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Baba Tee’s Marriage To Yetunde “Bustline” Hits The Rock …………..”We Parted Ways Because I Couldn’t Get Pregnant For Him”

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baba tee yetunde

The controversial marriage between actor and comedian Babatunde Bernard popularly known as Baba Tee and his U. K based wife Yetunde Oduwole, has eventually hit the rocks. The two have come out of it throwing all manner of accusations at each other, speaking with E-247, Yetunde, known popularly as bustline revealed that the relationship has indeed packed up, saying it is evident on both their Instagram pages that Baba Tee has moved on with another lady who he now calls his wife.

On Baba Tee’s claim that he never benefited anything from the relationship, Yetunde replied that there was no iota of truth oin the statement,
 
He never got any benefits from me, but he is driving my car? I also furnished his house, as well as pay his rent here in Nigeria. I bought him a Daewoo Tacoma car and 80% of the things in his house were bought by me. He may have sold the car because he knows I’ll be after him for it.


Reminiscing on their relationship and its eventual demise  she attributed the breakup partly to her inability to give the actor children, 
Yes, we dated for five years, and as far as I’m concerned, it ended in January this year. The relationship ended earlier this year because he was acting funny. At the onset, he was like he likes me, but I told him that I’m older than him though that’s not really a problem. Even the man that married me wasn’t my age mate. He was on my matter begging me that he likes me, and I wasn’t dating anybody then.
I considered him because of his consistency. I like bold people, and it was his boldness that won me over.
I even asked him that does he have a girlfriend, and that if he doesn’t have one, he should get a girlfriend and let her get pregnant for him, because he was already concerned that at his age, he hadn’t given birth. Even if you don’t like somebody from the beginning, it will get to a stage where you will start falling for the person, so I wouldn’t lie that I started to like him and I tried to get pregnant as well, but it didn’t work. Getting pregnant wasn’t even my own wish, it was just a way to compensate him because, I’ll give it to him, he is not your everyday young man who is always gallivanting about. I’m not like that as well, and he knows that about me. A lot of people don’t know that I keep to myself a lot. I hardly have boyfriends, and he can testify to that. Except I have events or meetings to attend, I rarely leave my house. I don’t have a boy friend apart from him. People who are close to me know that all the things written about me are false. The false stories they used to write about me used to break my heart, but not anymore.  
Now, I just see it as the price I have to pay for fame. In January, we had a quarrel because he was becoming cranky, and it was due to the fact that he wanted a child, but he felt I was being non-challant about it because I told him he was free to go and impregnate someone else. Then he began to read meanings to things which he never used to do before. If I used the picture of any man on my social media accounts, he would ask if that was the person I was dating. I started to get off the hook as well because he knows I don’t do things like that. Eventually, we had a quarrel and he called me over forty times, and I didn’t pick my phone because I wanted him to know that I’ve had enough. I have a lot of things on my mind; I’m the only one raising my kids, and I didn’t want any trouble which is why I didn’t want any relationship in the first place. I made up my mind then not to pick his calls again because I was tired of his troubles. He’s a jealous and possessive person.
Even though he knows that I don’t do all those things, he feels that if I have a male business partner, then something must be going on between us. I’m no longer a kid, and I have passed that stage of my life. Anyway, he saw the handwriting on the wall, and that was how the whole thing ended. He began telling people to ask me if it was really over, but I always told them to just leave us alone. However, someone brought the news to me that he was now dating someone else, and I felt we couldn’t have just broken up, and he became so close to another girl within that short period. I reasoned that he must have been dating her for a while though I had always been asking him but he never opened up to me. 
Anyway, I was happy for him. Even most of the things I sell like bags and shoes are still in his house that I paid the bulk of the rent for him in Ikorodu. When I came to Nigeria, I even involved the Commissioner of Police because I planned to barge in on him, and take back my car and other properties, but I reconsidered because I have a project I’m planning at the moment and I don’t like distractions. Perhaps, I’ll do that when next I come to the country. Someone even sent me a picture on Instagram that Baba Tee made a video with his girlfriend, and the television in his house belongs to me. And I replied that even the spoons in his house belong to me. The person asked if I wouldn’t go and take everything.
I will but in due time. There was a time I got a message which I think was from his girlfriend, that so I want to come and pack my things, that I wouldn’t do such a thing again. And I felt nobody can threaten me in my own country. When I told my friend who knows the Commissioner of Police about it, she said it was a threat and advised me to take it up. But I do not want to give the world a wrong impression about me than they already have.
On her attraction to people who are younger than her, Yetunde attributed it to God,
That’s the way God has ordained it. Maybe because I’m attractive and don’t look my age. Maybe I play the part. I’ve always had younger guys on my case. Sometimes, I sit back and wonder what they see in me. Even when I tell them my age, they don’t believe me.
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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

