….Diamond Platnumz, Davido, Teniola, Fally Ipupa, AKA, Shatta wale, Amara Brown, DJ Arafat make the Regional Category list ….Continental Category scheduled for Release on August 23 …..Voting to commence from September 1 to November 22, 2019 …..AFRIMA Main Events slated for November 20-23, 2019
The African Union, AU and the International Committee of the All Africa Music Awards, AFRIMA unveiled the Nominees’ list (regional category) for its 6th edition at a World Media Conference on Wednesday, August 14, 2019, at the Abora Hall, of Eko Hotels And Suites, Victoria Island, Lagos, Nigeria
With an array of music industry professionals, artiste and music journalist in attendance to witness the unveiling of 2019 Nominees’ list for Regional and Continental category emerged from the 8,157 songs/videos received as entries from its online portal which closed earlier on August 2, 2019. The unveiling event was broadcast on African Independent Television (AIT), RayPower Fm and Kennis Music FM as the remaining 25 continental categories will be released on Friday, August 23, 2019 after auditing by the International auditors of AFRIMA.
The Regional category for Best Female Artistes and Best Male Artistes of the five regions (Western, Southern, Eastern, Northern, and Central Africa) have been thoroughly selected from the entries to reveal artiste who will be competing at the 2019 awards ceremony.
This year’s list showcases a wide range of creativity and talents both from new and known artiste across the regions. Artiste like Shatta Wale, Kizz Daniel, Salif Keita, Burna Boy will be competing for the Best Male category in Western Africa, while Teniola, Simi, Aya Nakamura, Mzvee, Yemi Alade amongst others will be competing for the Best Female category in Western Africa. Dominating Central Africa include Cameroonian artiste Blanche Baily, Charlotte Dipanda, Daphne alongside their male counterpart Locko, Magasco and Salatiel.
For Eastern Africa; we have great contenders including Sheebah from Uganda; Vanessa Mdee from Tanzania; Nikita Kering from Kenya with Tanzanian Diamond platinum, Rayvanny, Mboso, and Kenyan Khaligraph Jones and Nyashinski.
Moroccan Yann’Sine, Ahmed Soultan, Amiinux, and Algerian Soolking with Cairokee from Egypt, Salma Rachid from Morocco will be battling it out in the Northern region for Best Male and Female category.
A huge representation for South African artiste as they hold sway over the Southern African region for both Male and Female categories. These artistes include AKA, Nasty C, Cassper Nyovest, Sjava, Black Coffee, Kelly Khumalo, Zonke, Nadia Nakai among others. Amara Brown, Tamy Moyo, Jah Prayzah, and Winky D also lock down few spots for Zimbabwe in the Southern regional category.
The Continental category comprising of different genres of music will be released Friday, August 23rd following an auditing process from the international auditors of AFRIMA.
Drawing from their pool of experience and professionalism, the 13-man jury, guided by the AFRIMA acronym FACEIT which stands for Fairness, Authenticity, Creativity, excellence, Integrity, and Transparency underwent a week-long process of thoroughly screening, categorizing, assessing, and grading from the thousands of entries in order to arrive at the best reflection of rich and creative talents embedded in African music, reviewed songs were produced between the period of August 1, 2018, to August 2, 2019.
Mr. Chris Syren, representing Southern Africa, speaking on behalf of the AFRIMA jury, gave a report on their activities including the tireless and assiduous process they had to embark upon during adjudication, the quality of works received, criteria for selection, and the voting process. He commended AFRIMA for its sense of inclusiveness and unity at leading the conversation of using music as a tool for integration and shared prosperity in Africa. The Head of Culture, Africa Union, Mrs. Angela Martins, via a video conference expressed her excitement of this year’s AFRIMA, its capacity to promote the African culture positively as well as called for more support for the continental initiative.
The AFRIMA online voting platform is set to open to the public on Sunday, September 1 and will run till November 22, where both continental and regional nominees in the 36 AFRIMA awarding categories will compete against one another for the coveted 23.9 carats gold-plated AFRIMA Trophy. Nominees will depend on their fans and followers spread across the globe to vote for them in an open voting process via the AFRIMA website, www.afrima.org
The 2019 AFRIMA ceremony scheduled to hold on November 20-23, 2019 during a four-day fiesta of music, glamour, Afrocentricism and entertainment in the official awards Host City will commence with the Welcome Soiree followed by the AFRIMA Music Village, the Host City Tour, the Africa Music Business Summit, the exclusive Nominees Party and concludes with the live Awards Ceremony. Fans of African music globally can follow along and take part in the AFRIMA 2019 events on social media, live stream on the AFRIMA website, the AFRIMA App and by tuning to over 84 television stations which are AFRIMA partners.
Fuji Mi, Fuji Mi, The Source : A Journey Through The History And Leadership of Fuji Music
By Alhaji Arems
Fuji music, a genre deeply rooted in the cultural tapestry of Nigeria, has a rich history that dates back several decades. This article aims to take fans and the general public down memory lane, tracing the origins of Fuji music, its key figures, and the leadership that has shaped its evolution. It’s crucial to acknowledge and celebrate the pioneers who laid the foundation for this vibrant musical genre and correct any misconceptions that have arisen, especially among the younger generation.
The Beginnings of Fuji Music :
Fuji music emerged in the late 1960s and early 1970s, primarily within the Yoruba community of Nigeria. It was an evolution of the were music—a traditional Islamic music genre played during the Ramadan season. Fuji music blended elements of were, apala, and juju music to create a distinctive sound characterized by its energetic percussion, vibrant rhythms, and engaging call-and-response vocals.
