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AFRIMA 2018: African Union, Ghana partner for Calendar Unveiling

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The 2018 All Africa Music Awards (AFRIMA) annual calendar of programmes
will be unveiled on Monday, May 21, 2018 by the African Union Commission
(AUC) in collaboration with Government of the Republic of Ghana, and the
International Committee of AFRIMA during a world media event and music
conference scheduled for Accra, the capital city of Ghana.
Part of the agenda for the Calendar Unveiling of the fifth annual
edition of AFRIMA is a Courtesy Visit to His Excellency, the President
of Ghana, Nana Addo Dankwa Akufo-Addo, who is set to receive African
delegates and music stars attending the event from around Africa
including the Head of Culture, African Union, Mrs. Angela Martins;
President/Executive Producer, AFRIMA, Mr. Mike Dada; Director, Brand
Communications, AFRIMA; Ms. Matlou Tsotetsi; AFRIMA Regional Director;
Western Africa, Mr. Don Obilor, the Ghanaian-UK AFRIMA Juror,
(representing UK-Diaspora) and BBC-1 show host, Ms. Rita Ray and the
AFRIMA Country Director, Ghana, Mr. Francis Doku.
Also participating at the event are past AFRIMA nominees and winners,
music professionals and executives, creative/culture industry policy
makers, members of the media industry and other award-winning recording
artistes living in Ghana and in other African countries.
Commenting on the event in line with government’s objective to develop
sustainable tourism pivoted on Ghanaian arts and culture, Ghana’s
Minister of Tourism, Arts and Culture, Hon. Catherine Afeku, said:
“Arts and culture, as a sector, remains one of Africa’s greatest
strengths. As well as being a source of values, identity and a sense of
belonging, the creative industries have become a driver of economic
growth and job creation. In agreeing to host the AFRIMA 2018 Calendar
Unveiling, the Government of Ghana is motivated by the need to harness
the potential of the creative sector of Ghana to promote national and
regional tourism. We congratulate the African Union for lending its
weight behind this laudable effort”.
Hon. Afeku added, “The Government of Ghana recognizes the potential of
the Creative Industries to shape and reinforce the country’s economic
growth. Studies show that by the end of the first decade of this
millennium, cultural activities contributed to 1.53% of the Gross
Domestic Product (GDP) of our country.  Zeroing in on music industry, it
is reported with some justifiable pride that that sector alone adds
approximately GH¢100 million to GDP”.
Speaking on the collaborative work by the African Union and the
International Committee of AFRIMA to create inventive solutions to
achieving the AU Charter for African Cultural Renaissance and the Plan
of Action on Cultural and Creative Industries, the Acting Director for
Social Affairs, African Union Commission, Madam Mariama Cisse revealed
that partnerships with member AU states such as Ghana further galvanise
the achievement of the AU policy on Africa transformation through social
integration.
In her statement, the Acting Director for Social Affairs, African Union,
said: “The hosting by the Republic of Ghana of this unveiling event is
very important given that previous events were hosted by the Federal
Republic of Nigeria and it is crucial that the initiative rotates in the
AU Member States to ensure broader popularization and enhance its
Pan-African nature. We thus express our gratitude to the Government of
the Republic of Ghana for hosting the event and call upon all musical
artists to participate in the initiative by submitting their works once
the call for submissions is open”.
AFRIMA, Africa’s biggest music awards property, will roll out the 2018
calendar under the theme “Africa is Music”. The calendar features
back-to-back events traversing several countries in the five regions of
Africa. Some of these planned events include music/culture conferences;
country visits to converse with critical music/culture industry
stakeholders and high-octane music concerts tagged “Turn Up Africa”
which objective is to connect fans and followers of African music with
their favourite Africa music stars of the traditional and contemporary
genres.
In partnership with the African Union, the All Africa Music Awards is a
music property that recognises and rewards the work and talent of a
myriad of African artists from the old to the new generation of
musicians. Through its conference, AFRIMA also stimulates conversations
among Africans and between Africa and the rest of the world about the
potential of the creative arts for real humanising enterprise on the
continent, contributing significantly to social cohesion, national,
regional and continental integration as well as sustainable development
in Africa. The award show is usually broadcast to over eighty countries
around the world

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

 

As a film student, my evaluation of Seven Doors, the Netflix mini-series produced and directed by Femi Adebayo and others, may differ from the general audience’s. While the audience is integral to the film’s meaning, my academic perspective allows me to appreciate the cinematic craftsmanship that underlies the narrative.

Unarguably, in the same way that auteur theory highlights the director’s creative vision and Schreiber theory emphasises the screenwriter’s role, mise-en-scène theory underscores the art director/production designer’s contributions to the film’s visual language.

The art director/production designer plays a crucial role in creating the mise-en-scène, encompassing settings and props, costumes, facial and body expressions, lighting and colour, and character positioning within the frame. Therefore, the art director of Seven Doors, Olatunji Afolayan deserves a special recognition for designing visual elements that evoke nostalgia and cultural memory.

