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Catch Hollywood’s biggest awards ceremony, the Oscars® on DStv

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MultiChoice

 

 

Hosted by Jimmy Kimmel, the 89th Academy Awards will be broadcast live on DStv this Monday, 27 February on M-Net Movies Premiere, DStv channel 104 at 2:30am and during Prime Time on M-Net, DStv channel 101/102, from 6:30pm.

The Oscars also will be televised in more than 225 countries and territories worldwide. Viewers can look forward to seeing perfomances by Oscar®-nominees Lin-Manuel Miranda, Sting, Justin Timberlake and 2014 Oscar-winner John Legend. Movies currently distributed by M-Net (highlighted in yellow): Hacksaw Ridge, Florence Foster Jenkins and La La Land are also competing for the most coveted award in their categories.

For more information, visit mnet.tv. Follow M-Net on Twitter @MNet (#Oscars #MMPremiere #MNet101) and Facebook https://www.facebook.com/MNet/

Attached is an image of Jimmy Kimmel. More images available on request.

Please see below the list of nominees:

Performance by an actor in a leading role

Casey Affleck in Manchester by the Sea

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in La La Land

Viggo Mortensen in Captain Fantastic

Denzel Washington in Fences

Performance by an actor in a supporting role

Mahershala Ali in Moonlight

Jeff Bridges in Hell or High Water

Lucas Hedges in Manchester by the Sea

Dev Patel in Lion

Michael Shannon in Nocturnal Animals

Performance by an actress in a leading role

Isabelle Huppert in Elle

Ruth Negga in Loving

Natalie Portman in Jackie

Emma Stone in La La Land

Meryl Streep in Florence Foster Jenkins

Performance by an actress in a supporting role

Viola Davis in Fences

Naomie Harris in Moonlight

Nicole Kidman in Lion

Octavia Spencer in Hidden Figures

Michelle Williams in Manchester by the Sea

Best animated feature film of the year

Kubo and the Two StringsTravis Knight and Arianne Sutner

MoanaJohn Musker, Ron Clements and Osnat Shurer

My Life as a ZucchiniClaude Barras and Max Karli

The Red TurtleMichael Dudok de Wit and Toshio Suzuki

ZootopiaByron Howard, Rich Moore and Clark Spencer (Catch it on M-Net Movies Premiere at 104 on Sunday 26 February at 18:40)

Achievement in cinematography

“Arrival” Bradford Young

“La La Land” Linus Sandgren

“Lion” Greig Fraser

“Moonlight” James Laxton

“Silence” Rodrigo Prieto

Achievement in costume design

“Allied” Joanna Johnston

“Fantastic Beasts and Where to Find Them” Colleen Atwood

“Florence Foster Jenkins” Consolata Boyle

“Jackie” Madeline Fontaine

“La La Land” Mary Zophres

Achievement in directing

“Arrival” Denis Villeneuve

“Hacksaw Ridge” Mel Gibson

“La La Land” Damien Chazelle

“Manchester by the Sea” Kenneth Lonergan

“Moonlight” Barry Jenkins

Best documentary feature

“Fire at Sea”

A Stemal Entertainment Production

Gianfranco Rosi and Donatella Palermo

“I Am Not Your Negro”

A Velvet Film Production

Raoul Peck, Rémi Grellety and Hébert Peck

“Life, Animated”

A Motto Pictures and A&E IndieFilms Production

Roger Ross Williams and Julie Goldman

“O.J.: Made in America”

A Laylow Films and ESPN Films Production

Ezra Edelman and Caroline Waterlow

“13th”

A Forward Movement Production

Ava DuVernay, Spencer Averick and Howard

Barish

Best documentary short subject

“Extremis”

An f/8 Filmworks in association with Motto Pictures

Production

Dan Krauss

“4.1 Miles”

A University of California, Berkeley Production

Daphne Matziaraki

“Joe’s Violin”

A Lucky Two Production

Kahane Cooperman and Raphaela Neihausen

“Watani: My Homeland”

An ITN Production

Marcel Mettelsiefen and Stephen Ellis

“The White Helmets” (Netflix)

