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Badoo of Fraud And Sex. -How fraudsters’ milk victims of several billions + victims recount their ordeals

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-How fraudsters’ milk victims of several billionssexy-black-girl
+ victims recount their ordeals

With over 33 million subscribers, Badoo, which is arguably one of the most popular social networking services online, has become the haven for promiscuous people and fraudsters to perpetrate their evil doings. Sadly, a lot of people have become prey to the modus operandi of these agents of evil who milk their victims to the tune of over N10 billion naira.

Sahara weekly’s check revealed that most of these fraudsters perpetrated their satanic deeds by posting pictures of delectable ladies who are either their friends on other social media and impersonate them. The unsuspecting victims were swept off their feet when they saw the pictures and quickly relate with them. The modus operandi is that these fraudsters would ask their admirers to send recharge cards of N3000 before they can relate with them. We reliably gathered that over two million people have fallen victims of such. That’s a whooping N6billion.

A victim whose name is Ola Olawale disclosed that he has become prey to this practice over 10 times. “I never suspected them but was carried away by their beauty. And they have a way of demanding that before you can view their private pictures on the site, you have to send a recharge card of N3000. I later discovered that a lot of people have become victims, too. After the card, they will grant you access to view their private pictures which I later discovered were not even their own”.

Checks by us also revealed that another means of defrauding people on Badoo is that such girls lied about their location. When they hooked their admirers via the site, they asked him where he stays. If he says Lagos, they will either claim they reside in Abuja or Jos. After exchanging details, they will demand for transport fare if invited for hook-ups. Sadly, our investigation revealed that some of them are runs girls who stays in Ikeja or Festac, Lagos.  “I came across a lady on badoo who informed me that she stays in Abuja. And because I like her, I invited her sent money to her account for flight. Sadly, I discovered she lived in Festac.”  Some of the people we spoke to also confirmed the ugly trend. Some said they discovered their deceit through applications they installed on their whatsapp and phones. Sadly, several billions have been gotten through this means from millions of subscribers over the years.

One major thing Badoo is now known for is prostitution. It has become the haven for promiscuous people to get a sex partner. Insiders revealed to us that Badoo has become the easiest place to hook up either a lady or a guy for sexual activities across the globe. We learnt that almost all the runs girls in Nigeria have a Badoo account and they get massive patronage even from dignitaries who use fictitious identities.   badoo

Recently, a five-man gang of kidnappers and thieves, Micheal Eneji, his brother, Emmanuel Eneji, Chukwu Chibueze, Gift Princess, and Lekia Emmaden Isaac, who have been in the deadly game for a while now, were arrested by Rivers State police command.

They confessed using pretty girls’ pictures to entice men from the dating site in other to rob them and later leave them in the bush to die. The gang leader, Michael Eneji, 27, whose fiancée is the only female among them narrated how they carry out their operations.

 

In his words: “When I couldn’t afford to pay my school fees, I decided to go into love dating scam. I dwell mainly on Badoo chat that most Nigerian men visit regularly. I surf the net and selected pictures of black models and impersonate them. As soon as they see these pictures, some will send a message and I will reply. They will ask for my number and I will give them. I also have a Techno phone that has a special voice prompt that allows a man to sound like a woman.

Once I establish a contact, I will go to the next step which is to convince them that I will satisfy their sexual urge.

“Pretending to be a big girl, I would tell them to meet me at a Confoil petrol station, before the trailer park along Eleme road while one of my boys, Chibueze will go there and meet them as my domestic servant and direct them to my house. To convince them to come, I will claim that I live in one of the estates alone and it will be safer to meet there so that they will not be caught.

“In their car, Chibueze will tell them to drive towards a deserted place where we will lay ambush. Dressed in police uniform, we will stop them and demand to know what they are doing in such a deserted place. We will overpower them and tie their hands and legs while we take their valuables, including their ATM cards.

“Two of us will go to the bank and withdraw money from their account through their ATM. If there is no money in the account, we will loosen the rope and disappear. This will enable the person to untie himself and go home.”

According to Eneji, they have fleeced so many men before they were arrested. “I never knew that Mr. Disi and Shola did not escape till I was arrested.  I can only recall that both of them had so much money in their accounts. Thus, we decided to keep them for some days to enable us h withdraw enough money from their accounts”, he added.

On how he lured their latest victim, the suspect said: “Shola showed interest in having an affair with the lady he saw on my Badoo display picture. He demanded to see her, so I told him that I am free around 7pm and he told me that it was the perfect time to hang out.