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From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop

By George Omagbemi Sylvester 

“The British rap star’s public declaration of Islam sparks global reactions and renews debate about spirituality, identity, and influence in contemporary music.”

British rap superstar Central Cee has publicly announced that he has converted to Islam, a revelation that has rapidly spread across global media and social platforms, drawing reactions from fans, cultural commentators and religious observers alike. The development marks a deeply personal shift for one of the most influential voices in modern UK drill, and it highlights the growing intersection between faith, identity and popular culture.

Central Cee, whose real name is Oakley Neil Caesar-Su, disclosed the decision during a recent livestream, where he stated that he had taken the Shahada, the Islamic declaration of faith that formally marks a person’s conversion to Islam.

According to multiple reports published on February 6, 2026, the rapper confirmed the conversion publicly, saying he had changed his name and embraced Islam, with friends present during the broadcast congratulating him.
The announcement quickly became a trending global topic, with thousands of fans flooding social media with messages of support and congratulation.

What happened, when, where and how
The confirmed facts are straightforward.

What happened: Central Cee announced his conversion to Islam.
Who: The British rapper, born Oakley Neil Caesar-Su.
When: The announcement surfaced publicly on or around February 6, 2026.
Where: The declaration was made during a livestream, widely circulated online.
How: He confirmed he had taken the Shahada and embraced Islam, with friends present during the session.
Before this announcement, Central Cee had never publicly declared adherence to any specific religion, though fans had long speculated about his spiritual leanings.
Background: the rise of a global rap force
Born on June 4, 1998, in London, Central Cee rose from the streets of Shepherd’s Bush to become one of the most commercially successful British rappers of his generation.
He achieved mainstream recognition with his 2020 single Day in the Life and later dominated charts with hits such as Doja and Sprinter, accumulating billions of streams worldwide.
By the mid-2020s, he had become a defining figure in UK drill, blending street narratives with a polished, globally accessible sound.
Reactions and significance
The news of his conversion triggered widespread reaction across continents. Many fans congratulated him, using phrases such as “Welcome to Islam, brother,” reflecting the celebratory tone among supporters.
Others expressed curiosity about whether the decision would influence his music, public image, or future lyrical direction.

Cultural analysts note that religion has long played a quiet but significant role in hip-hop. From Malcolm X’s influence on American rap consciousness to the presence of Muslim artists in both US and UK scenes, faith has often shaped artistic identity.

British sociologist Dr. Reza Pankhurst, writing on religion and youth culture, has argued that for many urban artists, faith offers “a language of discipline, moral structure and belonging in environments often defined by instability.”
Similarly, American scholar Dr. Sherman Jackson has noted that Islam’s appeal among musicians and athletes lies partly in its “emphasis on personal responsibility, spiritual dignity, and community.”
While these are broader observations about religious influence in culture, they help explain why high-profile conversions often resonate far beyond the personal sphere.

Why the announcement matters
Central Cee is not merely another celebrity; he is one of the most commercially powerful voices in British rap, with global reach across Europe, Africa, Asia and North America. His decisions, therefore, carry symbolic weight.

When artists of such stature publicly embrace a faith, it often triggers three parallel conversations:

First, identity: Fans begin to examine how the artist’s beliefs align with their lyrics and public persona.

Second, influence: Younger audiences may view the decision as aspirational or spiritually significant.

Third, authenticity: Critics and supporters alike debate whether faith will reshape the artist’s artistic content.

British cultural commentator Kehinde Andrews has previously observed that hip-hop is “not just music but a social language through which young people negotiate power, race, faith and identity.”
In that sense, Central Cee’s announcement becomes part of a larger cultural dialogue not merely a personal declaration.