A Grain Media and Violet Films Production

Orlando von Einsiedel and Joanna Natasegara

Achievement in film editing

“Arrival” Joe Walker

“Hacksaw Ridge” John Gilbert

“Hell or High Water” Jake Roberts

“La La Land” Tom Cross

“Moonlight” Nat Sanders and Joi McMillon

Best foreign language film of the year

“Land of Mine”

A Nordisk Film Production

Denmark

“A Man Called Ove”

A Tre Vänner Production

Sweden

“The Salesman”

An Asghar Farhadi/Memento Films Production

Iran

“Tanna”

A Contact Films Production

Australia

“Toni Erdmann”

A Komplizen Film Production

Germany

Achievement in makeup and hairstyling

“A Man Called Ove” Eva von Bahr and Love Larson

“Star Trek Beyond” Joel Harlow and Richard Alonzo

“Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and

Christopher Nelson

Achievement in music written for motion pictures (Original score)

“Jackie” Mica Levi

“La La Land” Justin Hurwitz

“Lion” Dustin O’Halloran and Hauschka

“Moonlight” Nicholas Britell

“Passengers” Thomas Newman

Achievement in music written for motion pictures (Original song)

“Audition (The Fools Who Dream)” from “La La Land”

Music by Justin Hurwitz

Lyric by Benj Pasek and Justin Paul

“Can’t Stop The Feeling” from “Trolls”

Music and Lyric by Justin Timberlake, Max Martin

and Karl Johan Schuster

“City Of Stars” from “La La Land”

Music by Justin Hurwitz

Lyric by Benj Pasek and Justin Paul

“The Empty Chair” from “Jim: The James Foley Story”

Music and Lyric by J. Ralph and Sting

“How Far I’ll Go” from “Moana”

Music and Lyric by Lin-Manuel Miranda

Best motion picture of the year

“Arrival”

A Paramount Pictures Production

Shawn Levy, Dan Levine, Aaron Ryder and David

Linde, Producers

“Fences”

A Paramount Pictures Production

Scott Rudin, Denzel Washington and Todd Black,

Producers

“Hacksaw Ridge”

A Pandemonium Films/Permut Presentations

Production

Bill Mechanic and David Permut, Producers

“Hell or High Water”

A Sidney Kimmel Entertainment/Film 44/LBI

Entertainment/OddLot Entertainment Production

Carla Hacken and Julie Yorn, Producers

“Hidden Figures”

A Fox 2000 Pictures Production

Donna Gigliotti, Peter Chernin, Jenno Topping,

Pharrell Williams and Theodore Melfi, Producers

“La La Land”

An Impostor Pictures/Gilbert Films/Marc Platt

Production

Fred Berger, Jordan Horowitz and Marc Platt,

Producers

“Lion”

A See-Saw Films Production

Emile Sherman, Iain Canning and Angie Fielder,

Producers

“Manchester by the Sea”

A Pearl Street Films/The Media Farm/K Period

Media/The A | Middleton Project/B Story Production

Matt Damon, Kimberly Steward, Chris Moore,

Lauren Beck and Kevin J. Walsh, Producers

“Moonlight”

A Dos Hermanas Production

Adele Romanski, Dede Gardner and Jeremy

Kleiner, Producers

Achievement in production design

“Arrival” Production Design:

Set Decoration:

Patrice Vermette

Paul Hotte

“Fantastic Beasts and Where to Find Them” (Warner Bros.) Production Design:

Set Decoration:

Stuart Craig

Anna Pinnock

“Hail, Caesar!”  Production Design:

Set Decoration:

Jess Gonchor

Nancy Haigh

“La La Land” Production Design:

Set Decoration:

David Wasco

Sandy Reynolds-Wasco

“Passengers” Production Design:

Set Decoration:

Guy Hendrix Dyas

Gene Serdena

Best animated short film

“Blind Vaysha”

A National Film Board of Canada Production

Theodore Ushev

“Borrowed Time”

A Quorum Films Production

Andrew Coats and Lou Hamou-Lhadj

“Pear Cider and Cigarettes”