“At about that time, he drove to the spot with his driver and Chibueze, who was on ground, joined him. He directed them to the spot and we took over the car, tied him and the driver up. He did not have much cash with him unlike the others. When we got to the bank, I realised that he had about N4.5 million in his account. Blindfolded, we took him further into the bush and decided to keep him there for some days to enable us to empty that account while the driver must have escaped from the initial spot where he was tied. Few days later, we were arrested. I never knew that he did not escape alive,” Eneji narrated.

Continuing, he said: “The second victim, Mr Disu was not my contract. It was Elijah the leader of another group that contracted me to help execute the job. I became interested when he told me that the maga (the late Disu) works with Shell company. All I did was to lure him to visit by promising him good sex. I do not know if they killed him because of the huge amount that was found in his account. The truth is that we do not kill, but rob them of their valuables.  We will sell the car, withdraw as much as we can from their ATM and disappear. We know that such crime might not be reported because the man will not tell his family or the police why he was robbed to protect his image. It is unfortunate that they died; we left them there still breathing. The only difference is that we did not loosen the rope so that they can easily escape.”

On the role of the lady in their midst, Eneji said: “She is my fiancée and I normally use her to further convince our target to assume that we are real. If the target insists that I should come and see him, I will send my girl to go and meet him.  She will be the one that will lure them to the spot where we can take over.”

He also revealed that he is known in Badoo as Cindy and Empress. “Once you search for beautiful models on Google search, you will have so many options. If you want so many toasters, select the ones that expose their breasts. I am terribly sorry that these men died in the process. We found out that it is easier to collect money in exchange for sex.

“I dropped out of school because my rich relatives refused to help my mother to train us. I can only get money from them if I send a woman to go and seduce them”
Badoo is a dating-focused social networking service, founded in 2006 and headquarters in Soho, London. The site operates in 180 countries and is most popular in Latin America, Spain, Italy, France and Nigeria.  Badoo ranks as the 157th most popular website in the world, according to Alexa Internet as of April 2014. The site operates on a premium model. To gain extra features, a user can pay a fee or allow Badoo to email all his/her friends.

It was founded by the Russian entrepreneur Andrey Andreev and launched in London in November 2006. In 2007 it raised $30 million in funding.

In January 2008, the Russian investor Finam Capital paid $30 million for a 10% stake in Badoo for expansion in Russia. As of 2009, Finam now has 20% ownership of Badoo. In September 2009, Blendr, “powered by” Badoo, appeared in the iTunes app store.

In April 2011 Badoo was threatened by Facebook with an audit and potential removal if it didn’t make its Facebook app less viral. According to Insidefacebook.com, during the week of January 11, Badoo was ranked 17th in growing Facebook apps. The official Badoo USA launch was on March 23, 2012, with Nick Cannon introducing the service in the United States. In April 2012, the company entered into a marketing agreement with the site Hot or Not to display its members in the companies service.

Badoo is a premium service, where the basic service is free for everyone but users have an option to pay for premium features. As soon as members sign up they can chat, upload photos and videos. Users can see and contact people who live in their area using the “People Nearby” feature or in a different city or part of the world using the “Search” feature. Another free feature is the “Encounters” game where users click yes or no on other users’ photos and if there is a match the two users are notified. For a fee, users can use the “Rise Up” feature which allows users to pay to give their profile more visibility on the site for a limited time. Badoo’s communications director Lucy George said that as of late 2007 20% of Badoo’s 22 million users were paying for heightened visibility at least once a month.Model_sexy_black_girl_afroNicki-Minaj-Booty-2011_large

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Nakito Bobo Is Here—And It’s Redefining African Animation

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Nakito Bobo Is Here—And It’s Redefining African Animation

Nakito Bobo Is Here—And It’s Redefining African Animation

 

– Lagos, Nigeria

 

A new voice has arrived in African animation, and it’s loud, unfiltered, and impossible to ignore. Meet Nakito Bobo—a bold animated series from Lagos-based Nakito Entertainment, bringing raw storytelling and cultural authenticity to the global stage.

 

Nakito Bobo Is Here—And It’s Redefining African Animation

 

Created in 2025, Nakito Bobo follows the chaotic life of Nakito, a streetwise Lagos boy known for his wild lifestyle—a womanizer, substance abuser, and street hustler. But in an unexpected twist, Nakito’s life takes a spiritual turn after a divine encounter. What unfolds is a hilarious, gritty, and deeply human journey of transformation.

 

Streaming every Friday on YouTube, and across platforms like TikTok and Instagram, Nakito Bobo is fast becoming a fan favorite among African Gen Z and diaspora audiences. It’s comedy with depth, street culture with soul—unapologetically African and universally relatable.

 

Nakito Entertainment isn’t just making cartoons—it’s building culture.

