celebrity radar - gossips
Amosun:Tinpot Emperor by Sam Omatseye
His cap fits him, especially as a measure of his ego. It points up like an airport tower as though intending to graze the sky. Ibikunle Amosun’s head gear suffers from what Sigmund Freud and his followers would call phallic anxiety. From base to top, the cap occupies a real estate bigger than his face from fore-head to chin. To his credit, few politicians have so mastered what I would call the “political look.” Some showcase their shirts, others their shoes, many their caps. But few set themselves apart like the Ogun State governor as a fop of the head. Many say it is inelegant with the top rims caved in so the centre spikes up like a blade. But it is his own.
What does not fit, though, is the man and his task. So, Amosun may be a governor, but he is not gubernatorial. He has never been gubernatorial, not even before he mounted the throne and grovelled in prayer from party leader to party leader, sitting in lobbies on end and playing the suppliant fellow as an impresario of humility. Like Oliver Goldsmith’s familiar character, Amosun thinks he stooped then. Now it is his time to conquer. He was afflicted early by the fear of gratitude, and his ogas must pay for his humble pie.
The first shadow of the ego at work was a picture of a flood few months into his reign. The man paid a visit, and in spite of his ponderous boots, he would not allow his special footwear to touch the intrusive waters. He cruised on a canoe while the rest of Ogun humanity around swam. He, with his boots, was too pristine for the stain.
Of late though, what he has done puts the man in bold relief, especially his bold belief. He wanted to post his successor, and he had the right to it. But he wanted to do it without due process. A godfather must earn the respect of his son. The scriptures warn parents not to provoke their children to wrath. It was lesson number one that he did not understand. He was less than the lesson. Godfathers must play a delicate game of balance and flattery of conflicting interests and tendencies. If he wants to impose he must follow the paradox of imposition by consent. He followed the path of imposition by fiat.
Because he was too confident, he fell out of touch with the grassroots. The primary poll came, and he lost. His candidate for governor had to wait on the side-lines. But while others cheered, he lamented. His party, the APC, had thumbed its finger for another man, Dapo Abiodun. Amosun would not yield. His patriarchal air would not absorb such a defeat. He had to seek oxygen elsewhere.
His path was to seek another party, and be on record as one of a few governors who are leaders without discipline. He betrayed what Joseph Conrad calls a “bravado of guilt” or “an adventurer’s easy morality.” He, like his Imo State mate of erections, Rochas Okorocha, announced that his candidate was going to another party. A party leader masterminded an anti-party activity. Party chairman Adams Oshiomhole yelled, but the man Amosun yelled back. He had cried that party leaders had squeezed him out of contention in his own realm.
He screamed at Lagos, and at Abuja, and he screamed until he turned hoarse. He said he wanted to run as senatorial candidate of APC. The people of Ogun State he urged to vote him as APC senator and his candidate Akinlade of the APM as the governor pick. That was local politics.
He who claimed to love Buhari more than the so-called cabal decided to play another stunt. His people should vote Buhari of the APC for president, him for senator and Akinlade for governor. A confused trinity. He took his man Akinlade on a sojourn to Aso Rock. It was indeed a theatre when even Buhari received Amosun in Aso Rock and received the candidate and posed for the camera. If all politics is local, Amosun is making the byway the main road. Governor is main road but by asking his supporters to go to another party for the top post in the state, he made the byway the main road.
Segun Osoba had to remind Buhari that he had erred woefully by taking the party pick to visit him. But Buhari is for everyone and nobody and the translation is that Buhari is for Buhari only. By that, Buhari had become guilty like Amosun.
But nothing reflected the absurdity like what happened in Abeokuta at the APC rally when members of his own rival party APM pelted the president with missiles and boos. He endangered the life of the first citizen. Rauf Aregbesola called him a hypocrite. It was a lawless scene that day. Eyewitness accounts show that persons were mauled and one person’s eye was gouged.
