lead role in a movie outside Lagos. When we finished shooting the first day, the director said the lead actress, who was reigning at that time though I started acting before her, would sleep in the best hotel in that town, while I would follow him to his one-roomed apartment. I ended up sleeping on a couch for two days and I didn’t complain. But I prayed to God and asked Him to make me grow bigger than even the lady and I’m grateful for where I am today.
How many movies have you produced?
I’ve produced about 15 movies.
What were some of the challenges you faced while producing those movies?
If you ask me to choose between acting and producing, I will pick acting because it is less stressful. When you’re acting, you’re like the boss because everybody will be fussing over you. But when producing, you will be the one to run after the actors and make sure they’re okay. That makes me mad because some actors can be very difficult to handle, but you must not lose your calm. While producing Asa, which is my biggest movie, it was during the rainy season and I couldn’t shoot for some days. Meanwhile, I was feeding over 500 people on set. It was very tough but I was able to scale through.
Do you think there’s tribalism in the movie industry?
I wouldn’t call it tribalism; rather it has to do with how everybody started. We started acting in Yoruba while they were speaking English in their movies. If we want them to act in our movies, we would have to call them and vice versa. But the only painful part of it is that they feel we are not educated and cannot speak English. That irks me a lot because we have a lot of educated people in the Yoruba movie industry.
If you were not an actress, what do you think you would have been doing?
I honestly don’t know. Even if I had completed my education at the initial stage, I don’t think I would have worked with my certificate. However, I like engaging in business and I am already doing that alongside my acting career.
Would you consider yourself a fashionable person?
In my own little way, I think I’m fashionable. I like looking good and I spend a lot of money to achieve that. I love shoes and bags and I can do anything to get them.
What can you never be caught wearing?
I can never wear bum shorts, except in movies.
Why is that?
I feel my legs are not straight, they are bowed. I believe that wearing bum shorts with bow legs looks funny so when I see people doing that, I feel it’s awkward.
How do you unwind?
I’m a homely person and I cherish my privacy a lot. If I’m not working, I will either be sleeping or watch movies in my house. But once in a while, I visit cinemas.
Do you watch your own movies?
Not really, because I feel very stupid doing that and I criticise myself a lot.
Are you still willing to give marriage another shot?
I don’t know if I’ll fall in love again but let’s leave that to God. Never say never.
What are the qualities your ideal man must possess?
I wouldn’t tell you because anytime you see me with anybody who has those qualities, you would assume we’re dating. But the most important thing is that the person must be God-fearing.
Do you think it’s advisable for entertainers to date each other?
We all have our lives to live and I cannot dictate to anybody.
What is your official name now?
My name is Faithia Williams.
But most people know you as Faithia Balogun; don’t you think it would be confusing to your fans?
I don’t think so. Many of my fans still call me Faithia Balogun and even in movie credits, I am referred to by that name.
You recently celebrated your birthday, would anything be changing for you?
Yes. I have a lot of projects on my table and I also have a new management team that is working hard. It had always been hard for me to get my management team right but thank God I’ve got the best in town now and we’re working hand-in-hand to execute my projects. I am passionate about the girl child and I have a short movie coming soon about that. I featured in Kunle Afolayan’s new movie, Roti, and I’m very excited about it. It will be showing in cinemas soon and I want my fans to keep a lookout for it. I also hosted some of my loyal fans to brunch recently.
Are you really 50 years old?
I am not and my family knows that. If I clock 50, I would announce it to the world in a big way. I’m still in my 40s.
What’s your specific age?
I am in my mid 40s.
Is any of your children following your footsteps as an actress?
I have seen little traces. My son writes a lot of scripts and he wants to study Cinematography. My daughter also likes writing and she wants to study English. However, they both don’t like to act.
A lot of people don’t know that you’re not Yoruba?
Anybody that doesn’t know that is not my true fan. I’m from Delta State, Urhobo to be precise. Notwithstanding, I’m so proud and glad to be in the midst of Yoruba people because they are very wonderful.