A Massive Swerve Studios and Passion Pictures

Animation Production

Robert Valley and Cara Speller

“Pearl”

A Google Spotlight Stories and Evil Eye Pictures

Production

Patrick Osborne

“Piper”

A Pixar Animation Studios Production

Alan Barillaro and Marc Sondheimer

Best live action short film

“Ennemis Intérieurs”

A Qualia Films Production

Sélim Azzazi

“La Femme et le TGV”

An arbel Production

Timo von Gunten and Giacun Caduff

“Silent Nights”

A M & M Production

Aske Bang and Kim Magnusson

“Sing”

A Meteor Filmstudio Production

Kristof Deák and Anna Udvardy

“Timecode”

A Nadir Films Production

Juanjo Giménez

Achievement in sound editing

“Arrival” Sylvain Bellemare

“Deepwater Horizon” Wylie Stateman and Renée Tondelli

“Hacksaw Ridge” Robert Mackenzie and Andy Wright

“La La Land” Ai-Ling Lee and Mildred Iatrou Morgan

“Sully” Alan Robert Murray and Bub Asman

 

Achievement in sound mixing

“Arrival” Bernard Gariépy Strobl and Claude La Haye

“Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie

and Peter Grace

“La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow

“Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart

Wilson

“13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Achievement in visual effects

“Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington

and Burt Dalton

“Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli

and Paul Corbould

“The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones

and Dan Lemmon

“Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and

Brad Schiff

“Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil

Corbould

Adapted screenplay

“Arrival” Screenplay by Eric Heisserer

“Fences” Screenplay by August Wilson

“Hidden Figures” Screenplay by Allison Schroeder and Theodore

Melfi

“Lion”  Screenplay by Luke Davies

“Moonlight” Screenplay by Barry Jenkins;

Story by Tarell Alvin McCraney

Original screenplay

“Hell or High Water” Written by Taylor Sheridan

“La La Land” Written by Damien Chazelle

“The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou

“Manchester by the Sea” Written by Kenneth Lonergan

“20th Century Women” Written by Mike Mills

MOTION PICTURE NOMINATIONS – 89TH AWARDS

NOMINATIONS BY PICTURE

(This list does not include Short Films or Documentary Short Subjects.)

“Allied,” a Paramount Pictures Production

Costume design

(1 nomination)

“Arrival,” a Paramount Pictures Production

Cinematography

Directing

Film editing

Best picture

Production design

Sound editing

Sound mixing

Adapted screenplay

(8 nominations)

“Captain Fantastic,” an Electric City Entertainment/ShivHans Pictures Production (BleeckerStreet) Viggo Mortensen – Performance by an actor in a leading role

(1 nomination)

“Deepwater Horizon,” a di Bonaventura Pictures/Closest to the Hole/Leverage Entertainment

Production

Sound editing

Visual effects

(2 nominations)

“Doctor Strange,” a Marvel Studios Production (

Visual effects

(1 nomination)

“Elle,” an SBS Production

Isabelle Huppert – Performance by an actress in a leading role

(1 nomination)

“Fantastic Beasts and Where to Find Them,” a Boswell Street Production Costume design

Production design

(2 nominations)

“Fences,” a Paramount Pictures Production

Denzel Washington – Performance by an actor in a leading role

Viola Davis – Performance by an actress in a supporting role

Best picture

Adapted screenplay

(4 nominations)

“Fire at Sea,” a Stemal Entertainment Production

Documentary feature

(1 nomination)

“Florence Foster Jenkins,” a Paramount Pictures Production

Meryl Streep – Performance by an actress in a leading role

Costume design

(2 nominations)

“Hacksaw Ridge,” a Pandemonium Films/Permut Presentations Production

Andrew Garfield – Performance by an actor in a leading role

Directing

Film editing

Best picture

Sound editing

Sound mixing

(6 nominations)

 

“Hail, Caesar!,” a Working Title Films Production (Universal)

Production design

(1 nomination)

“Hell or High Water,” a Sidney Kimmel Entertainment/Film 44/LBI Entertainment/OddLot

