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Catch Hollywood’s biggest awards ceremony, the Oscars® on DStv

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MultiChoice

 

 

Hosted by Jimmy Kimmel, the 89th Academy Awards will be broadcast live on DStv this Monday, 27 February on M-Net Movies Premiere, DStv channel 104 at 2:30am and during Prime Time on M-Net, DStv channel 101/102, from 6:30pm.

The Oscars also will be televised in more than 225 countries and territories worldwide. Viewers can look forward to seeing perfomances by Oscar®-nominees Lin-Manuel Miranda, Sting, Justin Timberlake and 2014 Oscar-winner John Legend. Movies currently distributed by M-Net (highlighted in yellow): Hacksaw Ridge, Florence Foster Jenkins and La La Land are also competing for the most coveted award in their categories.

For more information, visit mnet.tv. Follow M-Net on Twitter @MNet (#Oscars #MMPremiere #MNet101) and Facebook https://www.facebook.com/MNet/

Attached is an image of Jimmy Kimmel. More images available on request.

Please see below the list of nominees:

Performance by an actor in a leading role

Casey Affleck in Manchester by the Sea

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in La La Land

Viggo Mortensen in Captain Fantastic

Denzel Washington in Fences

Performance by an actor in a supporting role

Mahershala Ali in Moonlight

Jeff Bridges in Hell or High Water

Lucas Hedges in Manchester by the Sea

Dev Patel in Lion

Michael Shannon in Nocturnal Animals

Performance by an actress in a leading role

Isabelle Huppert in Elle

Ruth Negga in Loving

Natalie Portman in Jackie

Emma Stone in La La Land

Meryl Streep in Florence Foster Jenkins

Performance by an actress in a supporting role

Viola Davis in Fences

Naomie Harris in Moonlight

Nicole Kidman in Lion

Octavia Spencer in Hidden Figures

Michelle Williams in Manchester by the Sea

Best animated feature film of the year

Kubo and the Two StringsTravis Knight and Arianne Sutner

MoanaJohn Musker, Ron Clements and Osnat Shurer

My Life as a ZucchiniClaude Barras and Max Karli

The Red TurtleMichael Dudok de Wit and Toshio Suzuki

ZootopiaByron Howard, Rich Moore and Clark Spencer (Catch it on M-Net Movies Premiere at 104 on Sunday 26 February at 18:40)

Achievement in cinematography

“Arrival” Bradford Young

“La La Land” Linus Sandgren

“Lion” Greig Fraser

“Moonlight” James Laxton

“Silence” Rodrigo Prieto

Achievement in costume design

“Allied” Joanna Johnston

“Fantastic Beasts and Where to Find Them” Colleen Atwood

“Florence Foster Jenkins” Consolata Boyle

“Jackie” Madeline Fontaine

“La La Land” Mary Zophres

Achievement in directing

“Arrival” Denis Villeneuve

“Hacksaw Ridge” Mel Gibson

“La La Land” Damien Chazelle

“Manchester by the Sea” Kenneth Lonergan

“Moonlight” Barry Jenkins

Best documentary feature

“Fire at Sea”

A Stemal Entertainment Production

Gianfranco Rosi and Donatella Palermo

“I Am Not Your Negro”

A Velvet Film Production

Raoul Peck, Rémi Grellety and Hébert Peck

“Life, Animated”

A Motto Pictures and A&E IndieFilms Production

Roger Ross Williams and Julie Goldman

“O.J.: Made in America”

A Laylow Films and ESPN Films Production

Ezra Edelman and Caroline Waterlow

“13th”

A Forward Movement Production

Ava DuVernay, Spencer Averick and Howard

Barish

Best documentary short subject

“Extremis”

An f/8 Filmworks in association with Motto Pictures

Production

Dan Krauss

“4.1 Miles”

A University of California, Berkeley Production

Daphne Matziaraki

“Joe’s Violin”

A Lucky Two Production

Kahane Cooperman and Raphaela Neihausen

“Watani: My Homeland”

