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#EndSARS: Address Nigerians now, Senate tells President Buhari

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CUSTOMSGATE: $3 BILLION PROJECT RUNS INTO DISPUTE

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The Senate has called on President Muhammadu Buhari, to as a matter of urgency, address Nigerians on the #EndSARS protest which has spread across parts of the country.

While calling on all tiers of government to put in place and sustain policies and programmes of socio-economic reforms that raise the standard and quality of life of Nigerians, the upper chamber urged the Federal Government to faithfully implement all the five demands of the #EndSARS movement and protesters with necessary timelines to rekindle confidence in government.

Accordingly, it also appealed to the #EndSARS movement and protesters to suspend their actions and embrace genuine dialogue in order to give the government the time and space to meet their demands.

The upper chamber also urged the Nigerian youths and citizens to approach the National Assembly Committees on Constitutional Reforms in order to secure far-reaching and holistic amendments that are vital to the restricting and reshaping our federation to make it an inclusive and viable polity.

The Senate while appealing to Nigerians to resort to use of legal and institutional channels of resolving conflicts and disputes, urged the police and other security agencies to operate strictly in accordance with the rules of engagement appropriate to a democratic environment that abjures the use of aggressive and brutal force against peaceful protesters.

The upper chamber also urged the Inspector General of Police to ensure a holistic, comprehensive reforms of the police to include the overhaul of the welfare, training and medical insurance of all members of the Nigerian Police Force.

These were resolutions reached by the Senate following a motion brought to the floor during plenary by Senator Biodun Olujimi (PDP – Ekiti South).

Coming under Order 42 and 52 of the Senate Standing Rules, Olujimi in a motion titled “EndSARS: Need for comprehensive and holistic reforms”, traced police brutality in Nigeria to the colonial era when the force was mainly used to suppress dissent against colonial rules.

According to the lawmaker, “some of the documented police brutalities in Nigeria during the colonial era are: the killing of twenty-one miners and wounding of fifty workers during the Enugu Colliery strike of 1949; suppression of the women’s riot (December 1929 – January 1930) in the Eastern parts of the country, which led to the death of fifty-five women and serious injury to more than fifty other; and the quelling of the Tiv riot of 1960 where 19 civilians were allegedly killed and 83 injured.”

Olujimi stated that despite the Constitutional provisions establishing the police force based on Section 214(1) of the 1979 and 1999 constitutions, police brutality continued during the post-colonial era.

“The police was used as an instrument of oppression by politicians in the first and second republics, in other to harass and keep themselves in power. During the military rule, the police was used to suppress popular protest and agitations against military dictatorship,” the lawmaker said.

She added that the Special Anti-Robbery Squad (SARS) was created in 1992 as a unit of the Nigerian Police Force to deal with crimes such as robbery, motor vehicle theft, kidnapping amongst others.

The lawmaker recalled that in June 2020, Amnesty International in a report; Time to End Impunity, documented that between January 2017 and May, 2020, there were 82 cases of torture, ill-treatments and extra-judicial killings of Nigerian citizens by the Special Anti-Robbery Squad (SARS).

She, however, expressed concern that “the latest #EndSARS protest, which has assumed a global dimension, began on 3rd October, 2020, when the video of a SARS officer who allegedly shot a young Nigerian in Ughelli, Delta State, surfaces online.”

The lawmaker added that “despite the disbandment of the SARS unit by the Inspector General of Police, Mohammed Adamu and the promise of implementing the demands of the protesters towards reforming the police and ending brutality, the address by President Muhammadu Buhari in October 10, 2020 and the appeal of the Senate President, Distinguished Senators Ahmad Lawan to the protesters, the protests have increase in intensity and violence with socio-economic activities paralyzed across Nigerian with some compatriots allegedly losing their lives in the ensuing melee.”

She lamented that “the protests have now grown beyond the initial agitation to #EndSARS and #EndPoliceBrutality to include the demands for good governance, accountability of government, reforms of key governmental institutions like INEC, Judiciary, Health, Power amongst others.

She added that, “as political leaders, we have a responsibility of protecting, providing succor and guiding youths. We must therefore address the issues of emplacing appropriate policies that ensure economic growth, wealth creation and employment generation on the front burner.”

Contributing to the motion, Senator Adamu Aliero (APC – Kebbi Central), called on the Federal Government to deploy whatever means necessary to end the #EndSARS protest where dialogue fails.

“I want to suggest strongly that dialogue should be used to get the youths to suspend the #EndSARS protest.

He said, “where dialogue fails, then we should use whatever means is possible to end it. Otherwise, it will lead to anarchy.

“Already, a number of properties have been burnt, a number of people have been killed, and no responsible government will allow lawlessness to take place when it is in power.”

“Government should leave up to its Constitutional responsibilities to ensure that law and order is being maintained,” Aliero added.