Punch
celebrity radar - gossips
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”
Why Babangida’s Hilltop Home Became Nigeria’s Political “Mecca”.
By George Omagbemi Sylvester | Published by SaharaWeeklyNG.com
Former President Goodluck Jonathan’s birthday visit to Gen. Ibrahim Badamasi Babangida (IBB) in Minna (where he hailed the octogenarian as a patriotic leader committed to national unity) was more than a courtesy call. It was a reminder of a peculiar constant in Nigerian politics: the steady pilgrimage of power-seekers, bridge-builders and crisis-managers to the Hilltop mansion. Jonathan’s own words captured it bluntly: IBB’s residence “is like a Mecca of sorts” because of the former military president’s enduring relevance and perceived nation-first posture.
Babangida turned 84 on 17 August 2025. That alone invites reflection on a career that has shaped Nigeria’s political architecture for four decades; admired by some for audacious statecraft, condemned by others for controversies that still shadow the republic. Born on 17 August 1941 in Minna, he ruled as military president from 1985 to 1993, presiding over transformative and turbulent chapters: the relocation of the national capital to Abuja in 1991; the creation of political institutions for a long, complex transition; economic liberalisation that cut both ways; and the fateful annulment of the 12 June 1993 election. Each of these choices helps explain why the Hilltop remains a magnet for Nigerians who need counsel, cover or calibration.
A house built on influence; why the visits never stop.

Let’s start with the obvious: access. Nigeria’s political class prizes proximity to the men and women who can open doors, soften opposition, broker peace and read the hidden currents. In that calculus, IBB’s network is unmatched. He cultivated a reputation for “political engineering,” the reason the press christened him “Maradona” (for deft dribbling through complexity) and “Evil Genius” (for the strategic cunning his critics decried). Whether one embraces or rejects those labels, they reflect a reality: Babangida is still the place where many politicians go to test ideas, seek endorsements or secure introductions. Even the mainstream press has described him as a consultant of sorts to desperate or ambitious politicians, an uncomfortable description that nevertheless underlines his gravitational pull.
Though it isn’t only political tact that draws visitors; it’s statecraft with lasting fingerprints. Moving the seat of government from Lagos to Abuja in December 1991 was not a cosmetic relocation, it re-centred the federation and signaled a symbolic neutrality in a country fractured by regional suspicion. Abuja’s founding logic (GEOGRAPHIC CENTRALITY and ETHNIC NEUTRALITY) continues to stabilise the national imagination. This is part of the reason many leaders, across party lines, still defer to IBB: he didn’t just rule; he rearranged the map of power.
Then there’s the regional dimension. Under his watch, Nigeria led the creation and deployment of ECOMOG in 1990 to staunch Liberia’s bloody civil war, a bold move that announced Abuja as a regional security anchor. The intervention was imperfect, contested and costly, but it helped define West Africa’s collective security posture and Nigeria’s leadership brand. When neighboring states now face crises, the memory of that precedent still echoes in diplomatic corridors and Babangida’s counsel retains currency among those who remember how decisions were made.
Jonathan’s praise and the unity argument.
Jonathan’s tribute (stressing Babangida’s non-sectional outlook and commitment to unity) goes to the heart of the Hilltop mystique. For a multi-ethnic federation straining under distrust, figures who can speak across divides are prized. Jonathan’s point wasn’t nostalgia; it was a live assessment of a man many still call when Nigeria’s seams fray. That’s why the parade to Minna continues: the anxious, the ambitious and the statesmanlike alike seek an elder who can convene rivals and cool temperatures.
The unresolved shadow: June 12 and the ethics of influence.

No honest appraisal can skip the hardest chapter: the annulment of the 12 June 1993 election (judged widely as free and fair) was a rupture that delegitimised the transition and scarred Nigeria’s democratic journey. Political scientist Larry Diamond has repeatedly identified June 12 as a prime example of how authoritarian reversals corrode democratic legitimacy and public trust. His larger warning (“few developments are more destructive to the legitimacy of new democracies than blatant and pervasive political corruption”) captures the moral crater that followed the annulment and the years of drift that ensued. Those wounds are part of the Babangida legacy too and they complicate the reverence that a steady stream of visitors displays.
