Gospel Legend Deborah Fasoyin Reflects on the Legacy of Odun Lo Sopin
For decades, the soulful and deeply spiritual song Odun Lo Sopin (“The Year is Coming to an End”) has been a beloved anthem in Nigerian households, churches, and gatherings as the calendar approaches December’s close. Yet, in a recent revelation, Mrs. Deborah Fasoyin, the gospel icon who popularized the track, has disclosed that she is not the original composer of the timeless piece.
Speaking in an interview shared online by FM 365 and reported by Church Times Nigeria, Fasoyin clarified that the song predates her choir’s iconic 1979 recording. “I must confess to you, till tomorrow, we don’t know the composer of the song. We only added two verses to it,” she revealed.
Fasoyin’s rendition of Odun Lo Sopin with the Good Women Choir of Christ Apostolic Church (CAC), Ibadan, brought the song into national prominence. But as she explained, the chorus was already a staple in CAC churches across Ibadan during revival programs held towards the end of the year. “In those days, whenever they had revival programs towards the end of the year, you’d hear people sing the song Odun Lo Sopin. That chorus belongs to CAC. We only added two verses,” she stated.
She reiterated this in the Yoruba language during the interview, emphasizing, “We didn’t go to any mountain to pray to get the song. It was everywhere before we recorded it.”
A Legacy Beyond Attribution
Despite Fasoyin’s repeated acknowledgments over the years that she did not compose Odun Lo Sopin, the song remains inextricably tied to her name. Online commentators have supported her account, with some recalling that the track was widely sung as early as 1975, four years before the Good Women Choir’s recording. Nevertheless, fans and admirers have praised her honesty, commending her transparency and humility in publicly sharing the song’s origins.
“Her honesty is refreshing,” noted one social media user, while another added, “She gave life to the song and made it what it is today. That’s also worth celebrating.”
The Good Women Choir’s version of Odun Lo Sopin added structured verses and a polished melody that resonated deeply with audiences. The song’s themes of reflection, prayer, and hope for divine protection and guidance have cemented its place as a cherished tradition, transcending generations and languages. In a 2020 interview with Sunday Scoop, Fasoyin spoke about how the song has been translated into several Nigerian languages, further broadening its reach and impact.
A Timeless Tradition
As the year draws to a close, the familiar strains of Odun Lo Sopin once again fill the air, evoking a sense of communal reflection and gratitude. While its true composer remains unknown, Fasoyin’s contribution to the song’s enduring legacy cannot be overstated. Her interpretation not only preserved the track but elevated it to an art form that continues to inspire millions.
The enduring relevance of Odun Lo Sopin serves as a testament to the power of music to connect generations and foster a shared sense of hope and faith. For Fasoyin, her role in the song’s history is a source of pride, even as she continues to emphasize the collaborative nature of its origins.
“It’s not about who composed it,” she said. “It’s about the message and the blessing it brings to people.”
You must be logged in to post a comment Login