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Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour ‎

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Laffmattazz with Gbenga Adeyinka & Friends Returns In 2026, As Canada Joins Tour


‎Nigeria’s longest-running and most consistent comedy tour, LaffMattazz with Gbenga Adeyinka & Friends, has officially announced its 2026 tour themed “Next Chapter.” The upcoming edition marks a major milestone as the brand celebrates its 15th edition with a bold expansion that includes Canada for the first time.

‎The Next Chapter edition represents a clear evolution from previous years — signaling growth, global reach, and a renewed creative vision. While past editions focused on taking premium comedy experiences across Nigerian cities, the 2026 tour elevates the brand with international exposure, upgraded production, and stronger engagement with audiences at home and in the diaspora.

‎Speaking on the significance of the new theme, organizers describe the 15th edition as more than a celebration of longevity, but a statement of intent — positioning LaffMattazz as a global Nigerian entertainment export.

‎CONFIRMED TOUR CITIES & VENUES
‎•Ibadan – Jogor Center (Easter Sunday, April 5th, 2026)
‎•Akure – The Dome International Culture & Event Center
‎•Abeokuta – OOPL Marquee
‎•Lagos – Balmoral Convention Center
‎•Canada – Multi-city tour (dates to be announced)

‎Audiences can expect a rich blend of comedy, music, and surprise guest appearances — delivered with the signature “& Friends” experience that has defined the tour for over a decade.

‎With the Next Chapter, LaffMattazz reinforces its legacy while opening new doors for African comedy on the global stage.

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

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Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”

Rising music artist Kevin David Kaydee has released a powerful new single titled Oluwa Settle Me, a soulful Afro-inspired anthem that blends heartfelt prayer with modern rhythm.

 

“Oluwa Settle Me” captures the everyday cry of many believers seeking breakthrough, peace, and divine favour. With emotionally rich melodies and uplifting instrumentation, the song expresses a sincere plea to God for complete answers to life’s pressing questions—career, destiny, relationships, and spiritual fulfilment.

 

Kevin David Kaydee Releases Inspiring Single “Oluwa Settle Me”
Drawing from Afrocentric sounds and contemporary gospel influences, the track stands out for its simplicity, sincerity, and spiritual depth. Kevin David Kaydee delivers the message with passion, creating a worshipful atmosphere that resonates across age groups and cultures.

 

The song’s message of hope and dependence on God positions it as more than just music,it is a prayer set to melody. By fusing spirituality with modern lifestyle rhythms, “Oluwa Settle Me” reflects the growing wave of gospel music that speaks directly to real-life struggles while pointing listeners back to faith.

 

As gospel music continues to evolve across Africa and beyond, Kevin David Kaydee’s latest release reinforces music as a powerful tool for encouragement, reflection, and spiritual connection.

 

“Oluwa Settle Me” is now gaining attention among gospel music lovers for its relatable message and soulful sound, marking another significant step in the artist’s growing musical journey.

https://ditto.fm/oluwa-settle-me

https://ditto.fm/oluwa-settle-me

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Another Feather for Nollywood Icon Fidelis Duker

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**Another Feather for Nollywood Icon Fidelis Duker

 

*Lagos, Nigeria* — In a remarkable celebration of artistic achievement, renowned Nollywood figure Fidelis Duker received yet another prestigious accolade last weekend, solidifying his role as a key player in the growth of the Nigerian and African film industries. The award was presented in a ceremony held at Duker’s Lagos office by esteemed film and theatre director, Mr. Alex Eyengho, founder of the Warri International Film Festival, alongside Marketing and Strategy Director, Mrs. Matel Eyengho.

The recent recognition builds upon Duker’s previous achievement at last year’s ECOFEST in Dakar, where he was honored with a Lifetime Achievement Award. This latest accolade is a testament to his unwavering dedication and substantial contributions to the cinematic landscape.

“I am truly humbled by this recognition,” Duker expressed during the event. In his speech, Alex Eyengho lauded Duker’s pioneering efforts in establishing significant film festivals in Nigeria, particularly the Abuja International Film Festival, which has played a vital role in promoting local talent and storytelling.

Eyengho emphasized, “Fidelis has not only paved the way for emerging filmmakers but has also helped elevate Nigerian cinema on the global stage. His creative vision and commitment inspire all of us in the industry.”

As Duker reflects on this honor, he acknowledges the importance of teamwork and collaboration in achieving success. “This acknowledgment reaffirms to my team and me that our work is being observed, and it motivates us to continue contributing to the development of our sector,” he stated.

With numerous projects on the horizon, Duker remains a relentless advocate for the growth and recognition of African cinema. His latest recognition is yet another testament to the vibrant and evolving landscape of Nollywood, as industry leaders like him continue to inspire future generations.

As the film industry anticipates the next phase of development, Duker’s continued influence signals a promising future for filmmakers in Nigeria and across the continent.

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