Max Siollun, a leading historian of Nigeria’s military era, has observed (provocatively) that the military’s “greatest contribution” to democracy may have been to rule “long and badly enough” that Nigerians lost appetite for soldiers in power. It’s a stinging line, yet it helps explain the paradox of IBB’s status: the same system he personified taught Nigeria costly lessons that hardened its democratic reflexes. Today’s generation visits the Hilltop not to revive militarism but to harvest hard-won insights about managing a fragile federation.
What sustains the pilgrimage.
1) Institutional memory: Nigeria’s politics often suffers amnesia. Babangida offers a living archive of security crises navigated, regional diplomacy attempted, volatile markets tempered and power-sharing experiments designed. Whether one applauds or condemns specific choices, the muscle memory of governing a complex federation is rare and urgently sought.
2) Convening power: In a season of polarisation, the ability to sit warring factions in the same room is not small capital. Babangida’s imprimatur remains a safe invitation card few refuse it, fewer ignore it. That convening power explains why movements, parties and would-be presidents keep filing up the long driveway. Recent delegations have explicitly cast their courtesy calls in the language of unity, loyalty and patriotism ahead of pivotal elections.
3) Signals to the base: Visiting Minna telegraphs seriousness to party structures and funders. It says: “I have sought counsel where history meets experience.” In Nigeria’s coded political theatre, that signal still matters. Outlets have reported for years that many aspirants treat the Hilltop as an obligatory stop an unflattering reality, perhaps, but a revealing one.
4) The man and the myth: The mansion itself, with its opulence and aura, has become a set piece in Nigeria’s story of power, admired by some, resented by others, but always discussed. The myth feeds the pilgrimage; the pilgrimage feeds the myth.
The balance sheet at 84.
To treat Babangida solely as a sage is to forget the costs of his era; to treat him only as a villain is to ignore the architecture that still holds parts of Nigeria together. Abuja’s relocation stands as a stabilising bet that paid off. ECOMOG, for all its flaws, seeded a habit of regional responsibility. Conversely, June 12 remains a national cautionary tale about elite manipulation, civilian marginalisation and the brittleness of transitions managed from above. These are not contradictory truths; they are the double helix of Babangida’s place in Nigerian memory.
Jonathan’s homage tried to distill the better angel of IBB’s record: MENTORSHIP, BRIDGE-BUILDING and a POSTURE that (at least in his telling) RESISTS SECTIONAL ISM. “That is why today, his house is like a Mecca of sorts,” he said, praying that the GENERAL continues to “mentor the younger ones.” Whether one agrees with the full sentiment, it accurately describes the lived politics of Nigeria today: Minna remains a checkpoint on the road to relevance.
The scholar’s verdict and a citizen’s challenge.
If Diamond warns about legitimacy and Siollun warns about the perils of soldier-politics, what should Nigerians demand from the Hilltop effect? Three things.
First, use influence to open space, not close it. Counsel should tilt toward rules, institutions and credible elections not kingmaking for its own sake. The lesson of 1993 is that subverting a valid vote haunts a nation for decades.
Second, mentor for unity, but insist on accountability. Unity cannot be a euphemism for silence. A truly patriotic elder statesman sets a high bar for conduct and condemns the shortcuts that tempt new actors in old ways. Diamond’s admonition on corruption is not an abstraction; it’s a roadmap for rebuilding trust.
Third, convert nostalgia into institutional memory. If Babangida’s house is a classroom, then Nigeria should capture, publish and debate its lessons in the open: on peace operations (what worked, what failed), on capital relocation (how to plan at scale), and on transitions (how not to repeat 1993). Only then does the pilgrimage serve the republic rather than personalities.