 

With more animated shows in development, the studio is expanding its creative empire to include a fashion line inspired by the Nakito universe. Expect streetwear like tees, hoodies, caps, and jeans—designed for everyday swagger. A food podcast network is also in the works, exploring traditional African cuisines, local chefs, and food culture from the streets up. And coming soon: Inside Life—a docuseries uncovering the real struggles and stories of people surviving at the margins.

 

At the helm of it all is Tayo Laditi, the media entrepreneur and filmmaker who founded Nakito Entertainment after studying at the New York Film Academy. In addition to leading Nakito, Tayo also runs TMO Solutions LLC, a company specializing in smart security systems and tech infrastructure.

 

“We’re creating content that reflects our truth,” says Laditi. “It’s raw, funny, spiritual—and deeply African. That’s what Nakito stands for.”

 

So if you’re looking for something different, something real, something that makes you laugh and think—Nakito Bobo is the series to watch.

 

Watch. Subscribe. Spread the word.

YouTube: Nakito Bobo

Instagram: [@nakito_bobo]

Email: nakitobobo@gmail.com

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IS ENGAGING IN NOLLYWOOD CINEMA RELEASES A LOSER’S GAME?

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***Where Omotola Got It Wrong And Why 95 Percent of Nigerian Theatrical Movies Are Not Profitable

****Plus 7 Powerful Strategies To Make Your Movies Pay!

By Dr. Ope Banwo – Founder, Nollyflix360 and AiFlix360

When Omotola Jalade-Ekeinde, one of Nollywood’s most revered legends, recently shared her frustrations on the crushing charges and taxes swallowing up movie revenue in Nigerian cinemas, it sparked a firestorm—and rightly so. She lamented how exhibitors, distributors, government taxes, and agents take so much from box office sales that next to nothing remains for the actual filmmaker who birthed the vision, raised the funds, and took the risk.

Omosexy, you are absolutely right. Your frustration is shared by thousands of passionate producers in Nigeria who have to beg, borrow, and bleed to get their films to the big screen—only to end up with crumbs.

But here’s the kicker…

Nigerian producers may actually be better off than their American counterparts!

The truth is that Hollywood filmmakers may be having it worse than Nollywood in the area of Net Profits From Box Office Ticket Sales. It’s hard to believe, but the stats prove this, In the U.S.—the holy land of Hollywood—filmmakers often earn LESS than five percent or ten per cent of their box office gross, after:

• 50–55 percent is taken by cinema chains (Regal, AMC, Cinemark),

• 15–35 percent goes to the distributor.

• Massive marketing costs (P&A) which are recouped FIRST by marketers,

• Agents, lawyers, taxes, and guilds also take their cuts.

What’s left for the producer? Often, nothing. Even in billion-dollar franchises, most creative originators don’t profit directly from ticket sales.

So my dear Legendary Omo Sexy (I still think the battle for Female GOAT of Nollywood is between you and Genevieve). Box Office bleeding through crazy charges and taxes is not just a Nollywood problem—it’s a global system skewed against creators. The theaters, the Distributors; the Govt; the Marketers; the Advertisers; the Lawyers are all like bloodsuckers who must take their sip of your box office before you get your turn at the trough at which time virtually nothing is left.

That’s a fact whether you are making movies in Nollywood, Bollywood, Hollywood or Cannywood. The Box office in every ‘wood’ is similarly infested.

But here’s the truth that few want to admit: Cinema release is not a profit engine—it’s a promotional platform (the profit comes elsewhere beyond box office tickets).

You don’t go to cinemas to make money. You go to build brand equity, attract streaming deals, court international buyers, and signal quality. The real money? It’s in what comes BEFORE and AFTER the premiere cinema run.

Unfortunately this is the area of the movie business most Nollywood filmmakers still struggle with

Why 95 Percent Of Nollywood Theatrical Movies Are Not Profitable

1. Poor financial planning: Before or after the cinema run, most producers focus only on production, ignoring monetization.

2. Over dependence on box office- They falsely believe cinema income is the main revenue. I remember my shock at getting my final cheque after the successful box office run of my Ghetto Dreamz movie about the musician Dagrin in 2012. I went into a depression.

3. Ignorance of revenue stack – No strategy for digital, merchandizing, diaspora, brand sponsorship or licensing income.

4. Weak marketing – Few invest in serious PR or target audience building. Most make a cinema movie for say N100 Million but spend N5million only in marketing and wonder what happened.