The Pioneer : Alhaji Sikiru Ayinde Barrister
The genesis of Fuji music is closely tied to the name Alhaji Sikiru Ayinde Barrister, widely regarded as the creator and undisputed leader of Fuji music. Born on February 9, 1948, Barrister’s innovative approach transformed were music into Fuji, infusing it with modern instrumentation and dynamic stage performances. His impact on Fuji music was profound, as he popularized the genre both within Nigeria and internationally, earning a loyal fanbase that spans generations.
Leadership in Fuji Music: Past and Present :
Following the death of Barrister in 2010, the mantle of leadership within Fuji music has often been a topic of discussion. Alhaji Kollington Ayinla, another prominent figure in the Fuji music scene, is widely acknowledged as the current leader. Kollington, known for his unique style and powerful lyrics, played a significant role in shaping Fuji music alongside Barrister. His contributions to the genre are invaluable, and it is essential to recognize his position and influence within the Fuji community.
Correcting Misconceptions And Honoring Legacy :
In recent times, there has been a growing trend among younger Fuji artists and fans—often referred to as the “Indomie Generation”—to overlook the contributions of foundational figures like Kollington Ayinla. Some have even begun to lay claims to titles and positions that rightfully belong to the pioneers of Fuji music. This publication seeks to correct these misconceptions and ensure that due credit is given where it is deserved.
Kollington Ayinla, as the rightful heir to the leadership of Fuji music, deserves respect and recognition. While it is important to acknowledge the contributions of emerging artists, it should never come at the expense of those who paved the way for Fuji music to flourish. The legacy of pioneers like Barrister and Kollington must be preserved and celebrated, not overshadowed by contemporary claims.
Enlightening The New Generation :
It is imperative for the younger generation to be educated about the history and origins of Fuji music. Understanding the genre’s roots, the sacrifices and innovations of its pioneers, and the cultural significance it holds will foster a greater appreciation and respect for Fuji music. This knowledge will ensure that the legacy of Fuji music remains intact and that its leadership is rightfully honored.
Fuji music is more than just a genre; it is a cultural treasure that embodies the spirit and resilience of the Nigerian people. By acknowledging and celebrating the pioneers who created and shaped Fuji music, we preserve its rich history and ensure that future generations understand and respect its origins. As we look to the future of Fuji music, let us remember the words of Barrister and Kollington, who through their artistry, have left an indelible mark on the world of music.
Late SAB is the authentic Fuji Mi….
_Fuji mi, Fuji mi, the source—let us always remember where it all began._
Meet Azeez Odumosu, The Multi-Talented Yoruba Actor Shaping Nollywood’s Future
Azeez Awiye Odumosu also known as Veron, a rising star in the Yoruba movie industry, has become a force to reckon with as an actor, producer, influencer and the CEO Awiye TV on YouTube channel. Known for his vibrant presence on TikTok and as a successful entrepreneur, Odumosu is the owner of Awiye Autos Nigeria Limited, a reputable car dealership based in Lagos State.
Hailing from Iragunsin, Epe, Lagos State, Azeez began his journey as a content creator, leveraging social media to showcase his talent and build a fanbase. His transition into Nollywood came when he connected with key players in the industry. In 2024, his professional acting career officially began after being introduced to his boss, Kayode Adebayo, popularly known as Kay Alubarika, who is a Nollywood movie director, Akintelu Fatimah Gbemisola and a popular D.O.P, Azeez Tijani also known as AZ.
Since joining the industry, Azeez has featured in several Yoruba movies, earning recognition for his talent and dedication. His venture into movie production has also gained attention, with his debut production, “Odun Kan”, promising to be a blockbuster. With his growing ambitions, Odumosu is currently planning to shoot a cinematic movie, aiming to leave an indelible mark on the industry.
Balancing his acting career with his thriving business, Awiye Autos Nigeria Limited, Azeez Odumosu exemplifies versatility and determination. As he continues to excel in Nollywood and beyond, fans eagerly anticipate his next projects and entrepreneurial milestones.
Nigerian Thespian Wuraola Olaniran Takes Center Stage
Wuraola Olaniran, a versatile actor, scriptwriter, and director, has carved a niche for herself in Nigeria’s entertainment industry. With a degree in English Literature from the University of Ilorin, Wuraola’s passion for acting began at a tender age, blossoming into a successful career.
A Stellar Career
Wuraola’s professional journey commenced in 2015, with her debut screenplay appearance in February 2016. Since then, she has captivated audiences with breathtaking performances in numerous stage and screen productions. Her repertoire includes:
• Stage plays: “A Dance of the Forests,” “Life Burial,” “Love Twirls of Aditu and Iyunade,” “Efunsetan Aniwura,” and “Moxie of Afonja.”
• Screen productions: “To Kill a Monkey,” “Miracle Center,” “Omije,” “Aiyetoro Town,” and “The Only Celebrity in Nigeria.”
• Notable collaborations: Funke Akindele, Sola Sobowale, Toyin Abraham, Femi Adebayo, and Kemi Adetiba.
Directing Credits
Wuraola’s directing credits include:
• A Dance of the Forests (Wole Soyinka)
• Life Burial (Helen Paul)
• KWRS Tax Program (2018)
Upcoming Performance
Catch Wuraola live on stage on November 17th in “Moxie of Aareonakakanfo,” where she will masterfully portray three distinct characters.
Artistic Philosophy
For Wuraola, acting transcends entertainment; it’s a cultural bridge, preserving heritage and uniting diverse audiences. Her dedication to authenticity and immersive storytelling has earned her recognition within the industry.
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