Yet he wants to be a senator. As I tweeted, we have enough of the tout in a certain fellow from Kogi State. The senate cannot abide another one, especially if he was once governor. Amosun is a great shuffler. That day, he jostled Abiodun from the front row. It took the vice president’s intervention who ceded his place beside the president to him. Prof Yemi Osinbajo had to secure a place on the other side of the president. More than one governor has told me that when his colleagues gather around the president, he often pushes them away so as to stand beside Buhari. Hence he is often beside the man for photo ops, unless on a few occasions when the shuffler fails.
Amosun ought to learn about the limits of power. A friend of mine apprised me of a text message he sent Amosun as new year greetings in 2017. Excerpt: “…it is obvious the euphoria that greeted your ascension to power in 2011 has avoidably vanished… rather than be the solution, most inhabitants of the Gateway state, including civil servants, most politicians, civil society groups, market men and women now see you as the problem…this could be traced only to one factor: …you listen only to yourself…which can only lead to self-perdition…why are you daring God with your published statement that you know the person that won’t be governor come 2019…you’re determined to play Babangida here but we all know how Babangida ended…but try to reflect on why the populace of that state no longer like you. Remember the verdict of history and the incontrovertible fact that: today is not forever.”
During the Yoruba Wars, the story is told of an Alafin, who grovelled by day and plotted by night, and he ended up in the night of infamy. For now, we can say Amosun is playing emperor, but an expiring one. His reign is going roughneck into that goodnight. He is raging against the dying of his light, apologies Dylan Thomas.
@nation
celebrity radar - gossips
Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy By Alhaji Arems
Among His Peers, Oba Orin Saheed Osupa Stands Out : The Fuji Star’s Storytelling Legacy
By Alhaji Arems
In the vibrant world of Fuji music, where the artistry of storytelling and cultural commentary thrive, Saheed Osupa has carved out a unique role as both an artist and an influencer of thought. Recently, his name has been lighting up social media discussions and generating significant buzz—not just because of his music but because of the depth of his words. Osupa’s trending status is rooted in his ability to subtly address pressing issues, particularly those surrounding the ongoing tension between fellow Fuji musicians Taye Currency and Pasuma Wonder.
Osupa’s recent contributions to this situation have not been straightforward; rather, he has adopted an artistic approach, using parables and proverbs—sometimes through complex storytelling—to impart wisdom. These nuanced messages, often hidden within his lyrics, resonate with fans who appreciate the clever way he brings age-old Yoruba wisdom into contemporary issues. One notable example involves a story about an animal (traditionally symbolizing patience and resilience) that many believe reflects Osupa’s thoughts on rivalry and pride. Through this parable, he seems to suggest the importance of self-reflection and restraint, especially in the heat of conflict.
In a genre that values not only musicality but also the power of words, Osupa has long been seen as a master of *itan*, or storytelling. His recent songs echo the traditional Yoruba way of imparting wisdom through tales that serve as lessons. This is a skill that few artists have mastered, making his approach particularly impactful in today’s fast-paced digital world, where nuanced messages can often be overlooked.
Beyond the Taye Currency-Pasuma Wonder issue, Osupa’s trending status is also due to his reputation as a voice of reason and maturity in Fuji music. As a genre that is often vibrant and full of competitive spirit, Fuji has its share of rivalries. Yet, Osupa has often stood out by promoting unity and peaceful dialogue among Fuji artists. By sharing these reflective stories in his music, he adds layers of meaning that fans continue to unpack and discuss, drawing new audiences who appreciate both the artistry and wisdom behind his words.
The charm of Saheed Osupa lies in his timeless approach. In a world where trends are fleeting, he reminds fans of the importance of timeless values, urging reflection, humility, and understanding. As fans interpret and share his latest stories, Osupa’s message continues to resonate widely—proof that, in Fuji, the power of words can be as influential as the beat of the drum.
celebrity radar - gossips
What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade
What You Need To Know About Award-Winning Nigerian Actor, Mustapha Sholagbade
Mustapha Ololade Sholagbade, born on January 1, 1989, in Ebute Metta, Lagos, is an accomplished Nigerian actor, producer, and filmmaker with a deep passion for Yoruba cinema. Originally from Abeokuta, Ogun State, he is the first child in his family. Sholagbade began his education at Kadara Primary School and continued at Sojomen Talabi High School, Akute, and Nawairudeen Secondary School, Ebute Metta. He later earned an Ordinary Narional Diploma in Business Administration from the Lagos State Polytechnic. Pursuing his passion for acting, he trained at Odunfa Caucus, where he graduated in 2010.