Entertainment Production

Jeff Bridges – Performance by an actor in a supporting role

Film editing

Best picture

Original screenplay

(4 nominations)

“Hidden Figures,” a Fox 2000 Pictures Production

Octavia Spencer – Performance by an actress in a supporting role

Best picture

Adapted screenplay

(3 nominations)

“I Am Not Your Negro,” a Velvet Film Production

Documentary feature

(1 nomination)

“Jackie,”

 

Business

NNPCL and Corruption’s Final Throes

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NNPCL and Corruption’s Final Throes* By Pius Olasanmi

NNPCL and Corruption’s Final Throes

By Pius Olasanmi

 

In the twilight of the Obasanjo administration, when Nigerians were still capable of being outraged, when Turn Around Maintenance (TAM) of refineries was a buzzword that still held some mysticism to bamboozle citizens, during a conversation, a certain man said something profound. The man said, “As a businessman, if I were the owner of these refineries, knowing that they are three decades old, I would take the last money I have, hire bulldozers, raze them to the ground, and obtain loans to build new ones.”

When we pressed him further on why he would engage in such waste, he explained that repairing the refineries is the real waste. He explained that even if the TAM were honestly carried out, a thirty-year-old refinery would never compete favourably with a new one that would integrate contemporary technology. Operating at its best, such a refinery would never be comparatively more efficient. It is therefore pointless to have spent another one naira on the refineries at that point.

A few months later, I had a conversation with a then-lawmaker on an entirely different matter. I mentioned that the National Assembly has failed by not crafting legislation that would criminalise and punish public office holders who foist wrong decisions on the country. The logic: a public office holder need not steal to be punished, wrong decisions should attract penalties for an office holder who opts for the worst of all options when there are less injurious ones.

These established premises speak to the ongoing nauseating efforts at revisionism by those who wrecked the Nigerian National Petroleum Company Limited (NNPCL) and its previous iteration, the Nigerian National Petroleum Corporation (NNPC). Notably, this campaign to rewrite history is traceable to Engineer Mele Kolo Kyari, the disgraced immediate past Chief Executive Officer of NNPCL and his hirelings. They have suffocated the news and the public opinion space with even more lies than they spun while in office.

The Saint Kyari campaign is anchored on convincing Nigerians that the Port Harcourt, Warri and Kaduna Refineries were fully functional when he was booted out of office. So brazen is the campaign that one of its talking heads challenged the group chief executive officer (GCEO), Engr. Bayo Ojulari, to “inform Nigerians categorically what happened to the functioning refineries he inherited from his predecessor, Engr. Mele Kyari.” The effrontery.

We have not forgotten so soon the charade that followed the baffling claim that Nigeria has spent $2.8 billion on the repair of the refineries, while they are not churning out even a single litre of refined product among them. Saint Kyari and his goons played all manner of tricks, all of which embarrassed President Bola Tinubu, who had counted on ticking off the return to productivity of the refineries as part of his achievements, only to realise that he was deceived into celebrating phantoms. Tragic.

Lest we forget, 200 trucks were arranged as props in a well-directed video clip to celebrate the re-streaming of the Port Harcourt Refinery. The disappointment. Nigerians were to learn from several reports that the Port Harcourt refinery was not producing and was instead using old, stored petroleum products to load trucks. Worse still, the Kyari crew was passing off sanction-tainted Russian-sourced crude oil refined in Malta as locally refined products. More insult was piled on the assault on our collective sensibility with the lies that the Port Harcourt Refinery exported semi-finished products. Brazen.

Meanwhile, Kyari and his hirelings called those who pointed out or protested these glaring scams all manner of names. They hid behind industry technicalities and jargon to create the impression that those of us who knew Nigerians were being robbed did not understand what we were saying. The point remains that a $2.8 billion investment can potentially build a refinery with a capacity of around 100,000 barrels per day (bpd). Of course, the actual capacity of such a refinery will depend on various factors, including the complexity of the refinery, the technology used, and the location. That is the amount that Kyari’s regime at the NNPCL took and did not give Nigerians refined products.