At 84, Ibrahim Babangida remains a paradox that Nigeria cannot ignore: a man whose legacy straddles NATION-BUILDING and NATION-BRUISING, whose doors remain open to those seeking power and those seeking peace. Jonathan’s visit (and his striking “Mecca” metaphor) reveals a simple, stubborn fact: in a country still searching for steady hands, the Hilltop’s shadow is long. The task before Nigeria is to ensure that the shadow points toward a brighter constitutional daybreak, where influence is finally subordinated to institutions and where mentorship hardens into norms that no single mansion can monopolise. That is the only pilgrimage worth making.
celebrity radar - gossips
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Ajadi Celebrates Juju Legend Femolancaster’s 50th Birthday in the UK
Nigerian Juju music legend, Otunba Femi Fadipe, popularly known as FemoLancaster, is being celebrated today in London as he clocks 50 years of age.
Ambassador Olufemi Ajadi Oguntoyinbo, a frontline politician and businessman, led tributes to the Ilesa-born maestro, describing him as a timeless cultural icon whose artistry has enriched both Nigeria and the world.
“FemoLancaster is not just a musician, he is a legend,” Ambassador Ajadi said in his birthday message. “For decades, his classical Juju sound has remained a reminder of the beauty of Yoruba heritage. Today, as he turns 50, I celebrate a cultural ambassador whose music bridges generations and continents.”
While FemoLancaster is highly dominant in Oyo State and across the South-West, his craft has also taken him beyond Nigeria’s borders.
FemoLancaster’s illustrious career has seen him thrill audiences across Nigeria and beyond, with performances in the United Kingdom, Canada, United States of America, and other parts of the world. His dedication to Juju music has projected Yoruba traditional sounds to international stages, keeping alive the legacy of icons like King Sunny Ade and Chief Ebenezer Obey while infusing fresh energy for younger audiences
He further stressed the significance of honoring artistes who have remained faithful to indigenous music while taking it global. “In an era where modern sounds often overshadow tradition, FemoLancaster stands as a beacon of continuity and resilience. He has carried Yoruba Juju music into the global space with dignity, passion, and excellence,” he added.

The golden jubilee celebration in London has drawn fans, friends, and colleagues, who all describe FemoLancaster as a gifted artist whose contributions over decades have earned him a revered place in the pantheon of Nigerian music legends.
“As FemoLancaster marks this milestone,” Ajadi concluded, “I wish him many more years of good health, wisdom, and global recognition. May his music continue to echo across generations and continents.”
celebrity radar - gossips
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
Gospel Songstress Esther Igbekele Marks Birthday with Gratitude and Celebration
By Aderounmu Kazeem Lagos
Lagos, Nigeria — The gospel music scene is aglow today as the “Duchess of Gospel Music,” Esther Igbekele, marks another milestone in her life, celebrating her birthday on Saturday, August 16, 2025.
Known for her powerful voice, inspirational lyrics, and unwavering dedication to spreading the gospel through music, Esther Igbekele has become one of Nigeria’s most respected and beloved gospel artistes. Over the years, she has graced countless stages, released hit albums, and inspired audiences across the world with her uplifting songs.
Today’s celebration is expected to be a joyful blend of music, prayers, and heartfelt tributes from family, friends, fans, and fellow artistes. Sources close to the singer revealed that plans are in place for a special praise gathering in Lagos, where she will be joined by notable figures in the gospel industry, church leaders, and admirers from home and abroad.
Speaking ahead of the day, Igbekele expressed deep gratitude to God for His mercy and the opportunity to use her gift to touch lives. “Every birthday is a reminder of God’s faithfulness in my journey. I am thankful for life, for my fans, and for the privilege to keep ministering through music,” she said.
From her early beginnings in the Yoruba gospel music scene to her rise as a celebrated recording artiste with a unique fusion of contemporary and traditional sounds, Esther Igbekele’s career has been marked by consistency, excellence, and a strong message of hope.
As she adds another year today, her fans have flooded social media with messages of love, appreciation, and prayers — a testament to the profound impact she continues to make in the gospel music ministry.
For many, this birthday is not just a celebration of Esther Igbekele’s life, but also of the divine inspiration she brings to the Nigerian gospel music landscape.
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