Sholagbade launched his acting career in 2005, making a name for himself in Yoruba-language films. His portfolio includes roles in popular films like Olowo Ghetto, Alaimo, Ebun Mi, Esi, Gold and Treasure, Liam, Emilomo Babaolowo, Oko Aunty Mi, Broken Bond (Tude), and Last Born. In addition to acting, he has also produced several films, further cementing his influence in the industry.
Beyond the entertainment world, Sholagbade is a versatile professional with experience in railway engineering, IT support, and site management in the UK. He is also a farmer and general merchant, demonstrating his entrepreneurial spirit and diverse skill set.
Throughout his career, Sholagbade has collaborated with top figures in Yoruba cinema, such as Yinka Quadri, Taiwo “Ogogo” Hassan, Funke Akindele, Femi Adebayo, Odun Adekola, Oga Bello, Baba Wande, Jide Kosoko, Funsho Adeolu, Fathia William Balogun, Saidi Balogun, Wunmi Toriola, and Mide Martins.
Sholagbade’s hobbies include traveling, business, football, filmmaking, and meeting new people, reflecting his dynamic and outgoing personality.
Sholagbade’s talent and dedication to his craft have earned him numerous accolades, including: Best Actor Yoruba – BON Awards, 2024, Best Supporting Actor– Afro Nollywood Awards, UK, 2019, Best Supporting Actor– Heritage Awards, Atlanta, USA, Best Supporting Actor of the Year (Yoruba) – City People Movie Awards, Best New Actor of the Year (Yoruba) – City People Movie Awards.
With his achievements and versatility, Mustapha Ololade Sholagbade remains a notable force in the Nigerian film industry and a proud ambassador of Yoruba cinema worldwide.
Coalition Congratulates Oluyede on Appointment as Acting COAS
The Coalition of Civil Society Groups against Terrorism in Nigeria has congratulated Major-General Olufemi Oluyede on his appointment as the acting Chief of Army Staff, (Ag COAS, Nigerian Army).
The Convener of the Coalition, Comrade Oladimeji Odeyemi, in a statement, said General Oluyede has the responsibility to consolidate the success achieved by the Nigerian Army under General Taoreed Lagbaja.
President Bola Tinubu had on Wednesday, October 30, appointed Oluyede as acting COAS pending the return of the indisposed substantive Chief of Army Staff, General Taoreed Lagbaja.
The Coalition said his appointment is a welcome development. It said: “Major-General Olufemi Oluyede is well qualified for the position. He was a member of the 39th regular course and commissioned as an officer in 1987. Aged 56, he was promoted to the rank of Major-General in September 2020. A professional and top-notch security expert, he brings a lot of hope and inspiration to younger officers as acting chief of Army Staff.
“His appointment is the way to go. As the acting Chief of Army Staff, Oluyede has the responsibility to lead an army that will administratively manage the institution, consolidate on the success achieved by General Lagbaja and his team to mop up remnants of insurgents, bandits and the ragtag criminal elements in the North, and dismantle the ethnic militias in the Southeast to bring peace in the country.
“The 56-year-old Oluyede shares a long history with General Lagbaja, with a track record and excellent service to the nation. Both are members of the 39th Regular Course and were commissioned as officers in 1987.
“Oluyede’s meritorious career began as a Platoon commander and adjutant at 65 Battalion, advancing to Company commander at 177 Guards Battalion and later Staff Officer at the Guards Brigade and commandant of Amphibious Training School.
“Oluyede has been part of many notable operations, including the ECOMOG Mission in Liberia, Operation HARMONY IV in Bakassi, and Operation HADIN KAI in the Northeast, where he commanded the 27 Task Force Brigade.
“He has received honours, including the Corps Medal of Honour, and Grand Service Star, all recognition for passing the Staff Course and membership in the National Institute, and his dedication and achievements in service.”
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