An ITN Production

Marcel Mettelsiefen and Stephen Ellis

“The White Helmets” (Netflix)

A Grain Media and Violet Films Production

Orlando von Einsiedel and Joanna Natasegara

Achievement in film editing

“Arrival” Joe Walker

“Hacksaw Ridge” John Gilbert

“Hell or High Water” Jake Roberts

“La La Land” Tom Cross

“Moonlight” Nat Sanders and Joi McMillon

Best foreign language film of the year

“Land of Mine”

A Nordisk Film Production

Denmark

“A Man Called Ove”

A Tre Vänner Production

Sweden

“The Salesman”

An Asghar Farhadi/Memento Films Production

Iran

“Tanna”

A Contact Films Production

Australia

“Toni Erdmann”

A Komplizen Film Production

Germany

Achievement in makeup and hairstyling

“A Man Called Ove” Eva von Bahr and Love Larson

“Star Trek Beyond” Joel Harlow and Richard Alonzo

“Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and

Christopher Nelson

Achievement in music written for motion pictures (Original score)

“Jackie” Mica Levi

“La La Land” Justin Hurwitz

“Lion” Dustin O’Halloran and Hauschka

“Moonlight” Nicholas Britell

“Passengers” Thomas Newman

Achievement in music written for motion pictures (Original song)

“Audition (The Fools Who Dream)” from “La La Land”

Music by Justin Hurwitz

Lyric by Benj Pasek and Justin Paul

“Can’t Stop The Feeling” from “Trolls”

Music and Lyric by Justin Timberlake, Max Martin

and Karl Johan Schuster

“City Of Stars” from “La La Land”

Music by Justin Hurwitz

Lyric by Benj Pasek and Justin Paul

“The Empty Chair” from “Jim: The James Foley Story”

Music and Lyric by J. Ralph and Sting

“How Far I’ll Go” from “Moana”

Music and Lyric by Lin-Manuel Miranda

Best motion picture of the year

“Arrival”

A Paramount Pictures Production

Shawn Levy, Dan Levine, Aaron Ryder and David

Linde, Producers

“Fences”

A Paramount Pictures Production

Scott Rudin, Denzel Washington and Todd Black,

Producers

“Hacksaw Ridge”

A Pandemonium Films/Permut Presentations

Production

Bill Mechanic and David Permut, Producers

“Hell or High Water”

A Sidney Kimmel Entertainment/Film 44/LBI

Entertainment/OddLot Entertainment Production

Carla Hacken and Julie Yorn, Producers

“Hidden Figures”

A Fox 2000 Pictures Production

Donna Gigliotti, Peter Chernin, Jenno Topping,

Pharrell Williams and Theodore Melfi, Producers

“La La Land”

An Impostor Pictures/Gilbert Films/Marc Platt

Production

Fred Berger, Jordan Horowitz and Marc Platt,

Producers

“Lion”

A See-Saw Films Production

Emile Sherman, Iain Canning and Angie Fielder,

Producers

“Manchester by the Sea”

A Pearl Street Films/The Media Farm/K Period

Media/The A | Middleton Project/B Story Production

Matt Damon, Kimberly Steward, Chris Moore,

Lauren Beck and Kevin J. Walsh, Producers

“Moonlight”

A Dos Hermanas Production

Adele Romanski, Dede Gardner and Jeremy

Kleiner, Producers

Achievement in production design

“Arrival” Production Design:

Set Decoration:

Patrice Vermette

Paul Hotte

“Fantastic Beasts and Where to Find Them” (Warner Bros.) Production Design:

Set Decoration:

Stuart Craig

Anna Pinnock

“Hail, Caesar!”  Production Design:

Set Decoration:

Jess Gonchor

Nancy Haigh

“La La Land” Production Design:

Set Decoration:

David Wasco

Sandy Reynolds-Wasco

“Passengers” Production Design:

Set Decoration:

Guy Hendrix Dyas

Gene Serdena

Best animated short film

“Blind Vaysha”

A National Film Board of Canada Production

Theodore Ushev

“Borrowed Time”

A Quorum Films Production

Andrew Coats and Lou Hamou-Lhadj

“Pear Cider and Cigarettes”

A Massive Swerve Studios and Passion Pictures

Animation Production

Robert Valley and Cara Speller

“Pearl”

A Google Spotlight Stories and Evil Eye Pictures

Production

Patrick Osborne

“Piper”

A Pixar Animation Studios Production

Alan Barillaro and Marc Sondheimer

Best live action short film

“Ennemis Intérieurs”

A Qualia Films Production

Sélim Azzazi

“La Femme et le TGV”

An arbel Production

Timo von Gunten and Giacun Caduff

“Silent Nights”

A M & M Production

Aske Bang and Kim Magnusson

“Sing”

A Meteor Filmstudio Production

Kristof Deák and Anna Udvardy

“Timecode”

A Nadir Films Production

Juanjo Giménez

Achievement in sound editing

“Arrival” Sylvain Bellemare

“Deepwater Horizon” Wylie Stateman and Renée Tondelli

“Hacksaw Ridge” Robert Mackenzie and Andy Wright

“La La Land” Ai-Ling Lee and Mildred Iatrou Morgan

“Sully” Alan Robert Murray and Bub Asman

 

Achievement in sound mixing

“Arrival” Bernard Gariépy Strobl and Claude La Haye

“Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie

and Peter Grace

“La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow

“Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart

Wilson

“13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Achievement in visual effects

“Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington

and Burt Dalton

“Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli

and Paul Corbould

“The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones

and Dan Lemmon

“Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and

Brad Schiff

“Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil

Corbould

Adapted screenplay

“Arrival” Screenplay by Eric Heisserer

“Fences” Screenplay by August Wilson

“Hidden Figures” Screenplay by Allison Schroeder and Theodore

Melfi

“Lion”  Screenplay by Luke Davies

“Moonlight” Screenplay by Barry Jenkins;

Story by Tarell Alvin McCraney

Original screenplay

“Hell or High Water” Written by Taylor Sheridan

“La La Land” Written by Damien Chazelle

“The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou

“Manchester by the Sea” Written by Kenneth Lonergan

“20th Century Women” Written by Mike Mills

MOTION PICTURE NOMINATIONS – 89TH AWARDS

NOMINATIONS BY PICTURE

(This list does not include Short Films or Documentary Short Subjects.)

“Allied,” a Paramount Pictures Production

Costume design

(1 nomination)

“Arrival,” a Paramount Pictures Production

Cinematography

Directing

Film editing

Best picture

Production design

Sound editing

Sound mixing

Adapted screenplay

(8 nominations)

“Captain Fantastic,” an Electric City Entertainment/ShivHans Pictures Production (BleeckerStreet) Viggo Mortensen – Performance by an actor in a leading role

(1 nomination)

“Deepwater Horizon,” a di Bonaventura Pictures/Closest to the Hole/Leverage Entertainment

Production

Sound editing

Visual effects

(2 nominations)

“Doctor Strange,” a Marvel Studios Production (

Visual effects

(1 nomination)

“Elle,” an SBS Production

Isabelle Huppert – Performance by an actress in a leading role

(1 nomination)

“Fantastic Beasts and Where to Find Them,” a Boswell Street Production Costume design

Production design

(2 nominations)

“Fences,” a Paramount Pictures Production

Denzel Washington – Performance by an actor in a leading role

Viola Davis – Performance by an actress in a supporting role

Best picture

Adapted screenplay

(4 nominations)

“Fire at Sea,” a Stemal Entertainment Production

Documentary feature

(1 nomination)

“Florence Foster Jenkins,” a Paramount Pictures Production

Meryl Streep – Performance by an actress in a leading role

Costume design

(2 nominations)