That you may know, the vintage chinawares and floral metal bowls in Seven Doors are props and carefully designed elements that contribute to the film’s visual composition and spatial relationships. The mural and sculptural designs are creatively etched on the walls and plotted to depict the period piece seamlessly. The choice of architectural designs (constructed or adapted) is a brainchild of the art director’s attention to detail when selecting these props, which helps create a sense of realism and authenticity.

An art director is said to be a “master of visual storytelling, a weaver of worlds, and a conductor of the cinematic orchestra.” The look, feel, mood, and colour pallets that connect all the departments are designed by an expert—the art director. Olatunji Afolayan’s technical depth and prowess are the apparent signature of Seven Doors. Without Afolayan’s ‘dirtied hands’, Seven Doors would remain bald and bland.

In conclusion, the art director/production designer is an essential member of the filmmaking team, and their contributions to the mise-en-scène deserve recognition. Olatunji Afolayan’s work in Seven Doors is a testament to the importance of the art director/production designer in creating a visually stunning and engaging film.

Undoubtedly, Olatunji Afolayan is the god of mise en scene in Seven Doors.

Steven Anu’ Adesemoye

SEVEN DOORS: OLATUNJI AFOLAYAN DESERVES A FLORIST

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

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Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

 

The mother of Nigerian Afrobeat sensation Ayra Starr has sent social media into a frenzy with a playful revelation about having a crush on someone who, humorously, calls her “mummy.” In a video that quickly went viral, she expressed her excitement about the possibility of meeting her crush at Ayra Starr’s upcoming show on Christmas Day.

Ayra Starr’s Mother Sparks Buzz with Confession About Her Mystery Crush

Captioning the video, Ayra Starr’s mother wrote: “Wahala, my crush is calling me mummy. Anyways, we will meet at Ayra’s show on the 25th.” Her candid and lighthearted confession immediately captivated fans, sparking a wave of speculation about the identity of her mystery crush.

Many have taken to social media to guess the individual who has captured Ayra Starr’s mother’s affections. A popular theory among fans is that the crush might be none other than Don Jazzy, the renowned Nigerian music mogul and the boss of Ayra Starr’s record label, Mavin Records. However, Ayra’s mother kept the identity of her crush under wraps, leaving fans to wonder and eagerly anticipate any clues that might surface.

As the excitement for Ayra Starr’s Christmas Day show builds, fans are eagerly awaiting the event, with many now watching closely to see if Ayra’s mother’s cheeky prediction about meeting her crush will indeed come true.

Stay tuned for updates and watch the video below as the mystery continues to unfold!

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Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

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Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Tiwa Savage Reveals Divorce Struggles: “It Made Me Depressed and Turned Me Into the ‘African Bad Girl'”

 

Nigerian music sensation Tiwa Savage has opened up about her turbulent divorce from Tunji “TeeBillz” Balogun, sharing deeply personal insights about the emotional toll it took on her life and career.

Tiwa Savage Reveals Divorce Struggles: "It Made Me Depressed and Turned Me Into the 'African Bad Girl'"

Speaking candidly on The Receipts Podcast, the 44-year-old Afrobeat star reflected on the heartbreak of her 2018 separation, which she revealed was exacerbated by her struggles with postpartum depression and public backlash.

“I Was Nigeria’s Sweetheart”
Tiwa described how her rise to fame was met with widespread admiration, as she followed what she called the “perfect path” of societal expectations.

“When I started, I was Nigeria’s sweetheart. I could do no wrong. I went to university, got married, had a baby — everything by the book. But then everything came crashing down, and I became the target of criticism,” she said.

The separation, which TeeBillz announced online, marked a turning point in Tiwa’s life. Despite not initiating the breakup, she recalled being vilified in the media and by the public.

“I Was Told I’d Never Win”

Tiwa revealed how the overwhelming criticism pushed her into a dark place. “At the time, my baby was just a few months old, and I was already dealing with postpartum depression. My body wasn’t the same, and I was depressed. But instead of support, people attacked me,” she shared.

After attempting to tell her side of the story in a public interview, she faced even more backlash.

“People said, ‘How dare you go and talk? You’re a woman, and you’re supposed to hold the home together.’ Famous people called to tell me I’d never win, and it was my fault because I was a woman. It was heartbreaking,” Tiwa recounted.

 

Reinvention as the “African Bad Girl”
The constant criticism and emotional pain led Tiwa to transform her image and embrace a bolder persona.

“It made me depressed for so long, but it also made me angry. I thought to myself, ‘If I did everything right and still got attacked, why should I bother?’ That’s when I became the ‘African Bad Girl,’” she said.

Tiwa explained how she began to rebel against societal norms, opting for tattoos, shorter skirts, and bikinis. “I was just wild. It was my way of coping and reclaiming control of my life after being judged for so long,” she added.

Despite the challenges, Tiwa’s resilience and reinvention have made her an enduring icon in the global music scene, solidifying her place as a trailblazer in African entertainment.

The revelations highlight not only the personal cost of fame but also the cultural pressures that women in the spotlight often endure. Through it all, Tiwa continues to inspire, proving that reinvention is a powerful tool for survival and success.

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