Fast forward to Kyari’s sack and the appointment of Engineer Bayo Ojulari, who has demonstrated that things can indeed be done differently. Kyari’s exit was expectedly followed by the Economic and Financial Crimes Commission (EFCC) going after him and his associates. The extent of the theft is better understood against the backdrop of N80 billion being found in the bank account of one of his associates. They went on the run.

Perhaps because the EFCC was biding its time on securing international warrants for the arrests of these characters on the lam, they have become emboldened. They have decided to fight back and rewrite the story of their participation in the greatest fraud against Nigerians. Engineer Ojulari’s renewed mindset, which is entrenching a semblance of the transparency Nigerians demand, became their natural target. The demons that once roamed around the corporation came out with malevolence. They started spinning stories of corruption to tarnish the incumbent who refused to hide their crimes. The objective: bring Ojulari down. But alas, he is winning the war as it stands.

His innocence is proven, and it is glaring that those who want him out are mere charlatans who can no longer ply their corrupt wares because of the impact of the new reforms. Corruption in the NNPCL is in its final throes. The fake news being unleashed against the incumbent leadership is akin to corruption’s last kicks as reforms in the sector strangulate it and its practitioners. The reforms must take place in the NNPCL, whether the industry demons like it or not.

As a parting shot, Kyari and his associates would do well to prepare their defence. In addition to accounting for the $2.8 billion they laundered in the name of repairing the moribund refineries, they must also answer for the poor decision to fix that which is irretrievably broken. Awarding contracts for Turn Around Maintenance of 59-year-old refineries that a right-thinking person had suggested should be demolished almost twenty years ago, when they were only 30 years old, is criminal. Trying to deceive Nigerians that the fake repairs worked is treason.

NNPCL and Corruption’s Final Throes*
By Pius Olasanmi

Olasanmi is a public affairs analyst writing from Lagos.

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

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GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND

Set to Rise elegantly against the Lagos skyline, is the Grandis 5Star Luxury Apartment & Suites. According to Adejuwon Ademola, The General Manager of the Development company, it is more than just a residential building
“it’s a lifestyle statement. Standing 17 floors high in the heart of Victoria Island, this revolutionary masterpiece of modern architecture will offer a panoramic 360° view of Eko Atlantic, Victoria Island, and Ikoyi, transforming every apartment into an exclusive penthouse experience for the world’s most discerning elite.”

GRANDIS 5STAR LUXURY APARTMENT & SUITES SET TO REDEFINE LIVING IN VICTORIA ISLAND
Developed by Dumarco Construction Limited, a globally acclaimed company with decades of delivering complex, high-value projects in the highly regulated petroleum, oil, and gas industries, Grandis 5Star brings unmatched international safety standards, uncompromising quality, and timeless elegance into Nigeria’s luxury property market.

> “When you live in Grandis, you’re not just buying a home—you’re investing in peace of mind, world-class safety, and an effortless luxury experience that will remain pristine for decades,” says Adejuwon A. Ademola, General Manager of Dumarco Construction Limited.

The Gold Standard in Safety and Quality

Dumarco’s roots in the oil and gas sector mean the company operates to some of the strictest safety protocols in the world. Every stage—from conceptualization, design, construction, to long-term maintenance—follows internationally accepted procedures and quality assurance measures. Cutting corners is simply not in Dumarco’s vocabulary.

> “In the oil and gas industry, there’s no room for compromise. We’ve brought that same discipline and zero-tolerance for mediocrity into property development,” says Ademola. “That’s why Grandis will be one of the safest and most enduring residential developments in Nigeria.”

To ensure transparency and prevent (project complacency), Dumarco deliberately separates the developer, contractor, and consultant roles, engaging only the most competent professionals in each respective field. Dumarco’s project team includes globally recognized contractors such as Julius Berger, Cappa & D’Alberto, and Elalan, Migliore Construczione & Tecniche (MC&T) and their partners VENCO IMTIAZ CONTRACTING COMPANY (VICC) based in Dubai, UAE, Business Contracting Limited, alongside leading consultants like Morgan Omanitan & Abe, LAMBERT, and James Cubitt.