“Hacksaw Ridge,” a Pandemonium Films/Permut Presentations Production

Andrew Garfield – Performance by an actor in a leading role

Directing

Film editing

Best picture

Sound editing

Sound mixing

(6 nominations)

 

“Hail, Caesar!,” a Working Title Films Production (Universal)

Production design

(1 nomination)

“Hell or High Water,” a Sidney Kimmel Entertainment/Film 44/LBI Entertainment/OddLot

Entertainment Production

Jeff Bridges – Performance by an actor in a supporting role

Film editing

Best picture

Original screenplay

(4 nominations)

“Hidden Figures,” a Fox 2000 Pictures Production

Octavia Spencer – Performance by an actress in a supporting role

Best picture

Adapted screenplay

(3 nominations)

“I Am Not Your Negro,” a Velvet Film Production

Documentary feature

(1 nomination)

“Jackie,”

 

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Recapitalisation Without Transformation is a Risk Nigeria Cannot Afford

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Recapitalisation Without Transformation is a Risk Nigeria Cannot Afford

BY BLAISE UDUNZE

 

 

In barely two weeks, Nigeria’s banking sector will once again be at a historic turning point. As the deadline for the latest recapitalisation exercise approaches on March 31, 2026, with no fewer than 31 banks having met the new capital rule, leaving out two that are reportedly awaiting verification. As exercise progresses and draws to an end, policymakers are optimistic that stronger banks will anchor financial stability and support the country’s ambition of building a $1 trillion economy.

 

https://www.stanbicibtcbank.com/nigeriabank/personal/products-and-services/all-loans/stanbic-ibtc-mreif-home-loans

 

The reform, driven by the Central Bank of Nigeria (CBN) under Governor Olayemi Cardoso, requires banks to significantly raise their capital thresholds, which are set at N500 billion for international banks, N200 billion for national banks, and N50 billion for regional lenders. According to the apex bank, 33 banks have already tapped the capital market through rights issues and public offerings; collectively, the total verified and approved capital raised by the banks amounts to N4.05 trillion.

 

 

 

No doubt, at first glance, the strategy definitely appears straightforward with the idea that bigger capital means stronger banks, and stronger banks should finance economic growth. But history offers a cautionary reminder that capital alone does not guarantee resilience, as it would be recalled that Nigeria has travelled this road before.

 

 

 

During the 2004-2005 consolidation led by former CBN Governor Charles Soludo, the number of banks in the country shrank dramatically from 89 to 25. The reform created larger institutions that were celebrated as national champions. The truth is that Nigeria has been here before because, despite all said and done, barely five years later, the banking system plunged into crisis, forcing regulatory intervention, bailouts, and the creation of the Asset Management Corporation of Nigeria (AMCON) to absorb toxic assets.

 

 

 

The lesson from that experience is simple in the sense that recapitalisation without structural reform only postpones deeper problems.

 

 

 

Today, as banks race to meet the new capital thresholds, the real question is not how much capital has been raised but whether the reform will transform the fundamentals of Nigerian banking. The underlying fact is that if the exercise merely inflates balance sheets without addressing deeper vulnerabilities, Nigeria risks repeating a familiar cycle of apparent stability followed by systemic stress, as the resultant effect will be distressed banks less capable of bringing the economy out of the woods.

 

 

 

The real measure of success is far simpler. That is to say, stronger banks must stimulate economic productivity, stabilise the financial system, and expand access to credit for businesses and households. Anything less will amount to a missed opportunity.

 

 

 

One of the most critical issues surrounding the recapitalisation drive is the quality of the capital being raised.

 

 

 

Nigeria’s banking sector has reportedly secured more than N4.5 trillion in new capital commitments across different categories of banks. No doubt, on paper, these numbers may appear impressive. Going by the trends of events in Nigeria’s economy, numbers alone can be deceptive.

 

 

 

Past recapitalisation cycles revealed troubling practices, whereby funds raised through related-party transactions, borrowed money disguised as equity, or complex financial arrangements that recycled risks back into the banking system. If such practices resurface, recapitalisation becomes little more than an accounting exercise.