The question of a new name
Some reports indicate that the rapper mentioned changing his name after taking the Shahada, though details remain inconsistent across sources.
While certain online reports suggested possible new names, there is no universally confirmed official new name from the artist at the time of reporting.
This remains an evolving aspect of the story, and responsible reporting requires caution until a formal statement is released through verified channels.

The broader context: faith and hip-hop
Central Cee joins a growing list of artists who have publicly embraced Islam. Over the decades, figures such as Yasiin Bey (Mos Def), Lupe Fiasco, Ice Cube, and Q-Tip have either converted to Islam or drawn heavily from Islamic teachings in their music.
In the UK, Muslim identity has long been intertwined with the grime and drill scenes, reflecting the multicultural realities of cities like London, Birmingham and Manchester.

Cultural historian Tricia Rose, one of the foremost scholars of hip-hop, once wrote that the genre “has always been a site of spiritual searching, moral struggle and social commentary.”
In that context, a public conversion is not an anomaly but part of a longstanding tradition of artists seeking meaning beyond fame and commercial success.
What remains unclear
Despite the viral spread of the story, certain details are still evolving:

The exact location of the livestream has not been formally confirmed.

The identity of the individuals present during the Shahada has not been publicly verified.

Any official legal name change has not been documented in confirmed public records.

Responsible journalism requires distinguishing between verified facts and social-media speculation.

Final assessment
Central Cee’s conversion to Islam is a deeply personal decision that has nonetheless sparked global conversation. Announced during a livestream in early February 2026, the declaration places one of Britain’s most influential rappers at the centre of a broader discussion about faith, culture and celebrity influence.

In an era where artists are often defined solely by streaming numbers and chart positions, his announcement underscores a different narrative: the search for meaning, identity, and spiritual grounding in the midst of global fame.

As the late scholar James Cone once wrote, “Spiritual transformation is the most radical form of social change, because it begins inside the human soul.”
Whether Central Cee’s journey will reshape his music or remain a private source of guidance is a question only time can answer. What is certain, however, is that his decision has already stirred conversations that extend far beyond the world of rap.

 

From Drill to Deen: Central Cee’s Conversion and the Power of Faith in Modern Hip-Hop
By George Omagbemi Sylvester 

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

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Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV By Alhaji Arems (Baba Fuji)

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

The Nigerian music scene is mourning the loss of Afeez Adeshina Ayinde, popularly known as Destiny Boy, whose passing has left a deep sense of grief among family, friends, and fans. Though his life was brief, his story is one marked by determination, creativity, and a steady rise driven by passion rather than noise. Destiny Boy passed away on January 17, 2026, at the age of 22, cutting short a journey that many believed was only just beginning.

 

Early Life And Background :

Afeez Adeshina was born on june 24, 2003, into the Adeshina family of Odo Rori Compound, Ayetoro Yewa, Ogun State, Nigeria. He was the son of Mr. Adeshina Kamorudeen and Mrs. Saidat Adeshina, raised within a close-knit family environment that shaped his values and character.

 

From an early age, Afeez was known for his calm demeanor and respectful nature. Those who grew up around him often describe him as gentle, focused, and quietly ambitious. Music became an outlet through which he expressed himself, long before public recognition followed. What began as interest and experimentation gradually turned into purpose.

 

Music Career And Creative Journey :

Known professionally as Destiny Boy, Afeez carved out his place in music through persistence rather than spectacle. He was deeply passionate about his craft and committed to growth, often collaborating and featuring in songs and music videos across Nigeria and beyond.

 

While he may not have been the loudest voice in the room, Destiny Boy earned respect for his work ethic and humility. He approached music with seriousness, seeing it not just as entertainment but as a path to building something meaningful. Colleagues and collaborators consistently describe him as hardworking, disciplined, and eager to learn — traits that set him apart in an industry often defined by fast success and fleeting attention.

 

His presence in multiple projects across different platforms reflected a steady upward movement. For many young creatives, Destiny Boy represented the quiet grind: showing up, improving, and letting the work speak.