5. Lack of business education – Many guilds focus on politics, not profitability or movie business education for their followers

7 Proven Strategies to Increase Film Profitability in Nollywood

I am not an expert on movie monetization (I confess that I myself is still trying to figure it out and mostly still in research stage because execution is harder than theory) but here are some ways I have come to learn that entrepreneurial filmmakers can monetize their movies.

1. Pre-sell Streaming Rights – Before you even release the movie, shop it to Netflix, Showmax, Prime Video, ROK, IrokoTV and more. Some films make their entire profit upfront.

2. Package TV Licensing Deals – Sell rights to Africa Magic, ROK on DSTV, and even NTA or AIT. These platforms pay per title or per broadcast cycle. A good film can earn multiple repeat fees.

3. Build a YouTube Monetization Engine –
Own your own channel, build an audience, and earn via AdSense + brand partnerships. Many filmmakers earn more monthly on YouTube than from box office.

4. Secure Brand Sponsorships & Product Placements – Plan your story to include brands, products, and shout-outs that fit organically. Charge N500K to N5M per placement depending on reach and genre.

5. Monetize the Diaspora – Create limited screening tours in London, Houston, Johannesburg, etc. Many diaspora communities are hungry for quality Nigerian stories—and they will pay.

6. Leverage Film Festivals & International Grants – Submit to AFRIFF, TIFF, Berlinale, Sundance, ZIFF, and win grants, awards, and distribution contracts. Festivals increase global visibility and perceived value.

7. Repurpose Content into Other Formats – Turn your film into merch (T-shirts, mugs), novels, web series, or behind-the-scenes content. Monetize across multiple verticals and platforms.

What we need now is to start experimenting with some of these options and more and figure out what works and what’s jsit theory for us

It’s time Nollywood Guilds and Associations—DGN, AMP, ANTP, AGN, MOPPAN—wake up and do their real job:

Train your members to profit from their creativity—not just win awards and titles!

Instead of endless AGMs and power tussles, let’s see more

• Monetization masterclasses

• Partnership brokerage with streaming platforms

• Legal workshops on licensing and IP protection

• Structured mentorship on multi-channel film revenue.

If our industry bodies continue to chase prestige without profit, the industry will keep losing its best talents to burnout, bankruptcy, or migration.

Final Word: The Cinema Is a Stage—Not the Bank

Omotola is right to call attention to the seemingly unfair deductions, but let’s also flip the script. No smart entrepreneur relies on a single revenue stream—and movie producers shouldn’t either. Box office is not the magic bullet for profitability.

Let our filmmakers learn to think beyond the big screen, plan multiple exits, and monetize their brilliance through every avenue possible.

Nollywood is not really a loser’s game—unless you play it with your eyes closed and refuse to broaden your knowledge about the business side of movie making

Ope Banwo
Mayor Of Fadeyi
CEO, Stingomania Entertainement

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May 11th : Fuji Star, Adekunle Marckenson Stages An All White London Welcome Back Party

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May 11th : Fuji Star, Adekunle Marckenson Stages An All White London Welcome Back Party

The most epic celebration of the year is coming as Dr. Kunle Marckenson returns to Nigeria after a successful Tours in London! De Crown Music International And Yommyright Entertainment International, in conjunction with Arems Entertainment, are thrilled to present his homecoming party and a vibrant welcome dance party.

 

Dr. Kunle Marckenson spent over two months in London, from January 23rd to March 29th, 2025, and he is now back in Nigeria, ready to share his experiences and announce his forthcoming album.

 

Join us on Sunday, May 11th, 2025, at 2pm prompt, at The City Pulse Lounge, beside Blue Roof Television in Alausa, Ikeja, Lagos State, for an unforgettable experience. The all-white dress code party will feature an incredible lineup of artistes, including K-Shanana, Okiki Bright, Queen Tosin Eniba, Harmony Opee Gaji, Alhaji Sikiru Lemon, Amb. Abiodun Ejire Patira and Shola Melody, all sharing the stage with the guest of honor, Dr. Kunle Marckenson. The party will go all night, with great music and dancing.

 

This welcome dance party is a celebration of Dr. Kunle Marckenson’s successful UK tours and a chance for him to connect with his fans and share his experiences. With their combined talents, this party promises to be an electric celebration of music and good times. You’ll be surrounded by friends, family, and fellow music lovers, all united in their love for great music and good times. So mark your calendars for May 11th and get ready to party like never before. Don’t miss out on the ultimate welcome dance party of the year. See you there!

 

This event is proudly supported by FUMAN & top media partners like ARIYA 24/7 TV, City Pulse TV, Ghaj-Bash, OJUTOLE TV, Aroye TV, Owutu TV, Event Diaries & Lifestyle, Alore TV, Sahara Weekly & Others.

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