 

 

 

To avert a repeat of failure, the CBN must therefore ensure that every naira raised represents genuine, loss-absorbing capital. Transparency around capital sources, ownership structures, and funding arrangements must be non-negotiable. Without credible capital, balance sheet strength becomes an illusion that will make every recapitalization exercise futile.

 

 

 

In financial systems, credibility is itself a form of capital. If there is one recurring factor behind banking crises in Nigeria, it is corporate governance failure.

 

Many past collapses were not triggered by global shocks but by insider lending, weak board oversight, excessive executive power, and poor risk culture. Recapitalisation provides regulators with a rare opportunity to reset governance standards across the industry.

 

 

 

Boards must be independent not only in structure but also in substance. Risk committees must be empowered to challenge executive decisions. Insider lending rules must be enforced without compromise because, over the years, they have proven to be an anathema against the stability of the financial sector. The stakes are high.

 

When governance fails, fresh capital can quickly become fresh fuel for old excesses. Without governance reform, recapitalisation risks reinforcing the very weaknesses it seeks to eliminate.

 

 

 

 

 

Another structural vulnerability lies in Nigeria’s increasing amount of non-performing loans (NPLs), which recently caused the CBN to raise concerns, as Nigeria experiences a rise in bad loans threatening banking stability.

 

 

 

Industry data suggests that the banking sector’s NPL ratio has climbed above the prudential benchmark of 5 percent, reaching roughly 7 percent in recent assessments. Many of these troubled loans are concentrated in sectors such as oil and gas, power, and government-linked infrastructure projects, alongside other factors such as FX instability, high interest rates, and the withdrawal of Covid-era forbearance, which threaten bank stability.

 

While regulatory forbearance has helped maintain short-term stability, it has also obscured deeper asset-quality concerns. A credible recapitalisation process must confront this reality directly.

 

 

 

Loan classification standards must reflect economic truth rather than regulatory convenience. Banks should not carry impaired assets indefinitely while presenting healthy balance sheets to investors and depositors.

 

Transparency about asset quality strengthens trust. Concealment destroys it. Few forces have disrupted Nigerian bank balance sheets in recent years as severely as exchange-rate volatility.

 

Many banks still operate with significant foreign exchange mismatches, borrowing short-term in foreign currencies while lending long-term to clients earning revenues in naira. When the naira depreciates sharply, these mismatches can erode capital faster than any credit loss.

 

 

 

Recapitalisation must therefore be accompanied by stricter supervision of foreign exchange exposure, as this part calls for the regulator to heighten its supervision. Banks should be required to disclose currency risks more transparently and undergo rigorous stress testing at intervals that assume adverse currency scenarios rather than best-case outcomes. In a structurally import-dependent economy, ignoring FX risk is no longer an option.

 

 

 

Nigeria’s banking system has long been characterised by excessive concentration in a few sectors and corporate clients, which calls for adequate monitoring and the need to be addressed quickly for the recapitalization drive to yield maximum results.

 

 

 

Growth in most advanced economies comes from the small and medium-sized enterprises that are well-funded. Anything short of this undermines it, since the concentration of huge loans to large oil and gas companies, government-related entities, and major conglomerates absorbs a disproportionate share of bank lending. This has continued to pose a major threat to the system, as the case is with small and medium-sized enterprises, the backbone of job creation, which remain chronically underfinanced. This imbalance weakens the economy.

 

 

 

Recapitalisation should therefore be tied to policies that encourage credit diversification and risk-sharing mechanisms that allow banks to lend more confidently to productive sectors such as agriculture, manufacturing, and technology rather than investing their funds into the government’s securities. Bigger banks that remain narrowly exposed do not strengthen the economy. They amplify its fragilities.

 

 

 

Nigeria’s macroeconomic conditions, which are its broad economic settings, are defined by frequent and sometimes sharp changes or instability rather than stability.