 

Family Life And Personal Milestones :

Beyond music, Afeez embraced responsibility early in life. He got married to Oluwatoyin Adeshina, and their union was blessed with a son, Adeshina Usman Obatide, born on November 12, 2024. Becoming a husband and father added new depth to his life, grounding him further and reshaping his priorities.

 

Those close to him speak of his devotion to family and his desire to build a stable future. Balancing personal life with creative ambition was not always easy, but Afeez carried these responsibilities with maturity well beyond his years.

 

His Passing :

The news of Destiny Boy’s death on January 17, 2026, came as a shock to many. At just 22 years old, his passing raised a collective sense of loss — not only for what he had achieved, but for the potential that remained unrealized.

 

While details surrounding his death have been kept private, the impact has been deeply felt across his immediate community and within creative circles. Tributes have highlighted not only his music but his character: kind-hearted, respectful, and sincere.

 

Burial Arrangements :

The Adeshina family has announced that Afeez Adeshina Ayinde (Destiny Boy) will be laid to rest on:

 

Friday, January 23, 2026 :

Time : 2:00 PM

Venue :  His father’s residence, Odo Rori Compound, Ayetoro Yewa, Ogun State

Remembering Afeez Adeshina “Destiny Boy” : A Life of Promise, Music, And Quiet Impact ~ 1ST ELEVEN9JA TV

By Alhaji Arems (Baba Fuji)

Family members, friends, colleagues, and well-wishers are expected to gather to pay their final respects and celebrate a life that, though short, left a meaningful imprint.

 

A Legacy Beyond Numbers :

Destiny Boy’s story is not one measured by chart positions or awards, but by consistency, humility, and quiet influence. He represented a generation of young Nigerian creatives navigating ambition, responsibility, and identity in real time.

 

In remembering Afeez Adeshina, many will recall a young man who showed up for his craft, valued his family, and treated people with respect. His journey serves as a reminder that impact is not always loud — sometimes, it is built patiently, one step at a time.

 

As he is laid to rest, his music, memories, and the lives he touched remain.

 

May his soul rest in perfect peace.

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

 

The Chairman-in-Council of the Benin Summit Group, Earl Osaro Onaiwu, has congratulated celebrated music stars Rema and Shallipopi for their outstanding achievements at the recently concluded AFRIMMA Awards, where they emerged as shining ambassadors of the Benin Kingdom on the global entertainment stage.
Rema, ( Divine Justice Ikubor) the internationally acclaimed Afrobeats sensation of Benin extraction, carted home three prestigious awards, while fast-rising artiste Shallipopi ( Crown Uzama) also clinched one award, marking a moment of pride not just for Edo State but for the entire Benin Kingdom.

In a statement issued by the Benin Summit Group, Osaro Onaiwu described their victories as a powerful demonstration of Benin excellence, creativity, and global relevance.

“I commend and congratulate Rema and Shallipopi for putting the Benin Kingdom firmly in the global space through their talent, hard work, and discipline. Their achievements are a source of pride to our people and an inspiration to our youths,” Onaiwu said.

He noted that the success of Benin sons in the global entertainment industry reinforces the importance of nurturing creativity and supporting young talents across music, film, fashion, and other creative arts.

“These accomplishments show what is possible when talent meets opportunity and determination. Benin land is rich in creativity, and the world is beginning to take notice,” he added.

Osaro Onaiwu further urged other Benin sons and daughters, particularly those in the creative and entertainment sectors, to remain focused and strive for excellence, emphasizing that global recognition comes through consistency, hard work, and commitment to craft.

“I urge others to strive harder to excel. Let the achievements of Rema and Shallipopi motivate the next generation to dream bigger, work harder, and represent Benin with dignity and pride wherever they find themselves,” he said.

He reaffirmed the commitment of the Benin Summit Group to promoting unity, culture, and development, including the creative arts, which he described as a powerful tool for projecting the Benin heritage and identity to the world.

According to Onaiwu, celebrating the successes of Benin sons and daughters across various fields remains central to the group’s mission of fostering unity, pride, and collective progress within the Benin Kingdom and the diaspora.

 

Benin Summit Group Congratulates Rema, Shallipopi for Flying the Benin Flag at AFRIMMA Awards

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