Grandis – Investments, appreciation, returns and profitability

Our selection process for the location of the project alone was pains-taking and completely thorough scientific process. Top professional companies were employed to conduct a scientific data acquisition and analytical survey of the entire Victoria Island, Ikoyi, Lekki and Eko Atlantic before a project site is selected. Analyzing and acquiring areas developmental charts and trends, studying and gathering historical and present sale prices, rental charge and occupancy rates over a 50 year period from every individual street before the selection of the location of any of our developments especially true for the Grandis Project
He adds,

“Our clients and residents can be rest assured that the location of Grandis has been scientifically proven through all existing data to provide our clients with a 100% occupancy rate, highest developmental location, highest rental income and investment returns. ”

The Grandis Experience

Located minutes away from international corporate headquarters, embassies, and landmarks such as Eko Hotel, Radisson Blu, and the Radisson Red, Grandis offers unmatched convenience for professionals, diplomats, and high-net-worth individuals. Every residence is designed for both indulgence and efficiency, with high-grade finishes, smart-home systems, and private amenities that ensure seamless living.

From sunrise over the Atlantic to the glittering Lagos night skyline, residents will enjoy uninterrupted luxury, supported by discreet and highly trained staff, advanced security systems, and a design that prioritizes comfort and privacy.

> “We designed Grandis for people who want everything—security, elegance, convenience, and the assurance that their home will look as spectacular in 20 years as it does on day one,” Ademola notes.

A Legacy That Lasts

With its combination of visionary architecture, peerless safety, and meticulous maintenance planning, Grandis is built to remain iconic for generations. Thanks to Dumarco’s meticulous approach, the building’s service charges are expected to remain low while its value and appeal continue to appreciate over time.

In a market often marred by shortcuts and substandard practices, Mr Ademola says
Grandis stands as a beacon of what luxury living should be—safe, spectacular, and built to last.

“Grandis 5Star Luxury Apartment & Suites — Where safety meets sophistication, and every detail is designed for a life well-lived.”
He added

Website -www.dumarcoltd.com
Project website – www.26idowutaylor.com
Email [email protected]
Tel / WhatsApp +234 9077777883
GM – Adejuwon A. Ademola

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

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Nationwide Talent, One Broadcaster: Tinubu Picks Pedro, Bello, Din, Mohammed to Lead NTA

Tinubu Overhauls NTA Leadership: Media Powerhouse Rotimi Pedro Takes Helm as DG

 

President Bola Ahmed Tinubu has announced a major shake-up at the Nigerian Television Authority (NTA), appointing renowned media executive Rotimi Richard Pedro as the new Director-General in a move widely seen as a bold step toward modernising the state broadcaster.

Pedro, a Lagos native, brings nearly 30 years of expertise in broadcasting, sports rights, and marketing communications across Africa, the UK, and the Middle East. A trained entertainment and intellectual property lawyer, he also holds an MSc in Investment Management and Finance from City University Business School, London.

In 1995, Pedro founded Optima Sports Management International (OSMI), which rose to become one of Africa’s leading sports content providers—distributing premium events such as the English Premier League, UEFA Champions League, FIFA World Cup, and CAF competitions to audiences in over 40 countries.

His career highlights include top roles at Bloomberg Television Africa and Rapid Blue Format, as well as advisory work for FIFA, UEFA, Fremantle Media, and the African Union of Broadcasters (AUB). At the AUB, he was instrumental in securing exclusive pan-African free-to-air media rights for all CAF competitions.

Alongside Pedro’s appointment, Tinubu named Karimah Bello from Katsina State as Executive Director of Marketing, Stella Din from Plateau State as Executive Director of News, and Sophia Issa Mohammed from Adamawa State as Managing Director of NTA Enterprises Limited.

Industry insiders credit Pedro with building commercially viable broadcast platforms, driving sponsorship growth, and delivering world-class content to African audiences. His appointment marks one of the most significant leadership changes at NTA in years—signalling the government’s intent to strengthen the broadcaster’s competitiveness in a fast-evolving media landscape.

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