 

Inflation shocks, interest-rate swings, fiscal pressures, and currency adjustments are not rare disruptions; but they have now become a normal part of the economic environment. Despite all these adverse factors, many banks still operate risk models that assume relative stability. Perhaps unbeknownst to the stakeholders, this disconnect is dangerous.

 

 

 

Owing to possible shocks, and when banks increase their capital (recapitalization), it is required that banks adopt more sophisticated risk-management frameworks capable of withstanding severe economic scenarios, with the expectation that stronger banks should also have stronger systems to manage risks and survive economic crises. In Nigeria today, every financial institution’s stress testing must be performed in the face of the economy facing severe shocks like currency depreciation, sovereign debt pressures, and sudden interest-rate spikes.

 

 

 

Risk management should evolve from a compliance obligation into a strategic discipline embedded in every lending decision.

 

Public confidence in the banking system depends heavily on credible financial reporting.

 

Investors, analysts, and depositors need to be able to understand banks’ true financial positions without navigating non-transparent disclosures or creative accounting practices, which means the industry must be liberated to an extent that gives room for access to information.

 

 

 

Recapitalisation provides an opportunity to strengthen the enforcement of international financial reporting standards, enhance audit quality, and require clearer disclosure of capital adequacy, asset quality, and related-party transactions. Transparency should not be feared. It is the foundation of trust.

 

One thing that must be corrected is that while recapitalisation often focuses on financial metrics, the banking sector ultimately runs on human capital.

 

Another fearful aspect of this exercise for the economy is that consolidation and mergers triggered by the reform could lead to workforce disruptions if not carefully managed. Job losses, casualisation, and declining staff morale can weaken institutional culture and productivity. Strong banks are built by strong people.

 

If recapitalisation strengthens balance sheets while destabilising the workforce that powers the system, the reform risks undermining its own economic objectives. Human capital stability must therefore form part of the broader reform strategy.

 

 

 

Doubtless, another emerging shift in Nigeria’s financial landscape is the rise of digital financial platforms that are increasingly changing how people access and use money in Nigeria.

 

Millions of Nigerians are increasingly relying on fintech platforms for payments, microloans, and everyday financial transactions. One of the advantages it offers, is that these services often deliver faster and more user-friendly experiences than traditional banks. While innovation is welcome, it raises important questions about the future structure of financial intermediation.

 

 

 

The point here is that the moment traditional banks retreat from retail banking while fintech platforms dominate customer interactions, systemic liquidity and regulatory oversight could become fragmented.

 

 

 

The CBN must see to it that the recapitalised banks must therefore invest aggressively in digital infrastructure, cybersecurity, and customer experience, while cutting down costs on all less critical areas in the industry.

 

Nigerians should feel the benefits of recapitalisation not only in stronger balance sheets but also in faster apps, reliable payment systems, and responsive customer service.

 

As banks grow larger through recapitalisation and consolidation, a new challenge emerges via systemic concentration.

 

Nigeria’s largest banks already control a significant share of industry assets. Further consolidation could deepen the divide between dominant institutions and smaller players. This creates the risk of “too-big-to-fail” banks whose collapse could threaten the entire financial system.

 

 

 

To address this risk, regulators must strengthen resolution frameworks that allow distressed banks to fail without triggering systemic panic, their collapse does not damage the whole financial system, and do not require taxpayer-funded bailouts to forestall similar mistakes that occurred with the liquidation of Heritage Bank. Market discipline depends on credible failure mechanisms.

 

 

 

It must be understood that Nigeria’s banking recapitalisation is not merely a financial exercise or, better still, increasing banks’ capital. It is a rare opportunity to rebuild trust, strengthen governance, and reposition the financial system as a true engine of economic development.

 

One fact is that if the reform focuses only on capital numbers, the country risks repeating a familiar pattern of churning out impressive balance sheets followed by another cycle of crisis.

 

But the actors in this exercise must ensure that the recapitalisation addresses governance failures, asset quality concerns, risk management weaknesses, and transparency gaps; and the moment this is done, the banking sector could emerge stronger and more resilient.

 

 

 

Nigeria does not simply need bigger banks. It needs better banks, institutions capable of financing innovation, supporting entrepreneurs, and building economic opportunity for millions of citizens.

 

 

 

The true capital of any banking system is not just money. It is trust. And whether this recapitalisation ultimately succeeds will depend on whether Nigerians see that trust reflected not only in financial statements but in the everyday experience of saving, borrowing, and investing in the economy. Only then will bigger banks translate into a stronger nation.

 

 

 

Blaise, a journalist and PR professional, writes from Lagos and can be reached via: [email protected]

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FirstBank Makes Home Ownership Possible for Nigerians with Single-Digit Interest Rate Loan

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FirstBank Makes Home Ownership Possible for Nigerians with Single-Digit Interest Rate Loan

For millions of Nigerians, homeownership has long felt like an ambition deferred. Squeezed by rising property prices, persistent double-digit inflation and high commercial lending rates, the dream of owning a home has remained just that – a dream.

But that narrative is quietly changing. Thanks to FirstBank.

The N1 Trillion Intervention Reshaping Access

In partnership with the Ministry of Finance Incorporated Real Estate Investment Fund (MREIF), FirstBank has unveiled a mortgage opportunity that could redefine access to housing finance in Nigeria.

Backed by the Federal Government’s N1trillion mortgage fund, the initiative is designed to empower Nigerians with affordable, long-term credit to own their homes.

9.75% Interest Rate in a 30% Lending Environment

MREIF is priced at 9.75% per annum, dramatically lower than prevailing commercial loan rates. Eligible Nigerians can access up to N100 million and repay within 20 years. This translates into significantly more manageable monthly repayments and greater long-term financial stability.

Built for Salary Earners, Entrepreneurs and the Diaspora

The MREIF mortgage facility has been structured to be inclusive. It is available to salary account holders, business owners and diaspora customers. Whether you are a young professional aiming to exit the rent cycle, an entrepreneur building generational stability, or you’re a Nigerian abroad looking to secure assets locally, the product opens a pathway that has historically been out of reach for many.

 

Taking the First Step

For those who have been waiting for the right time, this is definitely it. The question is no longer whether homeownership is possible. The real question is: will you act before the window narrows?

Visit https://www.firstbanknigeria.com/personal/loans/mreif-home-loan/ and in no time you could be the latest homeowner in town.

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Alpha Morgan Bank Deepens Presence in Abuja with New Branch in Utako

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Alpha Morgan Bank Deepens Presence in Abuja with New Branch in Utako

 

Marking another milestone in its expansion drive, Alpha Morgan Bank has opened a new branch in Utako, Abuja, reinforcing its strategy of building closer institutional ties within key business communities and bringing its financial expertise closer to individuals, and enterprises driving the city’s growth.

 

 

The new branch, located at Plot 1121 Obafemi Awolowo Way, Utako, Abuja is strategically positioned to serve individuals, entrepreneurs, and corporate clients within Utako and surrounding districts.

 

 

The expansion follows the Bank’s recently concluded Economic Review Webinar held in February 2026, as the bank continues to position as a thought-leader in the financial services industry.

 

 

Speaking on the opening, Ade Buraimo, Managing Director of Alpha Morgan Bank, said the move underscores the Bank’s commitment to accessibility and service excellence.

 

 

“Proximity matters in banking. As communities grow and commercial activity expands, financial institutions also evolve to meet customers where they are. The Utako Branch allows us to deliver our services to people in that community efficiently while maintaining the high standards our customers expect,”

 

 

The Utako location will provide a full suite of retail and corporate banking services, including account opening, deposits, transfers, business banking solutions, and financial advisory support.

 

 

Customers and members of the public are invited to visit the new Utako Branch to experience the Bank’s approach to satisfying banking.

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